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1793ref. ST20586Lugduni Batavorum Leyden: S. & J. Luchtmans 1793 1827 1835. FIRST EDITION A COMPLETE SET. 525 x 350 mm. 20 3/4 x 14". Four volumes. First two volumes in contemporary cat's paw calf volumes III and IV in contemporary flamed calf raised bands spines gilt in compartments with central fleuron one red and one black morocco label. WITH 206 ENGRAVED ANATOMICAL PLATES all with guards. Front pastedowns with bookplate of Harvard Medical School Library; library shelf markings in white at bottom of spines; bookseller's ticket of Schönhof & Mueller Foreign Books Boston. Bibliotheca Walleriana 8549; Choulant pp. 312-13; Larousse XIX vol. 14 p. 171. Lucas L. Boer Peter L. J. Boek Andries J. van Dam and Roelof-Jan Oostra "History and highlights of the teratological collection in the Museum Anatomicum of Leiden University The Netherlands " American Journal of Medical Genetics Part A Volume 176 no. 3 2018 pp. 618-37. Shallow chips across the tail of first two volumes covers variably abraded one noticeably so corners somewhat worn partially with boards showing through vague additional signs of wear but the bindings solid and retaining much of their original appeal; plates in first two volumes with faint overall browning either because of paper stock or because of contact with guards a handful of trivial tears but all in all an extremely pleasing set the plates in volume IV very clean and bright and the plates elsewhere and the wide-margined text clean and fresh throughout. This is an extremely scarce complete set of a very substantially proportioned anatomical work with more than 200 striking giant folio engravings that emphasize birth defects and that range from clinically cheerless to heartbreaking. A physician and professor of anatomy at Leyden Eduard Sandifort 1742-1814 was commissioned by the University and the city council to publish this account of the school's anatomical collections with a focus on pathological anatomy including especially congenital abnormalities. After the publication of the first two volumes in 1793 the third and fourth were issued following Sandifort's death by his son Gerard 1779-1848 who followed in his father's professorial footsteps in Leyden. The first second and fourth volume are illustrated with copperplate engravings which Larousse tell us make this book "one of the most beautiful works of this genre" though "beautiful" needs to be understood here to mean "convincing" or "compelling" rather than aesthetically appealing. The first volume concludes with nine full-size depictions of skulls; the illustrations in the second and fourth are of a more affecting nature consisting of malformed bodies and body parts damaged or destroyed by disease and birth defects. The engravings of the conjoined twins in these volumes are especially powerful--consisting of poignant even haunting images showing undeserving victims of pronounced congenital defects though some are softened with a touch of the fanciful in their presentation. The thoroughness and accuracy of the work is so great that it remains of scholarly value even today. A recent study by Dutch curators and anatomical scholars Lucas L. Boer Peter L. J. Boek Andries J. van Dam and Roelof-Jan Oostra used "Museum Anatomicum" as a guide to identify and re-diagnose the University's historic teratological collections noting that "many historically made diagnoses could not be improved upon after re-diagnosing the specimens with contemporary dysmorphological knowledge actually confirming that these old collectors were perhaps the first dysmorphologists and can be seen as true pioneers in the field of teratology." Although single volumes and incomplete sets of this work come on the market with some regularity we have been able to trace only five complete sets at auction since 1872. And ours especially fresh and wide-margined in pleasing contemporary calf is a particularly attractive specimen. S. & J. Luchtmans unknown books
1417ref. ST20185Amsterdam: Joannes Wolters then Jansson-Waesberg 1701-14; 1715-16. FIRST EDITIONS. 224 x 168 mm. 8 3/4 x 6 1/2". 4 p.l. 62 pp. 1 leaf errata; 2 p.l. 98 pp.; 2 p.l. 70 pp.; 1 p.l. 55 pp.; 1 p.l. 54 pp. 2 p.l. 30 pp. 1 leaf 92 pp. 2 leaves 44 pp. 4 leaves 68 pp. 8 leaves 72 pp. 1 leaf errata 12 leaves 78 pp. 10 parts in one volume. Contemporary stiff vellum smooth spine with ink titling yapp edges. WITH 42 ENGRAVED PLATES as called for by Norman six of these folding. Text in Latin and Dutch. Blake 395; Garrison-Morton 389; Heirs of Hippocrates 627; Jeremy Norman's HistoryofMedicine.com 623; Norman 1875. Vellum lightly soiled front pastedown slightly defective but the original unsophisticated binding in perfect order. Final plate with small hole due to adhesion to facing page minor damage done to image a few other trivial imperfections a couple of negligible marginal tears a faint ink stain across the top inch of text a tiny burn hole but AN UNUSUALLY BRIGHT CLEAN COPY INTERNALLY with all the important plates in exceptionally fine condition. Scarce when seen bound from its original 10 parts as here this work describes the memorable "Anatomical Treasure" of Dutch physician and anatomist Frederick Ruysch being illustrated by surrealistic charmingly macabre engravings depicting "fantastic dream-like concoctions constructed of human anatomical parts." History of Medicine Described by Norman as "probably the most original artist in the history of anatomical preparations" Ruysch 1638-1731 "enjoyed making up elaborate three-dimensional emblems of mortality from his specimens" which included fetal skeletons and preserved organs. Heirs to Hippocrates says that "the engraved illustrations deserve special mention for their whimsical almost surrealistic quality: quaintly posed skeletons surrounded by stuffed monsters strange reptiles dried plants and sea creatures." According to Norman "Ruysch's methods allowed him to prepare organs such as the liver and kidneys and keep entire corpses for years. He used a mixture of talc white wax and cinnabar for injecting vessels and an embalming fluid of alcohol made from wine or corn with black pepper added. Using his injection methods Ruysch was the first to demonstrate the occurrence of blood vessels in almost all tissues of the human body thereby destroying the Galenic belief that certain areas of the body had no vascular supply. He was also the first to show that blood vessels display diverse organ-specific patterns." Ruysch's dioramas were displayed in his home museum in Amsterdam which was open to the public; visitors included Tsar Peter the Great of Russia who purchased the collection in 1717 for the foundation of Russia's first public museum the St. Petersburg Kunstkammer. Unfortunately the Russian climate was not kind to the fragile constructions and all deteriorated over time; the dramatic plates here are the best record we have of this unique collection. Joannes Wolters, then Jansson-Waesberg unknown
1417ref. ST20185Amsterdam: Joannes Wolters then Jansson-Waesberg 1701-14; 1715-16. FIRST EDITIONS. 224 x 168 mm. 8 3/4 x 6 1/2". 4 p.l. 62 pp. 1 leaf errata; 2 p.l. 98 pp.; 2 p.l. 70 pp.; 1 p.l. 55 pp.; 1 p.l. 54 pp. 2 p.l. 30 pp. 1 leaf 92 pp. 2 leaves 44 pp. 4 leaves 68 pp. 8 leaves 72 pp. 1 leaf errata 12 leaves 78 pp. 10 parts in one volume. Contemporary stiff vellum smooth spine with ink titling yapp edges. WITH 42 ENGRAVED PLATES as called for by Norman six of these folding. Text in Latin and Dutch. Blake 395; Garrison-Morton 389; Heirs of Hippocrates 627; Jeremy Norman's HistoryofMedicine.com 623; Norman 1875. Vellum lightly soiled front pastedown slightly defective but the original unsophisticated binding in perfect order. Final plate with small hole due to adhesion to facing page minor damage done to image a few other trivial imperfections a couple of negligible marginal tears a faint ink stain across the top inch of text a tiny burn hole but AN UNUSUALLY BRIGHT CLEAN COPY INTERNALLY with all the important plates in exceptionally fine condition. Scarce when seen bound from its original 10 parts as here this work describes the memorable "Anatomical Treasure" of Dutch physician and anatomist Frederick Ruysch being illustrated by surrealistic charmingly macabre engravings depicting "fantastic dream-like concoctions constructed of human anatomical parts." History of Medicine Described by Norman as "probably the most original artist in the history of anatomical preparations" Ruysch 1638-1731 "enjoyed making up elaborate three-dimensional emblems of mortality from his specimens" which included fetal skeletons and preserved organs. Heirs to Hippocrates says that "the engraved illustrations deserve special mention for their whimsical almost surrealistic quality: quaintly posed skeletons surrounded by stuffed monsters strange reptiles dried plants and sea creatures." According to Norman "Ruysch's methods allowed him to prepare organs such as the liver and kidneys and keep entire corpses for years. He used a mixture of talc white wax and cinnabar for injecting vessels and an embalming fluid of alcohol made from wine or corn with black pepper added. Using his injection methods Ruysch was the first to demonstrate the occurrence of blood vessels in almost all tissues of the human body thereby destroying the Galenic belief that certain areas of the body had no vascular supply. He was also the first to show that blood vessels display diverse organ-specific patterns." Ruysch's dioramas were displayed in his home museum in Amsterdam which was open to the public; visitors included Tsar Peter the Great of Russia who purchased the collection in 1717 for the foundation of Russia's first public museum the St. Petersburg Kunstkammer. Unfortunately the Russian climate was not kind to the fragile constructions and all deteriorated over time; the dramatic plates here are the best record we have of this unique collection. Joannes Wolters, then Jansson-Waesberg unknown books
ref. 1403Lugduni batavorum, Joannem Arnoldum Langerak, 1739, un fort volume grand in folio (535x365mm,leaf 525x355mm) relié en PLEIN MAROQUIN ROUGE, (reliure de l'époque), dos orné de fers dorés, toutes tranches dorées, filets dorés sur les plats, 9 ff. (titre gravé, titre imprimé en noir en en rouge, dedicace...), 59 ff. (explication des planches), 2 ff (index), 114 PLANCHES (105 pl. numérotées 1 à 105 + 9 planches numérotées 1 à 9
ref. 482Rome, Antonii de Rubeis, 1741, un volume in folio, (42,20 cm x 30 cm) relié en plein parchemin, dos muet (habiles restaurations sur les plats, quelques traces de poussière dans les marges de la dernière page de texte), 2 feuillets non chiffrés (titre+avis au lecteur), 84pp., 27 SUPERBES PLANCHES
ref. 13967Traité pratique du dessin et de la peinture Tome V Ecole française. In 12 broché, couverture illustrée, 120x190mm, faux –titre, titre, VII, 460 pages, 204 illustrations dans le texte, Paris Librairie Garnier frères, sans date. Couverture doublée, dos renforcé. Intérieur, très bon état
1990ref. ART5932MBroché, 343 pages, paru le 1er décembre 1990 chez RMN, très bon état général.