5516 risultati
2024rif. x-9811965870Springer Nature 2024. Paperback. New. 889 pages. 9.25x6.10x1.76 inches. Springer Nature paperback
2022rif. x-9811965846Springer 2022. Hardcover. New. 889 pages. 9.25x6.10x1.81 inches. Springer hardcover
1967rif. mon0000062487Ballantine Books 1967-01-01. Paperback. Acceptable. 0.9000 in x 6.8000 in x 4.3000 in. Creased cover. Ballantine Books paperback
rif. 2140Paris: Collection de l'Academie des Goncourt / Romagnol 1905. A short story by Daudet profusely illustrated with original etchings printed in color by Pierre Vidal. Edition limited to 350 copies printed on fine wove paper. A UNIQUE COPY WHICH BELONGED TO ROMAGNOL THE PUBLISHER. Includes in addition to the book itself: a prospectus for the publications of the "Collection de l'Academie des Goncourt" with original etchings by Charles Jouas 2 Pierre Vidal and Louis Morin 2; AN INITIALED VISITING CARD FROM DAUDET WITH A SHORT AUTOGRAPH NOTE TO ROMAGNOL; two signed autograph letters from the illustrator to the publisher discussing artistic and financial matters concerning the illustrations; two complete sets of page proofs for the book without illustrations; and TWO COMPLETE SUITES OF THE ETCHINGS WITH REMARQUES PRINTED HORS TEXTE one colored one uncolored. 8vo. Housed in a cloth slipcase custom made for Romagnol. Excellent condition. Paris: Collection de l'Academie des Goncourt / Romagnol, 1905 hardcover
1950rif. 155687New York: E.P. Dutton 1950. First Edition. First Edition. INSCRIBED and dated on the front endpaper by Gore Vidal to his friend and Harcourt Brace editor Don Wickenden: "Dear Don- get well ever - Gore Panajachel remember me - 1949." Wickenden's annotations in manuscript pencil appear throughout the book on the margins. About Near Fine in a Very Good plus dust jacket. Faint foxing on the page fore-edges. Jacket lightly toned on the spine and rear panels with brief wear on the spine ends. E.P. Dutton unknown
1950rif. 155687New York: E.P. Dutton 1950. First Edition. First Edition. INSCRIBED and dated on the front endpaper by Gore Vidal to his friend and Harcourt Brace editor Don Wickenden: "Dear Don- get well ever - Gore Panajachel remember me - 1949." Wickenden's annotations in manuscript pencil appear throughout the book on the margins. About Near Fine in a Very Good plus dust jacket. Faint foxing on the page fore-edges. Jacket lightly toned on the spine and rear panels with brief wear on the spine ends. E.P. Dutton unknown books
1982rif. 125211New York: Random House 1982. First edition of this collection of essays. Octavo original half cloth. Association copy inscribed by the author on the title page "Kit all love Gore Vidal." The recipient Katherine "Kit" Vidal was Eugene Vidal's second wife; he married her in 1939 when she was a 20 year old model with the Powers Agency only six years older than Gore. Fine in a near fine dust jacket. Jacket design by Jack Ribik. An exceptional association. This collection of essays includes Vidal's noted pieces on Theodore Roosevelt F. Scott Fitzgerald Edmund Wilson and on the need for a new constitutional convention and ranges across a wide spectrum of social political and literary matters. Random House hardcover
1946rif. 150089New York: E.P. Dutton & Company 1946. First edition of the author's first book. Octavo original black cloth. Boldly signed by Gore Vidal on a card to the front free endpaper. Near fine in a very good dust jacket. Williwaw was Gore Vidal's first publication and it earned him the reputation as "the best all-around American man of letters since Edmund Wilson"Newsweek. The military novel marked the beginning of his writing career aged twenty-one and is based upon his Alaskan Harbor Detachment duty. Williwaw is a quasi-autobiographical novel and its value comprises not merely Vidal's excellent writing but the insight it offers into the author's experiences. E.P. Dutton & Company hardcover
2001rif. 1-0767908066Broadway Books 2001. Paperback. New. 1312 pages. 9.00x6.00x2.25 inches. Broadway Books paperback
1970rif. 198741970. Twentieth Century Fox's Myra Breckinridge publicity archive 1970 documents the visual promotion of a major-studio film centered on a transgender woman gender nonconformity and attacks on Hollywood masculinity. Adapted from Gore Vidal's 1968 novel the film starred Raquel Welch as Myra Breckinridge with John Huston Mae West Rex Reed Farrah Fawcett and Roger Herren in supporting roles; AFI identifies the film's subjects as including bisexuality homosexuality lesbianism "sex change" Hollywood actors students seduction and gendered social conflict. The material belongs to LGBTQ film and New Hollywood publicity culture illustrating how a controversial commercial studio release used star image costume and provocative gender performance to market a film built around trans identity and the disruption of conventional sexual roles. The archive consists of four 1970 promotional items for Myra Breckinridge: three color lobby card photographs and one vintage glossy black-and-white silver gelatin publicity photograph. The large lobby card measures 11 x 14 inches; the two smaller lobby cards measure 8 x 10 inches; the silver gelatin photograph measures 8 x 10 inches. The lobby cards show scenes from the film featuring Welch and Huston including images of Welch in the white costumes closely associated with the character's stylized screen persona; all three lobby cards carry the film title the 20th Century Fox logo and a 1970 copyright statement in the lower white margin. The images foreground costume celebrity and theatrical confrontation rather than narrative continuity making the group especially useful for studying the marketing of gender transgression through Hollywood glamour camp visual codes and star publicity. 1 Twentieth Century Fox. Myra Breckinridge large lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 11 x 14 inches showing Raquel Welch in a scene from the film and retaining the printed studio and copyright information in the lower margin. 2 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches featuring Welch and emphasizing the film's use of costume and pose in constructing Myra's public image. 3 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches showing another publicity still from the film with printed title and studio branding. 4 Twentieth Century Fox. Myra Breckinridge silver gelatin publicity photograph. Los Angeles: Twentieth Century Fox 1970. Glossy black-and-white 8 x 10 inch still connected to the film's original publicity campaign. Minor edge wear and light handling to the lobby cards and photograph; images remain clean and legible; overall very good. Focused group of original publicity materials for a controversial LGBTQ film text whose mainstream studio circulation trans subject matter and highly stylized presentation of gender make it a significant artifact of 1970s queer film reception and visual culture. unknown
1970rif. 198741970. Twentieth Century Fox's Myra Breckinridge publicity archive 1970 documents the visual promotion of a major-studio film centered on a transgender woman gender nonconformity and attacks on Hollywood masculinity. Adapted from Gore Vidal's 1968 novel the film starred Raquel Welch as Myra Breckinridge with John Huston Mae West Rex Reed Farrah Fawcett and Roger Herren in supporting roles; AFI identifies the film's subjects as including bisexuality homosexuality lesbianism "sex change" Hollywood actors students seduction and gendered social conflict. The material belongs to LGBTQ film and New Hollywood publicity culture illustrating how a controversial commercial studio release used star image costume and provocative gender performance to market a film built around trans identity and the disruption of conventional sexual roles. The archive consists of four 1970 promotional items for Myra Breckinridge: three color lobby card photographs and one vintage glossy black-and-white silver gelatin publicity photograph. The large lobby card measures 11 x 14 inches; the two smaller lobby cards measure 8 x 10 inches; the silver gelatin photograph measures 8 x 10 inches. The lobby cards show scenes from the film featuring Welch and Huston including images of Welch in the white costumes closely associated with the character's stylized screen persona; all three lobby cards carry the film title the 20th Century Fox logo and a 1970 copyright statement in the lower white margin. The images foreground costume celebrity and theatrical confrontation rather than narrative continuity making the group especially useful for studying the marketing of gender transgression through Hollywood glamour camp visual codes and star publicity. 1 Twentieth Century Fox. Myra Breckinridge large lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 11 x 14 inches showing Raquel Welch in a scene from the film and retaining the printed studio and copyright information in the lower margin. 2 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches featuring Welch and emphasizing the film's use of costume and pose in constructing Myra's public image. 3 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches showing another publicity still from the film with printed title and studio branding. 4 Twentieth Century Fox. Myra Breckinridge silver gelatin publicity photograph. Los Angeles: Twentieth Century Fox 1970. Glossy black-and-white 8 x 10 inch still connected to the film's original publicity campaign. Minor edge wear and light handling to the lobby cards and photograph; images remain clean and legible; overall very good. Focused group of original publicity materials for a controversial LGBTQ film text whose mainstream studio circulation trans subject matter and highly stylized presentation of gender make it a significant artifact of 1970s queer film reception and visual culture. unknown books
1963rif. 13525Paris, Gallimard, coll. Albums de la Pléiade, 1963. In-12 pleine peau dorée à l'or fin, jaquette ornée d'un portrait, rhodoïd.
1889rif. 21570Paris, Quantin, 1889. Grand in-8 de [6]-II-347 pages, demi-chagrin, dos à 5 nerfs avec titre doré, couverture conservée. Infimes frottements à la reliure, belle condition générale. Illustré d'un frontispice, bien complet des 29 planches hors-texte.
1890rif. 165249Paris : Arthur Rousseau 1890. First Edition. Hardback. Near fine copy in the original paper-labelled quarter-cloth over marble boards with marble end papers. Panel edges very slightly dust-toned as with age. Corners sharp with an overall tight bright and clean impression; 8vo 8"" - 9"" tall; 637 pages; Description: 637 p. ; 23 cm. Subjects: Punishment --Philosophy --Criminal law --Comparative law Paris : Arthur Rousseau hardcover
1934rif. 300527London : Faber and Faber 1934. Second Edition. Hardcover. Signed author photo and manuscript poem loosely inserted. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dust-toned and rubbed as with age. Remains quite well-preserved overall. Physical description: 493p. ; 23cm. Subjects: Vidal Lois ; Biography. London : Faber and Faber hardcover
1949rif. 155928London: John Lehmann 1949. First Edition. First UK Edition preceded by the First Edition published by E.P. Dutton in 1948. Gore Vidal's third novel a milestone in gay literature. Very Good plus in an about Very Good plus dust jacket. Boards lightly rubbed at the corners. Jacket lightly rubbed and edgeworn with a pinhole on the center rear hinge and a faintly faded spine. John Lehmann unknown
1949rif. 155928London: John Lehmann 1949. First Edition. First UK Edition preceded by the First Edition published by E.P. Dutton in 1948. Gore Vidal's third novel a milestone in gay literature. Very Good plus in an about Very Good plus dust jacket. Boards lightly rubbed at the corners. Jacket lightly rubbed and edgeworn with a pinhole on the center rear hinge and a faintly faded spine. John Lehmann unknown books
1992rif. 68182Distributed Art Pub Inc. Very Good. 1992. Reprint. Paperback. 3893226257 . Small front corner creases. Binding tight and straight inner pages clean and unmarked. Text in German/English. ; 9.75 X 0.5 X 11.25 inches; 200 pages . Distributed Art Pub Inc paperback
1979rif. 503563Sylvester and Orphanos 1979. Hardcover. FINE. Inscribed by Vidal to his publisher Ralph Sylvester on the limitation page d. Dec. 8 1979. 8vo 23pp. Bound in a somewhat ironic red white and blue theme with white cloth and red and blue borders around gilt stamped monogram. Some faint toning to extremities FINE otherwise. Presentation copy from an edition limited to 330 300 numbered 26 lettered 4 named. The lettered volumes alone were bound in leather. Without slipcase or dust jacket as issued. Letterpress printed by Grant Dahlstrom at the Castle Press the first S&O collaboration with Dahlstrom. Sylvester and Orphanos hardcover
2019rif. __1138698016Routledge 2019. Hardcover. New. 513 pages. 9.75x7.00x1.50 inches. Routledge hardcover
rif. 9781629480992NOVA SCIENCE PUBLISHERS INC
1981rif. WALTER-FILM004146Vintage original second revision script by Gore Vidal adapted from the novel by Lucian Truscott USA. Los Angeles: Richard Roth Productions 6 March 1981. 11261 quarto brad bound in production wrappers. Paper filing label across spine NEAR FINE. Second revision draft script of this early form of an adaptation by Gore Vidal to television of Lucian Truscott's novel. In its present state the script would translate into a two-hour television film. Truscott's novel set at West Point at the time of the Vietnam War reportedly based it on fact. The completed film when screened on television dealt with homophobia both external and internalized and it was very strong stuff in the mid-1980s at the height of the Reagan era. The film was clearly troubling to some contemporary critics but it nonetheless was nominated for three Emmy Awards. A very interesting example of Vidal's work as a screenwriter especially because of the film's LGBTQ subject matter. Richard Roth Prod. paperback
1981rif. WALTER-FILM004146Vintage original second revision script by Gore Vidal adapted from the novel by Lucian Truscott USA. Los Angeles: Richard Roth Productions 6 March 1981. 11261 quarto brad bound in production wrappers. Paper filing label across spine NEAR FINE. Second revision draft script of this early form of an adaptation by Gore Vidal to television of Lucian Truscott's novel. In its present state the script would translate into a two-hour television film. Truscott's novel set at West Point at the time of the Vietnam War reportedly based it on fact. The completed film when screened on television dealt with homophobia both external and internalized and it was very strong stuff in the mid-1980s at the height of the Reagan era. The film was clearly troubling to some contemporary critics but it nonetheless was nominated for three Emmy Awards. A very interesting example of Vidal's work as a screenwriter especially because of the film's LGBTQ subject matter. Richard Roth Prod. paperback books
1992rif. 73952Edition Cantz 1992. paperback. very good condition with a bit of wear. text in Engllsh and German shipping via USPS Edition Cantz paperback
1950rif. 126599New York: E.P. Dutton & Company 1950. First edition of this “well-written work” Kirkus. Octavo original cloth. Association copy inscribed by the author on the front free endpaper "Valerie from Gore June 1954." The recipient Valerie Gore was the author’s sister. Vidal’s father remarried in 1939 and had two children with his second wife; Valerie was born in 1946. The two remained close throughout their lives. Near fine in a very good dust jacket which was laminated by Vidal. An exceptional association. Dark Green Bright Red is a novel by Gore Vidal concerning a revolution headed by a former military dictator in an unnamed Central American republic. It drew upon Vidal's experiences living in Guatemala during the Guatemalan Revolution. E.P. Dutton & Company hardcover
