Paula Vidal MolinaBiblio.com
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ref. B9781032784052Paperback / softback. New. This book is a fascinating collection of texts from Chile’s ‘1000 Days of Revolution’. Twenty-three texts embodying the activity of Unidad Popular and Salvador Allende’s government in the early 1970s are structured around five thematic sections which tell of the challenges for progressive political organizations and social movements today. paperback
ref. 58657Volum Editions. Quimper France. 2010. . 1st Ed. in Collection Zone Interdite. 227 5 publications PP with 2 maps 1 diagram 1 sketch and 6 newspaper clippings plus 16 pages with 2 cartoons 2 maps in colour 8 b/w and 48 colour photos. Pictorial soft cover. 2 pages of the french daily newspaper "Le Monde" dated 7 May 1988 loosely inserted. French text. Faint foxing spots on top outside edge. Fine. 24 x 16. Volum Editions. Quimper, France. 2010. paperback
ref. A9783668270657Paperback / softback. New. paperback
ref. 65475Brepols 2021. Hardback 388 pages Size:156 x 234 mm Illustrations:1 b/w 7 maps b/w Languages: English Latin French. ISBN 9782503587936. Summary What is a minority How did members of minority groups in the medieval Mediterranean world interact with contemporaries belonging to other groups In what ways did those contacts affect their social positions and identities The essays collected in this volume approach these questions from a variety of angles examining polemic social norms economic exchange linguistic transformations and power dynamics. These essays recast the concept of minority - as a mutable condition rather than a fixed group designation - and explore previously-neglected collective and individual interactions between and among minorities around the medieval Mediterranean basin. Minorities are often defined as such because they were in some way excluded from access to resources or denied participation as a consequence of a group affiliation or facet of their identity. Yet at times their distinctiveness also lay less in their exclusion than in particular ways of relating to spheres of power whether political or moral and in certain dissenting conceptions of the world. Through these contributions we shed light on both the continuities that such interactions displayed across intervals of space and time and the changes that they underwent in particular locales and historical moments. TABLE OF CONTENTS Foreword Introduction - CLARA ALMAGRO VIDAL JESSICA TEARNEY-PEARCE AND LUKE YARBROUGH Minorities in Contact or Processes of Categorization - ANNLIESE NEF Women at the Crossroads of Muslim/non-Muslim Encounters: Conversion and Intermarriage in the Classical Islamic Period - URIEL SIMONSOHN Conversion and Religious Polemic between Jews and Christians in Egypt from the Fatimid through the Mamluk Periods - ALEXANDRA CUFFEL Jewish-Christian Theological Polemic as Reflected in Judaeo-Arabic Biblical Interpretations - ZVI STAMPFER Polemics between Religious Minorities: Christian Adversus Judaeos from the Early Abbasid Period - BARBARA ROGGEMA Latins and Levantine Christian Minorities after the Fourth Lateran Council 1215: Jacques de Vitry's Descriptions of Eastern Christians in the Kingdom of Jerusalem - JAN VANDEBURIE Lamenting Jerusalem: The Papacy the Kings' Crusade and the Armenian Kingdom of Cilicia - TAMAR M. BOYADJIAN 'And the Lord will raise a great emir in a land': Muslim Political Power Viewed by Coptic-Arabic Authors: A Case in the Arabic 'Apocalypse of Pseudo Athanasius II' - JUAN PEDRO MONFERRER SALA Keeping their Place: The Prohibition on Non-Muslim Scribes in Ahkm ahl al-dhimma - ANTONIA BOSANQUET A Christian Official in the Mamluk State Speaks: Ibn al-Suq' on Minorities and Power - LUKE YARBROUGH Jews in Government Functions in al-Andalus during the Taifa Period: The Case of the Banu Nagrila of Granada - ALEJANDRO GARCIA SANJUAN More than Meets the Eye: Readings of Economic Interaction between a Muslim a Jew and a Christian in Castile - CLARA ALMAGRO VIDAL A Reassessment of Frankish Settlement Patterns in the Latin Kingdom of Jerusalem: 493-583/1099-1187 - BOGDAN C. SMARANDACHE Does Cohabitation produce Convivencia Relationships between Jews and Muslims in Castilian Christian Towns - ANA ECHEVARRIA Muslims and Jews in Medieval Portugal: Interaction and Negotiation 14th-15th c. - MARIA FILOMENA LOPES DE BARROS Conclusion - JOHN TOLAN Index Brepols 2021 hardcover
ref. A9781258278809Paperback. New. paperback
1974ref. 207551974. LGBTQ Transgender Vidal Gore. Myron. New York Random House 1974. Signed in purple ink by author on title page. First edition. 244 pages. Original navy blue binding with "GV" stamped in gilt on cover and author title and published stamped on spine. Original dustjacket in good condition. Myron is the 1974 sequel to Vidal's groundbreaking 1968 novel Myra Breckinridge one of the first American novels to feature a transgender protagonist. This twisting gender-bending narrative follows the same protagonist after the events of Myra Breckinridge when they have returned to their neutered male persona Myron. While watching TV one night Myron finds himself transported into the 1948 film Siren of Babylon a chaotic world where Myra threatens to take over again. In the introduction to the book Vidal speaks out against the landmark 1973 Miller vs. California case in which the Supreme Court ruled that obscene and pornographic materials are not protected by the First Amendment and may be banned by governmental authority saying "Chief Justice Warren Burger admitted that although no link has been found between the consumption of pornography and anti-social behavior any community may assume that such a connection exists if it wants to - in other words an outraged community may burn a witch even though properly speaking witches do not exist." In an sardonic attempt to preclude himself from such a witch hunt Vidal replaced the "dirty" words in the novel with the names of the concurring Supreme Court justices and anti-pornography activists Father Morton Hill and Edward Keating to "revitalize a language gone stale and inexact from too much 'burgering' around with meaning." Some light dampstaining to dustjacket. Overall very good condition. First edition novel dealing with transexuality and gender-fluidity signed by celebrated author and free speech activist Gore Vidal. unknown
1967ref. 202471Boston MA: Little Brown and Company 1967. First edition and first printing. Hardcover. 377 pages. A novel from the author of "The City and The Pillar." A fine copy in gray cloth boards and in a near fine dust jacket with a couple of small tears that have been repaired. Signed by Vidal on a publisher tipped in page for Kroch's & Brentano's 1st Edition Circl with their laid in bookmarker. A nicer than usual copy. Little, Brown and Company unknown
1956ref. ZU-0190-12-30-2023The Zero Press 1956. hardcover. Very Good. 0x0x0. clean well kept 1st edition hardcover copy. No markings stains or stickers The Zero Press hardcover
1970ref. 198741970. Twentieth Century Fox's Myra Breckinridge publicity archive 1970 documents the visual promotion of a major-studio film centered on a transgender woman gender nonconformity and attacks on Hollywood masculinity. Adapted from Gore Vidal's 1968 novel the film starred Raquel Welch as Myra Breckinridge with John Huston Mae West Rex Reed Farrah Fawcett and Roger Herren in supporting roles; AFI identifies the film's subjects as including bisexuality homosexuality lesbianism "sex change" Hollywood actors students seduction and gendered social conflict. The material belongs to LGBTQ film and New Hollywood publicity culture illustrating how a controversial commercial studio release used star image costume and provocative gender performance to market a film built around trans identity and the disruption of conventional sexual roles. The archive consists of four 1970 promotional items for Myra Breckinridge: three color lobby card photographs and one vintage glossy black-and-white silver gelatin publicity photograph. The large lobby card measures 11 x 14 inches; the two smaller lobby cards measure 8 x 10 inches; the silver gelatin photograph measures 8 x 10 inches. The lobby cards show scenes from the film featuring Welch and Huston including images of Welch in the white costumes closely associated with the character's stylized screen persona; all three lobby cards carry the film title the 20th Century Fox logo and a 1970 copyright statement in the lower white margin. The images foreground costume celebrity and theatrical confrontation rather than narrative continuity making the group especially useful for studying the marketing of gender transgression through Hollywood glamour camp visual codes and star publicity. 1 Twentieth Century Fox. Myra Breckinridge large lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 11 x 14 inches showing Raquel Welch in a scene from the film and retaining the printed studio and copyright information in the lower margin. 2 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches featuring Welch and emphasizing the film's use of costume and pose in constructing Myra's public image. 3 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches showing another publicity still from the film with printed title and studio branding. 4 Twentieth Century Fox. Myra Breckinridge silver gelatin publicity photograph. Los Angeles: Twentieth Century Fox 1970. Glossy black-and-white 8 x 10 inch still connected to the film's original publicity campaign. Minor edge wear and light handling to the lobby cards and photograph; images remain clean and legible; overall very good. Focused group of original publicity materials for a controversial LGBTQ film text whose mainstream studio circulation trans subject matter and highly stylized presentation of gender make it a significant artifact of 1970s queer film reception and visual culture. unknown
ref. A9781032443003Hardback. New. This collection examines Brazil as a point of departure and of arrival for the analyses of circuits that intertwined within the national borders stimulate the reflection about international transits hybridizations and appropriations in a process of transnational circulation of subjects and artifacts. hardcover
2003ref. 186630Connecticut: Yale University Press 2003. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket. Yale University Press hardcover
ref. 1084223Encuadernación de tapa dura. Aceptable. . Valladolid. Edit. Divisa Red. Imp. Calidad Gráfica Araconsa. 2007. 1ª edic. 24x20 cm. T. I Europa y otras Cinematografías. 291 págs. T. II Estados Unidos. 315 págs. Textos a dos columnas. Ilust. fotográficas en b/n. Cartoné edit. estuche. # cine. hardcover
1958ref. 193967New York: Signet 1958. First edition. Softcover. 143 pages. Signet S1535. A collection of seven short stories. A fine copy in wrapper with some very slight toning to the pages. A very fresh unread copy. Signet unknown
ref. A9781032481289Paperback / softback. New. Translation and Repetition: Rewriting Unoriginal Literature offers a new and original perspective in Translation Studies considering creative repetition from the perspective of the translator. This is done by analysing so-called unoriginal literature and thus expanding the definition of translation. paperback
1984ref. 007720New York: Random House 1984. 1st Edition . Hardcover. New/New. 8vo - over 7¾ - 9¾" tall. First Edition stated First Printing with correct number line sequence no writing marks underlining or bookplates. No remainder marks. Spine is tight and crisp. Boards are flat and true and the corners are square. Dust jacket is not price-clipped. This collectible "NEW" condition first edition/first printing copy is protected with a polyester archival dust jacket cover. Beautiful collectible copy. Unread. Pristine. GIFT QUALITY Random House hardcover
1970ref. 48564Los Angeles: Twentieth Century -Fox Film Corp 1970. First Edition. Original wraps. Very good. 12p illustrated Press Kit in orange printed wraps. tall quarto 4 color lobby cards 10x14 with actors Raquel Welch Rex Reed Mae West and John Huston in various scenes plus a 40 x 26 inch color poster folded some damage and 2 pieces of ephemeral sheets. Twentieth Century -Fox Film Corp paperback
1969ref. 188843Boston MA: Little Brown and Company 1969. First edition. Softcover. Uncorrected proof. Vidal's second collection of essays. The trade edition had 255 pages and this proof has only 227 pages and doesn't includes several essays that appear in the final version. An about very good copy in wrappers with some tenderness to the front hing toning to the spine and edges and a paperclip impression to the top of the front panel. Fairly uncommon in this format. Little, Brown and Company unknown
2004ref. 170849New York: Nation Books 2004. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket.; 8vo - over 7¾" - 9¾" tall; 208 pages. Nation Books hardcover
ref. A9781629480992Hardback. New. hardcover
1978ref. 172681New York: Random House Inc 1978. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket. Owner name on FEP. Foxing along text block edges.; 8vo - over 7¾" - 9¾" tall. Random House Inc hardcover
1995ref. 173209New York: Random House Inc 1995. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket.; 8vo - over 7¾" - 9¾" tall. Random House Inc hardcover
ref. B9780521820448Hardback. New. This book is designed as a basic introduction to contemporary Brazil from a recent historical perspective and is one of the first such comprehensive surveys of recent Brazilian history and development - the shift in effect from a pre-modern to a modern economy and society - in any language. hardcover
ref. B9781107042506Hardback. New. This is the first complete economic and social history of Brazil in the modern period in any language. It provides a detailed analysis of the evolution of the Brazilian society and economy from the end of the empire in 1889 to the present day. hardcover
ref. 59436Ludion 2022. Hardcover 240 pages 330 x 240 mm NL / ENG / NEW illustrations in colour / b/w. ISBN 9789493039803. Kunstenaar José Vermeersch 1922-1997 staat bekend om zijn keramieken figuren van heterogene figuren. Hij was echter ook schilder wever en ontwerper en creëerde een rijk oeuvre dat doordrongen is van zijn passie voor mensen dieren en het leven. Dit boek is een eerbetoon aan het ontstaan van het figuratieve werk van Vermeersch en laat aan de hand van een honderdtal beelden en schilderijen zien hoe zijn picturale en keramische oeuvre op een bijzondere manier met elkaar zijn verweven. Het boek gaat dieper in op het onbepaalde en non-binaire karakter van Vermeersch' werk - van gender tot soort mens/dier - en op begrippen als duurzaamheid en breekbaarheid. Presences onthult een reeks ongepubliceerde beelden uit het archief van de kunstenaar waarin we hem aan het werk zien in zijn atelier of bij de twee houtovens die hij zelf bouwde. Het gaat om unieke foto's die getuigen van het geduld en de zorg waarmee Vermeersch zijn sculpturen maakte. Hij liet zijn aarden figuren staan liggen of zitten rustig wachtend op het in werking treden van de alchemie van de natuurelementen. Bij Vermeersch vallen een zekere traagheid op alsook een sterke verbondenheid met een welbepaalde plek en met de natuur. Net daarom lijkt zijn werk meer dan ooit aansluiting te vinden bij de huidige aandacht voor duurzame en autonome productieprocessen. Het boek werd samengesteld door Lilou Vidal en bevat twee nieuwe essays van schrijvers-curatoren Laura McLean-Ferris en Dieter Roelstraete en een tekst van kunstenaar-schrijver Rik Vermeersch zoon van José die het werk van zijn vader door en door kent. //// The artist José Vermeersch 19221997 is known for his ceramic sculptures of heterogeneous figures. Yet he was a painter weaver and designer too who created a rich oeuvre imbued with his passion for people animals and life. This book pays tribute to the genesis of Vermeersch figurative work and uses around a hundred sculptures and paintings to show the exceptional way in which his pictorial and his ceramic work are interwoven. The indeterminate and non-binary character of Vermeersch oeuvre from gender to species human/animal is explored in depth along with ideas such as sustainability and fragility. Presences unveils a series of unpublished pictures from the artists archive in which we see him at work in his studio or at the two wood-fired kilns he built for himself. Unique photographs that testify to the patience and care with which Vermeersch created his sculptures. He had his clay figures stand lie or sit waiting quietly for the alchemy of the natural elements to take effect. Vermeersch work displays a certain slowness and a powerful affinity with a specific place and with nature. Precisely because of this his work seems to connect more than ever with the current focus on sustainable and autonomous processes of production. Ludion 2022 hardcover
1871ref. 019528Lisboa : Typographia da Academia Real das Sciencias 1871. 1ª Edição . Inteira de Pele/Full -Leather. Muito Bom/Very Good/Très Bien. In-8º 210x135. 1 Vol. de 303-3 pp. Encadernação da época em inteira de pele. Typographia da Academia Real das Sciencias hardcover
