6 276 résultats
réf. Bloomsbury-9781498534390Lexington Books. Hardback. New. 140 pages Lexington Books hardcover
réf. Bloomsbury-9781475812114Rowman & Littlefield. Hardback. New. 92 pages Rowman & Littlefield hardcover
réf. Bloomsbury-9781475861792Rowman & Littlefield. Paperback. New. 134 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475835489Rowman & Littlefield. Paperback. New. 126 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475848946Rowman & Littlefield. Paperback. New. 152 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475834161Rowman & Littlefield. Hardback. New. 104 pages Rowman & Littlefield hardcover
réf. Bloomsbury-9781475821741Rowman & Littlefield. Paperback. New. 114 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475834178Rowman & Littlefield. Paperback. New. 104 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475861792Rowman & Littlefield. Paperback. New. 134 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475835489Rowman & Littlefield. Paperback. New. 126 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475848946Rowman & Littlefield. Paperback. New. 152 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475834161Rowman & Littlefield. Hardback. New. 104 pages Rowman & Littlefield hardcover
réf. Bloomsbury-9781475821741Rowman & Littlefield. Paperback. New. 114 pages Rowman & Littlefield paperback
réf. Bloomsbury-9781475834178Rowman & Littlefield. Paperback. New. 104 pages Rowman & Littlefield paperback
1979réf. 503562Sylvester and Orphanos 1979. First Edition. Hardcover. FINE. Inscribed by Vidal to his publisher and photographer Stathis Orphanos on the limitation page d. Dec. 8 1979. 8vo 23pp. Bound in a somewhat ironic red white and blue theme with white cloth and red and blue borders around gilt stamped monogram. Some faint toning to extremities FINE otherwise. Presentation copy from an edition limited to 330 300 numbered 26 lettered 4 named. The lettered volumes alone were bound in leather. Without slipcase or dust jacket as issued. Letterpress printed by Grant Dahlstrom at the Castle Press the first S&O collaboration with Dahlstrom. Vidal was the first of many connections S&O would make through Stathis's photography. After being introduced by their mutual friend Christopher Isherwood a publishing project was hatched during their first photo sesion at Vidal's home in Hollywood Hills in 1978. Sylvester and Orphanos hardcover
1979réf. 503563Sylvester and Orphanos 1979. Hardcover. FINE. Inscribed by Vidal to his publisher Ralph Sylvester on the limitation page d. Dec. 8 1979. 8vo 23pp. Bound in a somewhat ironic red white and blue theme with white cloth and red and blue borders around gilt stamped monogram. Some faint toning to extremities FINE otherwise. Presentation copy from an edition limited to 330 300 numbered 26 lettered 4 named. The lettered volumes alone were bound in leather. Without slipcase or dust jacket as issued. Letterpress printed by Grant Dahlstrom at the Castle Press the first S&O collaboration with Dahlstrom. Sylvester and Orphanos hardcover
1979réf. 503995Sylvester and Orphanos 1979. First Edition. Hardcover. FINE. SIGNED NUMBERED COPY. Signed by Vidal on the limitation page. 8vo 23pp. White cloth stamped in blue and red. Offsetting to endpapers where they overlap the leather turn-ins FINE otherwise. Copy 'F' of an edition limited to 330 300 numbered 26 lettered 4 named. The lettered volumes alone were bound in leather. Without slipcase or dust jacket as issued. Letterpress printed by Grant Dahlstrom at the Castle Press the first S&O collaboration with Dahlstrom. Sylvester and Orphanos hardcover
1946réf. 006393New York: E. P. Dutton 1946. First Edition . Cloth. Very Good/Very Good. Octavo. Black cloth hardcover with blue embossed title to spine and front board in mylar protected price-clipped jacket 8.25 x 6 inches. First Edition stated on copyright page. 222 pages. SIGNED by Gore Vidal in black pen on title page. "Author's first book; a story set in World War II about murder & adventure off the Aleutian Islands." Previous owner's signature on front pastedown typical toning to endpapers dust-jacket shows chipping and rubbing heaviest at head and foot of spine with evidence of prior tape repair. Remains a signed collectable copy which presents nicely in mylar protected jacket E. P. Dutton hardcover
réf. 3731995Provincetown “Douglas Roach August 31st 1916”. Oil painting on masonite board 20 x 12 inches. Unframed some scuffing along bottom edge verso with old staining. A previously-unknown portrait of Douglas Roach 1909–1938 as a seven year-old Provincetown boy by the Cape Cod artist Arthur Vidal Diehl. Described as a “lost American hero” by historian Tukufu Zuberi Roach would grow up to become “one of the best machine gunners in the entire Spanish war. Franco had nobody like him and he was an army by himself.” “Episode 902 Story 2 – Spanish Civil War Eulogy.” History Detectives PBS At Cape Cod’s tip Provincetown claims Roach as one of its distinguished citizens and one of the few Black Americans who lived there in the early twentieth century. Roach’s father was an émigré whaler from St. Vincent. He arrived on the Cape in the nineteenth century and became a farmer. Douglas Roach was one of the few African-Americans to attend UMass Amherst in 1929 where he was a star wrestler. He then worked as a carpenter in the merchant marines and joined the International Seamen’s Union. Afterwards he became the secretary of the Communist Party’s Provincetown Unit arguing forcefully and publicly at one point that the Constitution protected free speech and allowed its citizens to petition its government to redress grievances. In 1936 when the Spanish Civil War began Roach joined the Abraham Lincoln Brigade which held the first non-segregated units in U.S. military history. A subunit the Lincoln Battalion counted ninety African-Americans. Roach then twenty-eight was among them. A comrade-in-arms stated: “Doug was proud of his race. He felt deeply the oppression under which it struggles and gladly gave his aid to help free it. He knew that the cause of the Spanish people was the cause of his own people the cause of all the oppressed races of the world. He spoke many times of his plans to work among the American Negroes when he got back how he was really beginning to see the tremendous role they must play in the fight to preserve democracy in America. He bitterly resented not having done more when he was home.” Building Provincetown According to Benjamin J. Davis Jr.’s eulogy Roach was “one of the first Americans to volunteer in defense of Spanish democracy in the early days of the Madrid siege. An outstanding member of the Tom Mooney machine gun company he often carried his machine gun single-handedly during long marches.” In a letter sent home published as “Douglas Roach Tells of War in Spain” within The Advocate Sept. 30 1937 Roach stated: “I believe the fight for democracy in Spain is connected with the fight against reaction everywhere against aggressive countries such as Italy Germany and Japan who are dragging the world into another world war. I hope that the people of Provincetown will defend Americanism in this country as bravely as the Spanish people are defending their democratic rights: a government of their own choice freedom of speech freedom of assembly and freedom of worship. I hope that we will not allow our American traditions of liberty and justice to be distorted by reactionaries who preach Americanism and practice the opposite.” At Brunete Roach received shrapnel wounds: He was “treated at a makeshift Brigade hospital and furloughed to the States. When he got to New York the State Department interrogated him and confiscated his passport before allowing him to return home to Provincetown . He died of pneumonia July 13 1938 . After a memorial service at the Mother A.M.E. Zion Church conducted by Benjamin Robeson Paul Robeson’s brother two Lincoln vets Walter Garland and Paul Burns brought his body home to Provincetown.” “Douglas Roach Biography” via Provincetown History Project Created in “25 minutes from life” Roach’s portraitist Arthur Vidal Diehl exhibited at the Royal Academy 1899 and came to New York c. 1891. “He was best known for his paintings of Cape Cod—and was known to have completed his pictures rapidly from memory while carrying on conversations with prospective customers and onlookers at his studio.” Falk Painted in the fleeting youth of Roach’s boyhood this portrait documents and commemorates Roach’s brief but remarkable twenty-nine-year life of this African American hero. Refs. Roach Douglas Bryan – The Abraham Lincoln Brigade Archives and Building Provincetown… both accessed online. Davis “The Death of a Black Communist” within Black Americans in the Spanish People’s War Against Fascism 1936–1939. Note: Several online sources state that Roach was born in 1900. This is incorrect. He was born June 1 1909. unknown
1953réf. 33341New York: Gold Medal Book. Very Good in No Dust Jacket dust jacket. 1953. First Edition; First Printing. Paperback. 12mo 7" - 7½" tall; 153 pages; Light wear alone spine minor soiling. #311. Gold Medal Book paperback
2009réf. H-595-943ATELIER 2009. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. ATELIER paperback
réf. PrakashN-9780375727054RHUS. Trade Pbk. New. ENGLISH RHUS unknown
réf. PrakashN-9780375727054RHUS. Trade Pbk. New. ENGLISH RHUS unknown
réf. 2617Upper corners gently bumped; loss to gilt on top edge; ribbon bookmark color faded from blue to purple. Very good. Gore Vidal. Thomas B. Allen illustrator. Lincoln: A Novel. Franklin Center PA: The Franklin Library 1984. First edition. Signed by Gore Vidal. Octavo. 657pp. Illustrated by Thomas B. Allen. Publisher's blue leather spine and boards lettered and decorated in gilt three raised bands all edges gilt marbled endleaves ribbon bookmark. . unknown
2026réf. Manohar-9788173043666Manohar 2026. Hardcover. New. Manohar hardcover