6384 risultati
rif. 0331707349.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 2747578771.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1024398161.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0656847166.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 2336467267.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018rif. 2-6202282606Éditions universitaires européennes 2018. Paperback. New. 52 pages. French language. 8.66x5.91x0.12 inches. Éditions universitaires européennes paperback
1983rif. 1-981661983. Couverture rigide. Tres bon . Vaillant Miroir-Sprint Publications collection Les Archives Photographiques Du Cyclisme 1983. 1 volume cartonnés format In-4 très bon étui cartonné composé de planches photographiques couleurs et n&b et d'un fascicule. Envoi avec numéro de Suivi - shipping with tracking number. Vaillant Miroir-Sprint Publications unknown
rif. 2322662267.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. #[34301]Rochefort Centre International de la Mer 1999. 4to. Pictorial wrappers. With many coloured illustrations. 192 pp. unknown
1962rif. RO80021756IMP. GAIGNAULT. 1962. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 51 pages. Quelques photos en noir et blanc dans le texte.. . . . Classification Dewey : 610-Sciences médicales. Médecine
1942rif. RO40033338Editions Littéraires et Artistiques. 1942. In-16. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 61 pages. Illustrations noir et blanc hors-texte.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
rif. 7745Montpellier Les Presses du Languedoc 1988 in 8 (24x15,5) 1 volume broché, couverture illustrée, 185 pages, avec des photos N&B. Grégoire Vidal, prieur de Miallet. Etat de neuf
rif. 30945Paris Imprimerie Charles Boehm 1897 in 8 (25x16) 1 fascicule broché, couverture imprimée, 10 pages [1]. Tiré à part, extrait du Nouveau Montpellier Médical, Tome VI, 1897. Docteur Louis Vidal, de Nissan (Hérault). Bel exemplaire ( Photographies sur demande / We can send pictures f this book on simple request )
2017rif. 208794Couverture souple. Broché. 32 pages.
rif. boz_004686Paul VIDAL. Lettre autographe signée. Etat : Très bon état de conservation. Dimensions : 13.7 x 21 cm.
1988rif. 103386Presses du Languedoc/Max Chaleil, 1988, gr. in-8°, 181 pp, 40 photos et fac-simils, une carte et un plan, biblio, index, broché, couv. illustrée, bon état
1988rif. 012629MONTPELLIER PRESSES DU LANGUEDOC/ MAX CHALEIL 1988 Un volume grand in-8 broché de 181 pages , couverture en couleurs , illustrations en noir et blanc in-texte , la couverture est à peine défraîchie , bon exemplaire . Bon Couverture souple
rif. 2859980504.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1970rif. 198741970. Twentieth Century Fox's Myra Breckinridge publicity archive 1970 documents the visual promotion of a major-studio film centered on a transgender woman gender nonconformity and attacks on Hollywood masculinity. Adapted from Gore Vidal's 1968 novel the film starred Raquel Welch as Myra Breckinridge with John Huston Mae West Rex Reed Farrah Fawcett and Roger Herren in supporting roles; AFI identifies the film's subjects as including bisexuality homosexuality lesbianism "sex change" Hollywood actors students seduction and gendered social conflict. The material belongs to LGBTQ film and New Hollywood publicity culture illustrating how a controversial commercial studio release used star image costume and provocative gender performance to market a film built around trans identity and the disruption of conventional sexual roles. The archive consists of four 1970 promotional items for Myra Breckinridge: three color lobby card photographs and one vintage glossy black-and-white silver gelatin publicity photograph. The large lobby card measures 11 x 14 inches; the two smaller lobby cards measure 8 x 10 inches; the silver gelatin photograph measures 8 x 10 inches. The lobby cards show scenes from the film featuring Welch and Huston including images of Welch in the white costumes closely associated with the character's stylized screen persona; all three lobby cards carry the film title the 20th Century Fox logo and a 1970 copyright statement in the lower white margin. The images foreground costume celebrity and theatrical confrontation rather than narrative continuity making the group especially useful for studying the marketing of gender transgression through Hollywood glamour camp visual codes and star publicity. 1 Twentieth Century Fox. Myra Breckinridge large lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 11 x 14 inches showing Raquel Welch in a scene from the film and retaining the printed studio and copyright information in the lower margin. 2 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches featuring Welch and emphasizing the film's use of costume and pose in constructing Myra's public image. 3 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches showing another publicity still from the film with printed title and studio branding. 4 Twentieth Century Fox. Myra Breckinridge silver gelatin publicity photograph. Los Angeles: Twentieth Century Fox 1970. Glossy black-and-white 8 x 10 inch still connected to the film's original publicity campaign. Minor edge wear and light handling to the lobby cards and photograph; images remain clean and legible; overall very good. Focused group of original publicity materials for a controversial LGBTQ film text whose mainstream studio circulation trans subject matter and highly stylized presentation of gender make it a significant artifact of 1970s queer film reception and visual culture. unknown
1970rif. 198741970. Twentieth Century Fox's Myra Breckinridge publicity archive 1970 documents the visual promotion of a major-studio film centered on a transgender woman gender nonconformity and attacks on Hollywood masculinity. Adapted from Gore Vidal's 1968 novel the film starred Raquel Welch as Myra Breckinridge with John Huston Mae West Rex Reed Farrah Fawcett and Roger Herren in supporting roles; AFI identifies the film's subjects as including bisexuality homosexuality lesbianism "sex change" Hollywood actors students seduction and gendered social conflict. The material belongs to LGBTQ film and New Hollywood publicity culture illustrating how a controversial commercial studio release used star image costume and provocative gender performance to market a film built around trans identity and the disruption of conventional sexual roles. The archive consists of four 1970 promotional items for Myra Breckinridge: three color lobby card photographs and one vintage glossy black-and-white silver gelatin publicity photograph. The large lobby card measures 11 x 14 inches; the two smaller lobby cards measure 8 x 10 inches; the silver gelatin photograph measures 8 x 10 inches. The lobby cards show scenes from the film featuring Welch and Huston including images of Welch in the white costumes closely associated with the character's stylized screen persona; all three lobby cards carry the film title the 20th Century Fox logo and a 1970 copyright statement in the lower white margin. The images foreground costume celebrity and theatrical confrontation rather than narrative continuity making the group especially useful for studying the marketing of gender transgression through Hollywood glamour camp visual codes and star publicity. 1 Twentieth Century Fox. Myra Breckinridge large lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 11 x 14 inches showing Raquel Welch in a scene from the film and retaining the printed studio and copyright information in the lower margin. 2 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches featuring Welch and emphasizing the film's use of costume and pose in constructing Myra's public image. 3 Twentieth Century Fox. Myra Breckinridge lobby card. Los Angeles: Twentieth Century Fox 1970. Color promotional card 8 x 10 inches showing another publicity still from the film with printed title and studio branding. 4 Twentieth Century Fox. Myra Breckinridge silver gelatin publicity photograph. Los Angeles: Twentieth Century Fox 1970. Glossy black-and-white 8 x 10 inch still connected to the film's original publicity campaign. Minor edge wear and light handling to the lobby cards and photograph; images remain clean and legible; overall very good. Focused group of original publicity materials for a controversial LGBTQ film text whose mainstream studio circulation trans subject matter and highly stylized presentation of gender make it a significant artifact of 1970s queer film reception and visual culture. unknown books
rif. 193850Aubert Pinguet Avignoun 1928 In-8 ( 190 X 140 mm ) de 198 pages, broché sous couverture imprimée. EDITION ORIGINALE. De la bibliothèque de Claude LANET ( Ex-libris ). Bel exemplaire.
1958rif. ABE-184718122318 PAGES-43 CM X 60 CM-MEME CAMOUFLEE PAR M. COTY SOUS UNE APPARENCE LEGALE L'OPERATION DE GAULLE N'ABUSERA PAS LES REPUBLICAINS-DESSIN D'ESCARO A LA FACON DE BERNARD BUFFET, DE GAULLE, "LE MOI"-APRES GRECO "MOURANTE" VOICI PIAF "AU PLUS MAL".QUI TIENT UNE CONFERENCE DE PRESSE SUE SA VISICULE BILIAIRE-LA LEGALITE REPUBLICAINE A L'OMBRE DES PARACHUTES, 2P, 3 PHOTOS, LE RETOUR DE DE GAULLE SUR LA SCENE POLITIQUE INQUIETE LE MONDE ENTIER-EN MARGE DE LA PUBLICATION D'UN LIVRE "PLUS QUE JAMAIS LA VERITE SUR L'AFFAIRE AUDIN", PHOTO, PIERRE VIDAL-NAQUET-PETITS MANQUES EN PLIURE CENTRALE DE UNE
rif. 27640Liberation / Bazooka / Un Regard Moderne n°1 de mars 1978. Grand journal in-4 en feuilles de 32 pages au format 42 x 31,5 cm. Couvertures illustrées. Actualité du mois de mars 1978 détournée et commentée graphiquement par le groupe " Bazooka ", composé de Kiki Picasso, Loulou Picasso, Lulu Larsen, Olivia Télé Clavel, Ti5Dur, Jean Rouzaud et Bernard Vidal. Cette publication ne connut que 6 numéros, commençant au n° 0. Bazooka demeure un groupe de recherche très contesté de par ses partis pris morbides, malgré leurs productions qui restent un travail innovant et fascinant dans le monde encore stéréotypé de la Bande Dessinée de la fin des années 70. Le journal est légèrement jauni et a été plié en son milieu. Il présente les habituels petits plis aux coins, ainsi que de petites et légères déchirures, sinon très bel état général au regard de la fragilité du papier. Les photos accentuent les défauts. Rarissime édition originale.
rif. 848136052X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback