1807 resultados
2009ref. 500110626Albouraq éditions 2009 64 pages 12 8x0 8x18 4cm. 2009. Broché. 64 pages.
2009ref. 500110797Albouraq éditions 2009 64 pages 12 8x0 8x18 4cm. 2009. Broché. 64 pages.
2009ref. 500111603Albouraq éditions 2009 64 pages 12 8x0 8x18 4cm. 2009. Broché. 64 pages.
2009ref. 500113093Albouraq éditions 2009 64 pages 12 8x0 8x18 4cm. 2009. Broché. 64 pages.
2009ref. 500115559Albouraq éditions 2009 64 pages 12 8x0 8x18 4cm. 2009. Broché. 64 pages.
2009ref. 500119702Albouraq éditions 2009 64 pages 12 8x0 8x18 4cm. 2009. Broché. 64 pages.
ref. 66871Berlin, éd. Feierabend, 2004, gd. in-4, cartonnage couv. photos coul. éd. jaquette à l'identique, 192 pp., papier glacé, très nb. photos en coul., index des recettes, index des temps de cuisson, Poissons d'eau de mer, poissons d'eau douce … crustacés et coquillages … toutes les techniques de découpage et de préparation en fonction des produits. Des recettes impossibles à rater ! Un livre à tenir toujours à porter de main quand vous cuisinez les poissons. Très bon état
1979ref. 100937Time-life, coll. « Cuisiner Mieux » 1979 In-4 cartonné 27 cm sur 23,5. 184 pages. Très bon état d’occasion.
ref. 62417Coll. "Bibliothèque des introuvables", paris, 2001, éd. Claude TCHOU, pt In-4, broché, couverture illustrée éd., 401pp, très ombreuses illustrations en noir in-texte réédition de cet "introuvable". L'auteur était un amoureux de la chasse, surtout de la bécasse et de la pêches , sur les cotes bretonnes Très bon état
2001ref. 13986Bibliothèque des introuvables 2001 397 pages petit in4. 2001. Broché. 397 pages. Cet ouvrage de Joseph Oberthur traite de la pêche de l'histoire naturelle et de la cuisine des poissons et fruits de mer de France. Il fournit des informations sur la capture des animaux marins du littoral et décrit les espèces comestibles ou curieuses de la faune hauturière et littorale
ref. 0947912002.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 137221aafPublicationde la Fédérationdes Soc. d’horticulture de la Suisse Romande, 1916, in-8vo, 72 p. + 50 planches couleurs (chromolithographie), brochure originale illustrée.
ref. 137242aafPublicationde la Fédérationdes Soc. d’horticulture de la Suisse Romande, 1916, in-8vo, 72 p. + 50 planches couleurs (chromolithographie), brochure originale illustrée. Dos avec petit manque.
ref. 88209aafKöln, Taschen, 2002, gr. in-4to, 200 p., richement illustré (93 planches), timbre rouge ‘Nico Blanc’ sur faux-titre, cartonnage original avec jaquette illustrée. Bel exemplaire.
1916ref. CSP-1216Les 50 meilleures variétés de fruits pour la grande culture avec reproduction en couleurs d'après échantillons cultivés au pays. Renseignements pratiques sur la culture des arbres et arbustes fruitiers. Ouvrage approuvé par les Gouvernements des Cantons de Fribourg, Vaud, Valais, Neuchâtel et Genève, et la Fédération des Sociétés d'Agriculture de la Suisse romande. 1916
2014ref. 66656Alternatives 2014 In-4 broché 24 cm sur 16,2. 48 pages. Très bon état d’occasion.
2003ref. 500107501Parragon Books Ltd 2003 0x27x22cm. 2003. Broché.
ref. 13858Estampe originale en couleurs, du XVIIIème siècle, sur vergé. 300x195 à la cuvette, marges courtes. Bonne épreuve.
ref. 12525LEVEQUE P.F Pommiers à couteau de plein vent une richesse à développer. In 8 broché, couverture illustrée Plantation-entretien-surgreffage et soins à donner aux pommiers et aux fruits 156 pages, illustrations dans le texte. Le Mans librairie Marcel Graffin 1943 On joint J. LEVSEUR Pour la production économique des pommes de qualité. In 8 broché, couverture illustrée, 32 pages, 1 pages centrale illustrée en couleurs, Direction des services agricoles de la Meuse Mars 1946.
1965ref. WOC-1718Acad. T. Bordeianu, N. Constantinescu, etc. un collectif du Tome IV: Prunul (Prunier) - Ciresul (Merisier ou Cerisier) - Visinul (Cerisier acide , Cerisier aigre ou Griottier)- Cornul (Variété héritage originaire de la région de Buzau à l'est de la Roumanie, par : D. Blaja, S. Bobeanu, etc. Avec 60 planches hors texte en couleurs et figures. Petits résumés en Français. Editura Academiei Republicii Socialiste Romania, 1965. Grand in-4(30x5x21cm) toile éditeur vert pomme sous jaquette illustrée avec petites restaurations. 735 pp. + errata.
1997ref. 500039656Konemann-Ellipsis 1997 0x20x14cm. 1997. Broché.
First edition, folio (330 x 210 mm), 3 parts in one, [2], 36; [4], 70; [4], 87, [5]pp., three separate title-pages within border of type ornaments, 39 engraved folding plates of fruits, all with bright contemporary hand-colouring, several related notes in ink to front free-endpaper, cont. half calf, paper covered boards (peeled away from upper cover), uncut. Johann Hermann Knoop (1700-1769), carried out much of his botanical research whilst curator of the gardens of Princess Maria Louisa in Leeuwarden. He broke new ground in the study of fruit varieties and he is regarded as the father of pomology. The first two part are devoted to the kitchen garden, the first part is illustrated with 20 splendid full-page engraved plates with hand-colouring, 12 are apples, 8 of pears, all showing several varieties, each labelled with its time of ripening, many for species now lost. The second has 19 engraved plates with contemporary hand-colouring showing peaches, plums, cherries, berries, etc. Part three is devoted to the cultivation of the garden and was issued un-illustrated. The fruit monographs are among the earliest books on the subject to be illustrated with coloured plates. Knoop himself made the original drawings, which were engraved by Jan C. Philips (1700-1773) or Jacob Folkema (1692-1767). Landwehr, Dutch Books with Coloured Plates, 88 (I) & 92 (II); Nissen, 1078 (I) & 1077 (II); Pritzel, 4754-4755.
1817ref. 742London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving.Pl. XXIII Smith's Early Newington Buckinghamshire Minion & Barrington Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817ref. 746London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXVII Duke of Marlborough's & Rumbullion Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817ref. 744London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXV Montauban Grosse Mignonne & Old Royal George Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown