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1929réf. 632M17London: Cassell and Company Ltd. 1929. First edition. Cloth. Very Good/Very Good. 11.5" by 9". George Stubbs; Ben Marshall. A first edition copy of Walter Shaw Sparrow's fascinating study of the life and works of the renowned English sporting and animal painters George Stubbs and Ben Marshall. Walter Shaw Sparrow was a notable Welsh writer on art and architecture with a special interest in British sporting artists. Collated complete with four plates in colour and eighty two 'subjects' in black and white. Complete with the scarce original unclipped dustwrapper. This copy was the second volume of the series 'The Sport of Our Fathers'. With an introduction by E. D. Cuming This copy contains a loosely inserted leaflet for the George Stubbs exhibition at the Tate Gallery 18 October 1984- 6 January 1985. In the publisher's original cloth binding with original unclipped dustwrapper. Externally minor shelfwear to extremities and head and tail of spine. Fading to spine. Dustwrapper chipped and bumped to extremities. Fading to spine of wrap and extremities of boards. Small closed tear to lower extremity of front wrap and upper extremity of rear wrap. Tear and small loss to head of front joint of wrap. Internally firmly bound. Pages bright and clean with light scattered spots to the occasional page. Very Good Cassell and Company, Ltd. hardcover
1929réf. 4850Charles Scribner's Sons 1929 Book and mylar covered dust jacket in very good condition small dent 1/8 on the back board and dust jacket. The top of the spine chipped an inch. This is a limited edition of 250 copies of which 100 are for sale in America and this being No. I. Four plates in colour and 82 subjects in half-tone. ; 8vo 8" - 9" tall Very Good in Very Good dust jacket. Limited Edition. Hardcover. Very Good/Dust Jacket Included. Charles Scribner's Sons hardcover
1929réf. 213050London England: Cassell & Co 1929. Hardcover. Good - Some staining on boards wear and yellowing esp. at spine pages have some minor staining some defects from tipped-in illustrations most pages excellent. Red cloth boards with gilt text on cover and spine. 80 pp. 48 unnumbered leaves of plates. "In this volume we have at last as complete a record of the lives and works of two great English animal painters as industrious research and artistic acumen can supply. Mr. Shaw Sparrow's appreciation of George Stubbs as a pioneer among our horse painters is just ; it was that rare judge of a horse and exacting art critic the late Sir Walter Gilbey who in 'Animal Painters of England' wrote that 'we might almost divide our British painters of horses into two periods - those who lived before Stubbs and those who followed him and profited by his monumental labours at the Horkstow farmhouse.' To realize fully the merits of his work we must compare his horses with those of men who went before him and of his contemporary Sawrey Gilpin ; thus and only thus can we discern the magnitude of the advance initiated by Stubbs." Cassell & Co hardcover books
réf. 1019213086.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1332231136.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0267515766.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9781138950696_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This new edition examines the strategic and global issues of HRM by showing how organizations address the tradeoffs between global integration and local responsiveness. Sparrow Brewster and Chung discuss varying methods of globalized paperback
réf. A9781138950696Paperback / softback. New. Revised edition of Globalizing human resource management 2004. paperback
2016réf. G1138950696I2N00Routledge 2016. Paperback. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Routledge paperback
réf. 9781138950696Good. Exact ISBN match. Immediate shipping. No funny business. unknown
réf. 25624076-nnew. unknown
réf. 25624076like new. unknown
2016réf. x-1138950696Routledge 2016. Paperback. New. 2nd revised edition. 568 pages. 9.50x6.75x0.75 inches. Routledge paperback
réf. 1138950696.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1963réf. R1513London: White Lotus 1963. Paperback. Good/no dj. 1.00. Sparrow Gerald. Golden Orchid The White Lotus paperback
1962réf. 240013London: Jarrolds 1962. First. hardcover. near fine/very good. Illustrated in black & white. 192pp. Short 8vo black boards d.w. back panel scuffed. London: Jarrolds 1962. First edition. A near fine copy in a very good dust wrapper. Jarrolds unknown books
1816réf. 4090London Howlett and Brimmer 1816 Première édition. Un ouvrage majestueux, montrant le Paris rénové de Napoléon dans toute sa splendeur. Complet. Illustré de 12 gravures à double page. Les vues panoramiques comprennent : L'école militaire et l'église des Invalides ; Vue de Paris depuis le boulevard sud ; Vue de Paris depuis Montmartre ; Vue sud de l'ancien et du nouveau Louvre ; La Monnaie et la façade du Louvre ; Vue de la place de la Concorde ; Le jardin de la façade ouest des Tuileries ; Palais des Tuileries face à la place du Carrousel ; Jardin des Tuileries ; Le Luxembourg ou Palais du Senat avec les jardins ; Les champs élyséens, jardins lointains des Tuileries ; Entrée des Champs Élysées et de la place de la Concorde. Il semble qu'il y ait eu deux versions imprimées. Il y eut également une autre version, imprimée simultanément, avec un texte en typographie sur une feuille pour accompagner les gravures plus petites (elles ont environ la moitié de la taille de nos gravures). Cette dernière a été publiée par Harper & Co. Tableaux originaux recouverts de papier. Le texte est en noir dans une bordure décorée et le dos est en cuir rouge. Les planches sont quelque peu frottées et présentent des taches (en particulier sur la première planche). L'ouvrage est néanmoins solide. Page de titre, 12 planches à double feuille avec un verso vierge. Celles-ci sont encore très attrayantes, mais présentent quelques taches d'eau sur les bords, en particulier sur les dernières pages. Ces taches sont un peu estompées et n'affectent pas vraiment les planches. Conforme à OCLC : 181773865 dont FirstSearch ne signale qu'un seul exemplaire de bibliothèque à McMaster en Californie. Les peintures originales ont été attribuées à Pierre-Antoine Demachy (1723-1807) qui a laissé un grand nombre de vues de Paris et qui a montré un intérêt particulier pour les améliorations architecturales majeures de Napoléon. 430 x 380 mm.
réf. 51-6998London : Harper and Co. successors to Mr. Kearsley 1816. Oblong elephant foilio. Much rarer than the smaller format edition. 69 x 50cm. 27 x 19.5 inches.Original printed boards rubbed and soiled; repaired with new goatskin spine. The more common smaller format is 43x38cm. 17 by 15 inches. .12 engraved plates scattered spotting and marginal browning throughout damp stain to lower margin of one plate one leaf loose repaired tear to final leaf.OCLC Number / Unique Identifier:461746497.Description by Juliette Jestaz.Conservatrice des manuscrits livres rares et plans à la Bibliothèque historique de la Ville de Paris. Référente d'histoire de Paris pour la bibliothèque:."These very discreet graphic illustrations of the most prominent features of the French capital with characteristic figures in the foregrounds bear no artist's name on the title page. The plates themselves are signed “S. Porter sculpsit” “Sparrow sculpsit” “Dadley sculpsit” or “Angus sculpsit.” The latter is probably William Angus 1752–1821 a British draftsman and engraver. We have not been able to identify the other engravers.At least one of the plates is based on a drawing by Pierre-Antoine Demachy 1723–1807 author of numerous views of Paris particularly panoramas of the quays. It is tempting to attribute to him all the aquatint drawings in the collection—a technique decidedly in vogue for veduta at the turn of the century. The drawings of him that are kept at the Musée Carnavalet or in the Destailleur collection of the BnF do not however correspond to those in our album and cannot confirm this attribution.The first edition was published in 1815 by Howlett and Brimmer in London. This edition published by Harper the following year suggests that the album was successful coming just a few months after Waterloo had reopened France to the British after twelve years of closure. These two publishers had previously produced picture albums of the Allied countries: The Costume of the Russian Empire 73 engravings 1803 with descriptions in French the international language at the time and English and Sketches of Military Costume in Spain and Portugal 1810.Like Nattes's album this one does not focus on the Empire's achievements in Paris: neither the Arc de Triomphe du Carrousel nor the Place du Châtelet the Palais de la Chancellerie Hôtel de Salm nor the Louvre's expansions. The buildings depicted on the plates could as in Nattes's work be presented in their state from 1802-1803.The album nevertheless focuses primarily on the heart of Napoleonic power the Louvre-Tuileries-Champs-Élysées district to which eight of the twelve plates are devoted. It also provides two panoramas from the North and the South. The panorama from Montmartre is a classic viewpoint dating back to that captured by Mathieu Merian in 1620.". London : Harper and Co. (successors to Mr. Kearsley), 1816 hardcover
1816réf. 4090London: Howlett and Brimmer 1816. First edition. A majestic work showing the renewed Paris of Napoleon in all its glory. Complete. Illustrated with 12 double-page engravings. Panoramic views include: the Military School and the Church of the Invalides; View of Paris from the South Boulevard; View of Paris from Montmartre; South View of the Old and New Louvre; The Mint and The Façade of the Louvre; View of La Place de la Concorde; The Garden of the West Front of the Tuileries; Palace of the Tuileries Facing La Place du Carrousel; Garden of the Tuileries; The Luxembourg or Palais du Senat with the Gardens; The Elysian Fields Distant Gardens of the Tuileries; Entrance to Les Champs Élysées and La Place de la Concorde. There appear to have been two versions printed. This version has the engravings only. There was also another version printed simultaneously with letterpress text to one leaf to accompany the smaller engravings they are about half the size of our engravings. This latter published by Harper & Co. Original paper covered boards. These have black text within a decorated border and red leather spine. The boards are somewhat rubbed and have staining to them particularly the front board. Still sturdy though. Title page 12 double leaf plates with blank reverse. These are still very attractive but have some water staining to the edges - particularly of the later pages. This is faded a little and does not really affect the plates. Conforms to OCLC: 181773865 which FirstSearch records only one library copy at McMaster in California. The original paintings have been attributed to Pierre-Antoine Demachy 1723-1807 left a large number of views of Paris and who showed a particular interest in Napoleon's major architectural improvements. 430 by 380mm 17 by 15 inches. . Première édition. Un ouvrage majestueux montrant le Paris rénové de Napoléon dans toute sa splendeur. Complet. Illustré de 12 gravures à double page. Les vues panoramiques comprennent : L'école militaire et l'église des Invalides ; Vue de Paris depuis le boulevard sud ; Vue de Paris depuis Montmartre ; Vue sud de l'ancien et du nouveau Louvre ; La Monnaie et la façade du Louvre ; Vue de la place de la Concorde ; Le jardin de la façade ouest des Tuileries ; Palais des Tuileries face à la place du Carrousel ; Jardin des Tuileries ; Le Luxembourg ou Palais du Senat avec les jardins ; Les champs élyséens jardins lointains des Tuileries ; Entrée des Champs Élysées et de la place de la Concorde. Il semble qu'il y ait eu deux versions imprimées. Il y eut également une autre version imprimée simultanément avec un texte en typographie sur une feuille pour accompagner les gravures plus petites elles ont environ la moitié de la taille de nos gravures. Cette dernière a été publiée par Harper & Co. Tableaux originaux recouverts de papier. Le texte est en noir dans une bordure décorée et le dos est en cuir rouge. Les planches sont quelque peu frottées et présentent des taches en particulier sur la première planche. L'ouvrage est néanmoins solide. Page de titre 12 planches à double feuille avec un verso vierge. Celles-ci sont encore très attrayantes mais présentent quelques taches d'eau sur les bords en particulier sur les dernières pages. Ces taches sont un peu estompées et n'affectent pas vraiment les planches. Conforme à OCLC : 181773865 dont FirstSearch ne signale qu'un seul exemplaire de bibliothèque à McMaster en Californie. Les peintures originales ont été attribuées à Pierre-Antoine Demachy 1723-1807 qui a laissé un grand nombre de vues de Paris et qui a montré un intérêt particulier pour les améliorations architecturales majeures de Napoléon. 430 x 380 mm. Howlett and Brimmer hardcover
réf. 16-3600London: Harper and Co. circa 1816. Folio. Original boards with later morocco spine and corners. 19 x 14 inches. 48 x 35cm. 12 double page engravings measuring 19 x 26.5 inches. 48 x 67 cm. Light to moderate foxing. Small wormhole in the lower right blank corner of a few pages.Printed by Howlett & Brimmer.According to no. 1346 in Quaritch catalogue no 252 from 1904 the same engravings with letterpress descriptions were also published in 1816 by Harper and Co. so they presumable also published this edition without text. OCLC Number: 10691768 lacking 4 plates; and 181773865.The titles of the engravings are: View of Paris from the South Boulevard; View of Paris from Montmartre; South View of the Old and New Louvre; The Mint and The Façade of the Louvre; View of La Place de la Concorde; The Garden of the West Front of the Tuileries; Palace of the Tuileries Facing La Place du Carrousel; Garden of the Tuileries; The Luxembourg or Palais du Senat with the Gardens; The Elysian Fields Distant Gardens of the Tuileries; Entrance to Les Champs Élysées and La Place de la Concorde; he Military School and the Church of the InvalidesLondon Howlett et Brimmer sd. 1816 in-folio relié demi-chagrin postérieur avec couverture d'origine contrecollée sur le premier plat.Album regroupant après la page de titre 12 grandes gravures doubles montées sur onglets des plus grands graveurs anglais dont Dadley Sparrow Angus et Porter. Les gravures sont d'un format 480 x 680 mm. Rousseurs claires et quelques traces d'humiditéLes gravures représentent des panoramas de Paris vus du sud et de Montmartre le Louvre la place du Carrousel les Tuileries et ses jardins les quais de la Seine la Place de la Concorde les Champs-Elysées le Luxembourg et les Invalides. London: [Harper and Co.?], circa 1816 hardcover
réf. 34870OXFORDSHIRE THE CYGNET PRESS 1981. FIRST EDITION FINE COPY IN DUSTWRAPPER. OXFORDSHIRE, THE CYGNET PRESS, 1981 unknown
1981réf. 470641Cygnet Press 1981. First Edition. Hardcover. Very good cloth review copy in a very good edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description; 47 pages ; 23 cm. Subjects; Private press books. England Burford. Specimens. Epitaphs. Poetry in English. Cygnet Press hardcover
1974réf. C71171Bembridge: Rendall 1974. First Paperback Edition. Paperback . Very Good. First Paperback Edition. 8vo. pp 29. Paperback. Original publisher's grey covers lettered black with a decoration by Reynolds Stone showing a medallion engraved on front cover. Bookplate of Hugh Vercingetorix Brogan 1936 Ã 2019 British historian and biographer showing nude youth holding a book. He was Professor of History at University of Essex and wrote biographies of Arthur Ransome and De Tocqueville. Limited edition of 200 copies this being no. 100. He was a keen collector of epitaphs. Very slight tanning at spine otherwise about fine. Excellent condition. Rendall, paperback
1981réf. SBBIH-NJR6VBXZV47CThe Cygnet Press 1981. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. The Cygnet Press paperback
1981réf. 408544Burford Oxfordshire : Cygnet Press 1981. First Edition. Hardcover. Near fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dust-wrapper now mylar-sleeved. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 47 pages ; 23 cm. Subjects: Private press books England Burford ; Specimens; Private press books; Epitaphs; Poetry in English 1900-1945 Texts. Burford, Oxfordshire : Cygnet Press hardcover