5 993 résultats
PARIS , Librairie des Champs-Elysées,07/09/1941 - Edition originale numérotée - Livre V ème - In-4° - 4 Planches HT - Nombreuses illustrations en texte - 141-(2) pages - Très bon état. Ouvrage publié sous le haut patronnage du Saint-Hubert Club de France.
réf. 24782PARIS , Librairie des Champs-Elysées,07/09/1941 - Edition originale numérotée - Livre V ème - In-4° - 4 Planches HT - Nombreuses illustrations en texte - 141-(2) pages - Très bon état.
1922réf. 101388Stuttgart, Lutz, 1922-28. M. 144 farb. lith. Taf. 1 bl., 246 S., IV S.; 1 Bl., 249, VI S. Hlwdbde. Papier nachgedunkelt. (Schriften d. Dt. Lehrerver. f. Naturkde. 37/38).
1984réf. 001614Lackawaxen Township Pennsylvania: Forest Lake Club 1984. Fine condition in Very Good Dust Jacket. No owner's name or bookplate. Bright clean square tight and unmarked. Sharp corners. Pages are fresh and crisp. Limited to 533 copies this being number 141. Illustrated with a double-page map and many photos including a number of full-color plates. A history of the Forest Lake Club during its first century 1882-1982. The Forest Lake Club a privately owned club in Pike County near the Pocono Mountains in northeastern Pennsylvania was formed in 1882. The Club's original purpose was as a place for the preservation and propagation of fish and game and as a private park and facility for hunting fishing and other sports including hiking swimming bird watching and boating. Keywords: Pike County. Pocono Mountains. First Edition. Hardcover. Original green cloth/Jacket not priced or clipped. 8vo. 294pp. Forest Lake Club Hardcover
1916réf. 003715New York: The University of the State of New York State Museum 1916. Reading copy with much wear and tear. Full page color plates by L.A. Fuertes. Marginalia lovers dream. It appears that the owner of this book used it to document in almost diary form throughout book what appears to be more than 20 years of bird watching from 1931 to 1953 with dated notes throughout: on blank pages reverso of plates etc even laid in sheets. Book has numerous flaws with serious wear and tear to cloth covers. Cloth is peeling from front boards and there is a split the length of front spine. Shaken. Multiple sheets laid in front of book were cello taped and are now loose and the cello tape has left a dark stain. There is evidence on about six pages in front of insect or rodent nibbling on bottom corner these are actually laid in lone pages not pages from the actual book. The color plates are bright but some have fingermarks or light foxed spots at least one page has ink transfer from the previous page. There are some plates with notes or marginalia on reverse. Cloth. Reading Copy/No Jacket. Illus. by Fuertes L.A. 4to - over 9¾" - 12" tall. The University of the State of New York State Museum Hardcover
1896réf. 011866Chicago IL: Nature Study Publishing Company 1896. Ex-Library. Near Fine. Cloth. First Edition. 4to - over 9¾" - 12" tall. Deaccessioned from non-circulating museum library nominally marked/stamped little actual wear clear-coated spine panel slightly age-toned with hand-written call number on lower portion. Bound in dark green cloth with gilt lettering on spine panel text block very slightly trimmed. Volumes 1-3 1897-98 complete: Volume I Jan.-June 1897 224 pp. continuously paginated with index; Volume II July-Dec. 1897 240 pp. continuously paginated; Volume III Jan.-June 1898 240 pp. continuously paginated with index. Each issue contains 8 or 9 gorgeous full color plates; also retained here are the full color covers of Vol. I Nos. 1 and 2 unknown whether succeeding issues continued with color covers thus approx. 150 plates total all essentially as issued some with small library stamp on verso only. Text block is clean and otherwise unmarked. This title appears to have ceased publication at the conclusion of Vol. IV so this offering comprises 75% of the total run. Originally from the personal library of Reading Pennsylvania Public Museum director Levi Mengel. Nature Study Publishing Company Hardcover
1970réf. 87829Tokyo Japan: Yama-to-Keikoku Sha Co. Ltd 1970. Two Volume set with two mini vinyls tipped into rears of text. Two Octavo volumes 19cm; photographic paper-covered boards; dustjackets; ii2062pp; ii2062pp; colorful photographic illustrations throughout both volumes. Text in Japanese with Scientific names and English names included for bird species. Both volumes have modest shelf-wear with rubbing to paper of board edges and trace foxing to edges of textblock; Very Good. Volume I dustwrapper has trivial surface wear; Very Good. Volume II dustwrapper has trivial surface wear with tiny tear to lower front flap fold; Very Good. Volume I explores over 90 species of terrestrial birds each classified by their habitat. Volume II includes 93 species of wild birds focusing on those on watersides and the coastal area. Both volumes include colorful illustrations and Scientific names of the bird species. 87829. Yama-to-Keikoku Sha Co., Ltd unknown
1970réf. 87829Tokyo Japan: Yama-to-Keikoku Sha Co. Ltd 1970. Two Volume set with two mini vinyls tipped into rears of text. Two Octavo volumes 19cm; photographic paper-covered boards; dustjackets; ii2062pp; ii2062pp; colorful photographic illustrations throughout both volumes. Text in Japanese with Scientific names and English names included for bird species. Both volumes have modest shelf-wear with rubbing to paper of board edges and trace foxing to edges of textblock; Very Good. Volume I dustwrapper has trivial surface wear; Very Good. Volume II dustwrapper has trivial surface wear with tiny tear to lower front flap fold; Very Good. Volume I explores over 90 species of terrestrial birds each classified by their habitat. Volume II includes 93 species of wild birds focusing on those on watersides and the coastal area. Both volumes include colorful illustrations and Scientific names of the bird species. 87829. Yama-to-Keikoku Sha Co., Ltd unknown books
1902réf. 17978Boston: Houghton Mifflin and Company. Very Good. 1902. First Edition; First Printing. Hardcover. If it wasn't xlib I would rate the book near-fine. A very nice copy with an owner's inscription on the fep dated 1902.; Ex-Library; Small 8vo 7½" - 8" tall; 512 pages . Houghton, Mifflin and Company hardcover
1991réf. 006347Austin: Texas State Historical Association 1991. Three quarter brown leather over marbled paper-covered boards titles gilt. Brown marbled slipcase. 50 color plates and b/w photos 298 pages. A fine reproduction of the 1856 original with an introduction by R. M. Peck. In a "as new" slipcase. A limited edition of 250 copies. Limited & Numbered Edition. Three-Quarter Leather. As New. 4to - over 9¾" - 12" tall. Texas State Historical Association Hardcover
1926réf. 001074New York: American Museum of Natural History 1926. 800pp. photos maps. History of Ecuadorean ornithology and expeditions physiography climate life-zones zonal distribution by bird families List of species and subspecies gazeteer bibliography index fold-out map. Call letters on spine minoe ex-library markings and pocket on end sheets. Cloth. Library Binding. Very Good. 8vo. American Museum of Natural History hardcover
1935réf. 32670Chicago: Popular Publications Inc. 1935. Tanning to text paper closed tears to first two leaves vertical crease along right front edge with tiny tears covers reglued a very good to nearly fine copy. 32670. Small octavo cover by Frederick Blakesee pictorial wrappers. Pulp magazine. "The Telsa Raiders" by Robert Sidney Bowen. The Dusty Ayres series was set in the near future. The world with the exception of the United States has been conquered by an Asiatic dictator. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 194-196. Popular Publications, Inc. unknown
1934réf. 32666Chicago: Popular Publications Inc. 1934. Tanning to text paper supple mild wear to yapp edges with tiny tears several creases pencil numbers to upper left front cover front cover over glued some spine edge rubs a good to very good copy. 32666. Small octavo cover by Frederick Blakesee pictorial wrappers. Pulp magazine. "The Green Thunderbolt" by Robert Sidney Bowen. The Dusty Ayres series was set in the near future. The world with the exception of the United States has been conquered by an Asiatic dictator. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 194-196. Popular Publications, Inc. unknown
2005réf. 66367Doubleday Canada. Fine in Fine dust jacket. 2005. First Edition; First Printing. Hardcover. Stiff clean book in crisp dust jacket; about new. Inscribed and signed by Graeme Gibson on the title page. A beautiful book.; 6.5 X 1.4 X 9.3 inches; 384 pages; Signed by Author . 0385660480 . Doubleday Canada hardcover
1902réf. 5377New York:: Forest Fish and Game Commision c. 1902. First printing. Fine condition. . A Fine original chromolithograph printed on heavy coated stock. Quarto 9 x 12.5 Inches. Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph for which a separate stone was used for the application of each color thus requiring meticulous registration to recreate the subtle tones of blended color . Archivally double matted in Forest Green rag board sized to 14 x 18 inches suitable for framing. Forest, Fish and Game Commision, unknown
1880réf. 4209Boston: Lee and Shepard 1880. First Edition. Original publisher's gilt stamped cloth. Good; hinges reinforced. 8vo xviii 366 pp. frontispiece This is the account of his 'birding' in the West Indies for the Smithsonian Inst. . During his trip he identified 22 new species. The account also contains a vivid narrative of his treks through the wilds and mountain ascents. Smith O1; DAB XIII 606. Lee and Shepard hardcover books
1913réf. 010360Pantagraph Printing and Stationery Co 1913. 1913 reprint of the 1889 & 1895 editions. 2 vols include Vol 1 and Vol 2 Part 1. A very nice set with no foxing writing or other defects. Includes the handsome color lithographed plate of a Meadowlark by Ridgway. Photos on request. Hard Cover. Fine. Pantagraph Printing and Stationery Co Hardcover
1772réf. 143651772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris France. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown
1772réf. 143661772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown
1772réf. 143641772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown
1772réf. 143651772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris France. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown books
1772réf. 143661772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown books
1772réf. 143641772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown books
réf. 27702LONDON. OLIVER AND BOYD.1968. VOLUME FOUR - A HISTORY OF THE BIRDS OF THE CAPE VERDE ISLANDS. NEAR FINE COPY WITH A VERY GOOD DUSTWRAP. COLOUR HALF-TONE PLATES WOOD ENGRAVINGS IN TEXT MAPS. ILLUSTRATIONS BY D.M. REID-HENRY GEORGE E. LODGE C.F. TUNNICLIFFE AND OTHERS. EXTRA POSTAGE. LONDON. OLIVER AND BOYD.1968 unknown
2019réf. 3727387LexisNexis 2019. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1500grams ISBN:9781784734312 LexisNexis paperback
