RIVIER (Louis) & ROBERT (Paul)Livre Rare Book
6 360 résultats
1927réf. WOC-1868L'Homme – L'Artiste et L'Oeuvre – Le Novateur. Illustré de 60 planches hors-texte, dont 7 planches en couleurs, de 2 portraits et d'une page autographe de Paul Robert. Neuchâtel & Paris, Éditions Delachaux & Niestlé S. A., 1927. In-4 (25x4,5x18cm) relié plein parchemin blanc, plat supérieur et dos ornés et légèrement terne, tête dorée. 261Pp + planches.
réf. 32202YORKSHIRE SPURN BIRD OBSERVATORY 2016. FIRST EDITION QUARTO FINE HARDBACK COPY IN LAMINATED BOARDS. YORKSHIRE, SPURN BIRD OBSERVATORY, 2016 hardcover
1994réf. 000530Haarlem: Schuyt & Co 1994. Schuyt & Co. Haarlem Netherlands. 1994 hardback. Very good/Very good. 305 x 215mm 350 pages. Colour and b/w photos maps charts. Book condition: Very good clean green boards tight binding. Dust jacket condition: Very good clean bright minor fade to part of spine not creased not clipped. An excellent study of raptors of North and East Netherlands with fine illustrations distribution maps. SIGNED by the author on title page. Postage to Europe will be about £16.00. Hard Cover. Very Good/Very Good. 4to - over 9¾" - 12" tall. Schuyt & Co Hardcover
1988réf. 11063Lechevalier - R. Chabaud 1988 préface de P. Géroudet. Les photos carnets de terrain de Dominique Robert. In-8, cartonage éditeur 287pp
1995Arthaud 1995, 160 pages, in/4 reliure éditeur, jaquette en couleurs, illustrations en couleurs cartes, dessins, photographies. Traduction de Jean-Pierre Demoly.
1837réf. 033014London: Printed by Richard Tayor for the Author 1837 A good copy of the 1st edition in the original cloth binding with 2 folding maps at the rear. Robert Dunn titles himself as an 'animal-preserver' - which sadly does not mean that he was a conservationist. The book is a full account of his travels and the various species that he encountered and then shot and presumably stuffed when he was back home. The binding is complete and sound with pulling to spine ends bumped corners and some staining to the front board. There are the remains of a paper title label to the spine. Internally the original endpapers are present with 2 old signatures at the fep which has some light marking at the bottom. Contents with half title; frontispiece; title page; dedication; introduction; notice to subscribers announcing the addition of maps for those who wanted them; text 128pp; and folding maps of Orkney and Shetland. Contents are generally clean with light toning particularly to page edges and with the odd spot or mark. Pages 45-48 are badly opened with some loss to the side margin. The maps have some creasing at the side edges. Printed by Richard Tayor for the Author hardcover
1772réf. 143651772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris France. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown
1772réf. 143661772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown
1772réf. 143641772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown
1772réf. 143651772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris France. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown books
1772réf. 143661772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown books
1772réf. 143641772. Jonston John and Nicolas Robert. Collection d'oiseaux les plus rares 1772 preserves Nicolas Robert's seventeenth-century ornithological imagery in an eighteenth-century publication devoted to birds from the royal menagerie and Jonston's natural history of birds. Published in Paris by L. C. Desnos the work joined Robert's images of birds associated with the French royal collections to a French treatment of Jonston's earlier natural history placing seventeenth-century court-sponsored observation within the expanding eighteenth-century literature of ornithology. Jonston John and Robert Nicolas. Collection d'oiseaux les plus rares. Paris: L. C. Desnos 1772. Etching depicting six birds of prey each perched on a branch; one bird wears bells attached to its legs a detail associated with trained birds used in falconry. Etching measures 11" by 7"; overall sheet measures 12.5" by 17.75". The plate belongs to Desnos's Collection d'oiseaux les plus rares gravés et dessinés d'après nature which incorporated images by Nicolas Robert with material derived from Jonston's natural history of birds. Robert worked for Gaston d'Orléans before his natural-history paintings passed with Gaston's collections to Louis XIV. Under royal patronage Robert continued depicting plants and animals including birds kept at the royal menagerie; his surviving vellums became an early nucleus of the natural-history illustration collections now preserved by the Muséum national d'Histoire naturelle in Paris. This 1772 printing records the continued circulation of Robert's seventeenth-century bird imagery more than a century after its creation while the bells visible on one raptor preserve a specific visual reference to contemporary falconry practice. Condition not supplied. unknown books
2001No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and minor bump to upper rear corner. Dust jacket not price clipped or marked or torn or creased with minor indenting to rear. 408pp. Between 1997 and 2000, over 300 fieldworkers spent almost 10,000 hours monitoring the 931 'tetrads' that make up Lancashire and North Merseyside. They found and mapped the distribution of 146 breeding bird species.
réf. 135284aafNeuchâtel, Delachaux & Niestlé, 1916, in-4°, 414 p. + 2 ff. + 50 illustrations en couleurs contrecollées, papier bleu/grise, reliure de l'éditeur en toile verte, avec titre doré dans un beau décor estampé sur les plats et le dos, très bel exemplaire.
réf. 78723aafBern, Biel, Zürich, Ernst Kuhn, s.d. (ca. 1916), in-4°, 3 Bl. + 237 S. + 50 Farbtafeln, dekorierter Leinenband, schönes Exemplar.
réf. 114304aafNeuchâtel et Paris, Delachaux & Niestlé, (1929-)1933, gr. in folio (54.5 x 40 cm), IV, titre et table + 135 repr. en couleurs sur 92 planches, 4 pochettes à l'intérieur du plat devant chacune contenant une brochure originale de ca. 30 p., en feuilles dans cartable originale en papier grise.
réf. 114862aafNeuchâtel et Paris, Delachaux & Niestlé, (1929-)1933, gr. in folio (54.5 x 40 cm), 135 repr. en couleurs sur 92 planches + 4 pochettes à l'intérieur des plats contenant des brochures originales d’env. 30 p., en feuilles dans 4 cartables originaux en papier gris. Couverture du premier cart. un peu tachée d’eau.
réf. 74889aafNeuchâtel et Paris, Delachaux & Niestlé, (1929-)1933, gr. in folio (54.5 x 40 cm), vendue par feuille. prix par feuille.
réf. 108045aaf1933 in-Folio, Schweizer Maler vorallem: Vögel / Insekten usw. Texte monographique pro Blatt
1983réf. RO20171077VECCHI. 1983. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 201 pages - quelques photos en couleurs hors texte.. . . . Classification Dewey : 636.6-Oiseaux de cage et de volière
réf. 24897Paris, de Vecchi S.A., 1977. 14 x 21, 123 pp., très nombreux dessins, 4 planches en couleurs, broché, bon état (couverture légèrement défraîchie).
8vo., xxxiv,463pp., 46 coloured plates, some foxing. Good+, cloth marked and spine sunned with rubbing and some loss to ends. extensive pencil entries to feps about birds and an inscription - but nothing to text itself.
1999réf. VD310001999 Crediton, Gold Cockerel, 1999 : In-12 Carré, Broché. réédition, 54 pp., 120 photos couleurs, 13 illustrations couleurs et 1 figure in-texte, une petite plaquette qui représente toutes les races de canards et oies anglaises Etat du neuf, Couv. remarquable, Dos impeccable, Intérieur frais.
1972Octavo in board and illus color DJ; 143 p. p., illus., facsim., map., 22 cm. Cage birds; History, Birdcages; Aviaries, Birds; Pets
1919réf. 236288Minneapolis, Univ. of Minnesota, 1919. M. zahlr. Abb. VI, 101 S. Sign. a. Tit. (Research publ. of the Univ. of Minnesota 8/2).
