1,539 results
1811Premessa, Giovanni Sartori, stampatore e librajo - Introduzione - Da Delle varie specie d'Api in un'arnia ...Lunario delle Alpi - XIV Capi 1 21x14 cm., cucitura editoriale muta, pp. 69 (3), su carta con barbe, ancora bianca e ben conservata, ampi margini, e 2 tavole con 10 e 7 figure disegnate e incise da P. Zuliani Prof. in Alvisopoli, prima edizione, in italiano, discrete condizioni, ma buon esemplare. RARO
197375 pages. Great colour and black and white photos of the band, together and individually. Includes the following songs: Goodbye; Green Monkey; Hat Trick; It's Life; Molten Love; Muskrat Candlelight/Muskrat Love; Rainbow Song; She's Gonna Let You Down; Submarine Ladies; Willow Tree Lullaby; Wind Wave. Somewhat above-average wear. Unmarked. Binding intact. A sound copy. Book
ref. 002-Wo.J. Aquarell und Feder in Schwarz, auf gelblichem Pauspapier, links oben signiert und datiert ?Loulou Albert-Lasard. 1931?. 28:35 cm. Loulou Albert-Lasard schreibt seit ihrem Berlin-Aufenthalt in den 20er Jahren ihren Namen mit s statt mit z. Vorzeichnung.
1990A clean, unmarked book with a tight binding. 308 pages.
1990A clean, unmarked book with a tight binding. Age-toned pages. 514 pages.
1922ref. 5769Paris, Chez l'auteur, 1922, in-8, Broché, 216 pages. Etat d'usage. Solide.
1874ref. 1262721874. London: Vanity Fair November 21 1874. Color lithographic portrait after a watercolor painting by Pellegrini. Image size: 12 x 7 inches 30.5 x 18cm. Matted in a museum board. Printed by Vincent Brooks Day & Son Lith. Fine. § This portrait of the English poet 1837-1909 emphasizes his diminutive stature oversized head and shambling posture. It is not generally known that the Italian-born Pellegrini 1836-1889 was the originator of the Vanity Fair series of weekly caricatures of individuals of distinction and that the better-known Sir Leslie Matthew Ward 1851-1922 known as "Spy" was his successor. unknown books
1874ref. 1262721874. London: Vanity Fair November 21 1874. Color lithographic portrait after a watercolor painting by Pellegrini. Image size: 12 x 7 inches 30.5 x 18cm. Matted in a museum board. Printed by Vincent Brooks Day & Son Lith. Fine. § This portrait of the English poet 1837-1909 emphasizes his diminutive stature oversized head and shambling posture. It is not generally known that the Italian-born Pellegrini 1836-1889 was the originator of the Vanity Fair series of weekly caricatures of individuals of distinction and that the better-known Sir Leslie Matthew Ward 1851-1922 known as "Spy" was his successor. unknown
1932ref. 11192Paris, Boivin & Cie, 1932. In-4 de 70-[2] pages, cartonnage d'éditeur illustré en couleurs, dos de toile rouge. Bords et coins frottés, une jeune main a ajouté par ci par là de la couleur aux in-texte en noir, une étoile et une inscription au verso de la page de titre ainsi qu'une numérotation de page.
1903ref. 11287Paris, Félix Juven, [1903]. In-4 de 70-[2] pages, cartonnage d'éditeur illustré en couleurs, dos de toile rouge. Cartonnage sali, bords et coins frottés, charnières ouvertes, inscriptions au second plat et sur gardes, tous les cahiers sont déboîtés mais solidaires. Quelques pages tachées. A restaurer.
1884ref. 9061Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm. Vanity Fair
1894ref. 26622Paris, Édouard Rouveyre bzw. Librairie du Cazinographile A. Corroenne, 1878-1894. Kl.-8°. OBrosch.-Bde. in späterem marmor. Pp.-Schuber.
2019ref. 38340Vancouver: Heavenly Monkey 2019. Hardcover. Fine. Hardcover. Number 30 of 55 copies. This is one of the 30 standard copies numbered 21 - 50. There were also 20 deluxe copies and 5 copies hors de commerce. The Kelmscott Press founded by William Morris 1834 - 1896 and the Doves Press founded by T.J. Cobden-Sanderson 1840 - 1922 are two of the foremost private presses and their output was associated with an exquisite attention to detail and fine letter printing. This beautifully produced leaf book begins with Pollard's essay that was written for the catalogue of William Andrews Clark Jr.'s renowned book collection published in 1921 by John Henry Nash. "Rather than a straight historical account of the two presses Pollard offers a meditation on their influences and influence particularly in matters of design and typography. It is embellished here with calligraphy by Martin Jackson and accompanied by a leaf from both of the presses: the Kelmscott's Golden Legend and the Doves English Bible." Publisher statement " Heavenly Monkey is the imprint of publisher Rollin Milroy who is dedicated to creating books for people interested in contemporary applications of traditional book crafts: handmade papers letterpress printing and bindings that emphasize both aesthetic and structural integrity. Our books are designed as objects to be experienced both intellectually and physically; innovative use of technology from any era and its skillful application are the studio's guiding principles." Publisher website Bound in blue paper covered boards with d dark blue cloth spine and with titling and cloth title label to front cover. Printed in Centaur type and with calligraphy in red by Martin Jackson taken from polymer plates on dampened Arches paper. In fine condition clean crisp as new. Measures 10 x 15 inches. 18 pages plus leaves and colophons. PRI/061226. Heavenly Monkey hardcover books
2019ref. 38340Vancouver: Heavenly Monkey 2019. Hardcover. Fine. Hardcover. Number 30 of 55 copies. This is one of the 30 standard copies numbered 21 - 50. There were also 20 deluxe copies and 5 copies hors de commerce. The Kelmscott Press founded by William Morris 1834 - 1896 and the Doves Press founded by T.J. Cobden-Sanderson 1840 - 1922 are two of the foremost private presses and their output was associated with an exquisite attention to detail and fine letter printing. This beautifully produced leaf book begins with Pollard's essay that was written for the catalogue of William Andrews Clark Jr.'s renowned book collection published in 1921 by John Henry Nash. "Rather than a straight historical account of the two presses Pollard offers a meditation on their influences and influence particularly in matters of design and typography. It is embellished here with calligraphy by Martin Jackson and accompanied by a leaf from both of the presses: the Kelmscott's Golden Legend and the Doves English Bible." Publisher statement " Heavenly Monkey is the imprint of publisher Rollin Milroy who is dedicated to creating books for people interested in contemporary applications of traditional book crafts: handmade papers letterpress printing and bindings that emphasize both aesthetic and structural integrity. Our books are designed as objects to be experienced both intellectually and physically; innovative use of technology from any era and its skillful application are the studio's guiding principles." Publisher website Bound in blue paper covered boards with d dark blue cloth spine and with titling and cloth title label to front cover. Printed in Centaur type and with calligraphy in red by Martin Jackson taken from polymer plates on dampened Arches paper. In fine condition clean crisp as new. Measures 10 x 15 inches. 18 pages plus leaves and colophons. PRI/061226. Heavenly Monkey hardcover
2018ref. 16541Vancouver: Heavenly Monkey Press 2018 One of forty-eight copies done in three different formats. Series 3 is one of twenty-four copies out of a total edition of forty-eight copies. Bound in cream-colored paper over boards at the HM Studio. Quarto. . Series 3 with a leaf from both Rollenhagen'a Nucleus Emblematum Selectissimorum and Winter's Collection of Emblemes Ancient & Moderne. Series 1 contained four leaves including leaves containing the same engravings from Rollenhagen and Winter; Series 2 contained a leaf from Rollenhaben paired with the same plate on a Wither leaf. With illustrations ornaments and decorative initials. A fine copy. From the publisher Rollin Milroy: "The focus of Labour Vertue Glorie however is not the content or interpretations of the two authors' emblems but the production and form of the books from which these sample leaves come. To that end the book reprints three of Wither's prefatory notes from A Collection: one about William Marshall's engraved frontispiece one about the game of lots included in the book and "To The Reader" in which he discusses at length the book's creation and intent. Each of these is appended with comments from a variety of sources discussing and sometimes disputing the author's words. The comments also provide some insights to how Wither adopted and more importantly adapted Rollenhagen's original work for his own purposes. While not exact facsimiles the reprinted texts follow the original's use of swash characters and seemingly random combinations of roman italic and majuscule types. But only the reprinted texts; the rest of the book is set in a more traditional and calming manner. Heavenly Monkey Press, hardcover books
2022ref. 17518Vancouver British Columbia: HM 2022 One of thirty numbered copies. Six hors commerce copies were also produced. Signed on the colophon by Walter Bachinski. Bound in quarter yellow cloth over black paper boards with gold-printed paper onlay on one cover and black ink stamp pattern on the other. The dos-a-dos format allows the book to be read from one end then flipped over and read from the other. In a black board slipcase. With the prospectus. . Octavo. With two title-pages. Two pochoir frontispieces and nineteen vignettes by Walter Bachinski. Set in Weiss and American Uncial types and printed on dampened Barcham Green Canterbury handmade paper by Rollin Milroy. A fine copy as new. "The Lady or the Tiger was first published in The Century magazine in 1882. It was tremendously popular but readers did not like being left to draw their own conclusion. In a sly acquiescence to the incessant requests to know which came out the door in 1885 he published The Discourager of Hesitancy" colophon. HM, hardcover books
2018ref. 16541Vancouver: Heavenly Monkey Press 2018 One of forty-eight copies done in three different formats. Series 3 is one of twenty-four copies out of a total edition of forty-eight copies. Bound in cream-colored paper over boards at the HM Studio. Quarto. . Series 3 with a leaf from both Rollenhagen'a Nucleus Emblematum Selectissimorum and Winter's Collection of Emblemes Ancient & Moderne. Series 1 contained four leaves including leaves containing the same engravings from Rollenhagen and Winter; Series 2 contained a leaf from Rollenhaben paired with the same plate on a Wither leaf. With illustrations ornaments and decorative initials. A fine copy. From the publisher Rollin Milroy: "The focus of Labour Vertue Glorie however is not the content or interpretations of the two authors' emblems but the production and form of the books from which these sample leaves come. To that end the book reprints three of Wither's prefatory notes from A Collection: one about William Marshall's engraved frontispiece one about the game of lots included in the book and "To The Reader" in which he discusses at length the book's creation and intent. Each of these is appended with comments from a variety of sources discussing and sometimes disputing the author's words. The comments also provide some insights to how Wither adopted and more importantly adapted Rollenhagen's original work for his own purposes. While not exact facsimiles the reprinted texts follow the original's use of swash characters and seemingly random combinations of roman italic and majuscule types. But only the reprinted texts; the rest of the book is set in a more traditional and calming manner. Heavenly Monkey Press, hardcover
1921ref. 27856Partitions sur l'Afrique,Partitions sur les Animaux Fossoul Yves 1921
1913ref. 27866Partitions sur les Animaux Philippo 1913
1919ref. 30877Partitions sur les Animaux Sarrablo y Clavero 1919
1949ref. 94634Golden Gate Publications 1949
1888ref. 27858Partitions sur les Instruments de musique,Partitions sur les Animaux Naus J. 1888 approx.
ref. 021104Vancouver: Heavenly Monkey 2017. . Hardcover. Fine. The book 28 printed rectos measures approximately 4 by 6 inches fitting comfortably in the hand for close examination of each page. The edition is uniformly bound by Claudia Cohen in a non-adhesive structure designed to enhance the tactile experience of holding the book while leafing through its pages. The signatures are sewn into a parchment chemise the whole then laced into a limp vellum case with gold tooling. The title is calligraphed by Francesca in red on the spine of each copy. Issued in a clamshell box. The edition of 36 copies is numbered & signed by Francesca on the colophon with a maximum of 30 copies being offered for purchase." from the Heavenly Monkey website. Vancouver: Heavenly Monkey, 2017. hardcover
ref. 5014London: published in 'Vanity Fair' 17 January 1874. Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions containing spirited account 'he sought refuge in Switzerland but he was expelled discreditably from that country . Keeper of the Printed Books . the man in all Europe most competent to fill it. His extraordinary knowledge of all the literature and most of the languages of the Earth . so amiable a man that he has worked the Library up to its present position without making an enemy ! . known to the officials with whom he has had to do as Pan the deity of the British Museum. .' See Image. [London]: published in 'Vanity Fair', 17 January 1874. unknown
1988ref. 2090502113709042Not Available 1988. Soft Cover. Fine. The book is in fine condition. Not Available paperback
