Gonzalo Javier Gallo QuintianBiblio.com
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réf. Juanpebooks098464WE ship worldwide. Brand new 100%guarentee unknown
1848réf. 2743PARIS: Librairie Ethnographique 1848. 4º Mayor.- Encuadernado a media piel de época lomera con decoraciones de hierros dorados.- Portadilla.- 1 lámina frontis retrato de Isabel II.- Portada.- 392 páginas.- 2 hojas Ãndices.- 100 ilustraciones entre texto más 25 láminas fuera de texto iluminadas a mano y a todo color de trajes y costumbrismo más otras 25 láminas fuera de texto en blanco y negro de vistas de ciudades y monumentos arquitectónicos. Cantabria - Santander - Asturias - Galicia - Castilla la Vieja - Castilla la Nueva - Andalucía - Valencia - Murcia - Cataluña - Aragón - Navarra. Primera edición francesa anteriormente publicada en alemán. Foulché - Delbosc anota que el segundo autor V. de Féréal pertenece al seudónimo de Mme. de Suberwich. Bella edición romántica. Palau nº 65902 - Foulché Delbosc nº 422 Librairie Ethnographique unknown
1932réf. 47210EDICION FACSIMIL.- Madrid: Publicaciones del Archivo de Villa Artes Gráficas Municipales 1932.- 73 p. de los estudios previos y la transcripción 62 p. sin numerar del Facsímil a todo color 2 h. de índice y colofón; Folio mayor 33 x 232 cm; Magnífica encuadernación en Plena Piel Chagrén lomo cuajado en oro y cinco nervios Tapas con plancha en seco recuadrando flanqueada por filetes dorados contracantos con rueda dorada guardas en papel marbreado cabeza tintada en color calabaza conservando las cubiertas originales Excelente estado. Sin duda un ejemplar de los que se encuadernaron especialmente para obsequiar a las autoridades. Aunque no va firmada por su técnica la encuadernación está sin duda ejecutada por un gran maestro encuadernador posiblemente por algun discípulo de Antolín Palomino de la Imprenta Municipal. MADRID Libro en español Publicaciones del Archivo de Villa hardcover
1593réf. 003933Venice: Camillo Borgomineri 1593. Hardcover. Very Good -. Nuouamente ristampate con le figure de gl'istrumenti che s'appartengono all'essercitio d'vn vero & perfetto agricoltore et con due tauole copiosissime: vna delle dichiarationi di molti vocaboli bresciani: & l'altra delle cose più notabili che nell'opera sono sparse." 24 447 1 p.: woodcut engravings; 21 cm. Signatures: a8 4 A-2E8 4to in 8s. Original vellum with handwritten spine title. Woodcut headpieces and historiated initials. Includes index. In Very Good- Condition: vellum is slightly soiled; old dampstain in lower half of pages throughout generally faint; old repair of edges of last 7 leaves of engravings not impacting images; tight and bright. Camillo Borgomineri hardcover
1775réf. 46097In Brescia: Nella Stamperia di Giambatista Bossini 1775. Cm. 25 pp. xx 570. Con ritratto dell'autore all'antiporta grande vignetta al frontespizio e 6 tavole d'illustrazioni fuori testo. Il tutto finemente inciso in rame. Legatura strettamente coeva in cart. alla rustica con nervi passanti e titoli manoscritti al dorso. Esemplare genuino e marginoso in ottimo stato di conservazione. Ex libris e nota di possesso del celebre scrittore e storico dell'economia francese R.G. Conte di Salmour. Edizione assai stimata e considerata la migliore e più completa mai impressa di questo classico dell'agricoltura che vide la luce in originale nella metà del '500. Cfr. Ceresoli p. 264: "Bellissima edizione con le annotazioni di Cristoforo Pilati a spese dell'Accademia di Brescia con l'aggiunta sopra il frumentone altrimenti Gran Saraceno.". Nella Stamperia di Giambatista Bossini unknown
2012réf. SBBIH-OJ7WHGM2GQTSEDT-Giralangolo 2012. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. EDT-Giralangolo paperback
1848réf. 65119Turin, imprimerie royale, 1848, in-4, XXVIII-224-[3] pp, 9 pl. et 1 carte dépliante en fin de volume, Demi-chagrin brun de l'époque, dos lisse et fileté, titre doré, Neuf planches lithographiées par Doyen et cie, représentant des sujets atteints de goître. Le cinquième chapitre est constitué de nombreux tableaux (pp. 83 à 166), c'est-à-dire de "Tables statistiques indiquant le mode de distribution du crétinisme dans les états de terre-ferme". Une carte dépliante est reliée en fin du volume. La commission pour le crétinisme, réunie par le roi Charles-Albert et présidée par le professeur Gallo, fut chargée d'enquêter sur les cas élevés de crétinisme dans les états sardes et plus précisément en Savoie dès 1845. Le rapport, rédigé en italien, traduit et publié en français en 1848, établit que le crétinisme est une maladie due au manque, d'origine congénitale, d'hormones thyroïdiennes. Il se manifeste par un développement physique et mental arrêté. Par ailleurs, cette maladie peut également être due à une carence en iode, notamment dans les régions montagneuses, ce qui entraîne la formation d'un goitre. Le docteur Cerise était l'un des membres correspondants de cette commission. Il connaissait admirablement la Savoie où il avait grandi et où il aida, quelques années après, Baillarger, alors rapporteur d'une commission d'enquête sur le goitre et le crétinisme. Charles Marie Joseph Despine (1792-1856), directeur de l'École des Mines de Moutiers, inspecteur général des mines du royaume de Sardaigne et administrateur de la dette publique était le secrétaire de cette commission. Bien complet de la grande carte dépliante datée de 1850. Accompagné de 2 feuillets manuscrits d'une consultation et d'un papier à en-tête de l'Association générale des médecins de France daté de 1865. Coins un peu usés et coiffes frottées, quelques salissures et rousseurs claires, une pâle mouillure en tête du volume, très bel état des planches et de la carte. Couverture rigide
réf. #[59852]From the serie of 14 plates with landscapes with biblical and mythological scenes. Venus and Adonis are represented in the middle foreground. In the background mountains ascending on the right and on the left. Inscribed bottom left: 'Deflet amasium suum / Adonis Venus / Cock fe / Cum gratia et priuilegio per ano 6.' l Etching on paper trimmed within platemark; total: 219 x 300 mm; only state. Watermark. Small stains in the sky. Repaired tears. Hollstein 20 Riggs 49 unknown
réf. MP71551. Only State. Abraham is shown with a sword raised above his head with Isaac kneeling before him the scene set in an expansive landscape. The southern Netherlandish painter and etcher Cock produced a total of 62 etchings but he was better known as a print publisher: "He was the most important print publisher of his time in northern Europe and played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour. His house published more than 1100 prints between 1548 and his death in 1570 a vast number by earlier standards. Cock's enterprise played an important role in the spread of the Italian High Renaissance throughout northern Europe as Cock published prints made by prominent engravers such as Giorgio Ghisia Dirck Volckertsz Coornhert and Cornelis Cort after the work of leading Italian painters like Raphael Primaticcio Bronzino Giulio Romano and Andrea Sarto." Wikipedia The landscape design for the present etching has been attributed to Hieronymus by Hollstein and to his brother Matthys by Nagler. Hollstein 1. etching. 245 x 365 mm. signed & dated in the plate. A very good dark impression on laid paper with King's orb watermark trimmed to just outside image 1551
1876réf. B6480Mexico: Gallo & Co. 1876. Texts and plates are clean and crisp. Binding: loose in contemporary full cloth over boards title in gilt on the upper board. Notes: Scientific historical and statistical notes wealth of Mexico in the region extending from the Gulf to the capital of the republic considered in its geological agricultural manufacturing and commercial aspects. Size: Folio Illustration: Illustrated with a frontispiece 20 31 plates and a folding map of Mexico railway. Transation: translated into Engl Pages: P. Frontispiece blank title blank table of contents blank 9-211 Category: Book Americas Central; Book Transportation Railway; Gallo & Co. hardcover
1972réf. 332320New York: Morgan & Morgan 1972. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Closed tear held with tape on front panel bottom corner. Open tears on spine crown and top rear panel.; Small bookplate on title page signed by Ansel Adams. From the personal collection of notable aerial photographer Owen Kanzler. Half title page inscribed by Owen Kanzler.; 4to 11" - 13" tall; Signed by Author. Morgan & Morgan hardcover
réf. 2092902141700983Not Available N.A. Soft Cover. Fine. Number of books: 2 Not Available paperback
réf. 69733Saint Paul: The Hermetic Press 2019. Edition limited to 31 copies this being one of 26 lettered copies on 125 gsm Stardream paper there are also 5 on 110 gsm Plike paper 8vo approx. 9¾" x 5½"; 22 leaves; printed in color throughout handset foundry type used includes Eurostyle Normal & Extended; Aurora Condensed & Bold Condensed; Permanent; Headline & Headline Open; Impact Open; Anzeigen & Inserat Grotesk; Folio Extra Bold; Huxley Vertical; Bauer Bodoni Italic & Bold Roman; Libra; Sapphire; Prisma; Boulevard and Fry's Ornamented card covers in an orange chemise of RFID/NFC Faraday fabric. The covers are susceptible to soiling and this copy shows evidence of that. Quite a book pushing the limits of color type design and poetry found or otherwise "like a slurry full of swarth. The Hermetic Press unknown
réf. 48167Minneapolis: privately printed 2015. Edition limited to 50 copies this being one of 45 there are 5 artist's proofs; small tall folio pp. 24; illustrations in the text 1 full-page and in color large double-page folding plate printed in color; original stiff orange wrappers with gilt vignette the whole in a plexiglass slipcase. As new at the published price. Electric Tulips 5.1 was conceived as a dialogue between an imaginary literary critic Gallo and the poet Gallo and revolves around the writing and presentation of his poem Electric Tulips 5.1. The essay which results Future Preterite by the esteemed critic Alessandro S. Stompanado is intended to emulate that of the essay by James Joyce written under the pseudonym Vladimir Dixon; and which appeared in the Sylvia Beach publication of 1929: Our Exagmination Round His Factification for Incamination of Work in Progress in which Joyce writes an appreciation of his own novel Ulysses. As such the book is a multi-layered pastiche of both literary and typographic treatments along with a magnificent double gatefold presentation of the poem in eight colors each of the seven stanzas in a separate color and the seminal tulip in an eighth; the type all set by hand and printed letterpress and polymer from Permanent Headline Open from the now defunct foundry Ludwig & Mayer. privately printed unknown
réf. 71216Saint Paul: Phil Gallo at the Hermetic Press 2025. Edition limited to 35 copies on Rives BFK signed by Gallo with his initial P; 8vo pp. 56; printed in a variety of colors and in a variety of fonts; portrait of the printer by B. Kreft; original stiff cherry wrappers printed in silver; fine in original plexiglas slipcase. A retrospective of sorts of Gallo's work over 60 years. "A number of these poems were printed on 5x7-inch cards and sent to friends of the press. The Printer however being of a dilatory nature sent out so few he feels it not unwarranted to call them new 'Qfwfq' notwithstanding and to include them in this new book." Twenty or so separate items for lack of a better word composed designed illustrated and printed by one of the finest printers alive today. Phil Gallo at the Hermetic Press unknown
réf. 63023Saint Paul: Philip Gallo at The Hermetic Press 2023. Edition limited to 31 copies signed by Gallo press numbered 1-26 and 5 lettered A-E; 8vo pp. 34; frontispiece printed in silver "from Bric-A-Brac J Swift and first appearance of Hermetic Press imprint :: 1966" the whole printed in red blue green and black in roman and cyrillic type on Johannot with extracts from Montaigne William Massey John Ruskin Laurence Sterne Ralph Ellison and Vladimir Nabokov's translation of Lewis Carroll's Alice Adventures in Wonderland; stiff card wrappers with black dust jacket stamped in silver in a plexiglas slipcase. An overtly political book on the "limitations if not the failings of Cancel Culture. Philip Gallo at The Hermetic Press unknown
réf. 55799Minneapolis & Saint Paul: Hermetic Press 2016. The complete series in 3 volumes edition limited to 30 copies 8vo pp. 18; 18; 56; illustrated throughout; original cream printed wrappers. Fine. On Typographica Broodthaers excerpta: "This book started out as an installation but devolved into conceptual art and lay dormant until now. But my first idea was to set it in a kind of poison pen letter fashion and as I had a complete run of Eurostile Extended-which I felt quite suited to it-I went ahead and printed it on a half sheet of Strathmore. It was not long before I decided that the copy was irrelevant-that the idea was simply an idea-or more to the point-joke-that the piece did not need to be produced and that a written description would suffice: The idea of the thing being better than the thing itself. I still have the press and the type still standing after 25 years and for the book I reprinted the form photographed the original drawing and sheet of Strathmore; along with the press and the type piled up and into it." On Word Bags: "Graffiti on a bank building. A suite of seven cibachromes showing individually the letters of the word PROTEST. Building maintenance went over the letters with lacquer thinner and then covered the entire word in clear plastic to protect passers-by. The red spray paint spread and ran down the side of the building imparting a blood & tear-like aspect to the letterforms under the billowing shroud of plastic. Hence body bag viz. word bags." On Palabra Found poems in lowercase Peignot - by way of its modified ascenders and dotted i - if handled as a unicameral may be seen as a democratization of type; or as a kind of gentrified graffiti. Hermetic Press unknown
réf. 69733Saint Paul: The Hermetic Press 2019. Edition limited to 31 copies this being one of 26 lettered copies on 125 gsm Stardream paper there are also 5 on 110 gsm Plike paper 8vo approx. 9¾" x 5½"; 22 leaves; printed in color throughout handset foundry type used includes Eurostyle Normal & Extended; Aurora Condensed & Bold Condensed; Permanent; Headline & Headline Open; Impact Open; Anzeigen & Inserat Grotesk; Folio Extra Bold; Huxley Vertical; Bauer Bodoni Italic & Bold Roman; Libra; Sapphire; Prisma; Boulevard and Fry's Ornamented card covers in an orange chemise of RFID/NFC Faraday fabric. The covers are susceptible to soiling and this copy shows evidence of that. Quite a book pushing the limits of color type design and poetry found or otherwise "like a slurry full of swarth. The Hermetic Press unknown books
réf. 48167Minneapolis: privately printed 2015. Edition limited to 50 copies this being one of 45 there are 5 artist's proofs; small tall folio pp. 24; illustrations in the text 1 full-page and in color large double-page folding plate printed in color; original stiff orange wrappers with gilt vignette the whole in a plexiglass slipcase. As new at the published price. Electric Tulips 5.1 was conceived as a dialogue between an imaginary literary critic Gallo and the poet Gallo and revolves around the writing and presentation of his poem Electric Tulips 5.1. The essay which results Future Preterite by the esteemed critic Alessandro S. Stompanado is intended to emulate that of the essay by James Joyce written under the pseudonym Vladimir Dixon; and which appeared in the Sylvia Beach publication of 1929: Our Exagmination Round His Factification for Incamination of Work in Progress in which Joyce writes an appreciation of his own novel Ulysses. As such the book is a multi-layered pastiche of both literary and typographic treatments along with a magnificent double gatefold presentation of the poem in eight colors each of the seven stanzas in a separate color and the seminal tulip in an eighth; the type all set by hand and printed letterpress and polymer from Permanent Headline Open from the now defunct foundry Ludwig & Mayer. privately printed unknown books
réf. 63023Saint Paul: Philip Gallo at The Hermetic Press 2023. Edition limited to 31 copies signed by Gallo press numbered 1-26 and 5 lettered A-E; 8vo pp. 34; frontispiece printed in silver "from Bric-A-Brac J Swift and first appearance of Hermetic Press imprint :: 1966" the whole printed in red blue green and black in roman and cyrillic type on Johannot with extracts from Montaigne William Massey John Ruskin Laurence Sterne Ralph Ellison and Vladimir Nabokov's translation of Lewis Carroll's Alice Adventures in Wonderland; stiff card wrappers with black dust jacket stamped in silver in a plexiglas slipcase. An overtly political book on the "limitations if not the failings of Cancel Culture. Philip Gallo at The Hermetic Press unknown books
réf. 55799Minneapolis & Saint Paul: Hermetic Press 2016. The complete series in 3 volumes edition limited to 30 copies 8vo pp. 18; 18; 56; illustrated throughout; original cream printed wrappers. Fine. On Typographica Broodthaers excerpta: "This book started out as an installation but devolved into conceptual art and lay dormant until now. But my first idea was to set it in a kind of poison pen letter fashion and as I had a complete run of Eurostile Extended-which I felt quite suited to it-I went ahead and printed it on a half sheet of Strathmore. It was not long before I decided that the copy was irrelevant-that the idea was simply an idea-or more to the point-joke-that the piece did not need to be produced and that a written description would suffice: The idea of the thing being better than the thing itself. I still have the press and the type still standing after 25 years and for the book I reprinted the form photographed the original drawing and sheet of Strathmore; along with the press and the type piled up and into it." On Word Bags: "Graffiti on a bank building. A suite of seven cibachromes showing individually the letters of the word PROTEST. Building maintenance went over the letters with lacquer thinner and then covered the entire word in clear plastic to protect passers-by. The red spray paint spread and ran down the side of the building imparting a blood & tear-like aspect to the letterforms under the billowing shroud of plastic. Hence body bag viz. word bags." On Palabra Found poems in lowercase Peignot - by way of its modified ascenders and dotted i - if handled as a unicameral may be seen as a democratization of type; or as a kind of gentrified graffiti. Hermetic Press unknown books
réf. 71216Saint Paul: Phil Gallo at the Hermetic Press 2025. Edition limited to 35 copies on Rives BFK signed by Gallo with his initial P; 8vo pp. 56; printed in a variety of colors and in a variety of fonts; portrait of the printer by B. Kreft; original stiff cherry wrappers printed in silver; fine in original plexiglas slipcase. A retrospective of sorts of Gallo's work over 60 years. "A number of these poems were printed on 5x7-inch cards and sent to friends of the press. The Printer however being of a dilatory nature sent out so few he feels it not unwarranted to call them new 'Qfwfq' notwithstanding and to include them in this new book." Twenty or so separate items for lack of a better word composed designed illustrated and printed by one of the finest printers alive today. Phil Gallo at the Hermetic Press unknown books
2006réf. 39662New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 35 works catalogued and illustrated. Among the artists represented: Th. Rousseau Corot Delacroix Briant and others. -- with a bonus offer--; H-T-Banchivco-2; Bancroft Frederic; Chivian-Cobb; Gallo Luigi; Binda Jerome; Sterling Catherine Landscape Painting in France and Italy 1780 - 1860 . 2006. paperback
2006réf. 39661New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 35 works catalogued and illustrated. Among the artists represented: Th. Rousseau Corot Delacroix Briant and others. -- with a bonus offer--; T-Banchivco; Bancroft Frederic; Chivian-Cobb; Gallo Luigi; Binda Jerome; Sterling Catherine Landscape Painting in France and Italy 1780 - 1860 . 2006. paperback
1985réf. 66237Electa. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 228 pp. With 235 ills. 11 col. . 29 x 22 cm. -- with a bonus offer-- . 1985. 8843511629 . Electa hardcover
