3.755 Ergebnisse
1967Best.-Nr. ABE-8767314268First edition. Quarto 28.721.6 cm. Text in English and Chinese. 130 pp. chiefly illustrations. Edited and published by Kao Ling-mei English text by Yao Hsin-nung. Complete with 130 paintings. Signed by Chang Dai Chien in Chinese. Hong Kong: East Society, 1967 paperback
2011Best.-Nr. 100723Institute. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 117 pages; illustrations. Publisher's description: "The middle bank of the Yangzi River is one of the most significant cradles of Chinese civilization and an important locus for the study of Chinese bronze culture. Several important excavations in the past few decades have illuminated some of the little known aspects of this culture through exquisite bronze vessels of the Shang and Zhou dynasties 16th – 3rd century BCE. This exhibition culled from the collection of the Hunan Provincial Museum and catalogue introduce audiences to new discoveries about this seminal time in Chinese history. The fascinating story of this regional culture is revealed in three ways: through the development and characteristics of Hunan bronzes their function and patronage and their cultural connection to central China. " -- with a bonus offer-- . 2011. 097740546X . Institute paperback
1890Best.-Nr. 110351Paris, J. Rothschild, impr. Charles Unsinger 1890 In-folio à l’italienne 35 x 45 cm. En feuillets, sous portefeuille de l’éditeur, demi-percaline bleue à coins, dos muet, report du titre en noir sur le premier plat dans un encadrement représentant un chasseur au repos avec ses chiens dans un décor à l’antique, titre en rouge sur la page de titre ornée d’une vignette, VIII-148 pp., 12 aquarelles hors texte contrecollées sur papier fort dessinées d’après nature par Olivier de Penne et imprimées par Lemercier et Cie, 50 vignettes par Olivier de Penne et P. Tavernier, table des chapitres, table de placement des 12 aquarelles, table alphabétique des matières. édition originale tirée à 1650 exemplaires. Celui-ci N 1175/1629 exemplaires sur papier blanc numérotés de de 22 à 1650. Beau livre devenu rare en bon état.
1967Best.-Nr. 37132Hong Kong: Published by The East Society Printed by Sing Cheong Printing Co. Ltd 1967. 1st edition. Wrappers with printed dust jacket. Clear malleable plastic dust jacket protector publisher's. Spine lightly sunned. Prior owner name stamp to t.p. top magin otherwise a VG - Nr Fine copy. Unpaginated. Text in One 2-panel color image otherwise all images black & white. 11-1/4" x 8-1/2" "Chang Dai-chien was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a guohua traditionalist painter by the 1960s he was also renowned as a modern impressionist and expressionist painter. Further Chang is regarded as one of the most gifted master forgers of the twentieth century. . and it is suggested that many notable collections of Chinese art contains a forgery by the master painter" Wiki. "This book which represents the epitome of Chang Dai-chien's achievements since 1944 contains one hundred and thirty reproductions of his landscapes human figures plants flowers birds animals and fish in both the elaborate and the hsieh yi styles. The pictures are arranged in chronological order to enable the reader to see more clearly how the master after having already attained in his middle age a dizzy height in Chinese art continued on to reach even greater heights." Foreword. While well represented institutionally the work somewhat uncommon in the trade. Published by The East Society, Printed by Sing Cheong Printing Co. Ltd unknown books
1956Best.-Nr. ABE-8767309903First edition. 86 pages octavo 2216 cm. Releves de Touen-Houang et peintures anciennes de la Collection Tchang Ta-ts'ien: Ville de Paris Musee Cernuschi juin-juillet 1956. Text description of 50 paintings for this exhibition 30 illustrations. Signed with his personal chop by Tchang Ta Ts'ien Chang Dai Chien presented to Wang Ch'i Chien. Boldly brushed in fine calligraphy on the title page bearing his personal vermilion seal. An association copy of monumental importance. The 1956 Musee Cernuschi exhibition in Paris marked the absolute zenith of Chang Dai-chien's European debut and international recognition. The recipient C. C. Wang was the preeminent 20th-century authority collector and scholar of Chinese classical painting. This direct presentation from Chang to Wang merges two towering figures of modern Chinese art history recording a profound moment of mutual respect and lifelong friendship between the greatest artist and the greatest connoisseur of their era. Paris: Musee Cernuschi, 1956 paperback
