ANOUILH (Jean).Livre Rare Book
5.989 Ergebnisse
Best.-Nr. 26765Paris, La Table Ronde, 18 novembre 1959. In-12, plein maroquin rouge, dos lisse, auteur, titre et date dorés, décor abstrait mosaïqué en box gris, noir et blanc, tête dorée, couvertures et dos. conservés, sous étui (reliure de DEVAUCHELLE).
Paris, La Table Ronde, 18 novembre 1959. In-12, plein maroquin rouge, dos lisse, auteur, titre et date dorés, décor abstrait mosaïqué en box gris, noir et blanc, tête dorée, couvertures et dos. conservés, sous étui (reliure de DEVAUCHELLE). Edition originale tirée à 115 ex. Un des 100 ex numérotés sur Hollande Van Gelder, deuxième papier après 15 ex sur Japon. Bel exemplaire.
1908Best.-Nr. NL-02426Spectacular 1908 panoramic aerial photograph of Oakland documenting the city's rapid growth after the 1906 San Francisco earthquake. This monumental 1908 panoramic aerial photograph of Oakland California taken by R. J. Waters & Co. captures the city in the midst of its early 20th-century expansion. Shot from roughly 1000 feet in elevation the image looks northeast over downtown toward Lake Merritt and the rolling East Bay hills offering a richly detailed view of the city's grid architecture and civic growth. The intersection of 14th and Broadway dominated by the Oakland Tribune building and early department stores anchors the composition while a dense pattern of Victorian homes brick commercial blocks and broad unpaved streets extends toward the horizon. R. J. Waters a San Francisco photographer renowned for his panoramic and aerial work produced this image at a time when such high-altitude photography was still experimental—likely achieved from a tethered balloon. The photograph's fine clarity and tonal range exemplify the studio's technical mastery and reflect Oakland's transformation into a modern metropolis in the years following the 1906 San Francisco earthquake. By 1908 Oakland had become a key node in the post-earthquake migration and rebuilding of the Bay Area drawing residents and industry displaced from San Francisco. The city's population more than doubled between 1900 and 1910 fueled by transbay rail connections the development of the Key System and new civic projects surrounding Lake Merritt and the waterfront. This view preserves that pivotal moment—when Oakland emerged from San Francisco's shadow to define its own urban identity as the industrial and residential heart of the East Bay poised between Victorian domesticity and modern industrial ambition. Census and publication information Issued as a sepia-toned gelatin silver panorama the print bears the caption "Oakland California 1000 Ft. Elevation. Copyright 1908 by R. J. Waters & Co. 370 Market St. San Francisco." A number of US institutions hold collections of R. J. Waters' panoramas including the Library of Congress and Bancroft Library in which this photograph is likely to occur. A specific listing of this particular panorama is available in public online image repositories linked to Library of Congress cataloging OCLC no. 456374167. Context is Everything In the first decade of the twentieth century Oakland was a rapidly growing port and commercial center in the East Bay. The present photograph copyrighted 1908 captures some of this downtown growth as well as the city's integral relationship to Lake Merritt which in 1908 was already an established civic amenity within the urban fabric. R. J. Waters was a San Francisco-based commercial and panoramic photographer active in the late 19th and early 20th centuries. His studio produced a range of these panoramic views of Californian cities specializing in aerial panoramas that were used both for commercial display pieces and as documentary records. Panoramic photographs like this were typically stitched together from individual images taken from elevated vantage points such as balloons kites or even early aircraft. As such they constitute an essential documentation of American urbanism at the beginning of the 20th century. They were routinely used by municipal city planners rail and shipping interests and photographic studios to advertise a city's size infrastructure and civic landmarks. R. J. Waters' panoramas fit squarely within that commercial/documentary practice and are today considered critical primary sources for reconstructing turn-of-the-century urban form in California. Cartographers: Raper James R. J. Waters 1856–1937 was a commercial photographer active in California and Nevada whose studio produced a wide range of documentary and panoramic photographs around the turn of the 20th century. Waters opened a commercial studio in San Francisco in the 1890s and became especially known for panoramic city views and commercial photographic services. His photographs are held in significant collections including those of the Library of Congress the Getty and the Metropolitan Museum among others. Aerial photos of urban landscapes were among the most common genres of images that R. J. Waters's studio produced in the late 1910s. These include multiple aerial and panoramic images of cities like San Francisco Oakland Fresno and Sacramento. These prints were often made in large sizes for display and municipal record-keeping and now form a valuable visual record of how California cities looked before the ubiquitous transformations of the mid-20th century. Condition Description Scattered wear and soiling. Minor spots of loss. Lower right corner chipped. R.J. Waters Company
1937Best.-Nr. 140946812New York: Harper & Brothers 1937. First Edition. Very Good. First edition first printing. Bound in publisher's original green cloth with black titles blocked in gilt on upper board and spine. Very Good with heavy fading to the spine and top edge light scuffing and wear to cloth. Former owner bookplate to front pastedown offsetting to patterned endsheets contents tanned and clipped remnant from rear panel of dust jacket tipped in at rear free endpaper. The first novel from one of the more influential authors to come out of the later part of the Harlem Renaissance. Harper & Brothers unknown
1995Best.-Nr. DADAX094221997XCRC Press 1995-07-01. 1. paperback. New. 6.26x0.31x5.20. Buy with confidence. Excellent Customer Service & Return policy. CRC Press paperback
1884Best.-Nr. 16161Paris, A. Quantin, 1884, deux volumes in-8 ; demi-maroquin à coins orange, dos lisse décoré en long d’une succession de sept rectangles dorés entrecoupés au tiers supérieur d’une grande pièce de titre bleu foncé, le tout dans un encadrement de filet doré, filet à froid sur les plats, couverture illustrée conservée, tête dorée, tranches non rognées ("reliure exécutée pour la Librairie Louis Conard") ; XXXII, 382 pp. ; XIX-410 pp. ; en tout, 26 gravures dont le portrait de Poe, dessiné et gravé par Chifflart ; eau-forte de Abot d’après Vierge ; 2 héliogravures d’après les dessins de Férat et Herpin ; 9 dessins et eaux-fortes de Wögel ; pour le tome II : frontispice dessiné et gravé par Chifflart ; 4 héliogravures d’après les dessins de Meyer, Férat, F. Méaulle et J.P. Laurens ; 8 eaux-fortes d’après Wögel.
1968Best.-Nr. 3122Paris Pierre de Tartas 1968. 1 volume in-folio (37,5 x 28 cm), en feuilles, sous couverture papier d'Auvergne grise rempliée et coffret éditeur de toile bordeaux. Avec 15 EAUX-FORTES ORIGINALES DE VAN DONGEN DONT UN FRONTISPICE TIRÉ EN NOIR, 2 DOUBLE-PAGE, 2 HORS-TEXTE ET 10 COMPOSITIONS DANS LE TEXTE, L'ENSEMBLE EN COULEURS. - Tirage limité à 270 exemplaires, celui-ci le n° 257 sur vélin d'Arches, signé par l'artiste, l'éditeur et portant bien le cachet d'authenticité requis. Note : Cette sélection de "poèmes immortels" des Fleurs du Mal, avec une préface de Jean-Paul Sartre, constitue le dernier livre illustré par Kess Van Dongen. -- ENGLISH DESCRIPTION: Paris Pierre de Tartas 1968. 1 folio volume (37.5 x 28 cm), in loose sheets, in an Auvergne paper cover and the burgundy cloth publisher's box. With 15 ORIGINAL ETCHINGS BY VAN DONGEN INCLUDING A FRONTISPIECE PRINTED IN BLACK, 2 DOUBLE PAGES, 2 OUF-OF-TEXT AND 10 COMPOSITIONS IN THE TEXT, ALL IN COLOR. - Limited edition of 270 copies, this one number 257 on Arches paper, signed by the artist, the publisher and bearing the required stamp of authenticity. This selection of "immortal poems" from Les Fleurs du Mal, with a preface by Jean-Paul Sartre, constitutes the latest book illustrated by Kess Van Dongen. The copy offered here is in mint condition.
1963Best.-Nr. 171122Richmond London: 1963. I'm a full-grown man/ I'm a man/ I'm a rollin' stone From the collection of Rolling Stones drummer and jazz aficionado Charlie Watts: an evocative memento signed by a trio of great blues musicians on the verso of a membership card for the legendary Crawdaddy Rhythm and Blues Club. Started in 1963 in the back room of a pub the Station Hotel in Richmond London by Georgian film-maker and music promoter Giorgio Gomelsky the club saw the first performance of the classic Rolling Stones line-up in February 1963 when the regular house band was stranded in the snow in the worst winter in over 200 years. Despite an unpromising start with Gomelsky forced to offer two for one admissions to customers in the hotel itself the word quickly spread and the club became something of a sensation. When the Stones became too big for the venue and departed on tour they were replaced by The Yardbirds featuring Eric Clapton the Crawdaddy remaining the headquarters of the burgeoning British Rhythm and Blues scene. The card is made out to a Michael Green of Ilford Essex whose membership number 1372 expiring in 1964 indicates that he evidently joined in the early days. The bluesmen were over as part of the American Blues Festival that had first toured Britain the previous year. Muddy Waters and Memphis Slim have signed in full Williams signing with three crosses with the subscribed sentiment in another hand perhaps Green's himself; "success from Big Joe hope will meet again soon". Tri-fold membership card printed in black 150 x 100 mm carrying the member's name and address membership number 1372 and expiry date 1964. Light soiling and minor creases otherwise in very good condition. unknown
Best.-Nr. Z1-R-015-01131Hmso. Used - Acceptable. Used - Acceptable. Water damage to pages. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Hmso unknown
1850Best.-Nr. 3448Great Britain 1850. Comprised of 88 manuscript pages of mathematical definitions tables methods and exercises in a single hand with the ownership signature of "Caroline Waters Age 16 yrs" to the front endpaper. Marbled paper vernacular binding measuring 8 x 12 inches and stitched at spine. Caroline's metric measurements and English currency reveal her to be a student somewhere in the UK. Though the commonness of her name and the absence of a specific date prevents us from locating her in genealogy records the manuscript she left behind reveals much about how and why girls of her age and class were being taught arithmetic. Caroline's elegant practiced hand suggests that she is a member of the rising middle class and the opening of the book suggests that she is a beginning to intermediate mathematician. At the top of the first page she defines Arithmetic as "the art of computing by numbers" which "has five principal sic rules for this purpose viz. Numeration Subtraction Addition Multiplication and Division." Using this definition she divides her notebook into a section for each providing a definition for that principle plus clear-cut examples of its use in both Simple and Compound formats. Numeration Subtraction and Addition are grouped together at the front; and after these sections conclude Caroline enters in Practical Questions in Compound Addition and Subtraction. These involve word problems involving the exchange of money and the calculation of wet and dry weights cloth measurements and time. She then mirrors this with Multiplication and Division before adding sections on Decimal Fractions more Practical Questions and sections on Federal Money and Simple Interest. The organization of the manuscript suggests that Caroline copied it out for continued reference where sections are easy to locate and problems clearly illustrate each of the principles. And the emphasis in sample problems on currency conversion monetary exchange and banking implies that her family in some way wanted her to be aware of these concepts. An exceptional and rich document Caroline's notebook is a rich resource for study including but not limited to the history of women's education middle class education women's domestic use of mathematics women in business paleography genealogy gender studies. unknown
1856Best.-Nr. 53813London: J. & C. Brown & Co 1856. First edition. Very good. First authorized edition in book form of these collected police detective stories the first ever of their kind to feature an investigator from Scotland Yard. Originally published in CHAMBERS'S EDINBURGH JOURNAL the thirteen stories of the First Series plus an eight additional episodes gathered three years later in the Second Series mark the first appearance in fiction of a Scotland Yard detective. Russell in the persona of "Waters" presented his narratives as first-person recollections in line with the conventions of the mid-Victorian police memoir then enjoying great popularity while offering to the reading public a new kind of hero: a policeman with intelligence curiosity and integrity. Detective fiction has always pressed up against the porous borders of that much-derided segment of popular literature now known as "true crime": just as the latter is frequently embellished and distorted for the sake of a better story crime and detective fiction in its earliest forms borrowed the shock of the real insisting as a matter of genre convention that the events depicted were only lightly fictionalized that the reader was given entrée into the "marginalized social space between 'respectable' and 'criminal'" Saunders occupied by the real-life police detective; that they were being told a true story by an insider. Verisimilitude was the point: "The genre was designed to take the private spaces operations and methodologies of the police force and publicize them for the reader and Russell himself explained that his memoir writing was designed to present an inside view into policing for readers" Saunders. Given the bedrock importance of this interplay between the real and the unreal at the dawn of detective fiction it is perhaps unsurprising that Sherlock Holmes the most famous fictional private detective of later Victorian decades would inspire a legion of devotees to insist on his factual reality perfectly well aware that this was not true and sublimely indifferent to it. A handsome copy of this scarce and vital Queen's Quorum and Haycraft-Queen title - especially uncommon complete in one volume. Two octavo volumes bound in one 6.25'' x 4''. Contemporary half calf marbled boards. Gilt-ruled spine with spine label. Lacking frontispiece as sometimes seen. 8 310 pages. In custom cloth slipcase. Sympathetically rebacked with reinforcement to hinges. Some rubbing chipping rear joint. Overall clean and sound. J. & C. Brown & Co unknown
1861Best.-Nr. 54625London: Charles H. Clarke 1861. Very good plus. First edition of this classic Victorian detective novel ostensibly written in the form of a memoir by an expat detective who fled his home country to avoid political persecution. After his RECOLLECTIONS OF A DETECTIVE POLICE-OFFICER 1856 the first novel of its kind to feature an investigator from Scotland Yard Russell followed-up with this first-person series of eight short stories featuring Detective Duhamel "who escaped his native France to avoid imprisonment for political reasons" Dever 234. Detective fiction has always pressed up against the porous borders of that much-derided segment of popular literature now known as "true crime": just as the latter is frequently embellished and distorted for the sake of a better story crime and detective fiction in its earliest forms borrowed the shock of the real insisting as a matter of genre convention that the events depicted were only lightly fictionalized that the reader was given entrée into the "marginalized social space between 'respectable' and 'criminal'" Saunders occupied by the real-life police detective; that they were being told a true story by an insider. Verisimilitude was the point: "The genre was designed to take the private spaces operations and methodologies of the police force and publicize them for the reader and Russell himself explained that his memoir writing was designed to present an inside view into policing for readers" Saunders. To this end Russell / Duhamel begin the book with an "essay" "The Difference Between English and French Detectives" writing: "It is true they are alike agents of the public force and that their common mission is to frustrate or detect offenses against the person and against property. But there the resemblance ends . Yes multifarious all-embracing are the duties of the French Secret Police." Rare; OCLC locates just eight copies. 6.25'' x 4''. Original full purple textured cloth with gilt spine titles. 2 13-317 1 publisher's ad pages complete. Spine sunned with faint perished label shadow. Minor shelfwear. Overall clean and sound. Charles H. Clarke unknown
Best.-Nr. 140947454New York: Seven Stories Press 1998. First Edition. Fine/Near Fine. First edition first printing. Signed by Gary Webb on the half-title page inscribed "1-16-99 Eugene OR For Charles Overbeck Ashley. Onward upward And keep Parascope as great as it is. Best wishes signed Gary Webb." The inscribee is an Oregon journalist and author. xxviii 5 548 pp. with eight pages of b/w photos. Fine with light shelfwear to boards and dust-soiling to upper edge of textblock. In a Near Fine dust jacket with sunned spine panel hint of toning to flaps and several very small stains along lower edge. Signed copies are rare. Journalist Gary Webb's still-controversial expose of CIA drug dealing and its relationship to the crack epidemic in the US fueled by crack dealers like "Freeway" Ricky Ross. In 2004 Webb would be found dead in his apartment shot in the head twice which police ruled a suicide. A 2014 film Kill the Messenger dramatized Webb's life his claims and the severe backlash he faced from the media. To his supporters Webb remains an inspirational journalist who persevered in the face of tremendous official corruption and coverup. Seven Stories Press unknown
Best.-Nr. 140945013New York: Seven Stories Press 1998. First edition. First edition. Signed by Gary Webb on the half title inscribed to the former owner with Webb's AOL email address. xxviii 548 pp. with eight pages of b/w photos. Fine in Fine dust jacket. An attractive copy. A very rare signature. Journalist Gary Webb's still-controversial expose of CIA drug dealing and its relationship to the crack epidemic in the US fueled by crack dealers like "Freeway" Ricky Ross. In 2004 Webb would be found dead in his apartment shot in the head twice which police ruled a suicide. A 2014 film Kill the Messenger dramatized Webb's life his claims and the severe backlash he faced from the media. To his supporters Webb remains an inspirational journalist who persevered in the face of tremendous official corruption and coverup. Seven Stories Press unknown
1999Best.-Nr. 80420Rizzoli. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 224 pp. 350 illus. 150 in color 4to. -- with a bonus offer-- . 1999. 0847822176 . Rizzoli paperback
2011Best.-Nr. 94830University Press of Mississippi. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 280 pages. -- with a bonus offer--; Conversations With Filmmakers; The films of John Waters b. 1946 are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness taking what's different or unacceptable or grotesque about themselves heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films his star Divine would consistently challenge gender definitions. With Polyester Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough Hairspray told the story of Baltimore's televised sock-hop program The Corny Collins Show and how one brave girl Ricki Lake used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist he was given a retrospective at the New Museum of Contemporary Art in 2004 which was shown at galleries around the world. . 2011. 161703181X . University Press of Mississippi paperback
2011Best.-Nr. 94829University Press of Mississippi. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 280 pages. -- with a bonus offer--; Conversations With Filmmakers; The films of John Waters b. 1946 are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness taking what's different or unacceptable or grotesque about themselves heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films his star Divine would consistently challenge gender definitions. With Polyester Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough Hairspray told the story of Baltimore's televised sock-hop program The Corny Collins Show and how one brave girl Ricki Lake used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist he was given a retrospective at the New Museum of Contemporary Art in 2004 which was shown at galleries around the world. . 2011. 1617031801 . University Press of Mississippi hardcover
2012Best.-Nr. 98838Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 288 pp. ; 208 illus. 177 in color. -- with a bonus offer--; Were Thomas Jefferson to walk the grounds of Monticello today he would no doubt feel fully at home in the 1000-foot terraced vegetable garden where the very vegetables and herbs he favored are thriving. Extensively and painstakingly restored under Peter J. Hatch's brilliant direction Jefferson's unique vegetable garden now boasts the same medley of plants he enthusiastically cultivated in the early nineteenth century. The garden is a living expression of Jefferson's genius and his distinctly American attitudes. Its impact on the culinary garden and landscape history of the United States continues to the present day. Graced with nearly 200 full-color illustrations "A Rich Spot of Earth" is the first book devoted to all aspects of the Monticello vegetable garden. Hatch guides us from the asparagus and artichokes first planted in 1770 through the horticultural experiments of Jefferson's retirement years 1809–1826. The author explores topics ranging from labor in the garden garden pests of the time and seed saving practices to contemporary African American gardens. He also discusses Jefferson's favorite vegetables and the hundreds of varieties he grew the half-Virginian half-French cuisine he developed and the gardening traditions he adapted from many other countries. 20111020 . 2012. 0300171145 . Yale University Press hardcover
2006Best.-Nr. 59766Chronicle Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 227 pages. -- with a bonus offer-- . 2006. 0811851508 . Chronicle Books hardcover
2012Best.-Nr. 98066Museum; D. A. P. New. 2012. Hardcover. 0870708120 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 264 pp. ; 253 illus. 146 in color. -- with a bonus offer-- . Museum; D. A. P. hardcover
2006Best.-Nr. 90427Gallery; D. A. P. /Distributed Art Publishers Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pp. ; 82 color illustrations. -- with a bonus offer--; In a powerful new body of photographs sculpture and installation John Waters continues his investigations of film history and contemporary politics. Primarily known as the filmmaker behind such cult classics as Pink Flamingos Polyester and Pecker Waters has been making "fine" art since the early 1990s. In it he tackles both cinematic themes and political events by building narratives frame by frame from early commercial films. In this publication Waters shares the method by which he constructs each work as if he were making a personal guidebook so that his snapshots color photographs and handwritten notes indicating composition are re-created as if in their original plastic organizational sleeves. Neither the art world celebrity miscreants politicians or Waters himself are spared in these incisive new works. An essay by Brenda Richardson examines Waters's history as well as each work in brief and brilliant detail. . 2006. 0977950301 . Gallery; D. A. P. /Distributed Art Publishers (Distribution) paperback
2016Best.-Nr. 121280Thames & Hudson. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 0500544638 . Thames & Hudson hardcover
2012Best.-Nr. 104962A. C. C. Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; illustrated in color. -- with a bonus offer-- . 2012. 1898565112 . A. C. C. (Distribution) hardcover
2000Best.-Nr. 61257University Press of New England Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --COMPLETE TWO 2 VOLUME SET. Corresponds to/ Includes ISBN: 0910961115. Measures 30 x 24 cm. 622 pp. With 453 ills. 23 col. . -- with a bonus offer-- . 2000. 0910961115 . University Press of New England (Distribution) hardcover
2000Best.-Nr. 61258University Press of New England Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --COMPLETE TWO 2 VOLUME SET. Measures 30 x 24 cm. 622 pp. With 453 ills. 23 col. . -- with a bonus offer-- . 2000. 0910961131 . University Press of New England (Distribution) hardcover
