Eh Htoo, Saw,Waters, TonyBiblio.com
6 071 résultats
réf. mon0003616755Palgrave Macmillan 5/16/2024 12:00:01 A. hardcover. Good. 0.7087 8.5039 6.1417. Palgrave Macmillan hardcover
1925réf. 68746Hertford: published by the Author 1925. 8vo 2 volumes pp. xl 400; 2 401-826 2; each entry with a simple sentence in Balochi gloss and notes; full publisher's brown cloth; hinges and corners rubbed some worming to the front board of volume II plus a few holes in margins of textblock ex-Library of Congress with their stamp and residue of pockets on lower endpapers text clean and sound a good usable set. Includes the "first comprehensive grammar" of Balochi per its review in the Royal Asiatic Society Journal. published by the Author unknown
réf. A9781399078887Hardback. New. hardcover
réf. SKU0570778Broadview Press 2018-02-15. paperback. Good. 5x0x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Broadview Press paperback
2009réf. SKU0605024The Guilford Press 2009-09-01. hardcover. Good. 6x1x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking The Guilford Press hardcover
réf. SKU0618285Broadview Press 2018-02-15. paperback. New. 5x0x8. New Textbook Ships with Tracking Broadview Press paperback
2009réf. SKU0652531The Guilford Press 2009-09-01. hardcover. New. 6x1x10. New Textbook Ships with Tracking The Guilford Press hardcover
réf. SKU0652532Society For Human Resource Management 2018-06-15. paperback. New. 6x0x9. New Textbook Ships with Tracking Society For Human Resource Management paperback
1927réf. 206461927. Waters Ethel career archive 1927-1968 documents African American performance history across stage film and music supporting research into Black entertainment racial integration in American media and queer cultural history. Waters emerged from the Harlem jazz and blues scene of the 1920s and became one of the highest-paid Black recording artists of her era later breaking barriers in Broadway film and television. The archive traces her transition from early musical theater into mid-century film and stage productions including roles that engaged directly with race relations in the United States. Her career also holds significance within LGBTQ cultural history as her bisexual identity and audience following positioned her within overlapping communities of performance and identity. Archive of eight items including five black-and-white silver gelatin photographs one sheet music booklet and two printed theatrical programs/handbills dating from 1927 to 1968. 1 Kahn Gus and Moret Neil. Chlo-e Song of the Swamp. San Francisco: Villa Moret Inc. 1927. Six-page sheet music booklet featuring a photographic image of Waters from Africana the production marking her Broadway debut; interior leaf loose. 2 Press photograph for Pinky. 1949. Waters appears with co-star Jeanne Crain during filming; verso caption describes production context. 3 Press photograph for Pinky. 1949. Scene depicting Crain leaning on Waters in a domestic interior; caption identifies film. 4 Handbill for The Member of the Wedding. Milwaukee: Davidson Theatre February 18 1952. Single sheet with photographic portrait of Waters who originated the role of Berenice Sadie Brown. 5 Lobby card for The Member of the Wedding. 1952. Waters pictured with Julie Harris and Brandon deWilde in a domestic scene. 6 Program booklet for At Home with Ethel Waters. New York: 48th Street Theatre 1953. Sixteen-page program listing 26 songs performed with accompanist Reginald Beane including "Am I Blue" and "Stormy Weather" alongside biographical text and photographs. 7 Lobby card for The Sound and the Fury. 1959. Waters appears with Jack Warden and Stephen Perry in her final film role. 8 Press photograph of Waters with Jim Brown. 1968. Image shows Brown greeting Waters at MGM studios; caption printed on verso. Materials include a mix of promotional imagery performance documentation and printed ephemera tied to specific productions. Spanning four decades the archive situates Waters within major developments in American entertainment including the expansion of Black performers into mainstream film and television and the negotiation of racial representation in works such as Pinky. Her stage and musical performances document continuity between early jazz-era entertainment and mid-century theatrical production while her later appearances reflect sustained visibility across changing media landscapes. Minor edge wear occasional creasing and one chipped corner to a photograph not affecting the image; materials remain well preserved. Overall in very good condition. unknown
1934réf. 206451934. Waters Ethel group of six items dating from 1934 to 1959 documents the stage and screen career of Ethel Waters a central figure in twentieth century African American performance history whose work in theater music and film intersected with the integration of American entertainment industries. Rising to prominence in Harlem during the 1920s as a jazz and blues vocalist Waters became one of the highest paid Black recording artists of her era and later broke racial barriers on Broadway and in television. Her starring role in As Thousands Cheer established one of the earliest instances of integrated billing between Black and white performers on the Broadway stage while later productions and film roles expanded her presence across national audiences. Her repertoire including "Stormy Weather" and "Am I Blue" achieved lasting recognition in American music history and her public persona and personal life contributed to her reception within queer audiences including lesbian and gay communities. Archive of six items comprising two original black and white silver gelatin press photographs and four playbills spanning theater and film productions from 1934 to 1959. Materials include: 1 Playbill for As Thousands Cheer. Chicago: Shubert Grand Opera House November 5 1934. Four pages. Documents Waters' featured performance in Irving Berlin's production noted for integrated billing and for introducing the song "Heat Wave." 2 Playbill for Cabin in the Sky. Chicago: Selwyn Theatre May 4 1941. Sixteen pages with cover image of Waters alongside Todd Duncan and Dooley Wilson. Early all Black musical production with a sustained theatrical run. 3 Press photograph for Cabin in the Sky film. 1943. Approximately 7 x 9.5 inches. Image of Waters with Eddie "Rochester" Anderson as Petunia and Little Joe; verso retains original press caption. Film adaptation directed by Vincente Minnelli featuring an ensemble cast including Lena Horne Louis Armstrong and Duke Ellington. 4 Playbill for The Member of the Wedding. Ivoryton Connecticut: Ivoryton Playhouse July 13 1953. Sixteen pages. Includes feature noting Waters as "Star of the Week" documenting her role as Berenice Sadie Brown. 5 Playbill for At Home with Ethel Waters. New York: 48th Street Theatre September 22 1953. Thirty two pages. Musical revue featuring twenty six songs performed with accompanist Reginald Beane including "Am I Blue" "Suppertime" "St. Louis Blues" and "Stormy Weather." 6 Press photograph for The Sound and the Fury. April 9 1959. Approximately 7.5 x 9 inches. Depicts Waters with Joanne Woodward and Yul Brynner; verso retains press caption. Final film role of Waters. These materials trace Waters' movement from early integrated Broadway performance through mid century theatrical revivals and into late career film work providing a continuous record of African American participation in mainstream entertainment across multiple media. Productions such as Cabin in the Sky and The Member of the Wedding situate Waters within a cohort of Black performers who expanded narrative and representational possibilities on stage and screen during a period of segregation and limited roles. The inclusion of both playbills and press photography documents the promotional and institutional frameworks through which Black performers were presented to audiences while the chronological range captures shifts from Harlem Renaissance performance circuits to postwar film adaptation. Light handling wear with minor edge wear to playbills; photographs retain strong contrast and clear detail with intact press captions. Overall very good condition. unknown
réf. B9780520070837Paperback / softback. New. Explores the 'reinvention' of ethnicity in the lives of the grandchildren and great grandchildren of European immigrants asking how their ethnic heritage is lived maintained and celebrated. paperback
réf. DADAX1164821008New unknown
réf. DADAX8416354758New unknown
réf. DADAX1473892481New unknown
réf. SONG1108446833Used: Good unknown
réf. A9781138795082Hardback. New. hardcover
réf. B9781107628069Paperback / softback. New. The Stage Works of Philip Glass is a rich exploration of Glass and his widely acclaimed music for the theatre within the context of other composers interested in so-called minimalist features. It assesses different critical interpretations of Glass's work and sheds light on his challenging creative philosophy. paperback
réf. 0349006164.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024réf. __1506739822Dark Horse Comics 2024. Hardcover. New. 208 pages. 12.25x9.00x0.75 inches. Dark Horse Comics hardcover
réf. B9781020778766Hardback. New. hardcover
réf. B9781019501832Hardback. New. hardcover
réf. B9781020162282Hardback. New. hardcover
réf. 63450Brepols 2023. Hardback 420 pages Size:156 x 234 mm Illustrations:1 b/w 18 col. Language: English. ISBN 9782503599748. Summary The conjunction of medieval religious studies and gender studies in the past several decades has produced not only nuanced attention to medieval mystics and religious thinkers but a transformation in the study of medieval culture more broadly. This volume showcases new investigations of mysticism and religious writing in the Middle Ages and the early modern period. It also presents groundbreaking explorations of the feminized divine from medieval to modern and the many debts of medieval secular texts and cultures to the religious world that surrounded them. Medieval crossover also defines this volume: the contributors examine the crossovers between male and female cloister and saeculum divine and human and vernacular and Latin that characterized so much of the complexity of medieval literary culture. These collected chapters examine mystics from Hildegard of Bingen and Juliana of Cornillon to Richard Rolle Julian of Norwich and Tomás de Jesús; the modern theologies of Philip K. Dick and Charles Williams; goddesses like Fame Dame Courtesy and Mother Church; and the role of religious belief in shaping conceptions of pacifism obscenity authorship and bodily integrity. Together they show the extraordinary impact of Barbara Newman's scholarship across a range of fields and some of the new areas of investigation opened by her work. Contributors: Jerome E. Singerman Kathryn Kerby-Fulton Jesse Njus Andrew Kraebel Nicholas Watson Laura Saetveit Miles Bernard McGinn Carla Arnell Maeve Callan Katharine Breen Lora Walsh Susan E. Phillips and Claire M. Waters Carissa M. Harris Stephanie Pentz Craig A. Berry Dyan Elliott. TABLE OF CONTENTS I. Introductions 1. Across the Margins: Gender Religion and the Remaking of Medieval Literary Studies Steven Rozenski Claire M. Waters and Joshua Byron Smith 2. On Publishing Barbara Newman Jerome E. Singerman II. Mystics and ReVisions 3. The Art of Light: Romanesque Enamels and the Illumination of Hildegard's Scivias Kathryn Kerby-Fulton 4. Juliana of Cornillon and the Flowering of Medieval Mimesis Jesse Njus 5. Richard Rolle's Love-Song to the Virgin 'Canticum Amoris': Text and Translation Andrew Kraebel 6. 'Sixteen Shewinges': The Composition of Julian of Norwich's Revelation of Love Revisited Nicholas Watson 7. Redeeming Across Time: Philip K. Dick Julian of Norwich and the Art of Lifelong Revision Laura Saetveit Miles 8. Introducing a Neglected Mystic: Tomás de Jesús 1564-1627 Bernard McGinn 9. Existential Mathematics: Charles Williams's Arthuriad and the Geometry of Love Carla Arnell III. Goddesses and Their Legacies 10. 'The Mary of the Gael': The Blessed Virgin among Saints and Heretics in Medieval Ireland Maeve Callan 11. Building a Goddess: Personifications of Fame from Hesiod to Chaucer Katharine Breen 12. Mother Church as Christian Goddess in John Wyclif 's Tractatus de Ecclesia Lora Walsh 13. Classroom Crossovers; or The Goddesses of Courtesy Susan E. Phillips and Claire M. Waters IV. Crossovers and Afterlives 14. Holy Ribaldry: Obscene Pedagogies in Middle English Religious Texts Carissa M. Harris 15. Pacifist Theology in the Alliterative Romance of Alexander and Dindimus Stephanie Pentz 16. Confessing Authority: Literary Immortality and Authorial Salvation in Chaucer's Retraction Craig A. Berry 17. My Body Myself: The Afterlife of the Corpse and the Cult of Relics Dyan Elliott Index Tabula Gratulatoria Brepols 2023 hardcover
réf. A9781634633369Hardback. New. hardcover
réf. B9780190604578Hardback. New. Postbop Jazz in the 1960s shows innovations in postbop composition of the 1960s at the hands of jazz composers such as Wayne Shorter Herbie Hancock Chick Corea among others. The book develops analytical pathways through a number of compositions many of them well-known jazz compositions. hardcover
