Miriam van WatersBiblio.com
5 989 résultats
réf. 1330567625.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1332014526.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1333691750.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0804010250.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 46056960-nnew. unknown
2012réf. 2-1848321562Naval Inst Pr 2012. Hardcover. New. 2013 ed. edition. 192 pages. 10.31x0.87x9.61 inches. Naval Inst Pr hardcover
1967réf. 001287Princeton NJ: D. Van Nostrand 1967. First Edition . Hardcover. Fine/Good. 4to - over 9¾" - 12" tall. Fine in a Good dustjacket DJ shows minor wear tear and sunning. Schuetzen black powder match rifles by two experts. D. Van Nostrand hardcover
réf. 9782862150642Used; Good. Condition: Good. French Language edition . 0. TRADE PAPERBACK. paperback
2003réf. 260626090Damian Waters 2003. paperback. Like New. 0x0x0. Signed and inscribed by author Damian Waters paperback
réf. 3031770277.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1952réf. 170434Culver City CA: Columbia Pictures 1952. Collection of 36 vintage reference photographs from the 1952 film including 35 bordered and one borderless. Most with provenance stamps and labels on the versos and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel which McCullers also adapted for Broadway in 1950 starring actors Ethel Waters and Julie Harris who reprised their roles for the film. A young lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27 more than double the age of the fictional Frankie Addams at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine a couple with annotations in manuscript ink on the margins. Columbia Pictures unknown
réf. PB-AB-JO-01Abolition of Reality: The End of History by John Waters. Paperback. Like-new condition. Ships via USPS Media Mail. paperback
1992réf. 168068N.p.: N.p. 1992. Vintage borderless satin-finish color publicity photograph from the 1992 film showing Michelle Pfeiffer in costume as Catwoman. Sequel to Tim Burton's 1989 classic "Batman" following the Dark Knight as he faces off against Catwoman and the Penguin. 8 x 10 inches. About Fine. N.p. unknown
1993réf. 167532Burbank CA: Warner Brothers / Silver Pictures 1993. Final Draft script for the 1993 film. Laid in with the script is a call sheet dated March 1 1993. An overly aggressive police officer and a homicidal crime lord are both cryogenically frozen in the year 1996 reawakening in 2032 to a futuristic supercity known as "San Angeles." Loosely based on Aldous Huxley's 1932 novel "Brave New World" and on H.G. Wells' 1899 novel "The Sleeper Awakes." Set and shot on location throughout Los Angeles. Self wrappers. Title page present dated February 1 1993 noted as FINAL DRAFT with credits for screenwriters Peter Lenkov Daniel Waters and Jonathan Lemkin. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Warner Brothers / Silver Pictures unknown
réf. 161161Los Angeles: New World Pictures 1987. Revised Second Draft script for the 1989 film. Copy belonging to cinematographer Francis Kenny with his name in manuscript ink on the title page and his ink and pencil annotations on several pages noting deletions and occasional additions. A dark satire of the popular John Hughes teen comedies of the early 1980s today considered a classic coming-of-age film. The debuts of both director Michael Lehmann and screenwriter Daniel Waters. Set in Sherwood Ohio and shot on location in Los Angeles California. White untitled New World Pictures production wrappers. Title page present dated November 17 1987 noted as REVISED SECOND DRAFT with credit for screenwriter Daniel Waters. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. New World Pictures unknown
1942réf. 160003Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Two vintage reference photographs of Ethel Waters from the 1942 film. A successful American newspaper reporter is sent to cover the war in Europe. A British spy asks him to bring a coded message to Cairo where he finds out a movie star he is a fan of is a Nazi spy. Set in the Mediterranean and Cario Egypt shot in Hollywood and on location in Santa Monica Bay California. Both photos 4 x 5 inches. About Fine. Metro-Goldwyn-Mayer [MGM] unknown
1958réf. 1373033London: Hollis and Carter 1958. First Edition. Hardcover. Octavo xxxix 696 pages. In Good plus condition. Spine is partially sunned blue with gilt lettering. Boards have some shelf wear rubbing minor tears to the bottom of the spine and a library identification sticker on the spine. Text block has minor light pencil writing on the rear paste down and dedication page a tear along the gutter on the first end paper and a small sticker on the top of the rear paste down. Ex-Library. 1373033. Special Collections - Downstairs. Hollis and Carter hardcover
1988réf. 158257N.p.: N.p. 1988. Vintage test photograph from the 1988 film showing actors Ricki Lake Divine and Jerry Stiller. Globe Photos stamp on the verso along with manuscript annotations in pencil and ink. Perhaps John Waters' most enduring film serving as the basis for the long running 2002 Broadway musical adaptation which itself became the basis for both the 2007 film starring John Travolta Michelle Pfeiffer and Queen Latifah and the 2016 broadcast "Hairspray Live!" on NBC. 8 x 10 inches. Very Good plus with light wear on the bottom right corner. Rosenbaum 1000. N.p. unknown
1979réf. 158453Austin TX: Antone's Nightclub 1979. Vintage poster for a performance by Muddy Waters at Antone's Nightclub in Austin Texas on Friday December 7 1979. Poster design by Austin-based illustrator Danny Garrett. Early issue with pale colors and thin paper stock. Printed by the artist. Extremely scarce. In 1979 Waters had just completed work on the third of four albums made with friend and fellow blues musician Johnny Winter "Muddy 'Mississippi' Waters Live" preceded by "Hard Again" and "I'm Ready" in 1977 and 1978. All three were Grammy Award winners. Antone's was established in 1975 by Clifford Antone. It has been an iconic blues and R&B venue in downtown Austin for over 40 years. Austin illustrator and designer Danny Garrett is best known for his work for Antone's serving as the in-house illustrator for the club's posters from 1976-2005. Garrett currently lives in New Zealand and teaches art and design at the Auckland University of Technology. 11.5 x 17.5 inches. Very Good plus with light creasing and two small closed tears to the margin otherwise bright clean and unfaded. Antone's Nightclub unknown
1926réf. 148247Los Angeles: Paramount Pictures 1926. Vintage reference photograph of actress Arlette Marchal from the 1926 film. Based on the 1927 novel by Zane Grey not published until a year after the film's release. A fugitive is left in the desert to die by his outlaw partner but is rescued by a young rancher unaware that romantic entanglements with a neighboring rancher's daughter will complicate their friendship. Now considered to be a lost film. Shot on location in Hurricane Bluffs Utah. 10 x 8 inches. Very Good with light toning and edgewear and a small chip to the right edge. Paramount Pictures unknown
1994réf. 153192N.p.: N.p. 1994. Vintage borderless reference photograph of director John Waters on the set of the 1994 film. Brief manuscript ink annotations to the verso noting the film title and Waters' name. A seemingly normal middle-class housewife in suburban Baltimore moonlights as a maniacal unstoppable serial killer. Waters' ninth feature film. Shot on location in Baltimore. 5 x 7 inches. Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
1957réf. 154176Hollywood: Roger Corman Productions 1957. Draft script for the 1957 film. Copy belonging to actor Dick Miller who had a sizable role in the film with his name to the title page and his manuscript pencil and ink annotations throughout. The finished film runs a little over an hour so the script at 127 pages was cut down substantially in the filming and editing process leaving a remarkable amount of content for study. An alienated wealthy coed at an all-girls boarding school inflicts increasing cruelties on the other students until her manipulation goes too far. An early role for Miller who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961 and would continue to work with Corman throughout his career. Brown titled wrappers. Title page present undated with credits for screenwriter Ed Waters. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Roger Corman Productions unknown
réf. 1469915510.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0966530519.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1982réf. 152320London: United International Pictures 1982. Two vintage borderless reference photographs taken on the set of the 1982 film one showing director Alan Parker director of animation Gerald Scarfe and cameraman John Stanier in conversation the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. From the archive of film historian and author Joel Finler. Based on Pink Floyd's 1979 rock opera about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression and eventually complete mental collapse. Shot on location in London and Quebec. 10 x 8 inches with wide bottom margins. Near Fine. Ebert IV. United International Pictures unknown
