4 963 résultats
1856réf. 4487London: J&C Brown & Co. n.d. 1856 1856. 8vo. 158x95mm. pp. pp. iv 2 9-309 1bl. Frontispiece some offsetting from frontispiece onto the title page opposite. This copy is undated but has the same title and imprint as the dated first edition of 1856 so we have assumed that it is from that year. Russell's works were often republished but with different titles which is not the case here. Bound with and after BELL Robert The Ladder of Gold. An English Story London:G. Routledge & Co. 1858. vi 7-440. Navy blue half calf marbled paper covered boards spine decorated in blind and with two tan morocco labels lettered in gilt. Rubbing to edges and slight bumping and creasing to corners. All edges marbled. Front pastedown has Ex Libris of C. Villiers Downes. Apsley House Beds. Robert Bell 1800-67 was a prolific man of letters best known for his journalism and his never completed annotated edition of the English poets. The Ladder of Gold was one of two novels. But of the two works bound together here it is the second which is of greater interest hence our cataloguing it as the principal work. William Russell 1806-1876 was one of the first writers to concentrate on detective stories in particular police memoirs. He began by contributing stories to magazines ten of which were published in pirated form in America in 1852 and 1853. These together with another two were then published legitimately in England in 1856. This is the present collection. The stories are short punchy realistic and would have seemed quite revolutionary at the time. Indeed he is sometimes cited as an influence on the grittier American twentieth century crime writers. London: J&C Brown & Co. n.d. [1856] hardcover
réf. 29068-Alan Cristea Gallery 2011-. Exhibition catalogue. First edition 2011. 80 pages. Illustrated in colour and black and white. Pictorial boards no dustjacket issued. Fine. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 37 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. Michael Craig-Martin Drawings 1967-2002 Irish artist 9780956487681 -Alan Cristea Gallery (2011)- hardcover
1722réf. 228517Charlestown Middlesex Masachusetts 1722. 31 x 19.5 cm. 12 x 7.25 inches. Folio. Fine. 31 x 19.5 cm. 12 x 7.25 inches. Folio. Witnessed and signed by "Edwd. Larkin" and "Rebekah Chambers." Alos signed by Charles Chambers Justice of the Peace. unknown
2000réf. 443260Philadelphia 2000. Unbound. Near Fine. One leaf folded to make four printed pages. A couple of tiny spots on the first page else near fine. Inscribed by Congresswoman Maxine Waters to the African-American journalist Justine Rector. Waters was the Keynote Speaker for the event. unknown
1868réf. 252925New York: Moorhead Simpson & Bond 1868. First. hardcover. very good-. By an Officer of the U. S. Army. 4 plates. xv 219pp. 3pp. of publiisher's ads. 12mo modern black cloth small light dampstain to some top margins a few pages with light foxing to margins upper right corner margin chipped on last page of publisher's ads. New York: Moorhead Simpson & Bond 1868. First Edition Presentation copy from the author William E. Waters. The inscription is on the front flyleaf which was dampstained but the inscription is not smudged and is legible. William E. Waters was an assistant Army surgeon who kept a diary while traveling from St. Louis to Camp Douglas near Salt Lake City and while being stationed at Camp Douglas in 1867. This book is based on that diary and a series of letters he wrote while in the Utah territory. Pages 106 to 202 are his impressions of the Mormons their Church doctrines and polygamy. The first half of the text is a narrative ".of an Overland Expedition which crossed the plains from Leavenworth via the Black Hills and Bridger's Pass to the Salt Lake Valley." Eberstadt 106:323. Howes W-157. Moorhead, Simpson & Bond unknown
1963réf. 50429New York: McGraw-Hill 1963. First edition. SIGNED on the title page by cartographer Shelia Waters who provided the maps for this book. Near fine with some bumping and a light mark along the spine. In a near fine price-clipped dust jacket with minor shelfwear mostly confined to the spine ends and corners. McGraw-Hill unknown
réf. 3735326Likely Saratoga Springs: Journal Steam Print.ers ca. 1885. 3 1 pp. bifolium. 6¼ x 4 inches. Small losses and tears to edges; very good. In this promotional brochure a single sheet folded once to form three pages the Saratoga Flat Rock Spring is described as “one of the oldest of the many mineral fountains of Saratoga” with Dr. Chandler’s analysis stating the water supports digestion and helps kidney conditions. An internal date of 1884 appears alongside mention of Reuben Merchant the property owner and John B. Hall “a veteran spring digger.” unknown
1890réf. List2833Shasta County and Siskiyou County 1890. Fifteen photographs approximately 4 ½ x 7 ½ inches. Each mounted on heavy cardboard backing approximately 5 ½ x 8 ½ inches which is mounted on heavy cardboard of approximately 8 x 10 ½ inches. Unknown if photographs are stamped verso due to mounting. Some with recent captions on the largest mount; some captions likely incorrect see description. Fine contrast overall fine condition. Raper James Waters 1856–1937 was a professional photographer from Sacramento California. He was first active as a photographer in Gold Hill Nevada in the 1880s. Following this he returned to California and had studios in Berkeley and San Francisco between the late 1880s and mid-1920s. Offered here is a collection of fifteen of Waters’ photographs from around Mount Shasta likely from the late 1880s or 1890s. The photographs are mainly from places in Siskiyou County where Mount Shasta is located including shots of the towns of Sisson now Mount Shasta and Dunsmuir Sisson and Dunsmuir are on the Siskiyou Trail an ancient Native American footpath running from the San Francisco area to Portland Oregon. The Central Pacific Railroad Company completed a train line along the Siskiyou Trail in 1887; one shot from an unknown location shows railroad tracks rounding a curve among felled trees. Just outside of Dunsmuir is the Shasta Springs resort mislabeled here as Shasta Bottling Works famous for its springwater – the fountains of water in the photograph are from pressurized pipes coming from the springs. Other captioned photographs show Castle Crags hikers summiting Mount Shasta Mossbrae Falls and Castle Lake mislabeled as Crystal Lake. Photographs also show campers with their tent small houses a canoe on a lake and snowy winter scenes. Overall a striking set of photographs. unknown
2002réf. 25649New York::: Harper Collins 2002. First Printing of the First US Edition. A Fine tight copy in a Near Fine unclipped dust jacket with a hit of sunning to the spine. Alice Waters and the cooks at her restaurant Chez Panisse focus on the exuberant flavors of fresh fruit in creating memorable dishes. Chez Panisse Fruit draws on the exuberant flavors of fresh ripe fruit to create memorable dishes. In this companion volume to Chez Panisse Vegetables discover more than 200 recipes for both sweet and savory dishes featuring fruit. Glorify the late-summer peach harvest with Peach and Raspberry Gratin and extend the season with Grilled Cured Duck Breast with Pickled Peaches. Enjoy the first plums in Pork Loin Stuffed with Wild Plums and Rosemary. Preserve the fresh flavors of winter citrus with Kumquat Marmalade or Candied Grapefruit Peel. Organized alphabetically by fruit -- from apples to strawberries -- and including helpful essays on selecting storing and preparing fruit this book will help you make the very most of fresh fruits from season to season. Illustrated with beautiful color relief prints by Patricia Curtan. The authors provide over 200 recipes for both sweet and savory dishes featuring fruits. Harper Collins,, unknown
2002réf. 24359New York::: Harper Collins 2002. First Printing of the First US Edition. A Fine tight copy in a Near Fine unclipped dust jacket with a hit of sunning to the spine. Alice Waters and the cooks at her restaurant Chez Panisse focus on the exuberant flavors of fresh fruit in creating memorable dishes. Chez Panisse Fruit draws on the exuberant flavors of fresh ripe fruit to create memorable dishes. In this companion volume to Chez Panisse Vegetables discover more than 200 recipes for both sweet and savory dishes featuring fruit. Glorify the late-summer peach harvest with Peach and Raspberry Gratin and extend the season with Grilled Cured Duck Breast with Pickled Peaches. Enjoy the first plums in Pork Loin Stuffed with Wild Plums and Rosemary. Preserve the fresh flavors of winter citrus with Kumquat Marmalade or Candied Grapefruit Peel. Organized alphabetically by fruit -- from apples to strawberries -- and including helpful essays on selecting storing and preparing fruit this book will help you make the very most of fresh fruits from season to season. Illustrated with beautiful color relief prints by Patricia Curtan. The authors provide over 200 recipes for both sweet and savory dishes featuring fruits. Harper Collins,, unknown
1984réf. 27825New York:: Random House 1984. First Printing of the First US Edition. A Fine copy in a Fine unclipped dust jacket. Ms. Waters and her co-authors have assembled their recipes for pizza pasta dishes and calzone using the freshest and best seasonal ingredients. Together they offer 87 recipes for pasta sauces and 36 for pizza along with a variety of pasta doughs everything from buckwheat to black pepper and saffron. 196 pages. Random House, hardcover
1988réf. 27106New York:: Random House 1988. First Printing of the First US Edition. A Fine tight copy in a Near Fine dust jacket with fading to the spine.This copy is signed by both Waters and Bertolli. This is the original 1988 edition in which chef Bertolli who worked with Alice Waters presents the Chez Panisse kitchen's explorations and re-examinations of their earlier triumphs. Chock full of the restaurant's legendary recipes as well as informed commentary on food and their unique combination of ingredients with photographs by Gail Skoff. Random House, hardcover
1984réf. 21618New York:: Random House 1984. First Printing of the First US Edition. A Fine copy in a Near Fine unclipped dust jacket. Ms. Waters and her co-authors have assembled their recipes for pizza pasta dishes and calzone using the freshest and best seasonal ingredients. Together they offer 87 recipes for pasta sauces and 36 for pizza along with a variety of pasta doughs everything from buckwheat to black pepper and saffron. 196 pages. Random House, hardcover
2008réf. 22441San Francisco:: Chronicle Books 2008. First Printing of the First US Edition. A Fine tight copy in illustrated boards. Alice Waters created a revolution in 1971 when she introduced local organic fare at her Berkeley California restaurant Chez Panisse. Twenty-five years later she and a small group of teachers and volunteers turned over long-abandoned soil at an urban middle school in Berkeley and planted the Edible Schoolyard. The schoolyard has since grown into a universal idea of Edible Education that integrates academics with growing cooking and sharing wholesome delicious food. With inspiring images of the garden and kitchenand their young caretakers Edible Schoolyard is at once a visionary model for sustainable farming and childhood nutrition. Richly illustrated with color photographs by David Liittschwager. Chronicle Books, hardcover
1938réf. 57192New York: Sheridan House 1938. 8vo. 287 1 pp. Numerous photo plates colour maps on endpapers. Forest-green tweed boards black lettering colour maps on endpapers minor bumping head of spine slight bumping to couple corners w/ d.j. cover art of the Gypsy Waters under sail couple minor closed tears edgewear still VG/VG- copy. First edition of this author’s memoir detailing the rebuilding and outfitting of a Chesapeake Bay Bugeye ketch he renamed Gypsy Waters and the several adventures with his family to the Bahamas the Gulf Islands the Gulf lakes and rivers of Florida and more. Scarce in original dustjacket. Sheridan House, hardcover
2021réf. 27855New York:: Penguin Press 2021. First Printing of the First US Edition. A Fine tight copy in a Fine dust jacket. In We Are What We Eat Alice Waters urges us to take up the mantle of slow food culture the philosophy at the core of her life’s work. When Waters first opened Chez Panisse in 1971 she did so with the intention of feeding people good food during a time of political turmoil. Over years of working with regional farmers Waters and her partners learned how geography and seasonal fluctuations affect the ingredients on the menu as well as about the dangers of pesticides the plight of fieldworkers and the social economic and environmental threats posed by industrial farming and food distribution. Penguin Press, unknown
2002réf. 154088Ibaraki: Contemporary Art Center 2002. First Edition. First Edition. Published in conjunction with an exhibition at the Contemporary Art Gallery Art Tower Mito from April 13 through June 9 2002. Text in Japanese and English. Fine and unread in card wrappers with a Fine dust jacket. Contemporary Art Center unknown
réf. Mu800Dumbarton Oaks Research Library and Collection/Harvard Univ Press 1979. hbk 532pp dj slightly shelf worn with small closed tear now in a protective sleeve text is excellent as new Dumbarton Oaks Research Library and Collection/Harvard Univ Press 1979 unknown
1988réf. 10193New York: Film at the Public 1988. Letter-sized corner-stapled booklet 21.5 x 28 cm. 22 unnumbered pages. Printed on pale yellow paper. Illustrated. FIRST AND ONLY EDITION. An unusual cookbook produced on the occasion of a festival of films directed by the great novelist playwright and filmmaker Marcel Pagnol 1895-1974. The nine film retrospective was presented by Joseph Papp at the Public Theater. Some light age-toning to the paper stock; tiny bit of wear to the edges otherwise fine. Very scarce. OCLC locates one copy. Film at the Public unknown
1907réf. 61083London: John Murray 1907. Reprint. Octavo 23cm. Green cloth stamped in gilt on front and spine; plain endpapers; xii280pp; 9 folding maps and 2 halftone plates. A tight copy lightly rubbed at spine ends and corners browning to free endpapers but generally Very Good. German Official Account of the War in South Africa October 1899 to February 1900. See MENDELSSOHN II p.590. John Murray unknown
1896réf. 306962New York: G.F. Diehl 1896. 20pp. 12mo. Stapled self wrappers. Slight finger soiling. In half blue morocco and cloth drop box with red leather label. 20pp. 12mo. Pro-capitalist pamphlet by someone claiming to "work in a machine shop in a little New England town. G.F. Diehl] unknown
réf. 1359627340.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 03693Washington D. C.: Mrs. Agnes Waters. Unbound wrappers as issued; 1 165-171 pp. Waters' reprint of her own testimony before Congress in 1947 as published in the Congressional Record. In her statement she opposes Bill S. 938 Foreign Aid to Greece and Turkey on the grounds that it's "another Jewish trap" and encourages what must have been her very amused listeners to "expel the Jews and deliver America." Each page is peppered with patriotic and anti-Semitic quotations and quips. A nice example of Waters' inveterate anti-Semitism coupled with her flare for self-promotion. Vertical crease from folding with some light rubbing and occasional soiling to wrappers. Washington, D. C.: Mrs. Agnes Waters unknown
1850réf. 3448Great Britain 1850. Comprised of 88 manuscript pages of mathematical definitions tables methods and exercises in a single hand with the ownership signature of "Caroline Waters Age 16 yrs" to the front endpaper. Marbled paper vernacular binding measuring 8 x 12 inches and stitched at spine. Caroline's metric measurements and English currency reveal her to be a student somewhere in the UK. Though the commonness of her name and the absence of a specific date prevents us from locating her in genealogy records the manuscript she left behind reveals much about how and why girls of her age and class were being taught arithmetic. Caroline's elegant practiced hand suggests that she is a member of the rising middle class and the opening of the book suggests that she is a beginning to intermediate mathematician. At the top of the first page she defines Arithmetic as "the art of computing by numbers" which "has five principal sic rules for this purpose viz. Numeration Subtraction Addition Multiplication and Division." Using this definition she divides her notebook into a section for each providing a definition for that principle plus clear-cut examples of its use in both Simple and Compound formats. Numeration Subtraction and Addition are grouped together at the front; and after these sections conclude Caroline enters in Practical Questions in Compound Addition and Subtraction. These involve word problems involving the exchange of money and the calculation of wet and dry weights cloth measurements and time. She then mirrors this with Multiplication and Division before adding sections on Decimal Fractions more Practical Questions and sections on Federal Money and Simple Interest. The organization of the manuscript suggests that Caroline copied it out for continued reference where sections are easy to locate and problems clearly illustrate each of the principles. And the emphasis in sample problems on currency conversion monetary exchange and banking implies that her family in some way wanted her to be aware of these concepts. An exceptional and rich document Caroline's notebook is a rich resource for study including but not limited to the history of women's education middle class education women's domestic use of mathematics women in business paleography genealogy gender studies. unknown
réf. 1538433435.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown