Richard E La FleurBiblio.com
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rif. ria9781666901870_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book explores how Moral Injury the collective manifestation of shame and guilt resulting from betrayal and transgression experienced by veterans returning from war deeply affects one's ability to recover from PTSD and find me hardcover
rif. A9781666901870Hardback. New. This book explores how Moral Injury the collective manifestation of shame and guilt resulting from betrayal and transgression experienced by veterans returning from war deeply affects one's ability to recover from PTSD and find meaningfulness in the world. hardcover
rif. 1935198262.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 3990456970New. Never used book
in-12, 156 pages, figures, broche, couv. Tres bel exemplaire. [TX-20]
rif. 004923Wraps. Very Good. Scarce with no copies located on OCLC FirstServe. N.d. circa 1914 when the fragrance "Un Air Embaume" was first introduced. 8vo. 24 by 21 cm. Unpaginated 12 leaves plus tissue guards and wraps with nine of those being color plates. Rigaud as a parfumier dates back to 1852. At the turn of the century it created and marketed fragrances associated with celebrities of the day -- one fragrance was named after the opera star "Mary Garden" -- and the company might well have been a pioneer in such tie-ins. The company also consciously pursued the Anglo market and capitalized on the Gallic vogue at the time for things English by naming a number of its products in English. The company remains in business today but its emphasis it now on home or ambient fragrances. In this glossy marketing brochure intended as much to build the exotic luxurious mystique of the companies fragrances as to peddle its specific products the color plates capture perfectly the sinewy rich aesthetic of the day with equal amounts of Art Nouveau elegance; the overripe almost lurid colors and styles of the Jugendstil or the Teutonic version of Art Nouveau; and the softer Rococo frivolity and flirty lightness epitomized by a Fragonard or Boucher. The Richepin poem that serves as a preface evokes the hedonistic possibly decadent sensuality that is the mood or mix of moods of the illustrations that follow. And so the names of perfumes are Prince Igor Marthe Chenal a French opera singer who like Mary Garden was particularly associated with Jules Massenet Pres de Vous Muses des Bois l'heure charmante lilas de Rigaud Oeillet d'Andalousie Mary Garden and des Roses. The cream cover has foxing. Within the brochure is clean. unknown
rif. 004923Wraps. Very Good. Scarce with no copies located on OCLC FirstServe. N.d. circa 1914 when the fragrance "Un Air Embaume" was first introduced. 8vo. 24 by 21 cm. Unpaginated 12 leaves plus tissue guards and wraps with nine of those being color plates. Rigaud as a parfumier dates back to 1852. At the turn of the century it created and marketed fragrances associated with celebrities of the day -- one fragrance was named after the opera star "Mary Garden" -- and the company might well have been a pioneer in such tie-ins. The company also consciously pursued the Anglo market and capitalized on the Gallic vogue at the time for things English by naming a number of its products in English. The company remains in business today but its emphasis it now on home or ambient fragrances. In this glossy marketing brochure intended as much to build the exotic luxurious mystique of the companies fragrances as to peddle its specific products the color plates capture perfectly the sinewy rich aesthetic of the day with equal amounts of Art Nouveau elegance; the overripe almost lurid colors and styles of the Jugendstil or the Teutonic version of Art Nouveau; and the softer Rococo frivolity and flirty lightness epitomized by a Fragonard or Boucher. The Richepin poem that serves as a preface evokes the hedonistic possibly decadent sensuality that is the mood or mix of moods of the illustrations that follow. And so the names of perfumes are Prince Igor Marthe Chenal a French opera singer who like Mary Garden was particularly associated with Jules Massenet Pres de Vous Muses des Bois l'heure charmante lilas de Rigaud Oeillet d'Andalousie Mary Garden and des Roses. The cream cover has foxing. Within the brochure is clean. unknown books
2026rif. x-1839997095Anthem Pr 2026. Hardcover. New. 200 pages. 9.02x6.00x0.83 inches. Anthem Pr hardcover
2017rif. 060345Lexington Books 2017. Book. Near Fine. Hardcover. 1st Edition. Minor bump to lower edge of rear cover otherwise Fine copy. 148pp glossy pictorial boards not issued with dust jacket. Lexington Books Hardcover
2020rif. x-149852320XLexington Books 2020. Paperback. New. 168 pages. 9.00x6.00x0.50 inches. Lexington Books paperback
rif. 474414Ashgate. Hardcover. Good. In recent years everyone from politicians to celebrity chefs has been proselytizing about how we should grow buy prepare present cook taste eat and dispose of food. In light of this contributors to this book argue that food has become the target of intensified pedagogical activity across a range of domains including schools supermarkets families advertising and TV media. Illustrated with a range of empirical studies this edited and interdisciplinary volume - the first book on food pedagogies - develops innovative and theoretical perspectives to problematize the practices of teaching and learning about food. While many different pedagogues - policy makers churches activists health educators schools tourist agencies chefs - think we do not know enough about food and what to do with it the aims effects and politics of these pedagogies has been much less studied. Drawing on a range of international studies diverse contexts genres and different methods this book provides new sites of investigation and lines of inquiry. As a result of its broad ranging critical evaluation of 'food as classroom' and 'food as teacher' it provides theoretical resources for opening up the concept of pedagogy and assessing the moralities and politics of teaching and learning about food in the classroom and beyond. Copyright © Ashgate Ashgate hardcover
rif. A9781409465041Hardback. New. hardcover
rif. A9781138547391Paperback / softback. New. paperback
rif. 0965964906.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977252 pages. colour illustrations, index. eng
1967Two volumes. pp. 322; 323-688. Illustrated with numerous color photographs and drawings. XLib. Map endpapers. Folio. Original full cloth bindings. Hardbound. A really excellent reference. This set is the First Edition of the full Second Volume of the Five Volumes of The Wild Flowers of The United States. **PRICE JUST REDUCED! PLANTS W129
1991rif. RO20236417Hachette / CIL. 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages. Nombreuses illustrations et photos en couleurs dans et hors texte dont une en frontispice.. . . . Classification Dewey : 635.9-Plantes ornementales, fleurs
2008rif. R100072991Hachette pratique. 2008. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages - nombreuses photos en couleurs dans et hors texte - quelques dessins en couleurs dans le texte - étiquette collée sur le 2ème plat.. . . . Classification Dewey : 582.13-Fleurs (ouvrages généraux)
1993rif. 1185701993 Editions John Libbey Eurotext, Groupe d'étude de l'arbre observatoire du Sahara et du Sahel - 1993 - In-4, broché, couverture illustrée en couleurs - 488 p. - Illustrations et tableaux in-texte
2003rif. TEXTILE23232378450824Paris, Citadelles et Mazenod, 2003, 24 x 31, 217 pages sous cartonnage éditeur et jaquette illustrés. Iconographie couleurs - photographies de Marc Walter. "Toile de Jouy : ce terme évoque immanquablement des tissus à fond blanc sur lequel se détachent des scènes champêtres aux graciles protagonistes. En réalité, les productions de la manufacture Oberkampf furent remarquablement plus variées. De fait, les toiles de Jouy furent d'abord et avant tout des cotonnades imprimées aux XVIIIe et XIXe siècles par cette manufacture installée dans le petit village de Jouy-en-Josas, à quelques lieues de Paris et de Versailles, qui occupait un rôle de premier plan depuis l'arrivée de la cour. Toutefois, pour comprendre le rayonnement des productions de Jouy, il faut analyser ce qu'il se passait au XVIIe siècle. À cette époque arrivent en Europe des étoffes chamarrées comme on n'en avait encore jamais vu : les indiennes. Ainsi nommées car importées des Indes, elles se distinguent des tissus traditionnels par le fait que leurs motifs sont obtenus par impression, et non par tissage de fils de couleur. L'engouement est immédiat et à ce point intense qu'en 1686, sous la pression des corporations nationales menacées, le Conseil d'État en interdit non seulement l'importation, mais également la production et l'utilisation. Cependant, de multiples renouvellements de l'interdiction n'y feront rien - la mode est trop forte -, et en 1759, sa levée donne le coup d'envoi au développement de l'impression sur coton. Christophe-Philippe Oberkampf, qui est né et a grandi outre-Rhin, dans un pays non touché par la prohibition des indiennes, possède le savoir-faire nécessaire à leur production. Arrivé à Paris en 1758, il transfère bientôt sa manufacture près des eaux pures de la Bièvre, à Jouy. Le succès ne se fait pas attendre : en 1805, 1 322 ouvriers sont employés par la fabrique. Les tissus qui en sortent sont destinés à l'ameublement comme à l'habillement. La gamme de motifs qui les ornent, monochromes et polychromes, est impressionnante : semis de fleurs, fleurs stylisées et autres «bonnes herbes», losanges, cercles, rayures, «écailles imbriquées» multicolores... et, bien sûr, personnages. Là encore, la diversité est de mise. Outre les célèbres pastorales, la manufacture imprime des toiles s'inspirant de la mythologie, de la littérature ou des événements de l'époque, comme Le Ballon de Gonesse et L'Hommage de l'Amérique à la France. C'est une plongée dans ce passé que propose cet ouvrage grâce à bon nombre de pièces et de documents d'archives rassemblés au musée de la Toile de Jouy, à Jouy-en-Josas, en partie situé dans les vestiges de la manufacture Oberkampf. Robes, tentures, parures de lit, mais aussi albums d'échantillons, de dessins, de modèles gouachés - les empreintes - font revivre le raffinement de l'époque où la toile imprimée régnait en maîtresse, raffinement que le lecteur pourra goûter au fil des pages du présent livre."
rif. 1804654965.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995rif. O3185E. Dentu - Comédit - Connaissance et mémoires, 1870, 1995, 460 p.
rif. 6203405043.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
