1956réf. 179521New York: Universe 1956. hardcover. very good/very good. Numerous black & white photographic illustrations in color & in black & white. Slim 4to white cloth d.w. New York: Universe Books 1956. Very good. Universe unknown books
1844réf. 305352London Printed For the Camden Society 1844. 1844. Small 4to. Original dark green cloth stamped in blind and gilt. Very good-fine. 312 pages. Bookplates of John Alger Flick and Edward H. Hamilton on the front pastedown. Spine title reads: The Thornton Romances. Hardcover. Very Good/No Jacket. London, Printed For the Camden Society, 1844. hardcover books
réf. 13053London/Paris: Photography Magazine and Robert Delpire nd. Hardcover. g. 8vo. 76pp. Introduction by Manuel Tunon de Lara. Embossed tan buckram in original dj. A pictorial journey of South America. Translated from the French by James Emmons. Some rubbing to edges. Minor chipping discoloration and staining to dj. Two tiny tears to dj. Name of previous owner on half-title page. Overall in good condition. Photography Magazine and Robert Delpire hardcover books
1839réf. 1064261839. London: J.W. Parker 1839. Slim 8vo 18 pp. Disbound and now stitched in plain brown paper wrappers titled by hand. Faint stain to final page; very good. § First edition of this scarce little paper on early mathematics by the infamous Halliwell-Phillipps whose entire life was dogged by financial problems and accusations some apparently fairly well based of theft and fraud. His life was well chronicled by Arthur Freeman and Janet Ing Freeman. From DNB: "Phillipps James Orchard Halliwell- 1820-1889 antiquary and literary scholar was born on 21 June 1820 at 94 Sloane Street Chelsea the sixth of the seven children of Thomas Halliwell 1777-1849 a prosperous linen draper from Chorley Lancashire and his wife Charlotte Ann 1789-1849 daughter of Esau Marsh of London. He took the additional surname Phillipps in 1872 following the death of his father-in-law Sir Thomas Phillipps.". unknown books
1996réf. 190244Paris and New York: Revue Noire and D.A.P. / Distributed Art Publishers Inc 1996. First U.S. edition and first printing. Hardcover. 240 pages. Text in English and French by Jean Loup Pivin and Pascal Martin Saint Leon. Includes numerous black and white images. A clean and tight very near fine copy in photo-illustrated boards and in a very near fine dust jacket. A terrific retrospective look at this underappreciated French photographer. Revue Noire and D.A.P. / Distributed Art Publishers Inc unknown books
1879réf. 368369Paris: Dentu 1879. First edition. xii 465 pp. 1 vols. 12mo. Early twentieth century half cloth and marbled boards morocco spine label. Some soiling of text block. Very good. First edition. xii 465 pp. 1 vols. 12mo. Thimm p. 253 Dentu unknown books
1841réf. 361590London: Printed for the Society by R. and J.E. Taylor 1841. Hardcover. Near Fine. First edition. Octavo. Dark blue publisher's cloth decorative pattern in blind with gilt centerpiece. Small ownership signature wear to the front joint else very good or better. Subscriber's copy Signed and dated by William Henry Black on the front free endpaper. Includes letters by Tycho Brache Thomas Lydyat Charles Cavendish John Pell and others. Also includes the by-laws of the Historical Society of Science founded by James Halliwell an antiquary and unrepentant son-in-law of the bibliomaniac Sir Thomas Phillipps. With the formation of the Society and publication of this work Halliwell advanced the history of science as an independent scholarly pursuit. William Henry Black was a prolific contributor to many journals and a member of the British Archaeological Association. A handsome copy scarce in the original boards. Printed for the Society, by R. and J.E. Taylor hardcover books
1852réf. 345340Brixton Hill: Printed for Private circulation only 1852. Privately printed edition. viii 960pp. 1 vols. 4to 10-3/4 x 8-1/2 inches. Half brown contemporary calf red leather label. Very Good front hinge almost off. Privately printed edition. viii 960pp. 1 vols. 4to 10-3/4 x 8-1/2 inches. Printed for Private circulation only unknown books
1849réf. D19062London: John Russell Smith 1849. First Edition. Hardcover. Good. 12mo publisher's salmon cloth gilt-stamped title on spine; rebacked with original spine laid down corners torn a few stains on upper cover and spine. 16-page publishers advertisement at end. Iona and Peter Opie annotated copy with their stamp on front pastedown and annotations in ink and pencil within text. Opie 625. John Russell Smith hardcover books
1796réf. 373692New York 1796. Engraved print. 14-1/2x20-1/2 inches plate size. Heavily toned creased through the image short edge tears. Engraved print. 14-1/2x20-1/2 inches plate size. A noted allegorical print celebrating the American Revolution. The print first published in 1796 and then again with the addition of extensive descriptive text in 1798 used classical iconography to illustrate America's victory in the American Revolution with the gods led by Minerva with the American eagle on her aegis paying honor to American heroes and laying waste to the concepts and persons of monarchy. As a French veteran of the American Revolution and transatlantic witness to the French Revolution it is perhaps unsurprising that the artist Renault would choose such subject matter for this dramatic piece. Reilly describes the print and its features in detail: "An allegory of liberty flourishing and monarchy and tyranny in decline. In a wooded grove Minerva with a shield bearing the arms of the United States and a flag emblazoned with stars pours libations on an altar fire. Beside her are three female figures. The first Plenty holds a torch to a pile of titles of nobility crowns scepters and other attributes of monarchy. Justice holds a sword and scales and Peace an olive branch. Behind them is a small pyramid on a pedestal inscribed with the names: Hancock Warren Sullivan Putnam Scamel Barber Green Laurens Wooster Mercer and Poor. Two urns on the monument are labeled "B. Franklin" and "Montgomery." To the right is a column surmounted by a seated nude Liberty figure holding a wreath. Below it stands a cherub with a scroll with the words 'Allons enfans de la Patrie.' an open book labeled 'The Rights of Man' a staff and liberty cap and a flag. Behind is a mountainous landscape and town. In the lower right foreground stands another group including a king about to stab himself several other monarchs cringing and a standing woman. In the lower left stand an aged classical priest and a writhing mutilated hydra appear. "Stauffer describes an impression the 1798 edition with re-engraved title and imprint accompanied by the following text: 'By a Column raised to Liberty is a Monument sacred to the memory of the American Heroes fallen in defence of their Country. While Liberty is Crowning them America uder sic the figure of Minerva sacrifices to their Manes and a Priest of that Deity sings their glorious actions. The Hydra of Despotism mortally wounded by those great men expires in frightful convulsions. Peace and Justice hand in hand join with America in her homage to Liberty. Plenty reclining on her emblematical Horn reposes on American ground. The Genius of Liberty points out the declaration of Independence and a Book of the American Constitution. From the dreadful Sight a group of Kings turn away with horror and dismay.'" Not much is known about Renault or Verger beyond their production of this print. unknown books
1842réf. D19065London: T. Richard for the Percy Society 1842. First Edition. Hardcover. Good. 8vo later dark-blue ¼ cloth boards stained period toning and spottin to contents ex-Opie Collection with their stamp to front pastedown. Opie Three Centuries 41. Quite scarce. T. Richard for the Percy Society hardcover books
1842réf. RDEEPRI00tpmCamden Society 1842. Very Good. Dee John. The Private Diary of Dr. John Dee and the Catalogue of His Library of Manuscripts. Halliwell editor James Orchard. London: Camden Society 1842. 102pp. Indexed. 8vo. Black cloth with gilt embossing on spine. Book condition: Very good with rubbed extremities bumped spine ends and light soiling. Boards peeking through slightly frayed cloth. Previous owners bookplate on front pastedown. Endsheets are subtly split along hinges but the binding holds firm. In protective mylar. Camden Society hardcover books
1796réf. 373398New York 1796. Broadside text in English and French in two columns. 12-1/4x8 inches. Silked and inlaid to a larger sheet very toned extraneous fold at the bottom area of loss at the top largely affecting the title in French. Broadside text in English and French in two columns. 12-1/4x8 inches. A broadside prospectus for a noted allegorical print celebrating the American Revolution. We locate only two known examples of this broadside John Carter Brown Library and Winterthur Museum. The print first published in 1796 and then again with the addition of extensive descriptive text in 1798 used classical iconography to illustrate America's victory in the American Revolution with the gods led by Minerva with the American eagle on her aegis paying honor to American heroes and laying waste to the concepts and persons of monarchy. As a French veteran of the American Revolution and transatlantic witness to the French Revolution it is perhaps unsurprising that the artist Renault would choose such subject matter for this dramatic piece. Reilly describes the print and its features in detail: An allegory of liberty flourishing and monarchy and tyranny in decline. In a wooded grove Minerva with a shield bearing the arms of the United States and a flag emblazoned with stars pours libations on an altar fire. Beside her are three female figures. The first Plenty holds a torch to a pile of titles of nobility crowns scepters and other attributes of monarchy. Justice holds a sword and scales and Peace an olive branch. Behind them is a small pyramid on a pedestal inscribed with the names: Hancock Warren Sullivan Putnam Scamel Barber Green Laurens Wooster Mercer and Poor. Two urns on the monument are labeled "B. Franklin" and "Montgomery." To the right is a column surmounted by a seated nude Liberty figure holding a wreath. Below it stands a cherub with a scroll with the words 'Allons enfans de la Patrie.' an open book labeled 'The Rights of Man' a staff and liberty cap and a flag. Behind is a mountainous landscape and town. In the lower right foreground stands another group including a king about to stab himself several other monarchs cringing and a standing woman. In the lower left stand an aged classical priest and a writhing mutilated hydra appear. Not much is known about Renault or Verger beyond their production of this print. Bristol B9805; ESTC W38987 unknown books
1796réf. 65977New York: D.F. Launy 1796. Attractive Allegorical Engraving Depicting Democracy's Victory over Monarchism An attractive and elaborate allegorical engraving celebrating American independence drawn by French-American artist John-Francis Renault and engraved by Peter Verger both known almost exclusively for the present print. The print first published in 1796 and then again with the addition of extensive descriptive text in 1798 uses Classical iconography to illustrate America's victory with the gods led by Minerva with the American eagle on her aegis paying honor to American heroes and laying waste to the concepts and persons of monarchy. As a French veteran of the American Revolution and transatlantic witness to the French Revolution it is perhaps unsurprising that Renault would choose such subject matter for this dramatic piece. Reilly describes the print and its features in detail: "An allegory of liberty flourishing and monarchy and tyranny in decline. In a wooded grove Minerva with a shield bearing the arms of the United States and a flag emblazoned with stars pours libations on an altar fire. Beside her are three female figures. The first Plenty holds a torch to a pile of titles of nobility crowns scepters and other attributes of monarchy. Justice holds a sword and scales and Peace an olive branch. Behind them is a small pyramid on a pedestal inscribed with the names: Hancock Warren Sullivan Putnam Scamel Barber Green Laurens Wooster Mercer and Poor. Two urns on the monument are labeled "B. Franklin" and "Montgomery." To the right is a column surmounted by a seated nude Liberty figure holding a wreath. Below it stands a cherub with a scroll with the words 'Allons enfans de la Patrie.' an open book labeled 'The Rights of Man' a staff and liberty cap and a flag. Behind is a mountainous landscape and town. In the lower right foreground stands another group including a king about to stab himself several other monarchs cringing and a standing woman. In the lower left stand an aged classical priest and a writhing mutilated hydra appear. "Stauffer describes an impression the 1798 edition with re-engraved title and imprint accompanied by the following text: 'By a Column raised to Liberty is a Monument sacred to the memory of the American Heroes fallen in defence of their Country. While Liberty is Crowning them America uder sic the figure of Minerva sacrifices to their Manes and a Priest of that Deity sings their glorious actions. The Hydra of Despotism mortally wounded by those great men expires in frightful convulsions. Peace and Justice hand in hand join with America in her homage to Liberty. Plenty reclining on her emblematical Horn reposes on American ground. The Genius of Liberty points out the declaration of Independence and a Book of the American Constitution. From the dreadful Sight a group of Kings turn away with horror and dismay.'" Not much is known about Renault or Verger beyond their production of this print. Describing the former as an "Allegorical & historical painter" Falk writes that "Renault claimed to have been at the Battle of Yorktown in 1781 as assistant secretary to Count de Grasse and Engineer to the French Army. His 'Triumph of Liberty' was advertised in NYC in 1795 by D.F. Launy and again in 1797 by Renault and Verger. In 1819 he published an engraving of the British officers surrendering their arms to Washington at Yorktown describing himself as a U.S. Citizen." Falk has little to add respecting Verger except that "He was associated with John Francis Renault in the publication of the latter's 'Triumph of Liberty' print" and that he was "Active in NYC from 1795-97; Paris in 1806." OCLC locates copies of the first edition of this print at the Society of the Cincinnati American Antiquarian Society and Massachusetts Historical Society. We locate further copies at the Library of Congress and Yale Art Gallery. A rare and dramatic allegorical print published on the twentieth anniversary of the Declaration of Independence. Light tanning and soiling some pale dampstains to lower margin just into lower part of image. Very good. REILLY 1796-1. STAUFFER 3344. FOWBLE 322. FALK WHO WAS WHO IN AMERICAN ART pp.2742 3403. OCLC 768299108. unknown books
1955réf. 544023Lausanne: Editions Clairefontaine 1955. Hardcover. Near Fine/Very Good. First edition. Introduction by Frigout Arlette. Quarto. 102pp. foldout with map. Near fine in very good dust jacket with some nicking and erosion at the spine ends. Nicely Inscribed by the photographer: "To Pamela & Reid Bird with the friendship of Pierre Verger. Bahia 13th of April 1969." With ownership signature of Pamela Bird. Editions Clairefontaine hardcover books
réf. 23674Stuttgart: Hatje Cantz Verlag 2006. Cloth. Fine/Fine. A gorgeous example of this sweeping catalogue raisonne of the great German artist Kurt Schwitters 1887-1948. Complete in 3 massive volumes all clean and near-pristine in their lovely dustjackets. Tight and Near Fine to Fine in crisp easily Near Fine to Fine dustjackets. Thick tall quartos first-rate color and black-and-white reproductions throughout. Vol. I: Catalogue Raisonne 1905-1922 "638 pages 997 illustrations 104 in colour" ; Vol. II: Catalogue Raisonne 1923-1936 "604 pages 1071 illustrations 118 in colour"; Vol. III: Catalogue Raisonne 1937-1948 "784 pages 1312 illustrations 119 in colour". Text in both English and German. From the dustjacket front flap: "Although Kurt Schwitters was one of the most influential artists of international Modernism so far only certain parts of his immensely varied pictorial work have been thoroughly investigated. Now his oeuvre has been documented and properly acknowledged for the first time in a three-volume catalogue raisonne. More than 3800 works from the period between 1905 and 1948 among them numerous previously unpublished pictures and paintings are presented to the public after world-wide research and a complete sighting of his artistic estate. Schwitters' works are ordered chronologically and within years according to genre. All works are shown in black-and-white; lost and destroyed works are also documented. In addition 341 representative works are reproduced in colour.". Hatje Cantz Verlag unknown books
1842réf. 16953London: Printed for the Camden Society 1842. Decorative Cloth. Very Good . The very uncommon 1842 1st edition of this original publication of "two curious documents concerning Dr. John Dee" the great 16th century occut philosopher 1527-1609 who devoted much of his life to the study of alchemy divination and Hermetic philosophy. 1 "His Private Diary written in a very small illegible hand on the margins of old Almamacs discovered a few years ago by Mr. W.H. Black in the library of the Ashmolean Museum at Oxford". 2 "A Catalogue of his Library of Manuscripts made by himself before his house was plundered by the populace and now preserved in the library of Trinity College Cambridge". This 1842 volume a slim octavo in its original chocolate-brown boards has held up very nicely. Solid and VG with decorative blindstamping to the panels and still-bright gilt-titling and flourishes along the spine. Just a touch of light bubbling to the rear panel small neat former owner name and 1940 date at the front free endpaper. Apart from this clean as could be with no other writing or markings of any kind internally and a strong very sturdy binding. By any measure an impressive copy of this rare mid 19th century examination through his diary and his personal library of manuscripts of the mind of Dr. John Dee. Printed for the Camden Society unknown books