13 992 résultats
1881réf. 030014Shanghai 1881 American Presbyterian Mission Press Hardcover 1st Edition
réf. 51466Amsterdam, J.B. Elwe., 1798 Gebonden in half- lederen banden destijds met goudopdruk, versieringen en titel. Met 14 fraaie en uitslaande gegraveerde hand gekleurde platen door J. van Hiltrop. 2 volumes 654 pagina's, .
réf. 51467Amsterdam, J.B. Elwe., 1798 Gebonden in half- lederen banden destijds met goudopdruk, versieringen en titel. Met 14 fraaie en uitslaande gegraveerde hand gekleurde platen door J. van Hiltrop. 2 volumes 654 pagina's, .
réf. 14689Paris, J. Rotschild, 1867-1870 ; 2 tomes in-8 ; dmi-chagrin : tome 1 rouge, tome 2 chocolat au lait, plats de percaline avec décor à froid, toutes tranches dorées ; VIII, (2), 128 pp., 60 planches hors-texte en couleurs ; 8, 124 pp. et 60 planches hors-texte en couleurs ; soit 120 planches en tout et 120 petits bois gravés.
réf. 91027Kleine unsignierte Tuschzeichnung mit Spitz- oder Rohrfeder gezeichnet über stellenw. noch erkennbarer Bleistiftvorzeichn. - Zwei Männerdarstellungen: 1. Mann mit Eierkopf und Spitzbart hinter einer von oben herabhängenden Röntgenscheibe durch die sein Knochengerüst von den Rippen bis zu den Füßen zu sehen ist. - 2. Langnasiger Glatzkopf als stehende Ganzfigur im Viertelprofil bekleidet mit einem langen Latz vom Kinn bis zu den Knieen. - Paul Flora aus Glurns im Südtiroler Vinschgau stammender Zeichner Karikaturist Graphiker u. Illustrator. - Gut und sauber unknown
1931réf. 20790Alger, Imprimerie Minerva, 1931-1941 ; 4 tomes reliés en 2 volumes in-8, demi-maroquin bleu marine, titre doré entre deux doubles filets (reliure de l’époque) ; XL, 159, (1 bl.) pp. ; [3] ff., pp.161-557 ; pp.LI-LVII, pp.559-913 ; LIX-LXXV, 915-1181 pp. (les pages en chiffres romains sont la Liste bibliographique des travaux publiés sur la flore Marocaine de 1675 à 1941).
1955réf. 20505New York: Harcourt Brace and Company 1955. Boards. Near Fine/Near Fine. James Flora. WARMLY --LENGTHILY-- INSCRIBED BY THE AUTHOR JAMES FLORA on the half-title's verso. A crisp very sharp copy to boot of the 1955 stated 1st edition. Clean and Near Fine in a bright price-intact $2.75 Near Fine dustjacket with several tiny closed tears along the panel edges. Quarto wonderfully illustrated throughout in rich color and black-and-white by James Flores himself. Also includes a 1 pg. TLS from the author to a close friend of his with whom he had just shared a trip. Harcourt, Brace and Company unknown
1955réf. 20505New York: Harcourt Brace and Company 1955. Boards. Near Fine/Near Fine. James Flora. WARMLY --LENGTHILY-- INSCRIBED BY THE AUTHOR JAMES FLORA on the half-title's verso. A crisp very sharp copy to boot of the 1955 stated 1st edition. Clean and Near Fine in a bright price-intact $2.75 Near Fine dustjacket with several tiny closed tears along the panel edges. Quarto wonderfully illustrated throughout in rich color and black-and-white by James Flores himself. Also includes a 1 pg. TLS from the author to a close friend of his with whom he had just shared a trip. Harcourt, Brace and Company unknown books
1966réf. 563306Dublin: Allen Figgis 1966. Hardcover. Fine/Fine. First edition. Introduction by the Earl of Wicklow. Illustrated in color by the author. Quarto. ix 101pp. Light foxing to the page edges and a tiny bit of tanning on the endleaves else fine in a fine dust jacket with just a hint of foxing and creasing at the crown. Inscribed by Mitchell to a couple "To remember Dublin as they knew it." Fifty of Mitchell's critically acclaimed watercolors of Dublin are reproduced here along with descriptions. Only 600 copies were printed and the plates used to reproduce the paintings were destroyed shortly after. A beautiful copy. Allen Figgis hardcover
1966réf. 563306Dublin: Allen Figgis 1966. Hardcover. Fine/Fine. First edition. Introduction by the Earl of Wicklow. Illustrated in color by the author. Quarto. ix 101pp. Light foxing to the page edges and a tiny bit of tanning on the endleaves else fine in a fine dust jacket with just a hint of foxing and creasing at the crown. Inscribed by Mitchell to a couple "To remember Dublin as they knew it." Fifty of Mitchell's critically acclaimed watercolors of Dublin are reproduced here along with descriptions. Only 600 copies were printed and the plates used to reproduce the paintings were destroyed shortly after. A beautiful copy. Allen Figgis hardcover books
1923réf. 260827002San Francisco: The Book Club of California printed by The Grabhorn Press 1923. Limited Edition. Leather bound. Fine. Lange Dorothea; H. Von Schmidt. One of 400 copies quarto size 140 pp. in a deluxe binding with slipcase. A tribute to Oscar Weil 1839-1921 born in New York and educated as a musician. When the Civil War started he enrolled in the Northern cause as a private and by the end of the war he was a Major; however injuries received during the war meant he could no longer be a violinist. He therefore turned to composing and settled in San Francisco where he also served as the music critic for the Argonaut newspaper; he was a man much loved by the community as attested to by this memoir. Frontispiece a tipped-in photograph by Dorothea Lange from a painting of Oscar Weil by Olga M. Ackerman; when this photograph was taken Dorothea Lange 1895-1965 was living in Berkeley having recently married the western painter Maynard Dixon. Printed by the Grabhorn Press the renowned publishers/printers Edwin and Robert Grabhorn. This copy in a deluxe leather binding beautifully executed but with no binder's stamp or ticket that we can find. ___DESCRIPTION: Bound in full tan leather both boards with horizontal ruled borders one gilt and one black gilt lettering on the spine the spine bands extending slightly onto both boards with their tips decorated with a gilt star top edge gilt fore- and bottom edges uncut pastepaper endpapers tissue-guarded frontispiece the photograph by Dorothea Lange of a painting of Oscar Weil as referred to above title page in red and black almost every page of text has red lettering for marginal notes and capital letters some of which are blue; binding quarto size 11 1/2" by 7 3/4" pagination: i-xiv 1-119 blank 120 divisional title page "Compositions of Oscar Weil" 121 blank 122 3 pp. of compositions 123-125 colophon page 126 issued in an edition of 400 copies this no. 343. Housed in a slipcase covered with pastepaper with the opening trimmed in leather. ___CONDITION: The volume fine the leather smooth and supple and utterly without wear the corners straight and unrubbed a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; a stunning example. The slipcase near fine strong and sturdy with no splits to the seams the paper covering the case mostly clean other than a few light stray spots and showing minimal wear the leather guarding the opening well-rubbed at the top edge. ___CITATION: BCC 100 no. 19; Grabhorn Bibliography no. 58. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Book Club of California [printed by The Grabhorn Press] unknown
1923réf. 260827002San Francisco: The Book Club of California printed by The Grabhorn Press 1923. Limited Edition. Leather bound. Fine. Lange Dorothea; H. Von Schmidt. One of 400 copies quarto size 140 pp. in a deluxe binding with slipcase. A tribute to Oscar Weil 1839-1921 born in New York and educated as a musician. When the Civil War started he enrolled in the Northern cause as a private and by the end of the war he was a Major; however injuries received during the war meant he could no longer be a violinist. He therefore turned to composing and settled in San Francisco where he also served as the music critic for the Argonaut newspaper; he was a man much loved by the community as attested to by this memoir. Frontispiece a tipped-in photograph by Dorothea Lange from a painting of Oscar Weil by Olga M. Ackerman; when this photograph was taken Dorothea Lange 1895-1965 was living in Berkeley having recently married the western painter Maynard Dixon. Printed by the Grabhorn Press the renowned publishers/printers Edwin and Robert Grabhorn. This copy in a deluxe leather binding beautifully executed but with no binder's stamp or ticket that we can find. ___DESCRIPTION: Bound in full tan leather both boards with horizontal ruled borders one gilt and one black gilt lettering on the spine the spine bands extending slightly onto both boards with their tips decorated with a gilt star top edge gilt fore- and bottom edges uncut pastepaper endpapers tissue-guarded frontispiece the photograph by Dorothea Lange of a painting of Oscar Weil as referred to above title page in red and black almost every page of text has red lettering for marginal notes and capital letters some of which are blue; binding quarto size 11 1/2" by 7 3/4" pagination: i-xiv 1-119 blank 120 divisional title page "Compositions of Oscar Weil" 121 blank 122 3 pp. of compositions 123-125 colophon page 126 issued in an edition of 400 copies this no. 343. Housed in a slipcase covered with pastepaper with the opening trimmed in leather. ___CONDITION: The volume fine the leather smooth and supple and utterly without wear the corners straight and unrubbed a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; a stunning example. The slipcase near fine strong and sturdy with no splits to the seams the paper covering the case mostly clean other than a few light stray spots and showing minimal wear the leather guarding the opening well-rubbed at the top edge. ___CITATION: BCC 100 no. 19; Grabhorn Bibliography no. 58. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Book Club of California [printed by The Grabhorn Press] unknown books
Lyon, Bruyset, 1796, in-4, legatura coeva in pelle, fregi e scritte in oro al dorso, tagli rossi, sguardie in carta marmorizzata, pp. 24-31-48-15. Con 159 di tavole di fiori e piante incisi in rame. Bell'esemplare.
1887réf. 23081Gera-Untermhaus, Fr. Eugen Köhler, 1887. Band I mit 99 statt 88 (Titel) und Band II mit 104 statt 115 (Titel) Chromolithographien (auf starkem Papier) nach Originalzeichnungen von Walther Müller in Gera. Insgesamt 203 Tafeln, vollständig. 4°, (ca. 30 x 23 cm). Halbleder der Zeit (etwas berieben, kl. Bestoßung an einer der Ecken. Goldgeprägte Rücken-Titel, etwas Rückenvergoldung, goldgeprägte Deckeltiel, marmorierter Schnitt.
réf. 37210Paris,1767. 3 volumes in-folio. Ouvrage composé originairement par Le Curé de St.Vincent à Lyon, Noël Chomel, et corrigé et augmenté par l'Abbé de La Marre. Il contient l'art de faire valoir les terres et de mettre à profit les endroits les plus stériles;l'établissement , l'entretien et le produit des près; les soins qu'exigent les bêtes à cornes, à laine; la façon d'élever les abeilles, les vers à soie, les oiseaux..Les Biens de campagne, les végétaux, les instructions pour prévenir les maladies; les plantes; les droits seigneuriaux...Tome I: 959 pages, 1 planche dépliante et de nombreuses figures in-texte. Tome II: 919 pages, 1 planche dépliante et de nombreuses figures in-texte, Tome III: 909 pages avec additions et corrections. Reliures en basane. Dos conservés avec plats restaurés.
1790réf. PHO-2675Paris, Hôtel de Thou & Plassan, 1790-1792. 10 volumes de texte et 1 atlas. Texte : 10 volumes in-8 (21 × 13 cm), 2 ff.-CXLIII-584 pp. (chiffrées 580)-1 f., 2 ff.-494 pp., 2 ff.-480 pp., 2 ff.-918 pp., 2 ff.-750 pp., 2 ff.-821 pp., 2 ff.-575 pp., 2 ff.-810 pp., 2 ff.-539 pp., 2 ff.-274 pp. Basane jaspée époque, dos lisse avec pièces de titre rouges et tomaison vertes, frottements, épidermures, petits manques de matière sur quelques volumes. La table est reliée au début du volume 9, le titre du tome 10 est relié in fine, le feuillet V de l'introduction presque détaché, intérieur très frais. Atlas : 1 volume in-4 (28 × 22 cm), titre, liste des planches et 88 planches dont 4 grandes cartes, reliure d'attente époque, légèrement brunies en marge, une planche détachée.
1924réf. 73641924 Paul Lechevalier, Paris, 1924-1937. Six volumes in-4 demi toile rouge à coins, titre doré, viii, xi, vi et xx pp., 500 planches en couleurs montées sur onglets et plus de 500 ff. de texte explicatif en regard, puis iv, xvi pp. dont 4 portraits sous serpentes, [12] ff. d'index et 558 pages. Quelques annotations manuscrites, débrochage au tome VI et mouillure ayant affecté le papier des premiers feuillets du tome V, rousseurs. Envoi de Maublanc sur le tome I.
1826In-8 gr. (mm. 275 x 185), 6 volumi in 2 tomi, tela moderna, titolo oro al dorso, pp. 127; 135; 170,(2); 150,(2); 142,(2); 133,(3). Manca la tavola incisa in rame. E' questo il più completo dei trattati fino ad allora pubblicati, a partire dal primo del Donati apparso nel 1631. Il Naccari, oltre ad aggiungere nella sua opera piante mai prima menzionate, vi ha inserito principi di botanica applicata indicando le proprietà mediche o economiche di ciascuna pianta. Cfr. Pritzel,6593 - Cicogna,5584 - Brunet,VI,5107. Qualche fioritura solo sulle prime 8 carte di ciascun volume altrimenti esemplare ben conservato.
réf. 41357Panckouke.1820. 3 Tomes en 2 volumes.Cartonnage de l'époque.Tome I-II: 174 p.+ table. Tome III: 199 p.2 pl.dépliantes.LVI (Bis) planches réhaussées de couleurs Etat moyen.Couv.aux coiffes fragiles,cartonnage par endroit abimé.Rousseurs in-texte.Planches aux couleurs très fraiches.
1740réf. 46868ABHagae-Comitum [Den Haag], Joannem Neaulme, 1740. 4° (28x21), 16, 66 [recte 74 : 55-62 dplt], 450 S., neuer Ganz-Pgmt, (1. Aufl.) unbeschnitten, kleiner Stempel auf Titelblatt, Papier etwas gebräunt (1. Titelblatt etwas stärker), fest sauber und gepflegt,
1900réf. 5954Fulton Pittsburgh 1900. Faux cloth over marbled boards with ownership label to upper left corner with school district and compiler information. Measuring 9 x 11.5 inches and comprised of 22 pages of sketches herbal specimens and sample essays all recto. Firmly bound and with some dampstaining to the lower gutter not affecting text. Representing a range of exercises completed by state normal school student Flora Yagle the book presents researchers with a range of study opportunities including turn of the century pedagogical practice and curricula as well as genealogical and social history work regarding the family structure work and education of first-generation immigrants living on the East Coast. One of seven children born to German immigrants Flora Yagle b. 1886-7 clearly grew up in a family that emphasized education and upward mobility. The paper label identifies Yagle as an eighth-year student indicating that she was probably in her early teens when she completed these lessons. Census documents from around the time of her birth and childhood list her father as a foundry worker; and into her adulthood they shift to record him as the general manager of the foundry. Similar ambition was instilled in his children who are documented in census information as students or unemployed during their childhoods with work only appearing in their adulthoods. During Flora's youth she had brothers working as clerks and bookkeepers. By the time of her adulthood she has become a school clerk while her sister has obtained a position as a librarian. Part of Flora's training would have been conducted at the Fulton Elementary School located in Pittsburgh's Highland Park. A neighborhood for the rising middle class Highland Park and its schools were still in their infancy while Flora was in hers; while the residential district had been opened in 1879 the school was founded in 1894 and both intended to provide fresh air open spaces and pleasant living to skilled workers and their families who were flocking to Pittsburgh for its work opportunities. Historically Pennsylvania had been a vanguard for public and progressive education. "In his 1830 address to the state legislature Governor George Wold championed the cause of universal public education" as a scaffold for "the security and stability of the individual privileges we have inherited from our ancestors" Explore History. Before the decade was over "more than 1000 local school districts under a single statewide system of instruction" had been founded working to regularize "educational standards curriculum and instructional credentials" in tandem with the 1857 Normal School Act which founded "a network of ten state academies to prepare public school teachers" Explore History. Flora's generation was a beneficiary of these policies. Her notebook shows a range of work with creativity and visual arts central to her learning. In addition to pressed floral specimens likely from the school grounds or her home garden her book also contains a visual and textual representation of the spectrum of colors in a rainbow; illustrated lotus blossoms with a short essay on the botanical facts and cultural uses of the flower in Egypt; black and white sketches focused on perspective and shading; geometrical figures designed to be cut out and folded but here present; and figure drawings of children in Victorian clothing much like she and her classmates would wear. US Census 1890 1900 1910 1920. unknown
1900réf. 5954Fulton Pittsburgh 1900. Faux cloth over marbled boards with ownership label to upper left corner with school district and compiler information. Measuring 9 x 11.5 inches and comprised of 22 pages of sketches herbal specimens and sample essays all recto. Firmly bound and with some dampstaining to the lower gutter not affecting text. Representing a range of exercises completed by state normal school student Flora Yagle the book presents researchers with a range of study opportunities including turn of the century pedagogical practice and curricula as well as genealogical and social history work regarding the family structure work and education of first-generation immigrants living on the East Coast. One of seven children born to German immigrants Flora Yagle b. 1886-7 clearly grew up in a family that emphasized education and upward mobility. The paper label identifies Yagle as an eighth-year student indicating that she was probably in her early teens when she completed these lessons. Census documents from around the time of her birth and childhood list her father as a foundry worker; and into her adulthood they shift to record him as the general manager of the foundry. Similar ambition was instilled in his children who are documented in census information as students or unemployed during their childhoods with work only appearing in their adulthoods. During Flora's youth she had brothers working as clerks and bookkeepers. By the time of her adulthood she has become a school clerk while her sister has obtained a position as a librarian. Part of Flora's training would have been conducted at the Fulton Elementary School located in Pittsburgh's Highland Park. A neighborhood for the rising middle class Highland Park and its schools were still in their infancy while Flora was in hers; while the residential district had been opened in 1879 the school was founded in 1894 and both intended to provide fresh air open spaces and pleasant living to skilled workers and their families who were flocking to Pittsburgh for its work opportunities. Historically Pennsylvania had been a vanguard for public and progressive education. "In his 1830 address to the state legislature Governor George Wold championed the cause of universal public education" as a scaffold for "the security and stability of the individual privileges we have inherited from our ancestors" Explore History. Before the decade was over "more than 1000 local school districts under a single statewide system of instruction" had been founded working to regularize "educational standards curriculum and instructional credentials" in tandem with the 1857 Normal School Act which founded "a network of ten state academies to prepare public school teachers" Explore History. Flora's generation was a beneficiary of these policies. Her notebook shows a range of work with creativity and visual arts central to her learning. In addition to pressed floral specimens likely from the school grounds or her home garden her book also contains a visual and textual representation of the spectrum of colors in a rainbow; illustrated lotus blossoms with a short essay on the botanical facts and cultural uses of the flower in Egypt; black and white sketches focused on perspective and shading; geometrical figures designed to be cut out and folded but here present; and figure drawings of children in Victorian clothing much like she and her classmates would wear. US Census 1890 1900 1910 1920. unknown books
1917réf. 514571Watervliet New York: Century Printing Co 1917. Unbound. Very Good. First edition. Broadside. Single sheet measuring 6" x 9" printed on recto only. A few small early light brown stains in margins faint crease at tip of one corner small tape repair on verso a very good copy of a fragile publication. Printed announcement for "The Final Suffrage Mass Meeting." Flora McDonald Dennison served as President of the Canadian Woman Suffrage Association. OCLC locates four holdings. Century Printing Co unknown
1917réf. 514571Watervliet New York: Century Printing Co 1917. Unbound. Very Good. First edition. Broadside. Single sheet measuring 6" x 9" printed on recto only. A few small early light brown stains in margins faint crease at tip of one corner small tape repair on verso a very good copy of a fragile publication. Printed announcement for "The Final Suffrage Mass Meeting." Flora McDonald Dennison served as President of the Canadian Woman Suffrage Association. OCLC locates four holdings. Century Printing Co unknown books
1920réf. 497Octavo Publisher's blue cloth 263pp. Folding Photo. Rubber institutional stamps on page edges. No other exterior markings. Small tear at top of spine. Back corner bumped. Very Good copy Dr. Flora Murray was the only woman to serve as a Lieutenant Colonel in the British army during the Great War when she founded the Women's Hospital Corps & recruited women to staff it. In Beatrice Harradens preface in the original text she writes "This record of the work of the Women's Hospital Corps in France and especially at the Military Hospital Endell Street is a valuable contribution to the literature of the Women Movement. Dr. Flora Murray and Dr. Garrett Anderson made history at Endell Street. Through their initiative endeavor and efficiency they opened the doors to further fields of opportunity for women physicians and surgeons and not only for medical women but for all women who are setting out or have already set out to conquer fresh territory. We owe them a debt of gratitude the recognition of which will become even more accentuated as the years go on." A very uncommon work. Hodder and Stoughton hardcover