PERTUS Henri (Enri Pertus).-Livre Rare Book
9638 risultati
rif. ORD-17914Sans lieu ni date (Toulon ou Saint Martin de Castillon vers 1943). Ensemble de 6 bois gravés au format in-4 (240 x 315 mm), coloriés à la gouache soit 1. Santo Marto. 2. Sant Trefume prego noste Segne de benesi lis Aliscan. 3. Lou Grand Sant Gile. 4. Santo Roussolino. 5. Li Santi Mario. 6. Santo Mario Madaleno pourtado au St Peloun. Gravures numérotées 179/200 et signées au crayon en feuilles libres sous couverture banale portant le titre gravé sur bois sur une petite étiquette. Papier un peu bruni, coloris très frais, petite tache claire dans le coin inférieur droit de la 6e planche sans atteinte à la gravure.
1935rif. RO70279806Larousse. 1935. In-4. Cartonné. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. non paginé - nombreuses illustrations en couleurs dans le texte - systèmes à molettes et à tirette - quelques dysfonctionnements. . . . Classification Dewey : 300-SCIENCES SOCIALES
rif. ORD-18064s.l.n.d. Vers 1920. 4 superbes gouaches de 203 x 201 mm présentées sur papier gris, dans une élégante chemise dont le titre est en lettres noires et dorées. Très bel exemplaire, photos sur demande.
rif. ORD-13840Hier komt by, De Zegepraal des Geloofs, of eene uitbreidinge van het gansche XI Hootftstuk van den Brief aan den Hebreen. Amsterdam. François Halma. 1708. Petit in-4 (167 x 214mm) plein vélin ivoire (reliure hollandaise), 50ff.n.s., 474 pages, frontispice et 27 gravures hors texte dont 2 à double page, l'une d'entre elle est signée Jan Lamsvelt. Traces d'humidité la plupart marginales, petits défauts mais assez bon exemplaire. Edition originale.
rif. ORD-6992Par A. Martainville et plusieurs hommes de lettres. Paris. J.G. Dentu. Janvier-Juin 1819. 2 volumes in-8 (130 x 206mm) dos et coins parchemin pièces de titre rouges, pièces de tomaison bleues, plats roses, tranches mouchetées de bleu, 568 et 568 pages. Des rousseurs parfois importantes, cachet bleu d'ancien possesseur, coupure de presse ajoutée. Assez bon exemplaire. Peu courant.
rif. ORD-14909Rouen. J. Légeron. 1908-1910. In-f°(ca 330 x 505mm) contenant 168 numéros sans discontinuité malgré quelques erreurs de numéros et recouvrant les années 1908 et 1909 complètes et l'année 1910 jusqu'au 23 juillet inclus. Chaque numéro contient en couverture une caricature parfois violente, toujours satirique de Jean Légeron visant essentiellement les juifs et les socialistes. Couverture muette et poussiéreuse, papier fragile et insolé avec quelques accrocs surtout en bord de feuille mais remarquable document sur la vie politique et artistique de cette période notamment en ce qui concerne Rouen et sa région. Rare réunion. En l'état.
rif. ORD-6652Aquarelles de PICART LE DOUX. Paris. La Couronne. (1947). In-f°(254 x 330mm) en feuilles sous couverture à rabats, chemise et étui parcheminés, dos muet, 2ff., 66 pages, 16 hors texte érotiques vivement colorés. Tirage limité à 176 exemplaires numérotés, celui-ci n°138, un des 100 sur pur fil du Marais, hors texte sur Arches pur fil. Bel exemplaire. Peu courant.
rif. ORD-17574Sans lieu. 1712. In-f°(230 x 344 mm) plein parchemin ivoire, dos à 4 nerfs muet, attaches de cuir, (seules les inférieures sont conservées), 1f. (titre), 387 pages. A partir de la page 294 il semble y avoir eu des confusions dans la pagination souvent raturée. Exemplaire en bon état, écriture agréable et très lisible.
rif. ORD-14633le Sr Thomas La Grue. Enrichy par tout de figures en taille douce. Amsterdam. Jean Schipper. 1669. Fort in-12 (97 x 164mm) plein parchemin ivoire, dos lisse avec titre manuscrit (reliure hollandaise), 3 parties en pagination continue 6ff. (titre et préface), 867, 12 pages (table et registre des figures)), gravure allégorique repliée en frontispice et 15 gravures repliées hors texte, celle de la page 597 se trouve page 570, collationné, complet. Les curieuses figures ne sont pas signées. (Caillet III, 9601). Petits défauts mais assez bon exemplaire.
rif. ORD-10081Giornate sedici, nelle qualli si discorre sopra la Scrittura vecchia, & nova; Et si prova la venuta del vero Messia Christo, Giesù, Signore, & Redentor nostro. Con due Tavole, l'una de gl'Autori Citati nel'Opera; l'altra de gl'Atgomenti in ciascuna giornata. Con licenza de' Superiori. In Ancona. Francesco Salvioni. 1583. Fort in-12 (110 x 156mm) plein vélin ivoire, 4ff., 319ff. chiffrés, le f. 315 n'est pas chiffré, il y 2 ff. chiffrés 318 et pas de 317, vignette sur le titre et lettrines gravées sur bois. Auréoles brunes surtout au début de l'ouvrage s'atténuant par la suite jusqu'à disparaître totalement. Tranchefile supérieure lgt défaite, sinon bon état. Rare.
rif. 14932(Paris), Baudouin, (1799). Large plano poster on white paper (77 x 54 cm), folded and bound in a folio volume. Modern half morocco. Martin & Walter, 6528; not in Monglond Only edition, very rare. The author was 'membre de la section de constitution de la Commission du Conseil des Cinq-Cents.'He had a long and distinguished career during the Revolution, among others leading an army of volunteers in the Savoie during the campaign with Montesquiou, was involved in the 18 Brumaire, and member of the legislative commission which had to prepare a consular constitution.The text gives the articles defining functions and legal and political positions for the Senat conservateur (12), Tribunat (13), Corps Législatif (11), Premier Consul (23), Second Consul (8), Troisième Consul (7), Conseil d'État (8), État politique des Citoyens (7), Division du Territoire (3), etc., etc. - Tiny hole neatly repaired.
rif. 25734A Paris, Chez F. Buisson, An VI de la République (1798). Portrait-frontispiece of Franklin by Duplessis and engraved by Alex. Tardieu. Two volumes. (4), viii, 382 pp.; (4), 438 pp. 8vo. Contemporary tree calf, spine gilt in compartments, red title-labels, and blue volume labels, gilt stamped monogram SD at foot of spine on a red label, gilt fillet on all sides, very lightly damaged at head of spines, very small split in joint of front cover of volume 1. Quérard, France Littéraire, iii, 119; Brunet ii, 1382; Sabin 25543 (only volume 2); Fay, p. 37; not in Howes. First edition of this translation and followed by various other works, among which the famous Bonhomme Richard and various other pieces for the greater part not published before in French. There was an earlier publication of Franklin's memoirs, an unauthorized edition in 1791 by Gibelin, but it is in this edition the time Franklin spent at Passy is being dealt with. The first complete publication of his memoirs was published in 1868.
rif. ORD-13135De ira Dei, lib.I. De opificio Dei, lib.I. Epitome in libros suos, liber acephalos. Carmina ascripta Lactantio. Phoenix incerti auctoris. Venantij Honorij Clementiani Fortunati presbyteri Italici ad Felicem Episcopum carmen de Pascha. Incerti auctoris carmen de passione. Antverpiae. Christophoris Plantini. 1587. In-12 (110 x 174mm) plein vélin à rabats, dos lisse, titres manuscrits sur le dos, 8ff., 560, (88) pages (ces dernières pages contiennent Inceriauctoris carmen..., les notes de Michaelis Thomassi et l'index). 1 cahier partiellement dérelié sinon bon exemplaire.
rif. 23192No place, 1726. Titles printed in red and black. 3 parts in one volume. (18), 200 pp.; (6), 200 pp.; (6), 224 pp. 8vo. Contemporary polished calf, spine richly gilt with red label and gilt lettering, all edges red, front joint split but solid, head and foot of spine damaged. INED 3346 (edition published in 1767); Conlon 25:572. Second edition, considerably augmented. The first edition, published the previous year in Cologne, had one volume only (see Conlon). A celebrated work by the Anglophile Swiss author Beat de Muralt (1665-1749) who influenced Voltaire, Rousseau, and Albrecht von Haller. Although the book had circulated widely in manuscript before publication, it proved to be a pioneer work in shifting Swiss and German interests from French classicism to English achievements and attitudes. Muralt had in fact travelled in France and England as early as 1694-1695. While in England he picked up some deistic views which on his return to Bern caused his banishment. It is one of the earliest detailed portraits in French of English society, it provides the reader with a vibrant foreigner's-eye view of late 17th century social life in England and France (but mainly of course in London and Paris) and it questions the perceived intellectual superiority of the French and in a sense this book preceeds the 'Anglomania' which surfaced during the century.The work was refuted by the abbé Desfontaines (in 1726) who wrote an Apologie du caractère des Français et des Anglais.Stamp neatly erased from first title-page, the first title-page has added in a contemporary hand the name of the author, the last title-page contains only the title, not giving the year of publication.
rif. ORD-14553Pour servir de Plan à ceux qui lisent l'Histoire sacrée. Paris. Denys Thierry. 1682. Edition originale, rare, de cet ingénieux ouvrage difficile à décrire. Couverture lgt abîmée, signatures manuscrites sur le titre, sinon assez bon état. In-12 (107 x 166mm) basane brune, dos muet à 5 nerfs, caissons et fleurons or, gardes peignées, tranches dorées, 1 tableau dépliant (le catalogue attaché à la couverture du livre), gravure en frontispice, titre, 4ff.n.ch. (Adresse au Roi, Préface, Instructions pour l'usage de ces Tablettes, catalogue de livres, avertissement), suivent les Tablettes de l'Histoire ecclésiastique divisées en dix-sept Siècles. Chaque siècle contient 4 pages, dont les 2 premières suivent la disposition d'une petite règle qui porte un Catalogue de plusieurs matières, & demeure toujours attachée à la couverture du livre: les 2 autres qui suivent immédiatement sont remplies de Conciles distinguez par l'ordre du temps & la durée des Pontificats. Soit 17 x 4pp. et 25pp. contenant les Schismes et l'ordre alphabétique des sujets.
rif. 24643A Paris, Chez Vente, (1775). Nine works bound in one volume. 82 pp.; 43, (1) pp.; 208 pp.; 26 pp.; 55, (1) pp.; 4 pp.; 27, (1) pp.; 8 pp.; 57, (1) pp. 8vo. Contemporary marbled calf, spine richly gilt with raised bands, label with gilt lettering, red edges. 1: Conlon 75:1685.First edition. 2: INED 4292; not in Kress; not in Goldsmiths; not in Higgs.First edition.'Apocryphe. .... Pour servir de suite à la Correspondance secrète et familière de M. de Maupeou avec M. de Sor***, par Pidansat de Mairobert. Lettre apocryphe attaquant Maupeou et la politique financière de Turgot. Allusion à un mémoire sur l'emploi des biens ecclésiastiques suivant le voeu de l'Église primitive' (INED). 3: Conlon 75:311, 167 pages only.4: Conlon 75:1002 (edition in 4to of 11 pages).5: Conlon 74:688.6: Not in Conlon.7: Conlon 71:587.First edition.Dated at end: 5 Juin 1771.8: Conlon 71:167.First edition.Declaration of 15 March, 1771.9: Conlon 75:453 (4to edition of 26 pages.)
rif. 17498Paris, EDHIS 1981. Bound together in 7 volumes. 8vo. Imitation leather. All published. Well executed reprint of this rare and important revolutionary journal. The organ of the 'Cercle Social', defenders of the 'tribuns' of the people. The primary function was to reprint the minutes of the Cercle Social meetings and discuss issues relevant to the club's concerns. Worthy of special mention are Fauchet's weekly commentaries on Rousseau's Contrat Social, many of Etta Palm's feminist writings, speeches by Condorcet on political matters, a debate over Voltaire's place among the Revolutionary patriarchs, and a letter by Madame Roland advocating inheritance law reform. During the spring of 1791, the journal reprinted many documents from the burgeoning democratic movement, including several Cordeliers Club petitions. Among the other authors published in this journal were Cloots and Thomas Paine (Historical Dictionary of the French Revolution, 1789-1799, vol. 1, p. 112).
rif. ORD-19267Éditions Opta/André Sauret. 1976. In-4 (214 x 275 mm), reliure plein cuir brun de l'éditeur, illustrée à froid, sur le 1er plat et le dos, de motifs ésotériques de Philippe Druillet, gardes peignée, tête dorée, étui, 248, (2) pages, frontispice en couleurs et nombreuses illustrations dans et hors texte dont 8 en couleurs. Tirage limité à 2000 exemplaires numérotés, celui-ci n°985. Dos très légèrement égratigné sinon excellent état.
rif. 7094Paris, Michel Lévy frères, 1856. xxi, (1, blank), 456, (1, errata) pp. 8vo. Modern blue half calf, marbled boards, corners, gilt lettering to spine. Weulersse, i, xviii; Einaudi 5631. First edition, printed in 2000 copies which sold out in less than two months. Standard work which had enormous influence on contemporary social thought and which has been a standard textbook of the social sciences since its publication. It was almost immediately translated into English and has since been translated into every major language of the Western world and is even still printed and circulated today.Tocqueville (1805-59) is of course best known, particularly in the USA, for De la Démocratie en Amérique (1835-40). In that, the first impartial and systematic study of American institutions, he concluded that the trend of history was irresistibly toward equality, and that the future of the Western world lay in the acceptance of democratic principles. It seems only natural that Tocqueville should have next turned his attention to the other great movement toward democracy of the period, the French Revolution. He conceived a work in three sections: l'ancien régime; a history of the events of the Revolution itself; and a life of Napoleon. He only lived to complete the first part. L'ancien régime, which is based upon extensive research into official and municipal records, studies the social and political fabric of France before the Revolution and attempts to explain why the Revolution broke out in that country rather than anywhere else in Europe. The success of L'ancien régime was almost as great as that of De la Démocratie. If Tocqueville had completed all three sections, it seems likely that his work on France would have eclipsed his work on America in importance (see: Harvey and Heseltine, The Oxford Companion to French Literature). - Somewhat spotted.
rif. 18586Parisiis, apud Ludovicum Billaine, 1678. (8), 565, (1) pp. 12mo. Contemporary vellum, handwritten title and date on spine. BMSTC, French Books 1601-1700, M-643 (first edition from 1618); Bourgeois & André 255. Second edition. Important posthumous geographic work on the rivers and waterways of France by Jean Papire Masson (1544-1611), celebrated French historian, biographer, literary critic and lawyer. The result of many years of research, the work presents descriptions and all the information that the author was able to discover concerning the principal navigable waterways of France: the Loire, Seine, Rhône, Garonne, etc., with descriptions of the regions and cities. In the printed side-notes are given the vernacular French names of the regions described in the Latin text. 'Dans l'oeuvre immense de l'infatigable historien, critique et jurisconsulte, la Description des fleuves de la Gaule, publiée après sa mort par son frère Jean Masson, doit être mise à part. L'auteur ne se borne pas à décrire sèchement le cours des principales rivières (la Loire, la Seine, le Rhône, la Garonne); il étudie en même temps les contrées que celles-ci traversent et les peuples riverains. Les renseignements sont généralement précis: on relève parfois des inexactitudes, mais elles sont peu graves' (Bourgeois & André). - Some very light occasional browning, short tear in outer blank margin of pages 59-60.
rif. 27102A Paris, Chez H.J. Jansen et Comp. (vols I & II), chez Gide (last volume), 1793-1803. With 3 engraved frontispieces, 3 title vignettes, engraved head- and tailpieces, many fine half-page engravings and 65 engraved plates. Two volumes bound in three. cii, 695, [1] pp.; [4], 692 pp.; [4], 405, [3] pp. 4to. Nineteenth century blind and gilt tooled calf, spines with raised bands, gilt lettering, inside dentelles, marbled edges, joints and extremities a bit shaved, first two volumes with short splits to joints but firmly holding. Brunet v, col. 1463: "Bonne édition, dont les 2 prem. volumes parurent d'abord en 1793, sous le titre Oeuvres de Winckelmann"; Graesse, Trésor de Livres Rares et Précieux, vol. vi, p. 461. "The most influential voice in the Enlightenment reassessment and valorization of ancient Greek art, Winckelmann also shaped two disciplines that emerged in the eighteenth century, art history and archaeology. (.....) Winckelmann's growing reputation as the foremost classical scholar, as well as his appointments and personal connections, put him at the center of an influential circle of art connoisseurs, artists, and intellectuals. (.....) History of Ancient Art, groundbreaking because of its historical, developmental account of the origins and development of art in various periods and cultures, largely viewed Roman art, by contrast to that of the Greeks, as imitative in a negative sense, a decadent fall from the perfection of the Greek ideal. (.....) Artistic styles, as Winckelmann argued, developed in response to factors such as climate and social and political structures conducive to freedom. Since, as he saw it, these external conditions were ideal in ancient Greece, Greek art had developed in perfect harmony with nature" (Encyclopedia of the Enlightenment, vol. iv, pp. 259 ff.) From 1758 on, Winckelmann was employed as a librarian and curator by Cardinal Alessandro Albani, founder of one of the most important eighteenth-century collections of classical antiquities. He was also librarian at the Vatican and prefect of Roman antiquities. Winckelmann's interpretations of ancient arts were enormously influential and his influence can be traced among numerous German thinkers -including Johann Gottfried Herder, Goethe, Friedrich and August Wilhelm Schlegel, and Hegel. - The half-titles of the first two volumes entitled "Oeuvres Complettes de Winckelmann" as indicated by Brunet. Some pages a bit browned or spotted, but only ocassionally, a nice copy on good paper and with ample margins.
rif. ORD-963Dieu, les Bourbons et les Gens de Bien. Paris. Direction du Conservateur. Avril 1828 - Juin 1830. Collection complète (Hatin, 362). 9 tomes en 8 volumes in-8 (133 x 206mm) dos lisses parchemin écru, pièces de titre veau rose, plats mouchetés, gardes jaunes, plus de 3000 pages. Qq. rousseurs et menus défauts mais bel exemplaire. Rare.
rif. ORD-3946Paris. Pierre Le Petit. 1667 - 1668. 2 volumes in-f°(255 x 385mm) pleine basane brune, dos à 6 nerfs, titre, tomaison et caissons or, tranches mouchetées de rouge, tome 1: 8ff., 772, (51) pages, vignette sur le titre, 21 bandeaux, 21 lettrines et 19 culs-de-lampe gravés, 1 planche hors texte et 5 gravures dans le texte; tome 2: 8ff., XXXVI pages (vie de Joseph), 520, (28) pages, vignette sur le titre, 14 bandeaux et lettrines et 11 culs-de-lampe. Bien complet des 2 grandes cartes rempliées. Certaines gravures portent la signature de Chauveau. Défauts à la reliure qui reste solide, qq. pâles rousseurs mais bel exemplaire, bien complet des illustrations.
rif. 26930Tot Amsteldam, (By de Weduwe van Jan Jacobsz Schipper), 1681. With engraved title preceding the printed title, and 92 half-page copperplate engravings after A. van de Venne in the text. Four parts in two volumes, bound in one. (14, including the engraved title), 320 pp.; 447, (5, last blank) pp. 4to. Contemporary blind tooled vellum with raised bands. Praz 390; Landwehr, Emblem Books in the Low Countries, 309. Third and last edition (first published in 1644) of this collection of amorous, moralizing, and dramatic poetry.The first print in this work, (on page 11), has been attributed to Rembrandt for a long time, but consensus now attributes the print to Ferdinand Bol. Not only of great artistic value because of the fine plates, but also of great literary interest. Some of the plates are by G. Donck after A. van de Venne. There are 43 copperplates of emblematical interest depicting everyday life in the seventeenth century.Van de Venne began working as a book illustrator, print designer, political propagandist, and poet, collaborating with his brother Jan, a well-known publisher and art dealer. Holland's leading writers employed Van de Venne, whose illustrations contributed greatly to the popularity of Dutch emblem books, which combined pictures and prose to present a moral lesson. After moving to The Hague and joining the Guild of Saint Luke in 1625, Van de Venne was probably employed at court. In 1640 he became the guild's dean. He continued his book and printmaking projects and painted most of his well-known grisaille paintings, many depicting the destitute and maimed. A real master-piece of the Dutch Golden Age. - Quire I in last part slightly misbound.
1833rif. 62953[Leipzig, Industrie-Comptoir / Baumgärtner etc.], (1833-1856). Small queer-folio (22 x 28,5) cm. Nice later light brown half calf from ca. 1900 with five raised bands and gilt lines to spine (Carl Petersens Enke). Slight wear to extremities. 100 engraved plates, in contemporary colouring. A bit of even browning and occasional offsetting. A few plates with more browning. Some plates with tiny holes in blank margin, from original stiching (having been vertically bound with text-leaves). Occasional light creasing. One plate with a tear (no loss). A few plates signed A. Brückner, most plates numbered and dated, and some plates having ""Extra-Kupfer"" or ""Les Modes Parisiennes Réunis"" (the last five) underneath.
