Age

Age — marelibri

(AGE DISCRIMINATION SUIT-- HARVEY N LEVIN V LISA MADIGAN)Biblio.com

In the Supreme Court of the United States: Lisa Madigan et al. Petitioners v. Harvey N. Levin Respondent. On Writ of Certiorari to the United States Court of Appeals for the Seventh Circuit -- Brief for Respondent

réf. 47419N.p.: Counsel Press n.y. Paperback. Small 4to. Stiff red wrappers. xii 54pp. Near fine. Rear wrappers and last leaf only mildly warped. Bright tight copy of this legal pamphlet No. 12-872 part of an age discrimination suit filed by an Illinois state's attorney who argued he was dismissed because of his age 61 to make room for a younger female attorney. Remarked one commentator "He won a major victory in the Seventh Circuit Court allowing him to go forward with a claim that his constitutional right not to be discriminated against because of his age had been violated. The state took the case on to the Supreme Court claiming that his right to sue under the Fourteenth Amendment had been displaced by the federal Age Discrimination in Employment Act. The problem in brief was that the Seventh Circuit decided the case before it was due to go to trial and the professors had questioned its authority to do that. If that was right Justices Samuel A. Alito Jr. and Anthony M. Kennedy commented why did the Supreme Court have any business stepping in" The Illinois Solicitor General got spanked by the justices during his questioning. Then "Levin's lawyer Edward R. Theobald III took to the podium. His appearance began on an unfortunate note as Justice Alito tried unsuccessfully to get him to take a firm position on whether or not Levin was an employee under the ADEA. For reasons that were not clear Theobald contented himself with simply reciting what the Seventh Circuit had said in ruling for his client." It goes on: "Chief Justice Roberts promptly took on Theobald saying that he had gotten what he had sought from the court of appeals and now was trying to insulate that result from any review. The Chief Justice was referring mainly to Theobald's merits brief in which he had put heavy emphasis on whether the ADEA issue was involved at all in the case since Levin he said got no protection under that law. The argument it was clear was getting far out of Theobald's opportunity to control it in his client's favor. Finally Justice Scalia had had enough. He noted that many of Theobald's arguments had not been made in his brief opposing the Court's review. 'We don't like to dismiss a case as improvidently granted' the Justice said impatiently. 'We depend upon counsel' to make arguments in a way that puts them before the Court. 'You should have told us' earlier Scalia said." This pamphlet is the aforementioned brief opposing the Court's review -- and the front wrapper is inscribed and signed large and bold by Levin's attorney: "To -- / My Good Friend / Ed Theobald / 10-8-15." These briefs are produced in small quantities for distrbution to those parties involved and are therefore rather scarce. This unusual item is accompanied by five large glossy Christmas cards each imprinted with Theobald's full name and each signed on inside panel with a holiday greeting. For good measure also included is a copy of Lyle Denniston's 2013 legal analysis of Levin v. Madigan "Argument recap: A bad way to open a Term" which includes a court artist's rendering showing Theobald presenting the case before Ruth Bader Ginsburg. Counsel Press paperback

Main Street Fine Books & Manuscripts, ABAA · États-Unis75,00 $US≈ 67,01 €

(LONG ISLAND IN THE GILDED AGE)Biblio.com

Photo Scrapbook Shows Life And Leisure During The Gilded Age On Long Island

réf. 6174LONG ISLAND. This scrapbook displays photographs taken between 1887-1889 that capture a wealthy familys life on Long Island during the Gilded Age. The term The Gilded Age created by Mark Twain refers to the period of the late nineteenth century typically the 1870s through the turn of the 20th century during which rapid economic growth rapid industrialization and widespread European immigration primarily unskilled labor transformed the economies of the Northern and Western United States. According to the United States Census the era saw a real wage growth of 40% from 1860 to 1890 with the average annual wage per industrial worker including men women and children rising from $380 in 1880 $11523 in 2022 dollars to $584 in 1890 $18370 in 2022 dollars a gain of 59%. This rise in wealth resulted in the rise of a New Money elite those who made their money not through generational wealth and family connections but rather through oil the railroads and other rising industries. They are best exemplified by John D. Rockefeller Jay Gould Henry Clay Frick Andrew Mellon Andrew Carnegie Henry Flagler J. P. Morgan Leland Stanford and Cornelius Vanderbilt. New York was often at the center of the Gilded Age as the worlds dominant financial market and the nations leader in economic investment immigration political corruption and culture. This scrapbook contains 59 black-and-white photographs. They are affixed or mounted to 43 of 70 pages in the album. 29 of the photographs are 3.5 x 4.5 19 are 6.5 x 4.5 and 11 are 5.5 x 7.5. Two of these images are cyanotypes. Though the family is not named in the album and photographs with names underneath lead to nothing online there is a photograph in front of a house labeled Westbrook. The Westbrook estate on Long Island was designed in 1886 for William Bayard Cutting 18501912 by the architect Charles C. Haight in the Tudor Revival style. It contained the first private golf course in the United States and is now a part of a state park called the Bayard-Cutting Arboretum. Cutting started the sugar beet industry in the United States in 1888 was a builder of railroads operated the ferries of New York City his maternal grandfather was a partner of Robert Fulton and developed part of the south Brooklyn waterfront Red Hook. Images include a large extended family repeatedly and leisurely photographed the Harvard-Yale sailing race in 1887 at New London young men likely Yale students yachting and relaxing on a boat named the Princess and beautiful images of the scenery and waters of Long Island. Overall the album is in good shape. One photograph is damaged and several others have minor tears or chips. The scrapbook is half-leather and half-cloth so the spine is worn and the corners are rubbed and bumped. Regardless the scrapbook is a prize for anyone interested in this fascinating and relevant era in American history. It provides fantastic insight into the life of a wealthy Long Island family including what they did what they wore and how they presented themselves to each other and their neighbors. hardcover

Stuart Lutz Historic Documents, Inc. · États-Unis750,00 $US≈ 670,06 €

[ADVERTISING DISPLAYS -- JAZZ AGE]. [KOERBER, Jerome A]Biblio.com

Metal display fixtures wooden display fixtures display forms permanent backgrounds and parquetry floors decorative display and eqiupment illumination and motion in display. International Library of Technology. . . .

1921réf. 51295Scranton PA: International Textbook Co. 1921. Thick 8vo. vii 1 approx 450 pp sections separately paginated ix-xxi 1 pp. With 100s of text illustrations diagrams colour plates. Publisher’s three-quarter red buckram over green gilt lettering & ruling on spine marbled endpapers minor shelfwear dustsoiling to spine still VG copy. First editions of this very scarce and lavishly illustrated educational course on how to design construct and arrange window displays and floor displays of men and women’s clothing during the Jazz Age. Koerber 1871-1937 was an Hungarian-American designer and amazingly successful Display Manager for the Strawbridge & Clothier Department Store in Philadelphia at their five-story edifice flagship at Market & 8th. He emphasized and promoted the use of elaborate window displays with wax mannequins often with a particular theme and these needed to be constantly refreshed by the design department. In addition he highlighted the staging of merchandise on the floor such as putting men’s ties with their multi-coloured silks drawing shoppers to the men’s department and arranging women’s undergarments silks and evening wear in prominent positions to draw women further into specified sections. This work provides technical and practical information on wooden display forms flooring how to construct mannequins draperies holiday themes floor displays how to paint backdrops and more. The hundreds of photo images of window displays and floor displays provide an invaluable historical record for marketing during the Roaring 20s as well as offering a methodology of how these could be repeated and successful for other designers. Of particular interest is the extensive section on animatronics and motorized displays filled with information on lighting automatons and creating special effects. No copies located in Worldcat. International Textbook Co., hardcover

Zephyr Used & Rare Books · États-Unis100,00 $US≈ 89,34 €

[DANCE SCHOOL PHOTOS -- JAZZ AGE/WOMEN]. [KNOWLES, Annabelle Gertrude (Director); BAKER, Almeron Joseph, BEEM, Ira Kintner & CENBiblio.com

A captivating group of commercial studio photographs of the performers performances and costumes at the Hollywood College of Music Dancing and Fine Arts in Portland Oregon as the Jazz Age descended into the Great Depression. The performers of the “Baby Vanities” and “Kiddie Revue” range in age from 6 & 7 to teenage years including both girls and boys.

1930réf. 58055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue” in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days” but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soul”; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revue”; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.” Another shows adolescent boy and girl dance team in an “Apache” dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover

Zephyr Used & Rare Books · États-Unis1 250,00 $US≈ 1 116,77 €

[DIFFICULTIES OF OLD AGE - POSTER URGING YOUNG PEOPLE TO SHOW RESPECT TO THE ELDERLY].Biblio.com

来老难 Lao lai nan. Getting Old is Hard.

1980réf. 223104Unknown.: No publication details. circa1980. A poster with the image of an old man Lao Lai Zi outlined with white characters on a black background text in simplified Chinese characters 77 x 52.5cm small 1cm closed tear right edge and lower left corner repaired. In good condition with clear and well defined characters making the text easy to read. Lao Lai Zi a symbol of aging and filial piety is here represented in what appears to be a white line drawing on a black background. On closer inspection however the lines are made up of poignant and occasionally amusing rhyming verses listing the indignities of old age imploring the young not to look down on the elderly. The original stele carved with a similar image titled “Lao Lai Nan” Growing Old is Hard is located at the Temple of the Medicine King in Beipo village in Shaanxi Province. It isn’t known exactly when the Beipo stele was carved but it is said to be related to a Mrs Li who lived in the temple and wanted it carved to teach her unfilial children a lesson. The use of simplified characters and catchy verse written in modern Chinese indicate that it is a 20th century artefact. The Beipo stele includes smaller carvings of eight old people using sticks along the vertical edges. This poster is a modern artistic stone rubbing interpretation of the main visual feature on the Beipo stele i.e. the central figure outlined in characters in a pose and design similar to the original. A well known educational Chinese folk illustration “Lao Lai Nan” is a moral lesson on respect for the elderly. 老来难，老来难，劝人别把老人嫌，当初嫌别人老，如今轮到我头前，千般苦，万般难，听我从头说一番。耳聋难与人说话，差七差八惹人嫌. … Getting old is hard it’s hard I urge you not to look down on the elderly. Earlier I despised others for being old but now that I’m facing it head on with a thousand kinds of troubles and difficulties listen to everything I say. Being hard of hearing makes it difficult to communicate if you miss this or that you annoy people… … …痛苦难言聆，明不明睡不着，一夜小便七八遍，怕夜长，怕风寒，时常受风病来缠年老肺虚常咳嗽，一口一口吐粘痰，儿女们都恨咱说，我邋遢不像前，老的这样还不死，你还想活多少年… … … It’s hard to explain all the difficulties one can’t sleep and every night one gets up to urinate seven or eight times. I hate long nights cold breezes and I get sick from being in draughts. My lungs are weak and I cough and cough and cough up phlegm so my children dislike talking to me. They seem to think I’m unkempt and don’t look like my former self. So old and still not dead how much longer am I planning to live . No publication details. unknown

Asia Bookroom · Australie450,00 $AU≈ 282,33 €

[FASHION -- JAZZ AGE TEXTILES].Biblio.com

Pure wool fabrics. Spring and Summer 1926. Let Taylor do your tailoring; Stock Report and Bargain List. Salesman sample catalogue with original price list and stock on hand.

1926réf. 58100New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out” as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach” & “Mohair” suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover

Zephyr Used & Rare Books · États-Unis1 250,00 $US≈ 1 116,77 €

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