9195 risultati
rif. 19965Toulouse, CNRS, 2002, 1 broché, couverture illustrée in-8 de 269-(6) pages ;
1970rif. LFA-126711149Une plaquette de 124 pages, format 210 x 270 mm, illustrée, brochée, publiée en 1970, Maroc Médical
1986rif. LFA-126736484Un ouvrage de 202 pages, format 235 x 210 mm, broché couverture couleurs, illustré, publié en 1986, Association Lyonnaise de Sauvetage des Sites Archéologiques Médiévaux, bon état
1976rif. LFA-126727755Une revue de 116 pages, format 240 x 160 mm, brochée
1991Ex-library stamps in the usual places, edges and corners are worn. Pages are clean, bright and tight. Ex-Library
1935rif. 141672ca 1935. paperback. Oversize 9-1/2 X 12-1/4 double-weight gelatin silver photograph inscribed in blue ink fountain pen by Montgomery to Hollywood photographer George Watson. The inscription is undated but most likely dates from the mid to late 1930's. Damage to lower left corner else VG Montgomery 1904-1981 began his acting career in 1929 and has the distinction of having played both Lord Peter Wimsey in 1940 "Haunted Honeymoon" based on BUSMAN'S HONEYMOON and Philp Marlowe in 1947 "Lady in the Lake". He also directed and starred in one of the great film noirs of the forties "Ride the Pink Horse" 1947 based on the Dorothy B. Hughes novel. Watson was a member of the notable Watson family of photographers that has flourished in Los Angeles for nearly a century. He was one of the first staff photographers at the Los Angeles Times and covered notable stories throughout the twenties paperback
rif. c5255Paris, Plancy, 1854 ; grand in-18°, demi-chagrin brun, dos à 4 larges faux-nerfs, filet doré sur ls nerfs, titre doré; ex-libris étiquette à l' intérieur du 1er plat (Albert de Mauroy); XIXpp.( dont le frontispice et 1 portrait hors texte),316pp.Portraits de Jean Sire Joinville et de Saint Louis.
rif. 3337Paris, Librairie Aristide Quillet, collection encyclopédique des classiques Quillet publiée sous la direction de Paul Penciolelli, 1961, reliure demi-basane fauve, titres et faux nerfs dorés, décors à froid, 12x18cm, 473 pages, portraits et illustrations.
rif. 6174LONG ISLAND. This scrapbook displays photographs taken between 1887-1889 that capture a wealthy familys life on Long Island during the Gilded Age. The term The Gilded Age created by Mark Twain refers to the period of the late nineteenth century typically the 1870s through the turn of the 20th century during which rapid economic growth rapid industrialization and widespread European immigration primarily unskilled labor transformed the economies of the Northern and Western United States. According to the United States Census the era saw a real wage growth of 40% from 1860 to 1890 with the average annual wage per industrial worker including men women and children rising from $380 in 1880 $11523 in 2022 dollars to $584 in 1890 $18370 in 2022 dollars a gain of 59%. This rise in wealth resulted in the rise of a New Money elite those who made their money not through generational wealth and family connections but rather through oil the railroads and other rising industries. They are best exemplified by John D. Rockefeller Jay Gould Henry Clay Frick Andrew Mellon Andrew Carnegie Henry Flagler J. P. Morgan Leland Stanford and Cornelius Vanderbilt. New York was often at the center of the Gilded Age as the worlds dominant financial market and the nations leader in economic investment immigration political corruption and culture. This scrapbook contains 59 black-and-white photographs. They are affixed or mounted to 43 of 70 pages in the album. 29 of the photographs are 3.5 x 4.5 19 are 6.5 x 4.5 and 11 are 5.5 x 7.5. Two of these images are cyanotypes. Though the family is not named in the album and photographs with names underneath lead to nothing online there is a photograph in front of a house labeled Westbrook. The Westbrook estate on Long Island was designed in 1886 for William Bayard Cutting 18501912 by the architect Charles C. Haight in the Tudor Revival style. It contained the first private golf course in the United States and is now a part of a state park called the Bayard-Cutting Arboretum. Cutting started the sugar beet industry in the United States in 1888 was a builder of railroads operated the ferries of New York City his maternal grandfather was a partner of Robert Fulton and developed part of the south Brooklyn waterfront Red Hook. Images include a large extended family repeatedly and leisurely photographed the Harvard-Yale sailing race in 1887 at New London young men likely Yale students yachting and relaxing on a boat named the Princess and beautiful images of the scenery and waters of Long Island. Overall the album is in good shape. One photograph is damaged and several others have minor tears or chips. The scrapbook is half-leather and half-cloth so the spine is worn and the corners are rubbed and bumped. Regardless the scrapbook is a prize for anyone interested in this fascinating and relevant era in American history. It provides fantastic insight into the life of a wealthy Long Island family including what they did what they wore and how they presented themselves to each other and their neighbors. hardcover
rif. 72347La Haye (Suivant la Copie de Paris), Meindert Uytwerf 1699, 155x90mm, frontispice, 6 ff + 283 pages + 5 ff (table des matières). Reliure demi-parchemin. Plats papier marbré. Titre et date noir au dos. Bel exemplaire, hormis empousièrrement sur la moitié de la reliure.Barbier, Dictionnaire des ouvrages anonymes, tome II, p. 782.
1963rif. 2110502150413073Eiga Geijutsusha Co. Ltd. 1963. Soft Cover. Fine. Volume: 1 Eiga Geijutsusha Co., Ltd. paperback
1982rif. 2110502150414026Heibonshuppan 1982. Soft Cover. Fine. Volume: 1 Heibonshuppan paperback
1978rif. 2110502150415291Special feature of company story 1978. Soft Cover. Fine. Volume: 1 Special feature of company story paperback
rif. 24256Bruxelles, Credit Communal, Paperback, sous jacquette originale d"editeur en couleurs, 16x24 cm., 375 pp., texte en francais/allemand et anglais. ISBN 287193245X.
1804rif. 42382New York 1804. Single sheet written in ink script on recto. A deed 8" x 12-3/4" recording the sale of the 17-year-old "Negroe Boy Isaac" to Robert Weir by Catherine Brinckly 12 January 1804. Signed at the end "Catherine Brinkly" and witness John Brinckly. Toned old folds stabilized with text preserved by matting in a contemporary frame. Good plus. British policy in the early 17th century under the Duke of York owner of substantial interests in the Royal African Company encouraged importation of slaves to New York. By the early 18th century slavery was a cornerstone of the City's economy. Slave Codes rigidly regulated the activities and lives of slaves. But by 1804 slavery in New York was in decline thanks to tireless emancipation efforts of the New York Manumission Society Aaron Burr and Alexander Hamilton. In 1799 New York passed an Act emancipating everyone born after 1799. But "It was not until March 31 1817 that the New York legislature ended two centuries of slavery within its borders setting July 4 1827 as the date of final emancipation and making New York the first state to pass a law for the total abolition of legal slavery. When Emancipation Day finally arrived the number of emancipated men and women freed was roughly 4600." Celebrations and parades occurred throughout the state web site of Historical Society of the New York Courts. By this deed Isaac became the property of Robert Weir 1770-1825 a prosperous New York merchant from Scotland who had recently married Mary Katherine Brinckley Brinkley 1783-1840. Mary Katherine Weir is known as composer of the song "The Lord of the Castle." Their infant son Robert Walter Weir 1803-1889 just six months old when this deed was signed became a well-known Hudson River School painter; two of his sons also became famous artists. Robert Sr. declared bankruptcy in 1813 due to French confiscation of shipping goods. "Weir Robert 1770-" Robert Weir Papers Brigham Young University Library Vault MSS 511 Series 1. The grantor Catherine Brinckly was likely Weir's grandmother-in-law mother of Mary Katherine's father Thomas Brinckley born 1754; or some other close relative. We located Thomas Brinckley spelled with the "ck" listed in early New York City directories as city marshal. His name last appeared in 1794 at Cedar Street and Catherine's name began appearing in 1795 at the same street with "widow" following her name. The 1810 census shows one free person of color living with the Robert Weir family and no enslaved people suggesting that Weir had emancipated Isaac . "Weir Family Background" Chester County Historical Society website accessed August 2026; Duncan's New York City Directory and Register for 1794 1795 1800; Claghorn Charles: WOMEN COMPOSERS AND SONGWRITERS Univ. of Michigan: 1996 pp. 231; Ancestry website census and genealogical records. unknown
1975rif. 889151975 Paris, Archives Nationales, 1975, grand in 4° broché, 406 pages.
rif. 8887P., Chez Chéreau (fin XVIIIème). (Galerie de ver).
1921rif. 51295Scranton PA: International Textbook Co. 1921. Thick 8vo. vii 1 approx 450 pp sections separately paginated ix-xxi 1 pp. With 100s of text illustrations diagrams colour plates. Publisher’s three-quarter red buckram over green gilt lettering & ruling on spine marbled endpapers minor shelfwear dustsoiling to spine still VG copy. First editions of this very scarce and lavishly illustrated educational course on how to design construct and arrange window displays and floor displays of men and women’s clothing during the Jazz Age. Koerber 1871-1937 was an Hungarian-American designer and amazingly successful Display Manager for the Strawbridge & Clothier Department Store in Philadelphia at their five-story edifice flagship at Market & 8th. He emphasized and promoted the use of elaborate window displays with wax mannequins often with a particular theme and these needed to be constantly refreshed by the design department. In addition he highlighted the staging of merchandise on the floor such as putting men’s ties with their multi-coloured silks drawing shoppers to the men’s department and arranging women’s undergarments silks and evening wear in prominent positions to draw women further into specified sections. This work provides technical and practical information on wooden display forms flooring how to construct mannequins draperies holiday themes floor displays how to paint backdrops and more. The hundreds of photo images of window displays and floor displays provide an invaluable historical record for marketing during the Roaring 20s as well as offering a methodology of how these could be repeated and successful for other designers. Of particular interest is the extensive section on animatronics and motorized displays filled with information on lighting automatons and creating special effects. No copies located in Worldcat. International Textbook Co., hardcover
rif. 53300P., Payot, 1983, in 8° broché, 245 pages ; couverture illustrée en couleurs.
rif. 202000553Karlsruhe, Badisches landesmuseum, 2001 ; in-8, 97 pp., br.
1865Strasbourg, Chez Salomon, 1865; in-8, VIII planches + 642 pp. + V planches, reliure demi-percaline verte, dos lisse, tranches jaspées. Troisième édition entièrement refondue par P. Ristelhuber membre de la société pour la conservation des monuments historiques d'Alsace. Complet des 4 cartes dépliantes. Recensement de l'Alsace commune par commune. Explications sur la noblesse et l'héraldique ainsi que sur les sceaux alsaciens. Bref une mine de renseignements indispensables sur l'histoire de l'Alsace. Bon état malgré deux cartes détachées.
rif. 8871Sans lieu ni date, (fin du XVIIIème).