9.049 Ergebnisse
Best.-Nr. 34110P., Charavay, Mantoux, Martin, sans date, in 8°, cartonnage papier rouge décoré de l'éditeur, 207 pages ; illustrations.
Best.-Nr. 65635P., Charavay, 1884, petit in 8° relié demi-basane marron, dos lisse orné de filets dorés, 207 pages ; illustrations à pleine page ; rousseurs et salissures ; cachets ; reliure frottée.
1871Best.-Nr. 695851871 Lyon, Brun, 1871, in 8° broché, XXIV-380 pages ; imprimé sur papier vergé.
1869Best.-Nr. 769121869 Paris, Franck, Lyon, Brun, 1869, plaquette in 8° brochée, 48 pages ; couverture imprimée.
Best.-Nr. 25391Vienne, Martin, Editions de la Société des Amis de Vienne, 1922-23, 2 volumes grand in 8° brochés, IV-331 et 303pp. ; qq. rares passages soulignés au stylo bleu et qq. menus défauts ; couverture légèrement fanées.
1887Best.-Nr. 769111887 Valence, Céas, 1887, plaquette grand in 8° brochée, 19-29 pages ; couverture imprimée (effrangée).
1854Best.-Nr. 283681854 Paris, Rollin, 1854, fort volume in 4° relié cartonnage papier à la bradel, étiquette basane noire, couverture conservée, VIII-391 pages ; des rousseurs fortes à quelques pages.
1724Best.-Nr. DZN-1055Paris au palais chez Denis Mouchet 1724, 3 volumes in-12, (1)-(36)-196 pages+(2)de la page 197 à la page 510-9 pages+ (1) de la page 511 à la page 757-(3). Basane brune époque, dos à nerfs ornés,tranches rouges; coiffes,coins et coupes usés, papier jauni. Bon état général.(XXXIX)-(600 gr)
1980Best.-Nr. 223104Unknown.: No publication details. circa1980. A poster with the image of an old man Lao Lai Zi outlined with white characters on a black background text in simplified Chinese characters 77 x 52.5cm small 1cm closed tear right edge and lower left corner repaired. In good condition with clear and well defined characters making the text easy to read. Lao Lai Zi a symbol of aging and filial piety is here represented in what appears to be a white line drawing on a black background. On closer inspection however the lines are made up of poignant and occasionally amusing rhyming verses listing the indignities of old age imploring the young not to look down on the elderly. The original stele carved with a similar image titled “Lao Lai Nan” Growing Old is Hard is located at the Temple of the Medicine King in Beipo village in Shaanxi Province. It isn’t known exactly when the Beipo stele was carved but it is said to be related to a Mrs Li who lived in the temple and wanted it carved to teach her unfilial children a lesson. The use of simplified characters and catchy verse written in modern Chinese indicate that it is a 20th century artefact. The Beipo stele includes smaller carvings of eight old people using sticks along the vertical edges. This poster is a modern artistic stone rubbing interpretation of the main visual feature on the Beipo stele i.e. the central figure outlined in characters in a pose and design similar to the original. A well known educational Chinese folk illustration “Lao Lai Nan” is a moral lesson on respect for the elderly. 老来难, 老来难,劝人别把老人嫌, 当初嫌别人老,如今轮到我头前,千般苦, 万般难,听我从头说一番。耳聋难与人说话, 差七差八惹人嫌. … Getting old is hard it’s hard I urge you not to look down on the elderly. Earlier I despised others for being old but now that I’m facing it head on with a thousand kinds of troubles and difficulties listen to everything I say. Being hard of hearing makes it difficult to communicate if you miss this or that you annoy people… … …痛苦难言聆,明不明睡不着, 一夜小便七八遍,怕夜长, 怕风寒, 时常受风病来缠 年老肺虚常咳嗽, 一口一口吐粘痰,儿女们都恨咱说,我邋遢不像前,老的这样还不死,你还想活多少年… … … It’s hard to explain all the difficulties one can’t sleep and every night one gets up to urinate seven or eight times. I hate long nights cold breezes and I get sick from being in draughts. My lungs are weak and I cough and cough and cough up phlegm so my children dislike talking to me. They seem to think I’m unkempt and don’t look like my former self. So old and still not dead how much longer am I planning to live . No publication details. unknown
1864Best.-Nr. 109235Paris, Michel Lévy frères, Libraires éditeurs 1864 In-8 23 x 14 cm. Reliure bradel marbré gris moderne, dos muet, tête dorée, IV-506 pp., notes en bas de page, table des matières. Exemplaire bien relié en bon état.
Best.-Nr. 19075P., Editions Nationales, 1937, in 12 broché, 250 pages ; illustrations hors-texte.
1876Best.-Nr. 509641876 Tours, Mame, 1876, grand in 8° relié demi veau vert bouteille, dos à faux nerfs orné, 240 pages ; 2 gravures hors-texte ; rousseurs et piqûres éparses ; frottis d'usage à la reliure.
1989Best.-Nr. 865671989 Paris, Editions du C. T. H. S., 1989, in 8° broché, 279 pages ; couverture illustrée.
1846Best.-Nr. 100221846 Paris, Aux Ateliers Catholiques, Migne, 1846, grand in 8° relié demi-basane marron, dos lisse ; texte sur deux colonnes, 1136 colonnes ; habituelles rousseurs ;reliure frottée, coiffe supérieure abimée.
1993Best.-Nr. 110647Paris, Nrf Gallimard, coll. « Bibliothèque des histoires » 1993 In-8 broché 22,5 cm sur 14. 516 pages. 17 pages de planches. Bon état d’occasion.
1933Best.-Nr. 691871933 P. , Piazza, 1933, grand in 8° broché, 191 pages ; couverture illustrée.
Best.-Nr. 22309P., Librairie de Firmin-Didot, 1887, grand in 8° relié pleine toile noire amateur, 331 pages ; cachets ; rousseurs ; le frontispice (chromolithographie) manque ; reliure très légèrement frottée.
Best.-Nr. 12996P., Les Cahiers du Sud, 1951, in 8° broché, 336 pages.
Best.-Nr. 8839P., Daumont (fin XVIIIème).
Best.-Nr. 34268P., Bureau de la Bibliothèque Choisie, Méquignon-Havard, Bricon, 1829, petit in 12 relié pleine basane de l'époque, dos lisse orné, XIII-228 pages ; quelques très rares rousseurs ; dernier cahier très légèrement déboité ; reliure très frottée, coins émoussés, coiffes arrachéesun mors fendu.
Best.-Nr. 14245P., Belin, 1907, fort in 12 broché, 664 pages
1924Best.-Nr. 47496Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
1926Best.-Nr. 58100New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out” as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach” & “Mohair” suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover
Best.-Nr. 8853P., Basset, (fin du XVIIIème).
Best.-Nr. 8854Sans lieu ni date, (fin du XVIIIème). (Gravures d’un moulin contrecollées au dos).