9 719 résultats
réf. DADAX0578561093New unknown
1964réf. 2110502150414223Naniwashobo 1964. Soft Cover. Fine. Number of books: 18 Naniwashobo paperback
réf. DADAX1846011337New unknown
réf. DADAX1572971533New unknown
réf. DADAX051757215XNew unknown
1967réf. 192911967. Columbia Pictures Corporation To Sir With Love 1967 documents the international emergence of Sidney Poitier as a defining figure in African American film history presenting a Black educator navigating race class and authority within a working-class London school. The film situates Poitier's character within an interracial classroom addressing discipline respect and social hierarchy and contributes to the study of Civil Rights-era screen representation and the global circulation of Black leadership figures in popular cinema. Archive of 8 original lobby cards issued by Columbia Pictures Corporation each measuring approximately 14 x 11 inches all in color. The images feature Sidney Poitier in a range of narrative settings including classroom instruction scenes in which he addresses predominantly white students while dressed in formal attire reinforcing his role as an authoritative educator. Additional scenes depict Poitier boxing suggesting physical discipline and personal control and social interactions with co-stars including Suzy Kendall and Garreth Robinson including a gathering scene and a seated classroom moment. Other lobby cards focus on the students themselves emphasizing the group dynamics central to the film's narrative. All cards include printed captions identifying the film and principal actors. Produced during a period when Sidney Poitier had established his position as the first African American recipient of the Academy Award for Best Actor To Sir With Love extended his screen persona into an international educational setting aligning narratives of racial progress with themes of discipline and mutual respect. The film's depiction of a Black teacher commanding authority in a white classroom resonated with contemporaneous struggles over integration and social change in both the United States and the United Kingdom. Minor uniform half-inch holes to the lower right of each card slightly affecting image area; otherwise bright with light handling wear; overall very good. A cohesive visual group illustrating Sidney Poitier's role in shaping representations of Black authority in late 1960s cinema. unknown
1967réf. 192911967. Columbia Pictures Corporation To Sir With Love 1967 documents the international emergence of Sidney Poitier as a defining figure in African American film history presenting a Black educator navigating race class and authority within a working-class London school. The film situates Poitier's character within an interracial classroom addressing discipline respect and social hierarchy and contributes to the study of Civil Rights-era screen representation and the global circulation of Black leadership figures in popular cinema. Archive of 8 original lobby cards issued by Columbia Pictures Corporation each measuring approximately 14 x 11 inches all in color. The images feature Sidney Poitier in a range of narrative settings including classroom instruction scenes in which he addresses predominantly white students while dressed in formal attire reinforcing his role as an authoritative educator. Additional scenes depict Poitier boxing suggesting physical discipline and personal control and social interactions with co-stars including Suzy Kendall and Garreth Robinson including a gathering scene and a seated classroom moment. Other lobby cards focus on the students themselves emphasizing the group dynamics central to the film's narrative. All cards include printed captions identifying the film and principal actors. Produced during a period when Sidney Poitier had established his position as the first African American recipient of the Academy Award for Best Actor To Sir With Love extended his screen persona into an international educational setting aligning narratives of racial progress with themes of discipline and mutual respect. The film's depiction of a Black teacher commanding authority in a white classroom resonated with contemporaneous struggles over integration and social change in both the United States and the United Kingdom. Minor uniform half-inch holes to the lower right of each card slightly affecting image area; otherwise bright with light handling wear; overall very good. A cohesive visual group illustrating Sidney Poitier's role in shaping representations of Black authority in late 1960s cinema. unknown books
réf. DADAX0812817990New unknown
réf. SONG8497773012Used: Good unknown
1822réf. 757P56London: T. Hookham 1822. First edition. Hardback. Good Only. 7" by 4". None. The very scarce first edition of this immensely romantic and entertaining novel by Thomas Love Peacock. The very scarce first edition of this work.'Maid Marian' is romantic novel by Thomas Love Peacock.Peacock referenced this novel in a letter to Percy Shelley.Peacock was an English novelist active during the nineteenth century. He was a close friend of Percy Shelley the friends influencing each other's works. Peacock was a satirical writer best known for 'Nightmare Abbey' and 'Crotchet Castle'.Bookplate of R. W. Chapman to the front pastedown. Chapman was a British scholar and book collector known for editing the works of Samuel Jonson and Jane Austen.Prior owner's ink inscription to the front pastedown 'James Richards Digous'.Two pages of publisher's adverts to the rear. In the original publisher's paper covered boards. Externally the boards are detached but present. Bookseller's label to the front board. Lacking the spine. Boards are a little discoloured with some minor marks. Very light bumping to the extremities. Bound without front endpaper. Bookplate and prior owner's ink inscription to the front pastedown. Internally generally firmly bound. Pages are lightly age-toned with some spots. Good Only T. Hookham hardcover
1818réf. 757P51London: T. Hookham 1818. First edition. Hardback. Very Good. 7" by 4". None. The first edition of Thomas Love Peacock's influential early poem one of his last longer poems written under the influence of Percy Shelley. The first edition of this work.Half-title is present.An early long-form poem by Thomas Love Peacock influenced by the poetry of Shelley.Shelley published a very favourable review of this poem shortly before his trip to Italy on which he would die.Peacock was an English novelist active during the nineteenth century. He was a close friend of Percy Shelley the friends influencing each other's works. Peacock was a satirical writer best known for 'Nightmare Abbey' and 'Crotchet Castle'. In the original paper covered boards. Externally generally smart. A little loss of paper to the head and tail of the spine and to the front joint. Minor bumping to the head and tail of the spine and to the extremities. Spine is a little discoloured. Minor marks to the boards. Internally firmly bound. Pages are bright and clean with just a few odd scattered spots. Very Good T. Hookham hardcover
réf. 102384Private Elsie Love Barry College 1920. Hardback 7.25 x 5.75 inches. In full calf leather with raised banding to spine. To page edges gilt. In very good condition. Some rubbing to raised bands and spine ends. Corners bumped and slightly chipped. Dedication page at front “From Tom John M.A.J.P. with hearty congratulations to Sir Thomas and Lady Williams.” Later presentation inscription overleaf dated 1953. Inside pages all very clean and tight illuminations/colouring bright. Page edges rough cut. A lovely handmade book. Handwritten and illuminated pages. 38 pages Private (Elsie Love, Barry College), 1920 hardcover
réf. SONG1589257944Used: Good unknown
2016réf. 3404New York: Viking 2016. As new/As new. Signed first printing. Signed by Towles on the title page along with his stamps of both the Kremlin in red ink and a top hat in black ink. Promotional material from his signing at Square Books on February 8 2017 is laid in. A pristine copy in as new condition. Viking unknown
réf. DADAX1839752092New unknown
réf. SONG087975866XUsed: Good unknown
réf. SONG0757321461Used: Good unknown
réf. SONG1573921602Used: Good unknown
1831réf. 65276London: T. Hookham 1831. Small 8vo. viii 300 pp. Bound in blue paper boards with white paper spine. Boards are marked with rubbing to the extremities and some loss. Binding firm with some scattered spotting. The author Thomas Love Peacock was a great friend and contemporary to the romantic poet Percy Bysshe Shelley and was best know for his satiric novels. . Good. Paper Covered Boards. First Edition. 1831. T. Hookham 1831 hardcover
réf. 522421 lettres manuscrites d’un fils,canonnier,à sa mère habitante de Bourbonne–les–Bains Haute-Marne.Première lettre en date de Strasbourg décembre 1813,canonnier onzième compagnie Strasbourg.Dernière lettre,Chalons 22 juin 1826.D’autres envoyées de Metz,Auxonne,Troyes. L’ensemble monté sur onglets en un volume in 8 carré pleine toile bleue chagrinée,filets à froid en encadrement sur les plats.Titre et filets dorés,filets à froid au dos.Le titre exact est: 1813-1821 lettres de Hubert GAUME à sa mère témoignage émouvant de l'amour filial.Très bon état
1951réf. 002023Paris Del Duca, Les Editions Mondiales 1951
réf. DADAX168396554XNew unknown
1928réf. 177453Newtown Montgomeryshire: The Gregynog Press 1928. First Gregynog edition number 200 of 250 copies of this historical romance based on Welsh folklore first published in 1828. Founded in 1922 by sisters Margaret and Gwendoline Davies the Gregynog Press was one of the leading fine presses of the first half of the 20th century and predominantly focused on Welsh material. Bayntun Rivière and the Gregynog Press were connected through George Fisher 1879-1970 the latter's binder from 1924. Fisher completed his apprenticeship at Rivière's and studied under Douglas Cockerell. It was at Fisher's suggestion that a number of copies of every Gregynog edition were bound in more luxurious covers. Following Gwendoline's death in 1954 Margaret donated most of the machinery to the National Library of Wales. The University of Wales reopened the press under the name "Gwasg Gregynog" in 1978. Large octavo 153 x 231 mm. Numerous wood-engravings within text by Horace Walter Bray. Contemporary blue crushed morocco by Bayntun Rivière spine lettered and ruled in gilt in compartments raised bands dotted in gilt covers framed board edges dotted and wide turn-ins decorated with wave-roll and scrollwork cornerpieces in gilt marbled endpapers top edge gilt fore edge uncut. Twentieth-century armorial bookplate of one Richard Campbell perhaps of the Campbell's of Kildalloig and later Carmarthenshire to front free endpaper verso. Spine and board edges toned a handful of marks to covers contents clean: a near-fine copy. hardcover
1831réf. 819F10London: T. Hookham 1831 . First edition. Disbound. Good. 7" by 4.5". None. A smart first edition of Thomas Love Peacock's satirical 1831 Gothic novel. The first edition of this humorous and satirical Gothic novel from Thomas Love Peacock with page 154 numbered 54 as called for.Peacock's sixth novel in the work the author gathers a group of eccentrics in the titular castle deriving humour and social satire from their various interactions and conversations.Bound without the preliminary advertisement leaf and half title.The first edition of one of the best known work of this nineteenth century novelist a close friend of Percy Bysshe Shelley. In a contemporary cloth binding. Small losses of cloth to back strip head and tail and joints. Front joint starting with board slightly tender. Internally firmly bound. Light handling marks to preliminary leaves. Pages otherwise generally clean and bright. Good T. Hookham unknown
réf. DADAX1560239972New unknown