8 136 résultats
1989réf. 157322Chapel Hill NC: Algonquin Books 1989. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Remainder Mark. Algonquin Books hardcover books
1975réf. 237642Washington DC: Washingtonian Books 1975. Softcover. Very Good. Very good paperback. Text clean. Spine light brown. Small tear on top end of spine. Washingtonian Books unknown books
1987réf. 136230CA: Craftsman 1987. Softcover. Very Good. Very good in wrappers a paperback. 10th printing. Pages very light yellow clean text. Corners rubbed. Craftsman unknown books
1989réf. 151419Chapel HillNC: Algonquin 1989. Hardcover. Very Good/Very Good. First edition. Very good or better in very good dust jacket. Dustwrapper has wrinkles along top of rear panel. Algonquin hardcover books
1810réf. 4244France 1810. Hand-colored and color-printed stipple-engraved folding paper fan printed on recto of a single sheet backed in plain paper mounted on original wooden sticks the guards with narrow fillets of decorative bone near rivet the rivet pins with decorative glass inserts; the open fan leaf measuring approx. 169 x 450 mm. total fan height including mount 255 mm. The allegorical scene colored in watercolor and gouache; stenciled gold-printed acanthus border at top a gold border at top of otherwise blank verso. Slight wear along a few folds. A colorful woman’s fan probably produced in France for the Spanish market on the theme of choosing a lover or partner. The engraving shows at the center of a clearing in a wood a couple in classical dress the male figure representing wisdom in a helmet armor and cloak the woman with a yellow halo innocence bearing the caption “La inocencia guiada de la sabiduria para elergir un corazon” Innocence guided by wisdom to choose a heart. Flanking the couple are ten hearts some flaming five on each side each containing an emblematic figure with a one-word caption designating the pictured character trait. Those on the left are undesirable qualities e.g. a butterfly labeled Inconstancia and those on the right to which Wisdom is pointing are positive e.g. a dog on a leash labeled Fidelidad. Fans were often accessories in scenes of courting or flirtation in literature the theater and real life. This was reflected in popular themes of fan designs themselves. An English fan from the same period differently presented but bearing a similar message was featured in the Metropolitan Museum of Art's 2026 “Fanmania” exhibit Met object no. 38.91.23. It shows “an array of potential suitors cast as contrasting types. In addition to offering amusement the fan might have provided a degree of moralizing instruction to young women on behaviors to either avoid or embrace in a prospective beau” exhibit label. unknown books
1957réf. 80115New York: Thomas Y. Crowell Company. Very Good in Very Good dust jacket. 1957. First Printing. Hardcover in jacket. Bound in yellow cloth with black stamping on the upper cover with a blue cloth spine with black stamping in a dust jacket with soiling wear/tearing to the joints and wear/chipping to the edges and spine. The covers show edge-wear and rubbing to the corners and spine-ends. The binding is solid. The contents are bright and clean with illustrations. . Thomas Y. Crowell Company hardcover books
1956réf. 57078New Haven: Published for Oberlin College by Yale University Press 1956. First Edition. Signed presentation from Love on the front endpaper to the President of Oberlin College in Ohio: “Inscribed for William Edwards Stevenson of Oberlin with many regards Donald M. Love. Stevenson 1900–1985 was an American Olympic track and field athlete lawyer and diplomat and served as president of Oberlin College from 1946 to 1960. In 1962 President Kennedy appointed him as an ambassador to the Philippines where he served until 1965. He then became the head of the Aspen Institute of Humanistic Studies in Colorado. Stevenson won a gold medal in the 4×400-metre relay at the 1924 Summer Olympics. Love was Secretary of Oberlin College. Henry Churchill King was Oberlin's President from 1902 to 1927. A nice association copy!. Small quarto: cranberry-red cloth in dustjacket; 300 pages. Illustrated. Very Good covers bright with minor wear; contents clean & tight; moderate wear & browning two tiny tears d/j. Published for Oberlin College by Yale University Press unknown books
1993réf. 26953Donald I. Fine 1993. LOVE William. BISHOP'S REVENGE. NY: Donald I. Fine 1993. Sm. 4to. cloth & boards in dust jacket. First Edition. Signed by Regan on title page. Fine in d/j. $25.00. Donald I. Fine unknown books
1994réf. 37938Austin: Univ. Texas Press 1994. First edition. Cloth with gilt titles. A fine copy in a fine dust jacket. As new. xviii 124 pp. Illus. with 69 b/w plates photos and drawings. 4to. George E. Stuart intro. Not until 1859 was the Paris Codex consisting of twenty-two screen-folded pages of hieroglyphs painted figures and calendrical calculations -all reproduced in this volume- rediscovered at the Bibliothèque Nationale of Paris. In this his groundbreaking study and first comprehensive treatment of the codex in nearly eight decades Bruce Love takes an ethnographic approach to the codex one of only four codices known to have survived from the pre-Columbian era the others are the Dresden Madrid and Grolier analyzing its use by Maya priests as a handbook of divination prophecy and history. Univ. Texas Press hardcover books
1977réf. 3292.11977. Softbound. VG- some minor discoloration and shelf wear to wraps all else good. Wraps. 64 pp. 29 color 67 bw plates. Catalogue lists 87 works. Lengthy essay by Richard H. Love footnotes chronology. Terrific color plates. This woman spent her life in the Massachusetts and Connecticut areas and was very involved with art clubs and exhibitions in these areas as well as the National Academy of Design. Her work was included in the large Expositions and she was highly regarded. paperback books
2016réf. 201696Oakland CA: University of California Press 2016. Hardcover. VG/VG. Black boards with color illustrated dustjacket. 309 pp. with some bw illustrations. Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete neoconcrete and constructivist practices of artists in Argentina Brazil and Venezuela with case studies of specific movements artists and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959 with specific attention to a group of major art figures including Lygia Clark Hélio Oiticica and Gego whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical economic and political underpinnings of geometric abstraction in post-World War II South America Amor highlights the overlapping inquiries of artists and critics who working on the periphery of European and US modernism contributed to a sophisticated conversation about the nature of the art object. University of California Press hardcover books
1984réf. 201868Houston Tex: Janie C. Lee Gallery 1984. Softcover. VG. Black stapled wraps. Unnumbered pages. 19 bw illustrations. Jim Love was an American sculptor based in Houston that specialized in working steel. This book features a small exhibition of his work based on the title "Tomorrow is No Solution." "It is always too late to get yesterday back so we tend to look upon tomorrow as the next best thing. Today is usually half gone before we are aware of the problem." - Jim Love. Janie C. Lee Gallery paperback books
1968réf. 194577Toyko Japan: Minami Gallery 1968. Softcover. Good front & back edges of folder have wide vertical panels of scuffing marks smudges & toning; creasing to spine. rubbing to corners. loose sheet & plate have some toning/tanning to edges various scuffs & smudges; rubbing to corners. photo is curled. white oblong folder w/ black printing & interior illustration; 1 oblong double side sheet w/ illustrations; 1 loose color plate; 1 loose glossy b/w photograph. Folder interior illustration is a diagram with accompanying double-sided sheet having to two square black/white illustrations. Reverse of color plate is small essay in translation by Joseph P. Love. Photo is a glossy 5.5x8 black/white with the reverse written 'Domoto 1968' with Minami Gallery stamp. Includes artist biographical exhibition and collection listing. Exhibition held November 11 through 26 of 1968. Minami Gallery paperback books
1910réf. 189681Boston: the Bibliophile Society 1910. Hardcover. F Cover has discoloration staining fading. Bookblock has age toning Interior pages have some age toning foxing and staining. Many pages uncut. Tan boards. White leather spine. Gilt lettering on spine. Rough cut bookblock. 3-250 pages frontispiece portrait. This edition is limited to 483 copies printed for members only. the Bibliophile Society hardcover books
1985réf. 171821Chicago: Haase-Mumm Publishing Co 1985. First Edition. Hardcover. VG/VG-. Edge wear to dust jacket. White cloth with blue lettering. Blue & color illustrated dust jacket white lettering. xiii; 457 pp. 100 color 168 bw plates. Some illustrations or features are tipped-in. The definitive work on American impressionist Theodore Earl Butler 1861-1936 published in a limited first edition. Butler worked in Giverny with Monet Theodore Robinson Theodore Wendel John Leslie Breck Willard L. Metcalf and a few others. Chronology numerical listing of bw and color plates extensive bibliography lengthy index. This copy is no. 2294 of the first edition. Haase-Mumm Publishing Co hardcover books
2005réf. 167573Chicago: Haase-Mumm Publishing Co 2005. Hardcover. VG but for some minor corner bumping. Glossy color-illustrated boards with white lettering. xi 157 pp. Color illustrations. Contains 71 paintings by American artists including Louis Betts Thomas Hart Benton Edith Howes Jasper Cropsey Childe Hassam John White Alexander Gerore Inness etc. Haase-Mumm Publishing Co hardcover books
1986réf. 12726Chicago IL: Haase-Mumm Pub. Co. for R.H. Love Galleries 1986. Softcover. VG. Blue wraps. 72 pp. 26 bw 27 color plates. Catalogue listing of 64 works with a 40-page essay on the artist and her work by Richard Love including 80 notes and bibliography. Published to accompany the exhibition held by Love R.H. Galleries Chicago IL: Oct. 11 to Nov. 22 1986 five other locations. Haase-Mumm Pub. Co. for R.H. Love Galleries paperback books
1976réf. 20183Chicago: Signature Galleries 1976. 57/2000 copies. Softcover. VG- some wear to extremities. Beige wraps. 93 pp. Color and bw plates. Published to accompany an exhibition held in Signature Galleries Chicago IL: May 1976. Based on experience I can assure the reader that there are nowhere near 2000 copies of this catalogue in circulation or even on shelves. Signature Galleries paperback books
1980réf. 6533Chicago: Richard Love 1980. Hardcover. G Book is only slightly aged and is outstanding; DJ has substantial wear with a chunk missing at front; few marks as ex-gallery owned otherwise clean. Blue buckram gilt letters on spine & front cover black & illus. dust jacket. xxi 270 pp. 53 bw plates. A biography of American artist Mary Cassatt 1844-1926. With a foreword by Frederick A. Sweet. Includes an extensive bibliography. #51 of 2000 copies. Richard Love hardcover books
1991réf. 38201991. VG. Wraps. 30 pp. 18 bw plates. Ten page essay followed by 28 footnotes and bibliography. Terrific resource for this artist. paperback books
1995réf. 143886Caracas: Museu de Bellas Artes 1995. Softcover. NF. Plain cream card wraps. Tri-colored glossy dj with two-tone spine. 140 pp. with occasional color and bw illus. Text in Spanish/English. Catalogue for the exhibition that was as much philosophical as artistic. Museu de Bellas Artes paperback books
1976réf. 23677Chicago: Signature Galleries 1976. Softcover. VG- White cover shows a bit of age and soiling; interior is clean and bright; may have cover label and few interior marks as ex-gallery owned. White & illus. stapled wraps. 30 pp. 10 color 12 bw plates. Considers the life and work of American Impressionist Theodore Earl Butler. With essays by Richard H. Love and Harold M. Rowe. The exhibition checklist cites 48 pieces and 22 are pictured here. Includes an artist chronology. Provides a nice overview of Butler's work. Signature Galleries paperback books
1993réf. 142783Chicago Ill: R. H. Love Galleries 1993. Softcover. G Label & few marks from previous gallery owner; slight sunning to spine; interior clean. Gray-brown paper stapled wraps 32 pp. BW & color illus. Issued in conjunction with a 1993 exhibition featuring paintings of young girls -- either portraits or scenes of play. Minimal text. R. H. Love Galleries paperback books
1991réf. 7750Chicago: R. H. Love Galleries 1991. Softbound. VG. Glossy wraps. 52 pp. 58 bw plates. Sixteen pages of text precede the presentation of the 58 bw plates. An attractive hard to find catalogue that offers a rare insight into Robinson's study method. R. H. Love Galleries paperback books
1987réf. 4106.1Chicago: Haase-Mumm Publishing Co. Inc 1987. Softcover. Good call sticker on front bookplate and library stamp inside rubbing and minor shelf wear. Red wraps. 32 pp. 1 bw 12 color plates. Nine page essay with notes. Epilogue written by the artist. List of solo exhibitions public collections bibliography. Nice plates. Haase-Mumm Publishing Co. Inc paperback books