Hope, Laurence (editor)MareMagnum
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1927Red cloth cover is worn around edges and top and bottom of spine. Previous owner's name inside. 182 pages.
1989A clean, unmarked book with a tight binding. Slightly bumped corners. Glossy pictorial cover. 6 3/4"w x 9 1/4"h. 158 pages. Black and white illustrations. Extracts from Jun'ichi Iwata's classic writings on ancient homosexual literature.
1932Very Good French Paperback. Foolscap 8vo. (18 x 12 cm). In French. 192 p. Abdülhak Hâmid Tarhan, (1852-1937), was an early 20th-century Turkish playwright and poet. He was one of the leading lights of the Turkish Romantic period. He is known in Turkish literature as "Sair-i Azam" (The Grand Poet) and "Dahi-i Azam" (The Grand Genius). In 1908, he became a member of the Turkish Senate, He lost his wife Nelly in 1911, and made later his third marriage with the Belgian Lucienne in 1912. It's the fourth marriage of him. Hamid, who was appointed as a member of the Assembly and became the president of the assembly after a while, went to Vienna with his wife at the end of the First World War. Here he had troublesome, hard, and moneyless days. Turkey, which led to a wide echo "Sâir-i Azâm" [i.e. The Great Poet] the poem was published in the newspaper Tanin. In 1920, he left his wife Lüsyen Hanim amicably. He continued to correspond with Mrs. Lüsyen, who married an Italian Count. This book includes all correspondences before and after divorce them. Signed and inscribed by Lucienne as "A Muazzez, ou souvenir". 1000 copies were printed. Limited and the First French Edition.
1846Very Good Turkish, Ottoman (1500-1928) Paperback. Chipped on margins. Some owner notes. Otherwise a good copy. Roy. 8vo. (24 x 18 cm). In Ottoman script. 32 p. This rare book includes the royal travel of Sultan Abdülmecid in 1262 AH [1846 AD] to Roumelia. From Edirne, Abdülmecid proceeded to Eski Zagra (Stara Zagora), Kizanlik (Kazanluk), Gabrova (Gabrovo), Tirnova (Turnovo), Rusçuk (Ruse), Silistre (Silistra), and Varna. The route of the 1846 tour followed closely, except in reverse order, Mahmud II's tour of 1837. According to witness accounts, along the way, the sultan was greeted everywhere with poetic recitations and songs of praise and prayer, both in Ottoman and Bulgarian. The pride of place among welcoming parties invariably fell on students, of all creeds, most clad in white uniforms, some in solemn church-going attire, with flowers and green branches in their hands. At every stop, ceremonial cannon salvos were fired during the day and elaborate firework illuminations were performed at night. In the town of Kizanlik, known then as now for the most fragrant roses and the best rose oil, the sultan's visit coincided, possibly by design, with the rose harvesting season. So the locals sprinkled rose water and poured rose oil before the sultan's cavalcade. According to Hristo Stambolski, in the three days of the sultan's stay in town, no rose harvesting was done so that the whole area would be exquisitely scented in his honor. For his part, the sultan had doctors vaccinate all children against smallpox in public before sending each one off with a small gift of money. Even people with rare diseases were, on occasion, summoned to the sultan's presence so his doctors could cure them. The sublime visit caused the locals, who were unaccustomed to direct contact with the center of power, quite a stir. The most detailed account, albeit from a hostile source, relates the sultan's visit to Rusçuk, which, at four days, may have also been the longest. According to Nayden Gerov, the greeting ceremonies proceeded on a communal basis, with the Jews being placed closest to the town walls, next to them the Armenians, then the Bulgarians, and finally, the Muslims, situated the farthest from town, yet being the first to see and welcome the sultan. As the sultan approached, each group of youngsters would in turn sing for him, everyone else bowing profusely. Based on Gerov's description, it seems that Abdülmecid was dressed in a slightly more luxurious fashion than during state ceremonies in Istanbul. ((Source: Sultan Abdülmecid's Tour of Rumelia and the Trope of Love by Stephanov). The sultan began to travel by the way of the gate of Yedikule in Istanbul in May 6, 1846. He followed the way of Ayastefanos, Silivri, Çorlu, Burgaz, Edirne, Zagra-i Atik, Kizanli, Trnova, Rusçuk, Silistre, Rusçuk, Shumnu, and Varna and came back to Istanbul by way of the sea on June 14, 1846. During this travel, the Sultan listened to people's problems and ordered the authorities to be solved with those problems. He received successful military and administrative authorities in settlements on the way of travel and rewarded them. He also received the governors of Serbia, Eflak and Bogdan, and the representatives of foreign states. With this travel, the Sultan aimed to strengthen the connection to the center of people and administrators in provinces. Özege 17910. First Edition.
1934Very Good French Paperback. Foolscap 8vo. (18 x 13 cm). In French. 210, [2] p. Perspectives. First Edition. Signed by Lucienne as 'A Leyla Alkand, ou souvenir'. This book is the second and last book written by Lucienne Hamit. First French Edition.
1979New New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 169 p. Medieval versus nineteenth century art and ideology: Tristan.
1837Very Good Turkish, Ottoman (1500-1928) Contemporary quarter leather binding with gilt decorations without title lettering. Demy 8vo. (22 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). Seven different books and tractates (nine works) in one volume: (235, [1] p., 24 p., 143 p., 80 p., [6], 71 p., 84 p., 22 p.). Two leaves are torn from the hinge in the first book but not missing, one tractate is trimmed by margins, the board's extremities are worn, overall a good volume including multiple books. First editions (except for one) of these exceedingly rare poetic tractates collected together contemporarily in one handsome volume, reflecting early Ottoman poetic pleasure, including thematic mystic and erotic poetry mostly printed in the early 19th century. This volume includes the multiple works of Enderunlu Fazil and Sünbülzâde Vehbi, which are the earliest erotic and homosexual poems that seem to have been concealed by adding Keçecizâde's works to the beginning and the end of the volume. "Defter-i ask" [i.e. The book of love] by Fazil, in which he tells about his own romances, is a masnavi of 438 couplets. It begins with a description of divine love and tells the story of the poet's romances, which he fell into only to regret and repent afterward. "Hubannâme" [i.e. The book of beautiful young men] consists of 796 couplets with various titles and it has a mystical analysis of beauty in the first chapter. After an introduction that gives geographical information that may be considered novel for its period, it describes the beauties of male bodies of many countries from India to America. This style is unique and the first in Turkish / Ottoman literature. In the work titled "Zenannâme" [i.e. The book of women], which is a masnavi of 1101 couplets, women of various nations are described. The poet indicated in the introduction of his work that he does not want to talk about women, and that he has no orientation towards women. Enderunlu Fazil was an Ottoman poet who depicted the beauty of men from various lands of the Ottoman Empire. He achieved fame through his erotic works, which were published posthumously. Among his most famous works is The Book of Women, which was banned in the Ottoman Empire. The book describes the advantages and disadvantages of women from different nations. Fazil was born in Acre into an Arab family originally of Medina. He spent his early years in Safed in Ottoman Palestine. His grandfather Zahir al-Umar and father Ali Tâhir were both executed (in 1775 and 1776, respectively ) for participating in a rebellion. After his father's death, Fazil moved to Istanbul. There, he was admitted to the Enderun palace school (thus taking on the name Enderuni or Enderûnlu), but was expelled in 1783 as a result of his love affairs with other men there. In 1799, he was exiled to Rhodes because of his satirical writings and was only allowed to return to Istanbul after becoming blind. He spent the rest of his life there, ill and bedridden. Other books in the volume: Manzumetü'l-müsemma be-mihnet-kesan, Ceride-i Havadis Matbaasi, Ist., AH 1269 = AD 1853. 235 p., 1 portrait of Keçecizâde. Lithography. Özege 13354.; Two copies are located in OCLC 57242940 - 51281526. This work is a social satire type masnavi in which Izzet Molla was exiled to Kesan, telling of the troubles he suffered there, and his pardon and returns to Istanbul. Destar-i hayâl., Osman Nevres Efendi (1820-1876), Matbaa-i Âmire, Ist., AH 1289 = AD 1872. 24 p., Özege 3899. First and Only Edition. This rare work is a masnavi consisting of six stories. Defter-i ask, Hubannâme, Zenânnâme and Sevkengîz., Enderuni Fazil (1757-1810) and Sümbülzâde [or Sünbülzâde] Vehbi, (1718-1809)., Darü't-Tibaatü'l-Âmire, Ist., AH 1253 = AD 1837., 143 p. (pp. 1-20 Defter-i ask; pp. 22-55 Hubânnâme; pp. 56-111 Zenânnâme; pp. 112-143 Sevkengîz.). Özege 18902. First Edition. Tuhfe-i Dilkes Nâli, Yusuf Nabi [sic] [Nâlî, Muhammed b. Osman el-Konevî, (For more info please visit our website)
1870Very Good Turkish, Ottoman (1500-1928) Contemporary cloth bdg. Rebacked spine. Roy. 8vo. (23 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 143 p. Slight tear on two leaves, wear on extremities of original marbled boards, otherwise a good copy. Early printed edition of this exceedingly rare collection of early Ottoman erotic poems of homosexuality and bisexuality, of the 18th century including the multiple works of Enderunlu Fazil and Sünbülzâde Vehbi. This book includes five works originally: Defter-i ask [i.e. The book of love] (pp. 1-21); Hubannâme [i.e. The book of male lovers] (pp. 22-55); Zenannâme [i.e. The book of beautiful women] (as well as "Çenginâme" of Fazil Bey in Zenannâme, pp. 102-111); and Sevkengiz [i.e. Inspiring] (pp. 112-143). "Defter-i ask" [i.e. The book of love] by Fazil, in which he tells about his own romances, is a mathnavi of 438 couplets. It begins with a description of divine love and tells the story of the poet's romances, which he fell into only to regret and repent afterward. "Hubannâme" [i.e. The book of male lovers] consists of 796 couplets with various titles and it has a mystical analysis of beauty in the first chapter. After an introduction that gives geographical information that may be considered novel for its period, it describes the beauties of male bodies in many countries from India to America. This style is unique and the first in Turkish / Ottoman literature. In the work titled "Zenannâme" [i.e. The book of beautiful women], which is a mathnavi of 1101 couplets, women of various nations are described. The poet indicated in the introduction of his work that he does not want to talk about women, and that he has no orientation towards women. Enderunlu Fazil was an Ottoman poet who depicted the beauty of men from various lands of the Ottoman Empire. He achieved fame through his erotic works, which were published posthumously. Among his most famous works is The Book of Women, which was banned in the Ottoman Empire. The book describes the advantages and disadvantages of women from different nations. Fazil was born in Acre into an Arab family originally from Medina. He spent his early years in Safed in Ottoman Palestine. His grandfather Zahir al-Umar and his father Ali Tâhir were both executed (in 1775 and 1776, respectively ) for participating in a rebellion. After his father's death, Fazil moved to Istanbul. There, he was admitted to the Enderun palace school (thus taking on the name Enderuni or Enderûnlu) but was expelled in 1783 as a result of his love affairs with other men there. In 1799, he was exiled to Rhodes because of his satirical writings and was only allowed to return to Istanbul after becoming blind. He spent the rest of his life there, ill and bedridden. Sümbülzâde's "Sevkengiz" [i.e. The Inspiring] is an erotic and mystical poem in which heterosexual and bisexual narratives compare male and female beauties and eventually turn to divine love. It has 770 couplets in the "münâzara" genre. Özege 7711.
1932Very Good French Paperback. Pbo. Foolscap 8vo. (18 x 12 cm). In French. 192 p. Lettres a Abdülhak Haamit, 1920-1927.Abdülhak Hâmid Tarhan, (1852-1937), was an early 20th-century Turkish playwright and poet. He was one of the leading lights of the Turkish Romantic period. He is known in Turkish literature as "Sair-i Azam" (The Grand Poet) and "Dahi-i Azam" (The Grand Genius). In 1908, he became a member of the Turkish Senate, He lost his wife Nelly in 1911, and made later his third marriage with the Belgian Lucienne in 1912. It's the fourth marriage of him. Hamid, who was appointed as a member of the Assembly and became the president of the assembly after a while, went to Vienna with his wife at the end of the First World War. Here he had troublesome, hard and moneyless days. Turkey, which led to a wide echo "Sâir-i Azâm" [i.e. The Great Poet] the poem was published in the newspaper Tanin. In 1920, he left his wife Lüsyen Hanim amicably. He continued to correspond with Mrs. Lüsyen, who married an Italian Count. This book includes all correspondences before and after divorce of them. 1000 copies were printed. Limited and the First French Edition.
1987Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. [x], 170 p. The 'Sevmek' thesis. Sevgi - mevgi. A grammatical analysis of the Turkish verb system: Illustrated by the verb 'sevmek' - 'to love'.
1994Fine English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish. [vi], 113 p. Enisü'l-Ussak. (Klâsik dogu edebiyatlari sevgiliyle ilgili mazmunlar). Translated by Turgut Karabey, Numan Külekçi, Habib Idris.
2003New English Paperback. Pbo. 4to. (34 x 22 cm). In English. 141, [5] p., color ills. P. Art, culture, antiques. [Art and culture magazine]. No. 7. Love in art.
2002New English Paperback. Pbo. 4to. (32 x 24 cm). In Turkish. 155 p., color ills. P sanat, kültür, antika dergisi. No. 24. Ask ve sanat. Love in art.
2015New English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 80 p. Meliha Nuri Hanim. Translated into Turkish from Armenian by Mehmet Fatih Uslu. ARMENIANS Modern Armenian literature Turkish literature Novella Gallipoli, 1915 World War 1. 80 p.
2015New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 131 p. Süheyl ü Nev-Bahar'da eskicil ögeler. A study on Old Anatolian Turkish linguistics in Mes'ud bin Ahmed's 'Süheyl ü Nev Bahar' mesnevi. Second Edition. TURKOLOGY Turkish - Ottoman literature Mysticism Love Mesnevi Old Anatolian Turkish Philology Linguistics Turkish language.
2008As New English 20. yuzyil bati resim sanatinda ask olgusu, Sibel Almelek Isman, Arion yayinevi, Ist., 2008. Mint. Paperback. 152 p. Color ills. Large 8vo. (23 x 15 cm). =[The subject of 'love' in the 20th century Western painting art.]. In Turkish.
1912Fine English Paperback. Pbo. 92 p. Roy. 8vo. (23 x 16 cm). In Latin. De Romanorum legibus sacris commentationes selectae.
2001Fine English Paperback. Pbo. Demy 8vo. (21 x 15 cm). In Turkish. 424 p. Sevenlerin bahçesi. Aska ve asiklara dair. Translated by Ibrahim Dogu.
1991Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [vii], 676 p., 14 color plates of original manuscript. Süheyl ü Nev-Bahâr. Inceleme - metin - sözlük. Prep. by Cem Dilçin. Suheyl u Nev-bahâr is a mesnevi written in 14th century with one of the simplest Turkish in Old Anatolian Turkish. It's first poem which speaks of human love in the Turkish world.
2014New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 173 p. Orpheus'un sarkisi: Tanpinar'in romanlarinda ask ve kadin. Song of Orpheus: Love and women in the novels by Ahmet Hamdi Tanpinar, (1901-1962).
2016New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 342 p. Nevhatü'l-Ussak. A 'serguzest-nama' from 16th century by Dai Mehmed Efendi.
2000N°6, de novembre-décembre 2000, de la revue bimestrielle fondée par Marc Bloch et Lucien Febvre; au sommaire: "Catégories sociales de l'espace politique" ("La "plèbe moyenne" sous le Haut-Empire romain" par Paul VEYNE, "La construction du politique dans la Chine du début du XXè siècle. L'action des élites locales du Jiangsu" par Xiaohong XIAO-PLANES et "En quête de classe moyenne en Inde. Grandeur, recomposition, forfaiture" par Jackie ASSAYAG) - "Hommes & femmes. Codes amoureux et morale publique" ("L'amour à la cour des Abbassides. Un code de compétence sociale" par Gadi ALGAZI et Rina DRORY, "La prostitution au Pays basque entre XIVè et XVIIè siècles" par Inaki BAZAN DIAZ, Francisco VAZQUEZ GARCIA et Andrès MORENO MENGIBAR et "Les enjeux sociaux du corps. Le hammam maghrébin (XIXè-XXè siècle), lieu pérenne, menacé ou recréé" par Omar CARLIER) - "La monnaie des sciences sociales (note critique)" ("Penser la monnaie autrement" par Jean-Yves GRENIER, "La légitimité au regard du fait monétaire" par Frédéric LORDON et "Le monde de la dette" par Stéphane BRETON); comptes rendus d'ouvrages sur l'histoire des Etats-Unis et du Canada. Français
1967A clean, unmarked book with a tight binding. In a Very Good slipcase. 64 pages.
1966A clean, unmarked book with a tight binding. In a Very Good slipcase. 46 pages.
1995Collana Medioevo e Umanesimo, a cura di Rino Avesani, Giuseppe Billanovich, Mirella Ferrari, Giovanni Pozzi 89 - Prefazione - Tavola delle sigle e delle abbreviazioni - 18 Contributi - Illustrazioni - Indice dei nomi - Indice dei manoscritti e dei Documenti d'archivio - Stamperia Valdonega di Verona 1 25x16,5 cm., in brossura, pp. XV (1), 429 (2), maggior parte intonse, su bella carta e ampi margini, 16 tavole a colori e 105 in nero, nella numerazione totale, prima edizione, in italiano, ottimo stato
