Peacock, Thomas LoveBiblio.com
9 473 résultats
réf. 0548023697.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1498000177.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1910réf. 189681Boston: the Bibliophile Society 1910. Hardcover. F Cover has discoloration staining fading. Bookblock has age toning Interior pages have some age toning foxing and staining. Many pages uncut. Tan boards. White leather spine. Gilt lettering on spine. Rough cut bookblock. 3-250 pages frontispiece portrait. This edition is limited to 483 copies printed for members only. the Bibliophile Society hardcover
1910réf. 9141Boston: Bibliophile Society 1910. Hardcover. Very good condition. One of 483 copies. Quarter vellum and cloth boards lettered in gilt on the spine uncut and unopened 4 250 pp. frontispiece portrait. Scattered light foxing covers lightly soiled. Bibliophile Society hardcover
1910réf. 01237Boston: The Bibliophile Society 1910. Limited . Leather Spine. Fine. Edited by Richard Garnett. One of 463 copies. White vellum spine yellow cloth boards roughcut pages. Frontispiece drawing of Peacock. Vellum appears soiled gilt still bright. The Bibliophile Society hardcover
réf. 480255Harvest. Paperback. Fair. The classic two-volume 1963 edition of The Complete Novels of Thomas Love Peacock. Peacock 1785–1866 is best remembered for his satirical English novels that gather eccentric characters in country houses to mock the philosophical political and literary fads of his era. Volume 1 focuses on his earliest and most renowned satirical works. Volume 2 collects his later more romantic and historically-themed fiction. Both volumes have plastic adhesive protective coverings. Both have sun faded and stained covers. Previous owner's signature and stamp on front flyleaves. Some damp stains. Copyright © Harvest Harvest paperback
1910réf. 757P61Boston: The Bibliophile Society 1910. Vellum. Fine. 10" by 7". Not Stated. A limited edition work containing the letters of Thomas Love Peacock written to his close friend Percy Bysshe Shelly and Edward Hookham. A limited edition work limited to four-hundred and eighty-three copies.In the original slipcase. Pages are bright and clean. Slipcase is in a good condition.The letters of Thomas Love Peacock written to his published Edward Hookham and his good friend Percy Bysshe Shelley.Peacock and Shelley were close friends both influencing the other's works in the romantic era.Also contained fragments of an unpublished manuscript by Peacock.Illustrated with a frontispiece.Edited by Richard Garnett. In the original publisher's quarter paper vellum binding with cloth to the boards in the original paper covered slipcase. Externally fine. Small binder error to the cloth to the front board. Slipcase is a little worn with tears to the corners. Spine of the slipcase is lightly faded with a couple of marks and a very small amount of paper loss. Internally firmly bound. Pages are bright and clean. Slipcase is in a good condition. Fine The Bibliophile Society hardcover
1910réf. BOOKS007674250 pages with frontispiece. Royal octavo 9 1/2" x 6 3/4" bound in quarter vellum with gilt lettering to spine over brown boards. Edited by Richard Garnett. Limited edition 483 copies. Thomas Love Peacock was an English novelist poet and official of the East India Company. He was a close friend of Percy Bysshe Shelley and they influenced each other's work. Peacock wrote satirical novels each with the same basic setting: characters at a table discussing and criticizing the philosophical opinions of the day. In 1812 Peacock published another elaborate poem The Philosophy of Melancholy and in the same year made the acquaintance of Shelley. He wrote in his memoir of Shelley that he "saw Shelley for the first time just before he went to Tanyrallt" whither Shelley proceeded from London in November 1812 Hogg's Life of Shelley vol. 2 pp. 174 175. Thomas Hookham the publisher of all Peacock's early writings was possibly responsible for the introduction. It was Hookham's circulating library which Shelley used for many years and Hookham had sent The Genius of the Thames to Shelley and in the Shelley Memorials pp. 38 40 is a letter from the poet dated 18 August 1812 extolling the poetical merits of the performance and with equal exaggeration censuring what he thought the author's misguided patriotism. Peacock and Shelley became friends and Peacock influenced Shelley's fortunes both before and after his death. Condition: Corners bumped soiled book plate removed from front paste down else very good. Bibliophile Society hardcover
196516 pages. Features: My First Character - Best-Selling Author John Le Carre tells of his first inspiration; The Perfect Age - many famous achievements have been accomplished by young people; Our Changing Youth - how different are today's teens from those of ten years ago?; Rolling Stone Brian Jones almost died in Detroit; Are You Really in Love? - here are some clues; Great retro color ad on back cover entitled ""Flash Across the Skies!" advertises a model of the Gemini space capsule. Moderate wear. Unmarked. Coupon removed from Hormel ad on page 11, otherewise a sound copy of this special vintage issue. Magazine
réf. 1491744669.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2019réf. 2-6138488938Éditions universitaires européennes 2019. Paperback. New. 88 pages. French language. 8.66x5.91x0.20 inches. Éditions universitaires européennes paperback
1993réf. Q-0849910374W Pub Group 1993-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! W Pub Group hardcover
1997réf. Q-0849958091Thomas Nelson Inc 1997-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thomas Nelson Inc paperback
1984226 pages. Author's signature, dated 1984, upon front free endpaper. "For this his first inspirational work, foremost theologian and bestselling author Malachi Martin reaches out with a message to us all - how to survive with joy in a seemingly loveless world. In five contemporary parables, Martin introduces us to people from all walks of life who confront this loveless world and triumph through their understanding of the power of God's love." - from dust jacket. Clean and unmarked with light wear. Dust jacket now preserved in archival-grade Brodart cover. Nice copy. Book
2009réf. Q-0982307403Cwn Annwn Publishing 2009-01-17. Paperback. New. In shrink wrap. Looks like an interesting title! Cwn Annwn Publishing paperback
réf. 6168661-nnew. unknown
2016réf. 201696Oakland CA: University of California Press 2016. Hardcover. VG/VG. Black boards with color illustrated dustjacket. 309 pp. with some bw illustrations. Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete neoconcrete and constructivist practices of artists in Argentina Brazil and Venezuela with case studies of specific movements artists and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959 with specific attention to a group of major art figures including Lygia Clark Hélio Oiticica and Gego whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical economic and political underpinnings of geometric abstraction in post-World War II South America Amor highlights the overlapping inquiries of artists and critics who working on the periphery of European and US modernism contributed to a sophisticated conversation about the nature of the art object. University of California Press hardcover books
2016réf. 116772University of California Press. New. Hardcover. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer; 7 X 1.1 X 10 inches; 344 pages . 2016. 0520286626 . University of California Press hardcover
2016réf. 201696Oakland CA: University of California Press 2016. Hardcover. VG/VG. Black boards with color illustrated dustjacket. 309 pp. with some bw illustrations. Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete neoconcrete and constructivist practices of artists in Argentina Brazil and Venezuela with case studies of specific movements artists and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959 with specific attention to a group of major art figures including Lygia Clark Hélio Oiticica and Gego whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical economic and political underpinnings of geometric abstraction in post-World War II South America Amor highlights the overlapping inquiries of artists and critics who working on the periphery of European and US modernism contributed to a sophisticated conversation about the nature of the art object. University of California Press hardcover
réf. 0520286626.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2016réf. __0520286626Univ of California Pr 2016. Hardcover. New. 309 pages. 10.00x7.00x1.00 inches. Univ of California Pr hardcover
2016réf. 119122University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2016. 0520286626 . University of California Press hardcover
réf. mon0004251408University of California Press 3/15/2016 12:00:01 A. hardcover. Very Good. 1.0236 10.3543 7.2441. University of California Press hardcover
réf. ria9780520286627_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Investigates the crisis of the sculptural and painterly object in the concrete neoconcrete and constructivist practices of artists in Argentina Brazil and Venezuela. hardcover
réf. A9780520286627Hardback. New. Investigates the crisis of the sculptural and painterly object in the concrete neoconcrete and constructivist practices of artists in Argentina Brazil and Venezuela. hardcover
