Amour

Amour — marelibri

African American Interracial Romance in Mid Century Pulp Fiction Unchained Desire 1959

1959réf. 222201959. Demetre Margaret. Unchained Desire 1959 examines interracial romance and female sexuality through the conventions of mid-century American pulp fiction supporting research into the cultural representation of race gender and taboo relationships on the eve of the Civil Rights Movement. Published when interracial intimacy remained legally prohibited or socially condemned across much of the United States the novel belongs to a broader body of popular fiction that explored subjects largely excluded from mainstream publishing. Its narrative offers insight into how commercial fiction engaged contemporary anxieties surrounding racial identity women's autonomy and social boundaries. Demetre Margaret. Unchained Desire. New York: Comet Press Books 1959. First edition. 188 pages. Original cloth binding in illustrated red and cream dust jacket. The novel follows the daughter of a Cuban aristocratic family whose Black ancestry places her relationship with a wealthy white man from a racially prejudiced family at the center of the narrative. Drawing upon themes of forbidden love social hierarchy and inherited prejudice the story develops through conflicts over race family expectations and female agency rather than conventional domestic romance. Issued under Comet Press's "Milestone Book" imprint the volume reflects the publisher's emphasis on adult popular fiction addressing subjects considered controversial in postwar American culture. Appearing only a few years before the major legislative victories of the Civil Rights Movement Unchained Desire illustrates how popular fiction negotiated questions of interracial relationships before such themes became more visible in mainstream literature. Margaret Demetre born in Savannah Georgia to a Greek immigrant family wrote against the backdrop of a segregated Southern society whose racial divisions informed much contemporary popular fiction though direct connections between her biography and the novel's themes remain undocumented. Binding sound; pages clean; dust jacket with moderate edge wear creasing several small closed tears and old penciled pricing on the front panel; overall very good condition. An uncommon example of late-1950s pulp fiction documenting the intersection of race gender and popular literary culture during a pivotal period in American social history. unknown books

Max Rambod Inc. · États-Unis425,00 $US≈ 379,70 €

Sidney Poitier - To Sir; With LoveABAA

African American Film History Sidney Poitier in To Sir With Love Lobby Card Archive 1967

1967réf. 191651967. Columbia Pictures Corporation To Sir With Love 1967 documents the emergence of Sidney Poitier as a central figure in global Black cinema and the articulation of race authority and education within a transatlantic context during the Civil Rights era. The film places a Black teacher in a working-class London classroom foregrounding questions of discipline respectability and interracial social dynamics. These lobby cards provide visual evidence of how Poitier's screen persona functioned within narratives of moral authority and social mobility supporting research into African American film history postwar race relations and the international circulation of Black cultural figures. Archive of 11 original lobby cards issued by Columbia Pictures Corporation measuring between approximately 10 x 7.5 inches 10 x 8 inches and 14 x 11 inches comprising four color and seven black and white photographic stills. Each card features Sidney Poitier in staged scenes from the film including classroom interactions moments of confrontation and instruction and scenes of social engagement with students and colleagues. Notable images include Poitier receiving guidance from a fellow instructor on classroom management interacting with the school headmaster and participating in both boxing and dance sequences reflecting the narrative's blending of discipline and personal connection. Co-star Pamela Dare appears in select images emphasizing interpersonal dynamics central to the film's storyline. Several cards bear verso markings including 1960s distribution stamps and one example with a CBS Studios pastedown referencing a 1972 television broadcast indicating continued circulation beyond the initial theatrical release. Produced at a moment when Sidney Poitier had already become the first African American actor to win the Academy Award for Best Actor the film and its promotional materials contributed to shaping his public image as a figure of dignity restraint and institutional authority. To Sir With Love extended this image into an international setting situating issues of race and class within the British educational system while maintaining resonance with American audiences during a period of civil rights struggle and social change. The lobby cards offer insight into how Black masculinity and leadership were visually constructed and marketed in late 1960s cinema. Minor edge wear and light handling marks with occasional verso stamps and pastedown; images remain sharp and colors well-preserved; overall very good. A cohesive visual archive of Sidney Poitier's role in redefining Black representation in mainstream film. unknown books