Perle

Perle — marelibri

Civil Rights Era Activist and Performer Pearl Bailey "Talking to Myself" 1973 Spiritual Autobiography

1973réf. 228391973. Bailey Pearl. Talking to Myself 1973 is a reflective memoir by an influential African American performer extending Black women's autobiographical writing into the domains of spirituality identity and public life in the post-Civil Rights era. The work supports research into African American cultural history celebrity authorship and the articulation of race faith and selfhood by a Black woman navigating national visibility. Bailey widely recognized for her career in music theater and television uses this text to shift from performance-centered narrative to introspective commentary addressing the psychological and moral dimensions of living within structures shaped by racial inequality and public expectation. Bailey Pearl. Talking to Myself. New York: Pocket Books 1973. Mass-market paperback edition. The text is composed in a conversational often epistolary style presenting a series of reflections rather than a linear narrative. Bailey addresses themes of aging religion emotional complexity and personal accountability incorporating aphoristic observations such as "People are not simple.they are complicated poems full of feelings they can't explain." The content includes meditations on her experiences as a Black woman in the entertainment industry her engagement with public service and her understanding of faith as both a private and social force. Unlike conventional celebrity memoirs centered on career milestones the volume prioritizes interior life and ethical questioning situating Bailey within a broader tradition of Black women writers who merge personal narrative with spiritual and social inquiry. One volume; 190 pages; mass-market format; original photographic wrappers. Published during a period of reassessment following the legislative gains of the Civil Rights Movement the book reflects ongoing negotiations of race identity and representation for Black public figures in the United States. Bailey's prominence as a performer and public representative including her later role as a U.S. delegate to the United Nations informs the text's engagement with responsibility and visibility. Spine creased with moderate chipping at ends and some laminate peeling; covers lightly rubbed with small puncture to upper wrapper; paper toned but flexible; internally unmarked; good overall. An introspective contribution to African American women's life writing offering insight into the intersection of performance spirituality and racial identity in the late 20th century. unknown