Perle

Perle — marelibri

[ALASKA-YUKON-PACIFIC EXPOSITION -- POSTCARD ALBUM]. [SHELPMAN KINCHELOE, Juanita Pearl (Compiler).]Biblio.com

The Alaska-Yukon-Pacific Exposition album of 82 colour printed photo chromolithograph and even a novelty suede leather postcard depicting the pavilions sights and attendees of the Pacific Northwest’s second International World’s Fair.

1909Best.-Nr. 63387Seattle WA Portland OR & San Francisco CA: Lowman & Hanford Idealdruck Edward H. Mitchell Co. Portland Postcard Co. Robert A. Reid Publisher 488 Arcade A. Sims 1909. 4to. 9 x 10.5 in. 80 pp unpaginated. on thick black paper w/ slot inserts in each leaf for holding four postcards back-to-back. With 82 colour-printed black & white printed photo chromolithograph & 1 suede-leather postcards. Padded faux alligator skin black cloth rounded corners gilt lettering stamped on front cover slight shelfwear occasional minor rubbing & creasing to a couple of the postcards still a NF exemplar. A marvelous postcard souvenir album filled with postcards assembled by a young Port Angeles teenager chronicling the 1909 Alaska-Yukon-Pacific Exposition. The postcards encompass the views from the gardens to Mt. Rainier the Alaska Monument 7 Hawaii Building Arctic Brotherhood Building Canadian Government Building the Emergency Hospital Building Machinery Hall Manufactures Building Forestry Building many of the States Buildings and courts. In addition there are views of the Japanese Building the “Tokio Cafe” leading to the Japanese Village Nanaimo Building and a number of nighttime shots of the Exposition. Four of the postcards depict the Siberian and Alaskan Indigenous peoples on display at the Exposition with images of baby’s in furs and Indigenous Peoples standing in front of A-Y-P pavilions. The printed photo postcard of the Daughters of the American Revolution Building at the A-Y-P includes note on verso addressed to Juanita Shelpman 1896-1974 at the time a daughter of a Port Angeles barber and later a music teacher in Vancouver WA later married to the rather flighty orchestra leader Lewis Kincheloe 1892-1978. Lowman & Hanford, Idealdruck, Edward H. Mitchell Co., Portland Postcard Co., Robert A. Reid, Publisher, 488 Arcade, A. Sims, hardcover

Zephyr Used & Rare Books · Vereinigte Staaten495,00 $≈ 442,24 €

BUCK, Pearl SBiblio.com

EAST WIND: WEST WIND

Best.-Nr. 97049302Cleveland 1943 Forest. Green boards very clean14 x 20.7 cm. 277p. papers a bit browned else a very solid copy. AUTHOR'S SIGNED COPY a small blue paper tipped inside front cover:"Best Wishes Pearl Buck" in blue pen. VERY RARE ! This is the author's first book and her first novel. It concerns he knowledge of Buddhism and China. . It is a poignant and lovely primary impression of life and religion in China the land where she spend most of her life. She was born in and grew up in China. Pearl went to the States in 1929 to find a publisher of her first book. She met Richard Walsh editor at John Day publishers in New York he accepted her novel East Wind: West Wind. The rest is history ! PEARL BUCK: "Pearl Sydenstricker Buck June 26 1892 -March 6 1973 also known by her Chinese name Sai Zhenzhu was an American writer and novelist. As the daughter of missionaries Buck spent most of her life before 1934 in China. Her novel The Good Earth was the best-selling fiction book in the U.S. in 1931 and 1932 and won the Pulitzer Prize in 1932. In 1938 she was awarded the Nobel Prize in Literature "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces." . After her return to the United States in 1935 she continued her prolific writing career and became a prominent advocate of the rights of women and minority groups and wrote widely on Asian cultures becoming particularly well known for her efforts on behalf of Asian and mixed race adoption.". . During the Cultural Revolution Buck as a preeminent American writer of Chinese village life was denounced as an "American cultural imperialist." Buck was "heartbroken" when she was prevented from visiting China with Richard Nixon in 1972. . Pearl S. Buck died of lung cancer on March 6 1973 in Danby Vermont and was interred in Green Hills Farm in Perkasie Pennsylvania. She designed her own tombstone. The grave marker is inscribed with Chinese characters representing the name Pearl Sydenstricker." Note: above extracted from Wikipedia see below. EDITION: This is the FIRST TOWER EDITION. CONDITION: This is a very clean solid copy mild browning to the paper a small mend to the top verso of title page & the bottom edge of the first fly leaf else exceptionally clean copy. REFERENCES:. unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · Vereinigte Staaten483,00 $≈ 431,52 €

Cab Calloway; Nat King Cole; Eartha Kitt; Pearl Bailey; Ella Fitzgerald.Biblio.com

African American Music and Film History St. Louis Blues Lobby Card Archive Featuring Nat King Cole and Eartha Kitt 1958

1958Best.-Nr. 195781958. Cole Nat "King" subject. St. Louis Blues lobby card archive 1958 documents the representation of African American musical heritage in mid-twentieth-century American cinema centered on the life and legacy of W. C. Handy. The material captures prominent Black performers portraying and interpreting blues and jazz traditions within a studio production providing primary visual evidence of how African American musical history was translated to film. It supports research into Black performance music history and the role of Hollywood in shaping narratives around blues culture during the 1950s. St. Louis Blues. Paramount Pictures Corp. 1958. Archive of 3 original color lobby cards each measuring 11 x 14 inches. The images feature leading performers including Nat King Cole Eartha Kitt and Ella Fitzgerald. One card depicts Kitt in an orange dress posed in a performance setting emphasizing stage presence and costume. Another shows Cole seated at a piano visually reinforcing his role as both musician and central figure in the narrative. A third card presents Cole and Fitzgerald singing together highlighting the film's emphasis on collaborative musical performance. The film also features additional major figures including Pearl Bailey Cab Calloway Mahalia Jackson and Ruby Dee situating the production within a broader constellation of Black musical and theatrical talent. Each card includes printed titles and cast credits combining promotional design with performance imagery. The film emerges from a period when Hollywood intermittently produced works centered on African American cultural figures often foregrounding music as a primary narrative vehicle. By focusing on W. C. Handy widely known as the "Father of the Blues" the production situates blues within a national cultural framework while showcasing leading Black performers of the era. Such visual materials document how mid-century studios marketed African American musical heritage to broader audiences balancing biography with performance spectacle. Two lobby cards exhibit pinholes at margins from theatrical display; colors remain strong with light wear; overall very good condition. A concise visual record of African American musical performance and representation in 1950s cinema. unknown