3 175 résultats
1925réf. 55932Berlin: Horodisch & Marx 1925. First limited edition. Hardcover. Very good to fine condition. 22/100. Unnumbered 42pp. Original quarter parchment over brown paper-covered boards with framed black lettering on label of cover gilt lettering on spine. Printed by Poeschel & Trepte Leipzig lithographs by A. Rogall Berlin. Nos. 1-15 on Japan paper Nos. 16-100 on van Gelder handmade paper with all lithographs signed in pencil by H. Struck. Featuring 15 lithographs by Hermann Struck representing Zweig's philosophical and Zionist perspectives exploring the physical and spiritual landscape of Palestine. No OCLC records. Text in German. Some wear along edges of binding and at top of parchment spine with circular water stain with 1 3/4" diameter above paper label of front cover. Light foxing of endpapers at front and back title page and dedication page at front last page and limitation page at rear; else minimal in mostly right margins in one instance at top margin. Lithographs in fine condition. Horodisch & Marx hardcover
1936réf. 042423Philadelphia: J. B. Lippincott 1936. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. 64 Pp. Black Cloth Spine Color Lithographed Boards Lithographically Illustrated Endpapers. True First Edition Not The Junior Literary Guild Issue Or The Uk Issue. Near Fine Very Well Preserved No Marks. Dj Priced $2.00 Slight Wear And Dust Colors Bright A Few Minute Rubs And Losses Virtually Complete And Scarce Thus. Raymond Lee Ditmars 1876 - 1942 Was An American Herpetologist Writer Public Speaker And Pioneering Natural History Filmmaker. J. B. Lippincott hardcover
1996réf. 038731Los Angeles 1996. 1st Edition . No Binding. Near Fine. Four Lithographs Hand Colored 11 1/8" X 7 5/;8" On Sheets 19 3/4 X13 3/4. unknown
1943réf. 39461Saigon Vietnam now Ho Chi Minh City: SILI Société des Imprimeries et Librairies Indochinoises 1943. Saint-Maur. ONE OF ONLY 70 COPIES PRINTED ON VIETNAMESE PAPER OF THIS EXTREMELY RARE LIVRE D'ARTISTE PRINTED IN VIETNAM DURING THE SECOND WORLD WAR. X 11-78 pp. FOUR FULL-PAGE HORS-TEXTE ORIGINAL LITHOGRAPHS BY SAINT-MAUR. From a total edition of 570 numbered copies this is ONE OF ONLY 70 COPIES PRINTED ON EXTREMELY FINE HANDMADE VIETNAMESE PAPER. Each leaf is printed on one side only tipped onto thick rustic handmade paper. Folio. FINE AND BRIGHT in the original cloth chemise and paper-covered board slipcase. A MOST UNUSUAL SURVIVAL: OF THE GREATEST RARITY. SILI (Société des Imprimeries et Librairies Indochinoises) hardcover
1990réf. 38913Firenze Florence: The Artist 1990. A portfolio of 34 PENCIL-SIGNED HAND-COLORED LITHOGRAPHS BY GIANFRANCO RONTANI PRINTED ON FINE THICK WOVE PAPER. Edition limited to 50 copies. Large 4to. Loose as issued. Housed in original cloth folding case. FINE AND BRIGHT WITH NO DEFECTS. Complete sets are of the greatest rarity. Not in WorldCat. The Artist hardcover
1920réf. 38647München Munich: Georg Müller Verlag 1920. A gorgeous edition of Ovid's Art of Love and Remedy of Love in German translation illustrated with TEN ORIGINAL FULL-PAGE HORS-TEXTE LITHOGRAPHS and five vignettes BY HANS GÖTT. 2300 copies were printed: 2000 copies for the trade edition and 300 numbered copies printed by hand for the deluxe edition. Of those 300 copies only 30 were signed by Gött in the colophon. THIS IS AN EXTRAORDINARY COPY SIGNED BY GÖTT IN THE COLOPHON AND WITH EACH OF THE TEN LITHOGRAPHS INDIVIDUALLY SIGNED BY GÖTT. Printed on fine laid paper with the lithographs on fine wove paper. 4to. Bound in publisher's vellum and boards used only for the deluxe edition. Top edge gilt other edges uncut. A bit of wear to extremities of binding internally FINE AND BRIGHT. Extremely rare if not unique in this state. Georg Müller Verlag hardcover
1992réf. 377940US: Palouse Press 1992. Palouse Press 1992 First Edition Stated Fine/ Bright glossy like new cover with cat photo on front. Autographed by Author "Nona Hengen" in blue pen on title page. Tight bright drawing illustrated pages. 142131 pages. LARGE HEAVY ITEM 1.34 Pounds. Size: 10 3/4 x 8 1/8 x 5/8 inches. . Signed by Author. First Edition Stated. Paperback. Fine. No Exp. Palouse Press Paperback
1990réf. 18112301New York: The Limited Editions Club printed by Heritage Printers Inc. 1990. Limited Edition. Leather bound. Fine. Hejduk John. No. 122 of 375 copies quarto size 193 pp. signed by John Hejduk with LEC Monthly Letter. German writer Thomas Mann 1875-1955 a recipient of the Nobel Prize in Literature in 1929 is best known for his novels and short stories employing symbolism and examining the psyche of those in intellectual circles most famously in his works "Buddenbooks" and "Death in Venice". He wrote "The Black Swan" in 1954 and the novella revolves around an aging woman who must deal with her changing body and the expectations of an uncaring society that values youth over old age. Noted for being one of the first works to utilise hard medicine in the narrative "The Black Swan" is here published by the Limited Editions Club with lithographs by celebrated architect and artist John Hejduk 1929-2000 who brings an architect's eye for symmetry and simplicity in his geometric imagery. This edition includes an afterword by David Shapiro b. 1947 a prolific poet and literary critic whose first book was published when he was eighteen; offering insight and a sympathetic view of the brutality and bluntness often found in Mann's prose he writes "A master of X-ray Mann leads us to the master montage of disease itself. And to the possible health of love." ___DESCRIPTION: Full brown leather title in black on the front board black endpapers lithographs printed in two colours by John Hejduk throughout; Monotype Gill Sans mouldmade Rives Buff Text paper quarto size 12" by 9.25" pagination: i-vi 1-183 184-186 1 colophon one of 375 copies this number 122 signed by John Hejduk on the colophon. With LEC Monthly Letter a thirteen-page softcover booklet with two staples at the spine. In a slipcase covered in black cloth. ___CONDITION: A fine copy; the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; spine is very slightly sunned else fine. The LEC Monthly Letter is near fine clean overall with a few stray marks the text block is sturdy without wear except at the corners and a small nick on the top edge of the rear cover. The slipcase is near fine strong and sturdy clean with some minor fraying to the cloth otherwise free of wear. ___POSTAGE: Please note that this is a large and heavy book and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Limited Editions Club (printed by Heritage Printers, Inc.) unknown
réf. 001692New York: The Limited Editions Club LEC 1988. Book. Illus. by Willem de Kooning. Fine. Hardcover. Signed by Authors. 1st Edition. Bound in black Nigerian goatskin. Covers stamped in 22 karat gold leaf. The book is set in a black fabric covered and lined clamshell case with gilt-lettered leather spine label. This is copy 57 of a limited edition of 550 copies with Willem de Kooning's facsimile authorized signature taken from the handsigned Bon a Tirer proof. Contains 17 original lithographs by Willem de Kooning. The lithographs were originally created in 1967 as charcoal drawings on mylar sheets to illustrate O'Hara's 'Ode to Willem de Kooning'. Only three of De Kooning's drawings were used in the MOMA publication. In this LEC publication the complete original suite of 17 drawings were printed for the first time to illustrate the Club's edition of the O'Hara poems. They are accompanied by thirteen poems by O'Hara. The text was set in English Monotype Bodoni at Golgonooza Letterfoundry and printed at Wild Carrot Letterpress on Magnani paper. The charcoal drawings were transferred from the film to lithographic plates at American Atelier by Benjamin Shiff and printed at Trestle Editions on Japanese Kitakata. The prints were hand-torn and applied with intaglio presses to the text page at Wingate Studio and Renaissance Press. The book was designed and edited by Benjamin Shiff. Introduction by Riva Castleman. Elephant folio 225 x 175 inches. No LEC letter. Clamshell case is in fine condition with only the slightest bump to corner. Book and lithographs are in mint condition. Google 'Ceebe100' to watch a video of this book. Will require extra postage due to weight and value. The Limited Editions Club LEC Hardcover
1991réf. TN231459Folio Press London 1991. 1st Edition Thus. HARDCOVER. 8vo in blue cloth paper covered boards to a design by Beck 63pp on Magnani mould-made paper top edge gilt line illustrations in text plus 6 full page and 1 double-page duotone lithographs by Beck __CONDITION : An extremely well preserved AS NEW unread and unmarked copy in the original clear plastic jacket. . __We always ship in PROTECTIVE CARD PARCELS Folio Press, London hardcover
1987réf. H5418Vancouver: William Hoffer / Printed at the Nightshade Press 1987. Paperback. Fine. Published 1987 in an edition of 150 copies for subscribers signed by McWhirter and the 2 lithographs both signed by Ostoich. Quarto 4 pp 2 loose lithos housed in printed raspberry folder. RARE currently no copies for sale online. One of the issues of William Hoffer's TANKS are mighty fine things series of publications. William Hoffer / Printed at the Nightshade Press paperback
1960réf. 173978Cambridge MA: Dept. of Printing and Graphic Arts Harvard College Library 1960. Limited to 600 copies in three formats this being No. 75 of copies 51 to 150 that contain an extra set of lithographs. Hardcover. VG/VG case showing very mninor wear to the leather at the base of the spine. pale bluish green printed paper-covered boards with black leather spine with gilt title. 61 pp. 13 mounted lithographs along with a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. all contained in a linen covered clamshell case with matching black leather spine with gilt title. Numbered 75 on the limitation page and also signed by the artist and the translator. From a total edition of 600 this is number 56 of 100 copies 51-150 signed by both artist and translator printed on hand-made paper and containing an extra suite of 13 loose lithographs each signed or initialed by Stein in pencil. Dept. of Printing and Graphic Arts, Harvard College Library hardcover
réf. 170404Wallingford Pa: The Elm Press 1986. Hardcover. VG. Light blue clamshell box with inlaid fabric on cover. Thirty-six pages are hinged in an accordion fold permitting the images to interweave from page to page. This artist's book developed from a plan by Ruth Mortimer former Curator of Rare Books at Smith College for an anthology of poems using weaving and fabric arts as metaphor. The text of The Bewildering Thread contains fifteen poems selected from the work of fourteen contemporary women poets: Sandra M Gilbert Eleanor Wilner Jody Aliesan Carolyn Kizer Amy Clampitt Linda Pastan Maura Stanton Adrienne Rich Katha Pollitt Lyn Lifshin May Swenson Margaret Atwood Susan Snively and Gjertrud Schnackenberg. The poem by Emily Dickinson from which the title of the collection is taken is printed as an epigraph. This is copy No. 13 of the 50 printed. Eleanor Wilne described the book as ".contained poems about the womanly arts of the thread---spinning embroidery lacemaking weaving—the tapestries in which women spoke before the page and the public stage were open to us." Includes some associated paperwork in the back on the clamshell box. 34 of the 50 copies are held in institutions. The Elm Press hardcover
1938réf. 11642Verve. Paris. 1938 1939. FOLIO. 14.1 x 10.4 inches. Two issues bound in one hardback volume. Fully illustrated throughout with drawings paintings and photographs these 2 numbers contain original full colour lithographs by Chagall Miro Rattner Klee Matisse & Derain. The two issues have been bound into one hardbound volume and the binding has been beautifully hand painted in acrylic and oils with an abstract design including the volume title to both the boards and the spine by noted Neo-Expressionist American painter Gaylen Hansen. There is some rubbing to the edges and one small split to the outer edge of the front board without loss which has been strengthened to the inside with clear tape but generally the book is in very good condition. Included with the volume is a fine hardback copy of the fully illustrated book issued in 2007 to accompany the retrospective exhibition "Gaylen Hansen: Three decades of Paintings" at the Seattle Art Museum October 2007 - January 2008 and Salt Lake City Art Center February - April 2008. Verve. Paris. 1938 1939 hardcover
1984réf. 47166Utrecht Holland: Sub Signo Libelli 1984. Near Fine. Utrecht Holland: Sub Signo Libelli 1984. First Edition Limited to 45 copies containing two original lithographs by Buursen of which this is no. 36. Small slim quarto; original reddish-orange morocco over paper-covered boards upper cover and spine lettered in gilt;12pp.; color lithographic frontispiece and one additional plate bound in rear. Light wear at corners else Near Fine. Both plates signed with limitation in pencil by the artist. Colophon in rear inscribed and signed by Purdy. Sub Signo Libelli unknown
réf. 0846701111New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
1950réf. 9120Paris: André Sauret 1950. First Thus. Hardcover. Fine. This collection of bohemian poems by the French Fantaisiste poet Francis Carco was first published in 1912. It proved to be a popular text for livres d'artiste and illustrated versions appeared in 1927 1943 1950 this and 1974. This version illustrated by Dignimont may have been the most successful paring of artist and poet. This example of the Carco-Dignimont edition is the copy reserved for the artist's wife with "Exemplaire réservé à Madame Dignimont" printed on the colophon. This copy matches the contents of the 12 copies on vélin de Rives with the finished book accompanied by three extra suites of plates: one in color without the text "une suite en couleurs" a suite of single color lithographs "une suite dans le ton du dessin" and one of rejected designs "une suite de lithographies refusées". The book and extra suites of plates are unbound being loose sheets laid into the printed covers with a vellum-backed chemise. The two chemises fit into a two-compartment box. The colophon is signed by Carco and Dignimont. A fine copy complete with all plates. Signed by Carco and Dignimont and additionally inscribed by Carco to Mme. Digninmont with a small self-portrait drawing. André Sauret hardcover
1963réf. N5061aParis: Andre Sauret 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES THIS COPY 55 SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page both were original lithographs FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY. Andre Sauret unknown
1848réf. 001197Boston: Crosby Nichols and Company 1848. FIRST EDITION. Recent half brown morocco leather with faded purple cloth blind stamped gilt decorated and lettered on the front board. The boards have been laid and the book rebacked. Four raised bands with gilt rulling and tool work on spine. All edges gilt. Original brown endpages. From the drawings of Isaac Sprague. 4 4pp. followed by 16 lithographic plates interleaved with corresponding leaves containing explanatory remarks. 1 "The White Mountains" 2 "Mount Crawford" 3 "The Notch of the White Mountains" 4 "The Lower Cascade of the Notch" 5 "The Gate of the Notch" 6 "The Falls of the Amonoosuck" 7 "The Granite Cliffs of the Falls" two views on one plate 8 "The Franconia Notch" 9 "Profile Mountain at Franconia" 10 "The Profile Rock" 11 "The Basin in Lincoln N.H." 12 "The Flume in Lincoln N.H." 13 "Nancy"s Bridge" 14 "Mt. Crawford from the Notch" two views on one plate 15 "Mount Washington" two views on one plate and 16 "Mt. Washington over Tuckerman"s Ravine." Plates 10 11 12 & 14 are by lithographs by Bufford the rest are by Thayer. Some marginal dampstaining to a few plates and some light foxing to a couple of plates else very good. Benjamin W. Thayer and John Henry Bufford 1810-1870 were among America's most important earlier lithographers both were successors to the pioneering William Pendleton. Isaac Sprague September 5 1811 - 1895 the artist who drew the scenes was a self-taught landscape botanical and ornithological painter. He was America's best known botanical illustrator of his day. Photos can be e-mailed. . First Edition. Half Morocco Leather. Very Good. Elephant Folio - over 15" - 23" tall. Hardcover. Crosby, Nichols, and Company Hardcover
1991réf. 1400680London: The Folio Press 1991. Hardcover. Octavo 63 pages. In Very Good condition. Bound in publisher's quarter blue cloth and light blue and white paper boards. Mild general shelf wear. Top edge of textblock gilt. Fore edge of textblock deckled. Interior pages clean. Shelved Folio Society. Folio Society. 1400680. Shelved Dupont Bookstore. The Folio Press hardcover
1990réf. 1400690London: The Folio Society 1990. Hardcover. Octavo 72 pages. In Very Good condition. Bound in publisher's quarter navy blue cloth with grey blue and red paper boards and gilt lettering to spine. Mild general shelf wear. Top edge of textblock gilt. Fore and bottom edges of textblock deckled. Interior pages clean. Shelved in Folio Society. 1400690. Shelved Dupont Bookstore. The Folio Society hardcover
1943réf. 306421LIMITED EDITIONS CLUB 1943 HARDBACK BOOK IN VERY GOOD-PLUS CONDITIONSIGNED BY HUGO STEINER-PRAGNUMBER 759 OF 1500 COPIES. 1st Edition. Hardcover. Very Good. LIMITED EDITIONS CLUB hardcover
réf. SKU1040961Day & Son. hardcover. Acceptable. 0x0x0. Volume 3 only; London 1855; Idumea and Petra; title page is plate 88; includes plates 89-120 with text pages mixed in; plates 121-125 missing and possibly some text pages that accompany these plates; all edges tipped in gold; all pages are loose within blue colored cloth covered boards by The Library of Congress; pages foxed soiled toned; additional shipping charges may be required for International orders; 4to - over 9 3/4" - 12" Tall; pages unnumbered; Additional shipping charges may be requested Day & Son hardcover
1970réf. 33453New Mexico State University: Keith Wilson & Thomas Rose 1970. First Edition. Hardcover. Very Good. 4to - over 9¾" - 12" tall. Signed. Copy #14 of one hundred signed copies of this limited edition signed by both Rose and Wilson in black ink on dedication pages nice tight clean unmarked copy text nice elegant small square gold bookplate of former owner in center of first endpaper undamaged boards show light soiling at top front tip and a bit of wear on top tip on back approx. 11 3/4" x 11 3/4" Very Good or better. Keith Wilson & Thomas Rose hardcover
1941réf. 1346710New York: Limited Editions Club 1941. Limited Edition. Hardcover. Octavo; 393 pages; G; Bound in Red sheepskin with a scarlet A on black leather on the front cover and gilt lettering on black spine label; Housed in Publisher's red slipcase; Gilt head edge of textblock deckled fore edge; Slipcase has tearing at top corner of opening white mark along tail edge; head edge of spine mostly separated chipping to spine edges cracking to leather spine spine label peeling; Book plate from previous owner on front pastedown ink stamp on front pastedown; Signed by illustrator Henry Varnum Poor; Limited Edition #1378/1500; Shelved Limited Editions Club. 1346710. Shelved Dupont Bookstore. Limited Editions Club hardcover