1898rif. 47192Imprimerie Champenois pour CH. Masson H. Piazza | Paris 1898 | 30 x 40 cm | une feuille
rif. 13472London The Verona Press 1939 in 8 1 volume reliure bradel toile verte originale ornée, piéce de titre rouge, 316 pages [1] (petites traces d'adhésif sur les pages de garde). Lithographies en couleurs de Marie Laurencin. Tiré à 1200 exemplaires numérotés. Bel exemplaire, blanc
1870- s.l. (Paris) s.d. (ca 1870), planche : 23,4x28,1cm / sujet : 10,7x15,6cm, une feuille. - Eau forte-originale sur Chine contrecollée sur papier fort gravée par Félix Bracquemond d'après le tableau de Manet réalisé en 1861 et représentant probablement Léon Leenhoff, fils naturel du peintre. [ENGLISH DESCRIPTION ON DEMAND]
1990rif. 18112301New York: The Limited Editions Club printed by Heritage Printers Inc. 1990. Limited Edition. Leather bound. Fine. Hejduk John. No. 122 of 375 copies quarto size 193 pp. signed by John Hejduk with LEC Monthly Letter. German writer Thomas Mann 1875-1955 a recipient of the Nobel Prize in Literature in 1929 is best known for his novels and short stories employing symbolism and examining the psyche of those in intellectual circles most famously in his works "Buddenbooks" and "Death in Venice". He wrote "The Black Swan" in 1954 and the novella revolves around an aging woman who must deal with her changing body and the expectations of an uncaring society that values youth over old age. Noted for being one of the first works to utilise hard medicine in the narrative "The Black Swan" is here published by the Limited Editions Club with lithographs by celebrated architect and artist John Hejduk 1929-2000 who brings an architect's eye for symmetry and simplicity in his geometric imagery. This edition includes an afterword by David Shapiro b. 1947 a prolific poet and literary critic whose first book was published when he was eighteen; offering insight and a sympathetic view of the brutality and bluntness often found in Mann's prose he writes "A master of X-ray Mann leads us to the master montage of disease itself. And to the possible health of love." ___DESCRIPTION: Full brown leather title in black on the front board black endpapers lithographs printed in two colours by John Hejduk throughout; Monotype Gill Sans mouldmade Rives Buff Text paper quarto size 12" by 9.25" pagination: i-vi 1-183 184-186 1 colophon one of 375 copies this number 122 signed by John Hejduk on the colophon. With LEC Monthly Letter a thirteen-page softcover booklet with two staples at the spine. In a slipcase covered in black cloth. ___CONDITION: A fine copy; the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; spine is very slightly sunned else fine. The LEC Monthly Letter is near fine clean overall with a few stray marks the text block is sturdy without wear except at the corners and a small nick on the top edge of the rear cover. The slipcase is near fine strong and sturdy clean with some minor fraying to the cloth otherwise free of wear. ___POSTAGE: Please note that this is a large and heavy book and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Limited Editions Club (printed by Heritage Printers, Inc.) unknown
1990rif. 18112301New York: The Limited Editions Club printed by Heritage Printers Inc. 1990. Limited Edition. Leather bound. Fine. Hejduk John. No. 122 of 375 copies quarto size 193 pp. signed by John Hejduk with LEC Monthly Letter. German writer Thomas Mann 1875-1955 a recipient of the Nobel Prize in Literature in 1929 is best known for his novels and short stories employing symbolism and examining the psyche of those in intellectual circles most famously in his works "Buddenbooks" and "Death in Venice". He wrote "The Black Swan" in 1954 and the novella revolves around an aging woman who must deal with her changing body and the expectations of an uncaring society that values youth over old age. Noted for being one of the first works to utilise hard medicine in the narrative "The Black Swan" is here published by the Limited Editions Club with lithographs by celebrated architect and artist John Hejduk 1929-2000 who brings an architect's eye for symmetry and simplicity in his geometric imagery. This edition includes an afterword by David Shapiro b. 1947 a prolific poet and literary critic whose first book was published when he was eighteen; offering insight and a sympathetic view of the brutality and bluntness often found in Mann's prose he writes "A master of X-ray Mann leads us to the master montage of disease itself. And to the possible health of love." ___DESCRIPTION: Full brown leather title in black on the front board black endpapers lithographs printed in two colours by John Hejduk throughout; Monotype Gill Sans mouldmade Rives Buff Text paper quarto size 12" by 9.25" pagination: i-vi 1-183 184-186 1 colophon one of 375 copies this number 122 signed by John Hejduk on the colophon. With LEC Monthly Letter a thirteen-page softcover booklet with two staples at the spine. In a slipcase covered in black cloth. ___CONDITION: A fine copy; the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; spine is very slightly sunned else fine. The LEC Monthly Letter is near fine clean overall with a few stray marks the text block is sturdy without wear except at the corners and a small nick on the top edge of the rear cover. The slipcase is near fine strong and sturdy clean with some minor fraying to the cloth otherwise free of wear. ___POSTAGE: Please note that this is a large and heavy book and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Limited Editions Club (printed by Heritage Printers, Inc.) unknown books
rif. 344942The Verona Press 1939. LIMITED NUMBERED EDITION #857/1200 IN SLIPCASE- ARCHIVAL REPAIRS imperial octavo illus heavy boards gilt lettering to sm title plate to spine deckled page edges unpaginated prelims 316pp illus VG light tanning & foxing to page edges & eps sl water staining to fore-edge of prelims sl foxing to prelims & terminals in d/w VG moderate tanning & light staining to spine light soiling in slipcase VG- moderate soiling heavy cracking to joins with archival tape repairs The Verona Press 1939 hardcover
1897rif. 73930Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juillet 1897) | 33 x 24.50 cm | une feuille et une serpente
1897rif. 73931Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juillet 1897) | 33 x 24.50 cm | une feuille
1899rif. 74845Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Avril 1899) | 22.50 x 35 cm | une feuille
rif. R300263355. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Lithographie en couleurs. Tirage à 250 exemplaires. Format 25 x 33 cm. . . . . Classification Dewey : 763-Lithographies
rif. R300263356. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Aquarelle originale. Format 31 x 23 cm . . . . Classification Dewey : 763-Lithographies
1953rif. 4551953 LES AMIS BIBLIOPHILES 1953- IN FOLIO -1/2 chagrin dos muet frotté -reliure amateur-tirage à 186ex./Rives-rousseurs tranches.Illustré de 24 lithographies originales en couleurs d'André Planson, dont dix à pleine page et trois à double page.
1792rif. 15910Lithographie couleurs du 18è siècle tirée à quelques exemplaires. Le Goût du jour. Restaurant du Boeuf à la Mode, 1792.Édition originale. Chez Martinet, 8 rue de Valois, 1792.Litho : Format in-4°(34x27). Expédition par la poste sans cadre ni verre ou enlèvement à Sèvres avec cadre et verre de l'époque. Format in-plano(48x38) pour le cadre. Quelques piqures.La gravure est exposée au musée Carnavalet.Un restaurant parisien élégant, Le Boeuf à la mode. Les clients sont assis à des tables individuelles, le décor et le mobilier sont à la mode du jour, simples mais de bon goût. La « dame du comptoir » converse avec un client qui vient peut-être de payer sa note. L'étage supérieur, comme cela est indiqué sur l'escalier, est réservé aux salons et cabinets privés.
1965rif. 15853Paris à la Galerie 1965 1 Une seule affiche de dimensions 47 x 66 cm; lithographie de Mourlot.
1964rif. ART2920M: Fribourg, Office du Livre, 1964. In-8° 192 pp préface de Max Bill, 89 photos et 103 figures, une carte, texte sur 2 colonnes, biblio, chronologie, cart. illustré de l'éditeur,
1947rif. 2445Couverture souple Dédicacé par l'auteur 1ère Édition Pierre Cailler 1947 Vésenaz près Genève 35,5x26,5 cm
1947rif. 21974Vésenaz près Genève, Chez Pierre Cailler, "Poètes et graveurs", 1947. In-folio en feuilles, couverture rempliée.
1950rif. 14382ÉDITIONS TERRES LATINES 1950 299 pages in8. 1950. broché. 299 pages. Sarn est un roman de Mary Webb qui se déroule dans une province reculée de l'Angleterre au début du XIXe siècle où superstitions et sorcellerie imprègnent la vie quotidienne. L'histoire suit la famille Sarn notamment Gédéon ambitieux et cupide et sa sœur Prue à travers une fable morale mêlant passion violence traditions et spiritualité. Cette édition numérotée publiée par les Éditions Terres Latines en 1950 est enrichie de lithographies originales d'Emilien Dufour
1946rif. 5404A Vésenaz, près Genève, Pierre Cailler, collection "Écrits de peintres" n°3, 1946. In-12 broché de 218-[4] pages, couverture grise à rabats. Exemplaire sur papier blanc apprêté (n°12).
français Sans date (circa 1770-1780). Gravure originale sur cuivre, aquarellée à la main, extraite de l' "Histoire naturelle Des Oiseaux", par le Comte de Buffon. Dimension de la feuille : 30 x 22 cm. Tirage sur papier vergé.
français Sans date (circa 1770-1780). Gravure originale sur cuivre, aquarellée à la main, extraite de l' "Histoire naturelle Des Oiseaux", par le Comte de Buffon. Dimension de la feuille : 30 x 22 cm. Tirage sur papier vergé.
français Sans date (circa 1770-1780). Gravure originale sur cuivre, aquarellée à la main, extraite de l' "Histoire naturelle Des Oiseaux", par le Comte de Buffon. Dimension de la feuille : 30 x 22 cm. Tirage sur papier vergé. Quelques tâches.
français Sans date (circa 1770-1780). Gravure originale sur cuivre, aquarellée à la main, extraite de l' "Histoire naturelle Des Oiseaux", par le Comte de Buffon. Dimension de la feuille : 30 x 22 cm. Tirage sur papier vergé.
français Sans date (circa 1770-1780). Gravure originale sur cuivre, aquarellée à la main, extraite de l' "Histoire naturelle Des Oiseaux", par le Comte de Buffon. Dimension de la feuille : 30 x 22 cm. Tirage sur papier vergé.
français Sans date (circa 1770-1780). Gravure originale sur cuivre, aquarellée à la main, extraite de l' "Histoire naturelle Des Oiseaux", par le Comte de Buffon. Dimension de la feuille : 30 x 22 cm. Tirage sur papier vergé.
