3 231 résultats
1949réf. 20419Sans lieu, Ed. Manuel Broker, 1949. Grand in-8 en feuilles (210 x 276) de 77-[6] pages, couverture blanche à rabats.
1952réf. 008730New York: Printed at The Spiral Press 1952. First edition. Paperback. This original Robert Frost 1952 Christmas Card is the first published appearance of this poem and is twice signed by Frost. 3875 copies were printed for 14 different names. This is one of 475 printed for the poet himself. And this particular copy is signed twice by Frost. On the title page in two lines directly below his printed name Frost wrote: Robert Frost your subject. A printed laid-in slip reads This Christmas poem though not isolationist is so dangerously near isolationist it was thought better to send it out for Independence Day instead of Christmas. Just below this print in two lines Frost initialed R. F. and dated July 4 53. The binding is beige laid paper wrappers with flaps folded over thin card beneath fastened to the contents by two staples at the center fold. The covers feature a dark green printed underwater scene with six fishes invertebrates and plants. The contents printed in black and gray-green feature a frontispiece lithograph of ocean waves and a half-page lithograph of sea birds on rocks. Condition approaches near fine the binding clean tight and sharp cornered the binding staples intact and uncorroded the wraps showing just a few faint creases emanating from the spine. The contents are clean with no spotting or soiling. With the permission of Frost and his publishers in 1929 The Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself the imprint Holiday Greetings from Robert Frost printed on the title page. By a full decade this is the first publication of the poem Does No One But Me at All Ever Feel This Way in the Least. The poem was not published in a Frost collection until his last In The Clearing published in 1962 when Frost was nearly 90 years old. Does No One But Me is seven stanzas of six lines each in iambic pentameter. It is a complaint about the lost possibilities of the sea exacerbated by American homesickness to function as a protective boundary that could have defined and ensured the promise of greatness of a New World. What comes across most powerfully in this poem is the coalition of forces both human and natural conspiring to prevent newness. By late 1952 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 was entering the final decade of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Nearly a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. He would continue writing publishing and barding around his term until his end. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. References: Crane B24; Tuten and Zubizarreta; ANB Printed at The Spiral Press paperback
FOUR VOLUME SET. ILLUSTRATED LIMITED EDITION of "Don Quixote" by Cervantes illustrated by an eminent French illustrator Jacques Touchet (1887-1949). Copy No.247. [ALL VOLUMES]: 245x200mm. [228] + [218] + [249] + [253] pages. Half-leather marbled board Hardcover with gilt ribbed spine. Text block upper edge gilt. Endpapers marbled. Cover rubbed and yellowing. Cover edges bumped and slightly worn. Cover corners bumped and worn/peeling. Spine hinges rubbed. Pages rough-cut and slightly yellowing. [VOL.I]: Cover wrinkled. Front cover/spine front hinge yellowing and stained. Spine bottom edge rubbed and slightly peeling. Spine hinge edges partly cracked and taped. [VOL.II]: Cover wrinkled and creased. Spine front hinge slightly peeling. [VOL.III]: Spine upper edge bumped and slightly peeling. [VOL.IV]: Cover and spine stained. Spine hinges slightly peeling, front hinge upper edge cracked. [SUMMARY]: This extremely rare and beautifully illustrated four-volume edition of Cervantes's immortal masterpiece, a treat for any serious bibliophile, is overall in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
2009IN ENGLISH AND HEBREW. 14X18 cm. 55 pages. Softcover. Cover slightly stained. Else in good condition.
1984réf. 47166Utrecht Holland: Sub Signo Libelli 1984. Near Fine. Utrecht Holland: Sub Signo Libelli 1984. First Edition Limited to 45 copies containing two original lithographs by Buursen of which this is no. 36. Small slim quarto; original reddish-orange morocco over paper-covered boards upper cover and spine lettered in gilt;12pp.; color lithographic frontispiece and one additional plate bound in rear. Light wear at corners else Near Fine. Both plates signed with limitation in pencil by the artist. Colophon in rear inscribed and signed by Purdy. Sub Signo Libelli unknown
1984réf. 47166Utrecht Holland: Sub Signo Libelli 1984. Near Fine. Utrecht Holland: Sub Signo Libelli 1984. First Edition Limited to 45 copies containing two original lithographs by Buursen of which this is no. 36. Small slim quarto; original reddish-orange morocco over paper-covered boards upper cover and spine lettered in gilt;12pp.; color lithographic frontispiece and one additional plate bound in rear. Light wear at corners else Near Fine. Both plates signed with limitation in pencil by the artist. Colophon in rear inscribed and signed by Purdy. Sub Signo Libelli unknown books
réf. 102832Société des Amis du musée d'Albi, Paris, 1976, in-folio en feuillets présentés dans un emboîtage pleine toile rose de l'éditeur (rabats doublés en suédine), tirage à 300 exemplaires, exemplaire numéroté 215, complet des illustrations, discrètes salissures sur l'emboîtage, bon état.
1977réf. 009024Paris XXe Siècle - San Lazzaro - Chroniques du Jour 1977 In-4 Cartonnage toilé, jaquette illustrée
1969réf. 113436André Sauret, Éditeur, coll. « Douze Meilleurs Romans Policiers » 1969 Volume 7 complet du roman “double assassinat dans la rue Morgue” de la collection “Douze Meilleurs Romans Policiers”. In-8 reliure éditeur pleine peau chagrinée rouge. Sans étui. Dos lisse avec titre doré, plats avec double filet doré en encadrement. Tranche supérieure dorée. 22,5 cm sur 16,5. 263 pages. Frontispice. Lithographies originales en couleurs hors-texte de Carzou. Très bon état d’occasion
réf. 10951 En feuillets, sous couverture imprimée rempliée, chemise et étui d'édition. 29 x 23 cm, 189-[7] + suite + 1 pl. libre. Paris, Editions du Moulin de Pen-Mur, 1945.
réf. 10951 En feuillets, sous couverture imprimée rempliée, chemise et étui d'édition. 29 x 23 cm, 189-[7] + suite + 1 pl. libre. Paris, Editions du Moulin de Pen-Mur, 1945.
1959réf. 20107Paris, Les Bibliophiles du Palais, 1959. Grand in-4 en feuilles sous couverture rempliée, imprimée en rouge et noir, emboîtage en noir et orange.
réf. 56205Paris: Delpech c.1842. . A lithographic portrait on wove paper of French politician Jacques-Charles Dupont de l'Eure by Delpech after Antoine Maurin. Hand-tinted clothing and hair. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith de Delpech". At lower left: "Maurin signature/monogram / d'apres nature". Foxing mostly to right edge but a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." [Paris: Delpech, c.1842]. hardcover
réf. 56204Paris: Delpech c.1842. . A lithographic portrait on wove paper of French scientist and politician François Arago by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Arago's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower right: "Lith de Delpech". At lower left: "Maurin signature/monogram / dessine d'apres nature par". Light foxing a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." [Paris: Delpech, c.1842]. hardcover
1920réf. 38647München Munich: Georg Müller Verlag 1920. A gorgeous edition of Ovid's Art of Love and Remedy of Love in German translation illustrated with TEN ORIGINAL FULL-PAGE HORS-TEXTE LITHOGRAPHS and five vignettes BY HANS GÖTT. 2300 copies were printed: 2000 copies for the trade edition and 300 numbered copies printed by hand for the deluxe edition. Of those 300 copies only 30 were signed by Gött in the colophon. THIS IS AN EXTRAORDINARY COPY SIGNED BY GÖTT IN THE COLOPHON AND WITH EACH OF THE TEN LITHOGRAPHS INDIVIDUALLY SIGNED BY GÖTT. Printed on fine laid paper with the lithographs on fine wove paper. 4to. Bound in publisher's vellum and boards used only for the deluxe edition. Top edge gilt other edges uncut. A bit of wear to extremities of binding internally FINE AND BRIGHT. Extremely rare if not unique in this state. Georg Müller Verlag hardcover
1982réf. 113768Éditions André Sauret 1982 Exemplaire sur Grand vélin ivoire. Volume 2 de l’oeuvre de Marcel Proust “A la recherche du temps perdu” des éditions Sauret. In-4 reliure éditeur pleine toile bleue avec étui marbré. Dos lisse avec titre doré, premier plat orné d’une composition dorée. 27,7 cm sur 22. Frontispice en couleurs. 335 pages. Tête dorée. Lithographies originales en couleurs hors-texte de Jacques Pecnard. Très bon état d’occasion.
réf. 2696Paris, Editions Littéraires de France, 1946, illustré des lithographies de Gérard COCHET, 257 pages en feuillets sous couverture rempliée , sous emboitage, 23x30 cm, tirage à 470 exemplaires numérotés, n° 216, un des 425 exemplaires sur pur chiffon de Rives.
1953réf. 2094S. l., Société Bibliophile "Hippocrate et ses amis", 1953 ; in-folio, en feuillets sous chemise-étui bordeaux, dos en cuir gris, titre doré, couverture beige imprimée rouge à rabats, 26 lithographies en couleurs par Yves Brayer dont une en frontispice ; (3) ff., 133 pp., (6) ff.
réf. 56201Paris: Delpech c.1842. . A lithographic portrait on wove paper of French politician André Marie Jean Jacques Dupin by Delpech after Antoine Maurin. Hand-tinted clothing and hair with a facsimile of Dupin's signature beneath. Sheet size is 29cm x 46cm / 11.5 x 18 inches. At lower left: "Lith de Delpech". At lower right: "Maurin signature/monogram. A little spotting and foxing two short marginal tears on left side a fresh and attractive copy. Several varieties and sizes of these lithographs exist with and without facsimile signatures. From the French work: "Iconographie des Contemporains ou Portraits des Personnes dont les noms se rattachent plus pariculièrement soit par leurs actions soit par leurs écrits aux divers événements qui ont eu lieu en France depuis 1789 jusqu'en 1829 : avec les fac-simile de l'écriture de chacune d'elles / / lithographiés par les plus habiles artistes d'après les Peintures Sculptures et dessins de MM. David et al. et plusieurs lithographiés d'après nature par MM. Hesse Dupré et Maurin." [Paris: Delpech, c.1842]. hardcover
1986réf. 17047Montpellier, Fata Morgana, 1986. In-8 en feuilles de 108-[4] pages, couverture à rabats imprimée de l'éditeur.
1959réf. 015767Paris Falaize (Georges Fall) 1959 In-8 carré En feuilles, couverture illustrée rempliée, chemise et étui éditeur Ed. originale
1948réf. 19154Bruxelles, Aux dépens d'un amateur, 1948. In-4 en feuilles, de 151-[7] pages, couverture rempliée, chemise muette, étui.
1860réf. 99847Morizot, Libraire-éditeur, impr. Lemercier, à Paris 1860 In-folio 38,5 x 28 cm. Cartonnage éditeur rouge, dos lisse réparé amateur, report du titre doré sur le premier plat, 16-16-15-16 pp., 40 lihographies, 10 par série. Cartonnage sensiblement frotté, premier plat sali, rousseurs soutenues sur des pages de texte, planches fraîches avec rousseurs marginales mineures.
1905RARE biography of Jewish-German artist E. M. Lilien, in which are revealed his views on the process of artistic creation and art, the Jewish people and Zionism. Includes numerous b&w illustrations by E.M Lilien, and several b&w photographic plates. 250x190mm. 227 pages. Decorated mustard cloth Hardcover. Rebound with original cover and part of spine pasted over new binding. Cover worn and stained. Cover corners bumped and peeling. Binding visible on inner cover. Inner cover and whitepage edges browning. Page 25/26 edges tattered (no text missing, page intact). Several first page edges slightly bumped. Pages slightly yellowing. [SUMMARY]: This valuable and rare book on the eminent and influential Jewish graphic artist in good condition.
1905RARE biography of Jewish-German artist E. M. Lilien, in which are revealed his views on the process of artistic creation and art, the Jewish people and Zionism. Includes numerous b&w illustrations by E.M Lilien, and several b&w photographic plates. 250x190mm. 227 pages. Embossed cloth Hardcover. Text block edges dyed blue. Cover age-stained and slightly dirty. Cover corners and edges slightly bumped. Spine yellowing, rubbed and slightly wrinkled. Spine edges slightly worn/wrinkled. Pages slightly yellowing. [SUMMARY]: This valuable and rare book on the eminent and influential Jewish graphic artist, sometimes called the "first Zionist artist", is in good condition.