Richard CorbouldBiblio.com
120 résultats
réf. 584996Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 584997Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 584995Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 584998Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1811. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 772518Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 772517Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 772516Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 772519Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century ca. 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1024944875.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 15800Paris, Gosselin, 1827, 1 demi veau, pièces de titre et tomaison maroquinés au dos, quelques mors frottés avec petits manques. 12 volumes in-8, portrait en frontispice, gravé par James Hopwood et Georges James Corbould ;
1811réf. mon0003277546Philadelphia: Benjamin & Thomas 1811T. leather_bound. Acceptable. . Full leather cover shows heavy wear loss on the corners tape on the spine holding it together. Minor writing in the prelims. Pages are tanned and foxed. Philadelphia: Benjamin & Thomas hardcover
1899réf. 1325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown books
1899réf. 1325London 1899. Letter. Very good. a. 1pp dated February 24 1899 dashed off on a letter/envelope form which was preaddressed to George Pocock Esq. Royal Blind Pension Society now crossed through and addressed to to A. Chantrey Corbould Pembroke Road. Note in pencil reads: 'Dear Chantery Can you give Mr. Pulow who is a Saxon the address of Phil May his object is no doubt - to get engagement to sit for his head to any artist. Your affectionate Uncle Edward H Corbould. b. 2pp letter dated October 5 1899 to Dr. R. G. Maitland Coffin Redcliffe Square Earl's Court on watermarked paper in very rich deep ink with many personalizations and playfulness in font and pen use Letter and enveloped decorated with doodles and signed. a passage reads: 'By the way you asked me to tell you how many of the Royal Family I had as Pupils The fact was that with the exception of Prince Arthur Duke of Conwaught::::::::::Prince Leapold Duke of Albany and Princess Beatrice I taught them all. They all possessed natural talent for Original design. I hate copies!. Who would value a copy of a play or a poem by Shakespear written by the linen draper's apprentice I detest mere copies! I would far sooner have a poor original work than an admirable copy whom ever fails to possess the spirit and touch of originality My Royal Pupils were HRH Victoria Princess Royal HRH Princess Alice HRH Albert Edward Prince of Wales HRH Alfred Duke of Edinburg HRH Princess Helena and HRH Princess Louise." c. 1pp letter on Golden Crescent watermarked paper dated March 12 1901 to Dr. Maitland once more with comically illustated envelope a silly stamp character and pipe smoking smiley face. letter reads: 'As you have not as yet sent for the head of the talented cove of Ancient Greece I take the liberty of forwarding it now! I say 'now' - because just at this moment - it happens not to be raining - although prehaps a trifle of washing might improve the effect of the countenance which you thoguht might look well in your hall Yours very truly Edward Henry Courbould R.I. doodle with palette. P.S. My head will not admit of my coming to your house yet! Housed in James Tregaskis envelope. Many of his Corbould's works were acquired by Queen Victoria Prince Albert and his royal pupils including an illustration of Alfred Tennyson's Morte d'Arthur presented by Queen Victoria to Princess Louise and 'Henry VI welcomed to London after his Coronation in Paris and The Iconoclasts of Basle' acquired by the Empress Frederick for the imperial collection in Berlin. unknown
2026réf. x-1836954034Berghahn Books 2026. Hardcover. New. 302 pages. 9.02x6.00x9.00 inches. Berghahn Books hardcover
réf. 11282London: Vanity Fair. 1879. No binding. Very Good. THE FIRST DOUBLE PAGE LITHOGRAPH PUBLISHED IN VANITY FAIR. 340 x 460 mm. double page lithograph in very good condition. 'Vanity Fair' was an English magazine published weekly in London between 1868 and 1914 and considered to be the literary and social voice of Victorian and Edwardian Britain. The magazine's founder Thomas Gibson Bowles 1841-1922 was brought up in a bohemian household and after a short period in the civil service became a journalist. In 1868 he began his own society journal and called it 'Vanity Fair'. On 30 January 1869 he introduced the first full-paged coloured caricature of Benjamin Disraeli and sales never looked back. Each was accompanied by a witty and sometimes biting biographical sketch. In the words of Matthews and Mellini it was 'the most successful Society magazine in the history of English journalism'. Famous artists who contributed are Sir Leslie Ward 1851-1922 who studied at Eton and then the Royal Academy and published under the pen name Spy for who Vanity Fair will remain synonymous. He also contributed to the 'World Magazine' 1910-11. Others include Carlo Pellegrini 1839-89 Max Beerbohm 1872-1956 James Tissot 1836-1902 and the American Thomas Nast 1840-1902. This is the first double-page image published in Vanity Fair on 1 July 1879. Less than 20 were printed in the entire history of the magazine. This is arguably the rarest. The artist was Alfred Chantrey Corbould 1852-1920 who was born into a family of artists. His father was Alfred Hitchens Corbould 1821-74 himself the son of Henry Corbould 1787-1844. Brought up in Kensington he studied art under his uncle Charles Samuel Keene 1823-91 an illustrator for 'Punch' magazine. He exhibited his work at the Royal Academy from 1879 and specialised in sport caricature an ideal subject for the magazine 'Vanity Fair'. 'The Row in Season' refers to the fashion of English society enjoying Rotton Row in London's Hyde Park. In the centre of the are the Prince and Princess of Wales on horseback. The route was originally designed as a safe passage for King William III to travel safely between Kensington Palace to St. James's Palace and called the Route du Roi. Over time it was corrupted to Rotton Row. Matthews & Mellini 1982; Savory 1979 p. 178. Vanity Fair. 1879 unknown
1819réf. ZB405237London: George Arliss 1819. Volume 4 only; 24mo viii 352 pp. 5 plates of 6 small illustrations in text; ex library quarter leather binding rubbed general age toning and some leaves have a light red stain working copy. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. London: George Arliss, hardcover
réf. 1017349231.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1165583550.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1359417265.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3742828770.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1856réf. 176846London: G. Routledge & Co. 1856. Fourth Corbould edition presented here in an attractive morocco binding. Edward Corbould 1815-1905 was a watercolourist and prolific book and magazine illustrator who produced illustrated editions of Chaucer Spenser and Walter Scott. First published in 1595 Epithalamion was written by Spenser as an ode for his bride on their wedding day. Octavo 162 x 102 mm. Engraved frontispiece and 7 full-page plates with tissue guards all wood engraving by Dalziel after Edward Corbould. Contemporary green morocco spine lettered and decorated in gilt covers with gilt rules and frame floral gilt roll to board edges and turn-ins edges gilt blue silk bookmarker. Early gift inscriptions to front free endpaper and first blank. Spine a little darkened gilt bright foxing to outer leaves. A near-fine copy. unknown
4to., First Edition, with coloured frontispiece (original tissue guard present), coloured plate, illustrations in the text and endpaper maps; brown board, upper board blocked and lettered in gilt, white faux-vellum back lettered in gilt, a very good, bright, clean copy. Thomson (1976), p.42.
1415réf. 6629032 pages including colour illustrated half title colour frontispiece title page with colour central illustration numerous black and white and full colour illustrations throughout colour illustrated frieze pasted to upper free endpaper visually attractive little book beautifully illustrated book is quite rare Published by Frederick Warne & Co hardcover
réf. 1011254387.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1104380072.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
