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Armando Savignano
Don Chisciotte. Illusione e realtà
Questo volume, che esce in occasione del quarto centenario della pubblicazione di "Don Chisciotte", propone una chiave di lettura del capolavoro di Cervantes per molti versi ancora inedita. Don Chisciotte, secondo l'autore, non è tanto e solo un romanzo, ma una vera e propria opera filosofica sul senso della grandezza e della caduta dell'uomo, tradotta in metafore per la necessità di sottrarsi alla rigida censura dell'Inquisizione spagnola. Autori: Armando Savignano.
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Michele Salazar
Il cibo in Cervantes tra sogno e realtà
Il lavoro di Michele Salazar si occupa del cibo in Cervantes come elemento fondamentale per disegnare la personalità dei protagonisti, il nobile hidalgo Don Chisciotte e il suo simpatico scudiero. L'analisi è condotta con rigore scientifico e metodo-logico, sulla base del testo, e sulla scorta di pertinenti richiami alla critica letteraria più accreditata. Il cibo è, dunque, occasione per acute riflessioni sul modo di essere e di apparire delle figure principali del romanzo, che si muovono tra realtà e fantasia nel loro differente rapportarsi al bere e al mangiare. Follia e saggezza, digiuno e abbuffata, povertà e ricchezza, libertà e schiavitù, amore, gloria, speranza, illusione, si alternano e si combinano nelle pagine di Salazar attraverso il cibo, in una chiave di lettura particolare dell'immortale capolavoro di Cervantes. Autori: Michele Salazar.
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Jean Canavaggio
Don Chisciotte. Dal libro al mito. Quattro secoli di erranza. Vol. 1
Autori: Jean Canavaggio. Traduttori: M. Matullo, E. Di Pastena.
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Enrico Trubiano
Sulle tracce del prode Don Chisciotte. Ricerca storico-letteraria su Miguel de Cervantes
Il saggio propone una biografia di Miguel Cervantes, scrittore esemplare rinascimentale, arricchita da accenni alle sue opere e ai suoi personaggi e corredata dall'analisi del contesto storico di riferimento, ricco di personaggi di prima grandezza. Il suo genio appare in una Spagna seicentesca, nazionalista e sfiduciata, rigurgitante di violenze e dagli eccessi più disparati, quando risulta netto il crollo del sistema aristocratico a favore dell'instaurarsi della società borghese. "Il Don Chisciotte della Mancia" rimane attuale per la sua esorbitante vitalità. Chiarire il periodo che il "sommo scrittore" ha vissuto in Italia, in più occasioni ipotizzato ma spesso ignorato dagli stessi cultori ispanici, potrebbe attirare l'attenzione su una più vasta e approfondita biografia del suo autore e gettare una diversa luce sulla genesi di alcuni personaggi del suo capolavoro. Autori: Enrico Trubiano.
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Panzini Alfredo
La bella storia di Orlando innamorato e poi furioso
br. Questo saggio letterario, la cui prima edizione risale al 1933, è incentrato sulla vicenda di Orlando, il cavaliere, nipote di Carlo Magno, che divenne una leggenda nella storia delle Crociate e poi il protagonista "innamorato" dell'opera di Matteo Maria Boiardo. Panzini ritiene che l'"Orlando Innamorato" sia alla base di due grandi opere della letteratura mondiale: l'"Orlando Furioso" di Ludovico Ariosto e il "Don Chisciotte della Mancia" di Miguel de Cervantes. Nel primo caso Panzini intende dimostrare come l'opera dello scrittore emiliano debba moltissimo a quella del Boiardo, senza la quale probabilmente oggi l'"Orlando Furioso" sarebbe stato molto diverso, o addirittura non sarebbe esistito. Nel caso di Cervantes sottolinea l'importanza che il Boiardo ha avuto per la nascita del personaggio di Don Chisciotte e della sua leggendaria pazzia, che trae origine da quei libri che il cavaliere della Mancia era solito conservare nella sua libreria. Panzini coglie l'occasione per illustrare, in un modo del tutto inedito, i personaggi, i luoghi e le vicende narrate dal Boiardo nel suo capolavoro.
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Unamuno Miguel de
Commento al «Don Chisciotte». Vol. 1
brossura La collana "Cultura dell'anima" fu ideata da Giovanni Papini e pubblicata da Rocco Carabba dal 1909 al 1938, per un totale di 163 titoli. Dal 2008 la casa editrice Carabba ha deciso di ripubblicare, in ristampa anastatica, nella sua interezza la collana "Cultura dell'anima" in un arco di tempo di cinque anni, con l'uscita di circa trenta volumi annuali. «Miguel de Unamuno è il pensatore più personale della Spagna moderna e il suo commento spirituale al « Don Chisciotte» è il suo capolavoro. Nessuno ha capito come lui l'anima eroica e religiosa del suo popolo». (G. Papini) Traduzione dallo spagnolo e note di G. Beccari.
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Unamuno Miguel de
Commento al «Don Chisciotte». Vol. 2
brossura
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Unamuno Miguel de; Lodi E. (cur.)
In viaggio con Don Chisciotte
br. Questo libro raccoglie per la prima volta l'insieme di saggi brevi e di articoli scritti dal grande intellettuale e scrittore spagnolo sull'opera di Cervantes, e in particolare sul Don Chisciotte. Era un progetto che lo stesso Unamuno voleva realizzare e non ebbe poi il tempo di condurre in porto. Si presenta come una raccolta organica che, ponendosi accanto al celebre"Vita di Don Chisciotte e Sancio" (1905), completa per il lettore italiano il panorama delle importanti ricerche di Unamuno sul mito più grande della letteratura spagnola. Milan Kundera, nella sua Teorìa del romanzo, pone il Don Chisciotte come fondamento del romanzo moderno. Il volume comprende il saggio "Il cavaliere dalla trista figura" del 1896, mai tradotto finora, dove Unamuno confronta le descrizioni che raffigurano Don Chisciotte nel romanzo con i ritratti che i pittori moderni gli hanno dedicato. Tra baffi cadenti e riflessioni sulla bruttezza del personaggio di Cervantes, lo scrittore torna sul tema che gli sta più a cuore: il valore universale di questo mito. Nella raccolta anche alcuni articoli polemici, tra cui "Muoia Don Chisciotte" che prende di mira gli eruditi che impantanano Don Chisciotte nelle dispute filologiche perdendo il messaggio umano e morale. Come scrive nell'Introduzione Enrico Lodi "sia Unamuno, sia Don Chisciotte, incarnano al meglio il conflitto tra la volontà di compiere un ideale che serbano dentro e l'impossibilità di raggiungerlo.
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Fernández Martín P. (cur.); Sardelli M. A. (cur.)
Estudios lingüísticos y literarios de las unidades fraseológicas en las obras cervantinas
br.
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Salcedo Ramos Alberto
L'oro e l'oscurità
brossura
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Basso Carlo
Cervantes e Pirandello: un dialogo metanarrativo
brossura «In un'oscura e rovinosa carcere della Mancha, nasce il Don Quijote. Ma era già nato prima il vero Don Quijote: era nato in Alcalá de Henares nel 1547. Non s'era ancora riconosciuto, non s'era veduto ancor bene: aveva creduto di combattere contro i giganti e di avere in capo l'elmo di Mambrino. Lì, nell'oscura carcere della Mancha, egli si riconosce, egli si vede finalmente; si accorge che i giganti eran molini a vento e l'elmo di Mambrino un vil piatto da barbiere. Si vede, e ride di sé stesso». Così Luigi Pirandello ricostruisce ne L'umorismo la genesi del Don Quijote di Miguel de Cervantes, il quale assurge a modello fondante della poetica dello scrittore siciliano, meritevole di aver portato, per la prima volta nella letteratura, il «sentimento del contrario», l'umorismo. La lettura pirandelliana risente della ricezione romantica e idealista del capolavoro cervantino, tuttavia le meravigliose parole con le quali Pirandello mette sotto la sua lente d'ingrandimento Cervantes producono due effetti distinti ma complementari. Da un lato ci autorizzano a leggere l'intera produzione dell'autore siciliano sotto la luce di quella di Cervantes e, dall'altro lato e con le dovute cautele, ci permettono di rileggere Cervantes attraverso nuove prospettive, secondo la massima di Jorge Luis Borges per cui ogni autore crea i propri precursori. Il denominatore comune risiede nel fenomeno della metanarratività, che caratterizza e rende peculiari le strutture narrative e il sistema dei personaggi dei due autori. C'è tanto donchisciottismo nei personaggi pirandelliani quanto pirandellismo nelle costruzioni narrative cervantine.
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Canavaggio Jean
Don Chisciotte. Dal libro al mito. Quattro secoli di erranza. Vol. 1
br.
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Unamuno Miguel de
Vita di Don Chisciotte e Sancho Panza
br. Le pagine più poetiche e profonde scritte da uno dei maestri del Novecento spagnolo, riproposte oggi al pubblico in occasione del centenario della prima pubblicazione. Nata come commento al romanzo di Cervantes, "La vita di Don Chisciotte e di Sancio" è in realtà molto più di un'erudita interpretazione storica, filologica o critica: il commento alle gesta dell'hidalgo per antonomasia è solo un pretesto per elaborare una "libera e personale esegesi del Chisciotte" e dare così vita a una monumentale prova di "agudeza" filosofica e di maestria letteraria.
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Trubiano Enrico
Sulle tracce del prode Don Chisciotte. Ricerca storico-letteraria su Miguel de Cervantes
br. Il saggio propone una biografia di Miguel Cervantes, scrittore esemplare rinascimentale, arricchita da accenni alle sue opere e ai suoi personaggi e corredata dall'analisi del contesto storico di riferimento, ricco di personaggi di prima grandezza. Il suo genio appare in una Spagna seicentesca, nazionalista e sfiduciata, rigurgitante di violenze e dagli eccessi più disparati, quando risulta netto il crollo del sistema aristocratico a favore dell'instaurarsi della società borghese. "Il Don Chisciotte della Mancia" rimane attuale per la sua esorbitante vitalità. Chiarire il periodo che il "sommo scrittore" ha vissuto in Italia, in più occasioni ipotizzato ma spesso ignorato dagli stessi cultori ispanici, potrebbe attirare l'attenzione su una più vasta e approfondita biografia del suo autore e gettare una diversa luce sulla genesi di alcuni personaggi del suo capolavoro.
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Unamuno Miguel de; Savignano A. (cur.)
Vita di Don Chisciotte e Sancio e altri scritti sul Chisciotte. Testo spagnolo a fronte
ril. Miguel de Unamuno è stato il fautore di una religione poetica, issata sull'esperienza della parola creatrice, mediante la quale non soccombe alla tentazione del nulla. Tra le sue opere fondamentali, un ruolo peculiare svolge il celebre libro su "Don Chisciotte". La forma del commento, che consente di attuare un dialogo interiore, è opera di uno spirituale piuttosto che di un intellettuale, la cui attitudine è contrassegnata dal pessimismo trascendente e dall'esistenza tragica. Unamuno confessa che il suo libro contiene "tutto un sistema filosofico", oltre a rappresentare un potente incitamento ad abbracciare una vita fondata sull'ideale etico, sull'eroismo tragico onde conquistare quella gloria e fama individuali e collettive, in ultima analisi l'immortalità, alla quale si può pervenire solo con una fede basata sul forte volere. Don Chisciotte è pervaso da una rassegnazione attiva, da una lotta titanica e utopica contro il mondo, alla ricerca del senso ultimo dell'esistenza e del proprio destino. Esprimendosi nella forma paradossale, ritenuta il linguaggio tipico della passione oltre che affermazione della volontà di creazione disperata, Unamuno assurge a pensatore tragico.
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Salazar Michele
Il cibo in Cervantes tra sogno e realtà
br. Il lavoro di Michele Salazar si occupa del cibo in Cervantes come elemento fondamentale per disegnare la personalità dei protagonisti, il nobile hidalgo Don Chisciotte e il suo simpatico scudiero. L'analisi è condotta con rigore scientifico e metodo-logico, sulla base del testo, e sulla scorta di pertinenti richiami alla critica letteraria più accreditata. Il cibo è, dunque, occasione per acute riflessioni sul modo di essere e di apparire delle figure principali del romanzo, che si muovono tra realtà e fantasia nel loro differente rapportarsi al bere e al mangiare. Follia e saggezza, digiuno e abbuffata, povertà e ricchezza, libertà e schiavitù, amore, gloria, speranza, illusione, si alternano e si combinano nelle pagine di Salazar attraverso il cibo, in una chiave di lettura particolare dell'immortale capolavoro di Cervantes.
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Carillo Gennaro; Carinci Franco; Salvati Antonio; Salvati A. (cur.)
Processo a Don Chisciotte. Tra finzione e follia
br. Il processo immaginario a Don Chisciotte si propone di svelare uno dei più grandi interrogativi della letteratura: l'immortale personaggio di Cervantes era poi veramente pazzo? O si trattava, piuttosto, di un'abile messinscena per sottrarsi alla vita noiosa e ripetitiva di un piccolo paesino di provincia nella Spagna più profonda? Accusa e difesa incrociano le spade, anzi le parole, per dimostrare tesi opposte: entrambe, però, con ampi e completi richiami a un capolavoro che ancora oggi non finisce mai di stupire, di commuovere, di far ridere. L'originale finale sentenza farà giustizia, ma il caso resta aperto, perché Don Chisciotte, si sa, è inafferrabile.
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Cervantes Saavedra Miguel de; Illustrated by Gustave Dore
Don Quijote De La Mancha.
Madrid - Barcelona: Alfaguara 1969. Finely bound Ediciones Alfaguara edition of Cervantes' masterpiece published on the 353rd anniversary of Cervantes' death. Quarto bound in full leatherette with gilt titles and tooling to the spine illustrated by Gustave Dore. In near fine condition. One can hardly deny that Gustave Dore is not merely one of the most popular but also one of the greatest of all illustrators. Don Quixote was a text calculated to test even Dore. He was matching himself against Coypel and Tony Johannot not to mention the Spanish illustrators of the great Ibarra edition published in Madrid in 1780. He met the challenge superbly. At first he intended only 40 designs but Cervantes' book captured his imagination and he arranged for a major work. Don Quixote and Sancho Panza reached their definitive rendering in Dore's designs" Ray 328-29 337. The English-language edition of Dore's Don Quixote first appeared in 30 monthly parts beginning in December 1864. In September of 1866 Cassell announced the publication of Don Quixote in book form. "In those two and a half years Dore went from being virtually unknown in England to being the most famous illustrator in the world" Malan 67. Alfaguara hardcover books
书商的参考编号 : 123067
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Cervantes Saavedra Miguel de Gustave Dore
The History of Don-Quixote.
London: Cassell Petter and Galpin c. 1868. Famous Dore illustrated edition of Cervantes with 120 full-page wood-<span class="glossaryQtip qTip">engravings</span> and 257 head- and tail-pieces by Gustave Dore engraved in the wood by Heliodore Pisan. Quarto bound in contemporary three quarters leather gilt titles to the spine raised bands illustrations by Dore. With text edited by J.W. Clark and a biographical notice of Cervantes by T. Teignmouth Shore. In near fine condition. One can hardly deny that Gustave Dore is not merely one of the most popular but also one of the greatest of all illustrators. Don Quixote was a text calculated to test even Dore. He was matching himself against Coypel and Tony Johannot not to mention the Spanish illustrators of the great Ibarra edition published in Madrid in 1780. He met the challenge superbly. At first he intended only 40 designs but Cervantes' book captured his imagination and he arranged for a major work. Don Quixote and Sancho Panza reached their definitive rendering in Dore's designs" Ray 328-29 337. The English-language edition of Dore's Don Quixote first appeared in 30 monthly parts beginning in December 1864. In September of 1866 Cassell announced the publication of Don Quixote in book form. "In those two and a half years Dore went from being virtually unknown in England to being the most famous illustrator in the world" Malan 67. Cassell, Petter, and Galpin hardcover books
书商的参考编号 : 120562
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Cervantes Miguel de. Translated by Charles Jarvis
The Adventures of Don Quixote De La Mancha; Translated From the Spanish of Miguel de Cervantes Saavedra. Fore-edge Painting.
London: Ward Lock & Co c. 1880. Finely bound example of Jarvis' translation of Cervantes' masterpiece. Octavo bound in full morocco with gilt titles and tooling to the spine double gilt ruling to he front and rear panel marbled endpapers all edges gilt. Illustrated by Tony Johannot tissue-guarded frontispiece in color. With a fore-edge painting of Don Quixote charging on his trusty steed Rocinante. In near fine condition. Often cited as the first modern novel Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age but the most important work of the entire Spanish literary canon. First published in 1605 Don Quixote gained immediate popularity in Spain for its "variety liveliness and gibes at the famous" while Cervantes' universal portrayal of the human condition has cemented its status as "one of those universal works which are read by all ages at all times" PMM. The Ibarra edition swiftly became the preferred edition in Spain when it appeared in 1780 Palau 52024. "It is interesting to realize that the first modern novel was composed by a sick aged and impoverished man who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry Cervantes created a study of reality and illusion madness and sanity that links him with such acute 16th-century students of psychology as Erasmus Rabelais Montaigne and Shakespeare" Folger's Choice 30. Ward, Lock & Co unknown books
书商的参考编号 : 121450
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Cervantes Saavedra Miguel de
The History of Don-Quixote. The First Parte. The Second Part of the History of the Valorous and Witty Knight-Errant Don Quixote of the Mancha. Written in Spanish by Michael Cervantes: and now translated into English.
London: Edward Blount 1620. Exceedingly rare first complete edition in English of Cervantes' masterpiece comprising the second edition <span class="match">of</span> <span class="match">the</span> first part and <span class="match">the</span> first edition <span class="match">of</span> <span class="match">the</span> second part. Small octavo 2 volumes bound in full calf with red morocco spine labels lettered in gilt gilt turn-ins frontispiece portrait of the author to Vol. I engraved headpieces tailpieces and initials. Translated from the original Spanish by Thomas Shelton his first English translation published in 1612 was the first translation in any language and took him only forty days to complete. The true first edition of Don Quixote was published in Madrid by Francisco de Robles in two parts in 1605 and 1614. The first part of Shelton's first English version was published in 1612 with the second part added in 1620 both published in quarto. The present edition is the first complete edition published in the English language with both the first and second parts published and sold simultaneously. Volume one is a second edition with the text block trimmed as usual in very good condition. Volume two is a first edition lacking the engraved title as with many copies and believed to be indicative of an earlier state. "Duff suggested that the reason this plate is lacking in so many copies of the second part is because it was not prepared until after a good many copies had been sold without it" Pforzheimer 140; Grolier Langland to Wi<span class="match">the</span>r 213 Early ownership signature most likely Herbert Lunsford located at the head of the errata sheet. Sir Herbert Lunsford c. 1610-1664 was a military figure and brother to Thomas Lunsford who is reputed to have been a ruthless pirate and fearless adventurer. There are some who believe that these brothers along with their brother Henry served as the models for the Three Musketeers. Catalog entry handwritten note and newspaper clipping containing bibliographical information affixed to verso of front board. An exceptional example of this rarity very rare to find complete. Often cited as the first modern novel Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age but the most important work of the entire Spanish literary canon. The Shelton translation is generally considered the English translation that "realizes Cervantes' manner more nearly than any successor." DNB. "It is interesting to realize that the first modern novel was composed by a sick aged and impoverished man who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry Cervantes created a study of reality and illusion madness and sanity that links him with such acute 16th-century students of psychology as Erasmus Rabelais Montaigne and Shakespeare" Folger's Choice 30. Edward Blount unknown books
书商的参考编号 : 117895
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Cervantes Saavedra Miguel De
First Part of El Ingenioso Hidalgo Don Quixote de la Mancha. Barcelona 1617.
Barcelona: Bautista Sorita for Miguel Gracian 1617. The earliest extant Barcelona edition of Cervantes' masterpiece and the first part of the first complete edition of Don Quixote. Small octavo bound in full contemporary calf with gilt titles and elaborate gilt tooling to the spine gilt turn-ins marbled endpapers all edges red illustrated title page. The second part of the first complete edition was printed simultaneously by Sebastian Matevad and sold as a complete set with the present volume by Miguel Gracian Juan Simon and Rafael Vives. Small stamp and inscription to the title page. Bookplate to the pastedown. Scarce and desirable. "Cervantes' great ironical romantic story is written in a style so noble so nervous so humane so branded with reality that as the wise critic has said the mere touch and impact of it puts courage into our veins. Not to have ever opened it. is to have missed being present at one of the 'great gestures' of the undying unconquerable spirit of humanity" Powys 27. Widely regarded as "the first modern novel" Cervantes' masterpiece was first published in two parts in 1605 and 1615. This the first known edition of the first part of Don Quixote printed in Barcelona was printed by Bautista Sorita for three different Barcelona booksellers: Miguel Gracian Juan Simon and Rafael Vives. The second part was printed simultaneously in 1617 by Sebastian Matevad for the same booksellers making the two parts combined the first complete edition of Don Quixote though just as the two parts were usually bound separately they are now found typically found separately when they seldom appear. Bautista Sorita, for Miguel Gracian unknown books
书商的参考编号 : 117012
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Cervantes Saavedra Miguel de
The History of The Valorous Witty-Knight-Errant Don-Quixote Of the Mancha.
London: Printed by Richard Hodgkinsonne for Andrew Crooke 1652. Second edition of the first English translation of Cervantes' masterpiece. Folio bound in full contemporary calf with gilt titles and elaborate gilt tooling to the spine in five compartments within raised gilt bands quadruple gilt ruling with cornerpiece flourishes to the front and rear panels woodcut devices to the titles woodcut initials and headpieces. Translated from the original Spanish by Thomas Shelton his first English translation published in 1612 was the first translation in any language and took him only forty days to complete. The true first edition of Don Quixote appeared in two parts in 1605 and 1614. The first part of Shelton's first English version was published in 1612; with the second part was added in 1620 both published in quarto. The present volume is the first single-volume Shelton edition and is the first folio edition. In near fine condition. Period ownership inscription to the title page. An exceptional example the nicest we have seen. Often cited as the first modern novel Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age but the most important work of the entire Spanish literary canon. The Shelton translation is generally considered the English translation that "realizes Cervantes' manner more nearly than any successor." DNB. "It is interesting to realize that the first modern novel was composed by a sick aged and impoverished man who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry Cervantes created a study of reality and illusion madness and sanity that links him with such acute 16th-century students of psychology as Erasmus Rabelais Montaigne and Shakespeare" Folger's Choice 30. Printed by Richard Hodgkinsonne for Andrew Crooke unknown books
书商的参考编号 : 96236
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Cervantes Miguel De
The First Part of the Life and Achievements of the Renowned Don Quixote de la Mancha.
London: By William Stansby For Ed: Blounte 1620. Rare second edition of the first part of Don Quixote in English. Octavo bound in contemporary calf engraved title page woodcut headpieces and decorative initials. In very good condition with some wear to the binding portion of upper spine. Translated by Thomas Shelton. Exceptionally rare and desirable. Don Quixote tells the tale of a man so entranced by reading about the chivalrous romantic ideals touted in books that he decides to take up his sword and become a knight-errant himself with the aims of defending the helpless and warding off the wicked. With his somewhat confused laborer-turned-squire Sancho Panza they roam the world together and have adventures that have haunted reader's imaginations for nearly four hundred years. Don Quixote is generally recognized as the first modern novel. Over those years it has had an incredible influence on thousands of writers from Dickens to Faulkner who once said he reread it once a year "just as some people read the Bible". Vladimir Nabokov is quoted as saying "Don Quixote is greater today than he was in Cervantes's womb. He looms so wonderfully above the skyline of literature a gaunt giant on a lean nag that the book lives and will live through his sheer vitality. He stands for everything that is gentle forlorn pure unselfish and gallant. The parody has become a paragon." By William Stansby For Ed: Blounte unknown books
书商的参考编号 : 74055
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Cervantes Saavedra Miguel de
El Ingenioso Hidalgo Don Quixote de la Mancha: Nueva Edicion Corregida Por La Real Academia Espanola.
Madrid: Don Joaquin Ibarra 1780. The deluxe illustrated Ibarra edition of Cervantes' masterpiece "which is to Spanish literature what Shakespeare is to English" Bloom. Quartos 4 volumes. Bound in full contemporary Spanish tree calf with gilt titles and tooling to the spine red and black morocco spine labels elaborate double gilt-ruled borders marbled endpapers all edges gilt engraved frontispiece to each volume and 31 engraved plates throughout 2-page folding engraved map of <span class="match">Don </span><span class="match">Quixote</span>'s travels to the rear of volume 1. Spanish printer Joaquin Ibarra made several important technical developments in press printing book-making typography and paper-making. In his printed work Ibarra sought to achieve a perfect flow of harmonious type inks illustration margins and textures. He worked with the best painters and engravers of his time and based on a secret formula he developed the Ibarra ink gained a reputation for its exceptional quality and brilliance. The present volume was printed on "ex profeso" paper with melted types of "ex novo" on the pages both of which Ibarra created in his Madrid workshop specifically for this project. In near fine condition with ownership inscriptions and some toning to the page edges some loss to the edges of the license page. A very bright example of both Cervantes' and Ibarra's best-known works rare and desirable in this condition. Often cited as the first modern novel Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age but the most important work of the entire Spanish literary canon. First published in 1605 Don Quixote gained immediate popularity in Spain for its "variety liveliness and gibes at the famous" while Cervantes' universal portrayal of the human condition has cemented its status as "one of those universal works which are read by all ages at all times" PMM. The Ibarra edition swiftly became the preferred edition in Spain when it appeared in 1780 Palau 52024. "It is interesting to realize that the first modern novel was composed by a sick aged and impoverished man who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry Cervantes created a study of reality and illusion madness and sanity that links him with such acute 16th-century students of psychology as Erasmus Rabelais Montaigne and Shakespeare" Folger's Choice 30. Don Joaquin Ibarra unknown books
书商的参考编号 : 96554
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Cervantes Saavedra Miguel de
El Ingenioso Hidalgo Don Quixote de la Mancha: Nueva Edicion Corregida Por La Real Academia Espanola.
Madrid: Don Joaquin Ibarra 1780. The deluxe illustrated Ibarra edition of Cervantes' masterpiece "which is to Spanish literature what Shakespeare is to English" Bloom. Quartos 4 volumes. Bound in full contemporary Spanish tree calf with gilt titles and tooling to the spine red morocco spine labels gilt ruled borders marbled endpapers all edges green engraved frontispiece to each volume and 31 engraved plates throughout 2-page folding engraved map of <span class="match">Don </span><span class="match">Quixote</span>'s travels to the rear of volume 1. Spanish printer Joaquin Ibarra made several important technical developments in press printing book-making typography and paper-making. In his printed work Ibarra sought to achieve a perfect flow of harmonious type inks illustration margins and textures. He worked with the best painters and engravers of his time and based on a secret formula he developed the Ibarra ink gained a reputation for its exceptional quality and brilliance. The present volume was printed on "ex profeso" paper with melted types of "ex novo" on the pages both of which Ibarra created in his Madrid workshop specifically for this project. In near fine condition with bookplates to the pastedown of each volume from the Royal Military College small library stamps. An excellent example of both Cervantes' and Ibarra's best-known works. Often cited as the first modern novel Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age but the most important work of the entire Spanish literary canon. First published in 1605 Don Quixote gained immediate popularity in Spain for its "variety liveliness and gibes at the famous" while Cervantes' universal portrayal of the human condition has cemented its status as "one of those universal works which are read by all ages at all times" PMM. The Ibarra edition swiftly became the preferred edition in Spain when it appeared in 1780 Palau 52024. "It is interesting to realize that the first modern novel was composed by a sick aged and impoverished man who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry Cervantes created a study of reality and illusion madness and sanity that links him with such acute 16th-century students of psychology as Erasmus Rabelais Montaigne and Shakespeare" Folger's Choice 30. Don Joaquin Ibarra unknown books
书商的参考编号 : 96763
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Cervantes Saavedra Miguel de
El Ingenioso Hidalgo Don Quixote de la Mancha: Nueva Edicion Corregida Por La Real Academia Espanola.
Madrid: Don Joaquin Ibarra 1780. The deluxe illustrated Ibarra edition of Cervantes' masterpiece. Quartos 4 volumes. Bound in full 19th century green morocco with central motif and cornerpieces stamped in blind to the panels gilt titles and tooling to the spine elaborate double-ruled gilt borders marbled endpapers all edges gilt engraved frontispiece to each volume and 31 engraved plates throughout 2-page folding engraved map of <span class="match">Don </span><span class="match">Quixote</span>'s travels to the rear of volume 1. Spanish printer Joaquin Ibarra made several important technical developments in press printing book-making typography and paper-making. In his printed work Ibarra sought to achieve a perfect flow of harmonious type inks illustration margins and textures. He worked with the best painters and engravers of his time and based on a secret formula he developed the Ibarra ink gained a reputation for its exceptional quality and brilliance. The present volume was printed on "ex profeso" paper with melted types of "ex novo" on the pages both of which Ibarra created in his Madrid workshop specifically for this project. In near fine condition. A superior example of Ibarra's best-known work. Don Quixote tells the tale of a man so entranced by reading about the chivalrous romantic ideals touted in books that he decides to take up his sword and become a knight-errant himself with the aims of defending the helpless and warding off the wicked. With his somewhat confused laborer-turned-squire Sancho Panza they roam the world together and have adventures that have haunted reader's imaginations for nearly four hundred years. Don Quixote is generally recognized as the first modern novel. Over those years it has had an incredible influence on thousands of writers from Dickens to Faulkner who once said he reread it once a year "just as some people read the Bible". Vladimir Nabokov is quoted as saying "Don Quixote is greater today than he was in Cervantes's womb. He looms so wonderfully above the skyline of literature a gaunt giant on a lean nag that the book lives and will live through his sheer vitality. He stands for everything that is gentle forlorn pure unselfish and gallant. The parody has become a paragon." Printed for La Real Academia Espanola the Spanish Royal Academy by Joaquin Ibarra y Marin this edition was intended to be a supreme example of Spanish craftsmanship lavished on the nation's greatest literary work. This edition excels in beauty of type design paper illustration and printing as well as incorporating a carefully edited and corrected text. The illustrations and delightful ornaments were designed by the best Spanish artists of the day the paper was milled expressly for this edition and the type was specially cut. It contains the first map depicting the route taken by Don Quixote and Sancho Panza through Spain. The edition's fame among bibliophiles was thoroughly established throughout Europe within a very few years. The English bibliomane William Davis wrote in 1821 that "the celebrated Ibarra edition is so well known that I need only refer to M. Paris's sale 1791 where a copy sold for GBP16 16 shillings and Col. Stanley's where a copy sold for GBP17 6 shillings 6 pence" A Journey Round the Library of a Bibliomaniac. Don Joaquin Ibarra unknown books
书商的参考编号 : 97654
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Cervantes Saavedra Miguel de.
El ingenioso hidalgo Don Quixote de la Mancha.
Madrid: Moya y Plaza 1880. Fine. 16mo 12 cm; 2 volumes. xxii 532 4 ; x 578 2 pages. Text in Spanish. Printed in diamond-point 7-pica type. Uniquely bound in vellum over boards with hand-painted illustrations on upper boards Quixote in his library on volume 1 Quixote and Sancho on the road on volume 2 signed "G. Losilla." Hand-lettered and decorated spines and hand-painted floral motif on lower boards. Vellum clasps and straps of binder's twine. Pastepaper endleaves. Bookseller ticket of Casa Maier Barcelona. Lettering a bit faded on spines else unblemished. Moya y Plaza hardcover books
书商的参考编号 : 6344
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Cervantes Saavedra Miguel de; Estavanez translator Th. Lemoine de
Principales Adventures de Don Quichotte de la Manche
Editions Casterman Circa 1910. Very Good. Cervantes Saavedra Miguel de. Principales Adventures de Don Quichotte de la Manche. Estavanez translator Th. Lemoine de. Paris: Editions Casterman Circa 1910. 251pp. Illustrated. 4to. Book condition: Very good with light rubbing and bumping. Spine has lost much of the color from it's embossing. Former owner's name is written on half title. Very pretty front cover. Mises a la portee de la Juenesse. Editions Casterman unknown books
书商的参考编号 : RCERPRI00tw
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Cervantes J. C.
The Fire Keeper
New. New book. unknown books
书商的参考编号 : WELLER9781368041881 ???????? : 1368041884 9781368041881
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Cervantes Saavedra Miguel de
Vida Y Hechos Del Ingenioso Hidalgo Don Quixote De La Mancha: Con Muy Bellas Estampas Gravadas Sobre Los Dibujos de Coypel Primer Pinto de el Rey de Francia.
En Haia The Hague: Por P. Gosse y A. Moetjens 1744. Rare early printing and one of the most highly coveted editions of Cervantes' masterpiece. Octavo 4 volumes bound in full calf gilt titles and elaborate gilt tooling to the spine burgundy spine labels triple gilt ruled marbled endpapers all edges red ribbons bound in with numerous engravings after the drawings of Antoine Coypel renowned for the paintings he produced for King Louis XIV of France including those decorating the ceiling of the Royal chapel at Versailles. In near fine condition. An exceptional example. Don Quixote tells the tale of a man so entranced by reading about the chivalrous romantic ideals touted in books that he decides to take up his sword and become a knight-errant himself with the aims of defending the helpless and warding off the wicked. With his somewhat confused laborer-turned-squire Sancho Panza they roam the world together and have adventures that have haunted reader's imaginations for nearly four hundred years. Don Quixote is generally recognized as the first modern novel. Over those years it has had an incredible influence on thousands of writers from Dickens to Faulkner who once said he reread it once a year "just as some people read the Bible". Vladimir Nabokov said of the book: "Don Quixote is greater today than he was in Cervantes's womb. He looms so wonderfully above the skyline of literature a gaunt giant on a lean nag that the book lives and will live through his sheer vitality. He stands for everything that is gentle forlorn pure unselfish and gallant. The parody has become a paragon." Por P. Gosse y A. Moetjens unknown books
书商的参考编号 : 92807
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Cervantes Miguel De
Vida Y Hechos Del Ingenioso Cavallero Don Quixote de la Mancha.
Antwerp: Por Juan Bautista Verdussen 1697. Finely bound work of Don Quixote early illustrated Brussels edition which had been the first in Spanish with illustrations. Octavo 2 volumes two frontispieces and 32 full-page engraved plates bound contemporary calf richly embossed and tooled with gilt floral emblems to the spine. In excellent condition. Pa<span class="match">la</span>u 51998; Peeters-Fontainas 232. Don Quixote tells the tale of a man so entranced by reading about the chivalrous romantic ideals touted in books that he decides to take up his sword and become a knight-errant himself with the aims of defending the helpless and warding off the wicked. With his somewhat confused laborer-turned-squire Sancho Panza they roam the world together and have adventures that have haunted reader's imaginations for nearly four hundred years. Don Quixote is generally recognized as the first modern novel. Over those years it has had an incredible influence on thousands of writers from Dickens to Faulkner who once said he reread it once a year "just as some people read the Bible". Vladimir Nabokov is quoted as saying "Don Quixote is greater today than he was in Cervantes's womb. He looms so wonderfully above the skyline of literature a gaunt giant on a lean nag that the book lives and will live through his sheer vitality. He stands for everything that is gentle forlorn pure unselfish and gallant. The parody has become a paragon." Por Juan Bautista Verdussen unknown books
书商的参考编号 : 95870
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Cervantes Miguel De
El ingenioso hidalgo Don Quixote de la Mancha.
Madrid: Gabriel de Sancha 1797-98. First edition of the first annotated edition of Don Quixote. Octavo five volumes bound in contemporary tree calf covers with a swashed diagonal cross edged with a gilt roll gilt bands and green lettering pieces marbled endpapers sprinkled edges. With 2 engraved portraits 2 engraved headpieces 3 folding maps and 31 engraved plates executed by P. Duflos and Moreno Tejada after R. Ximeno A. Navarro Monnet and Camaron y Paret. In near fine condition. "This beautiful edition which is printed on excellent paper is of the highest importance for Pellicer's erudite notes and commentary and for his painstaking corrections of the text" Ruis. By focusing his attention on the authentic Spanish folklore that Cervantes would have drawn upon Pellicer set the precedent for modern editorial methods. The present edition is illustrated with numerous fine plates described by Ashbee as "among the finest produced in Spain." Palau 52030; Salva 1568; Mas II 446; Ruis I 59; Ashbee Iconography of Don Quixote 93. Don Quixote tells the tale of a man so entranced by reading about the chivalrous romantic ideals touted in books that he decides to take up his sword and become a knight-errant himself with the aims of defending the helpless and warding off the wicked. With his somewhat confused laborer-turned-squire Sancho Panza they roam the world together and have adventures that have haunted reader's imaginations for nearly four hundred years. Don Quixote is generally recognized as the first modern novel. Over those years it has had an incredible influence on thousands of writers from Dickens to Faulkner who once said he reread it once a year "just as some people read the Bible". Vladimir Nabokov said of the book: "Don Quixote is greater today than he was in Cervantes's womb. He looms so wonderfully above the skyline of literature a gaunt giant on a lean nag that the book lives and will live through his sheer vitality. He stands for everything that is gentle forlorn pure unselfish and gallant. The parody has become a paragon." Gabriel de Sancha unknown books
书商的参考编号 : 62015
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CERVANTES Miguel de
Don Quixote the Ingenious Gentleman of la Mancha
Norwalk: Easton 1979. hardcover. fine. Edy Legrand. Color frontispiece and illustrated in black and white by Edy Legrand. 682 pages double column text thick 4to gilt stamped burgundy leather silk moire endpapers all edges gilt. Norwalk: Easton Press 1979. Slight scratching to gilt edges else a fine copy.<br/><br/> 100 Greatest Books Ever Written series.<br/><br/> Easton unknown books
书商的参考编号 : 300817
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Miguel De Cervantes Saavedra
The Ingenious Gentleman Don Quixote of La Mancha In Slipcase
New York: The Limited Editions Club 1933. Decorative Boards. Very Good. Enric C. Ricart. A solid example of the 1933 1st thus complete in 2 volumes and slipcase. #957 OF 1500 COPIES ISSUED SIGNED BY THE ILLUSTRATOR ENRIC C. RICART at the limitation AND "PRINTED ON GUARRO PAPER BY OLIVA DE VILANOVA IN BARCELONA". Both volumes tight and VG in their patterned dark and yellow boards over red cloth with mild darkening along the spines and a very small closed tear along Vol. 1's spine crown. Quartos deckled fore and bottom-edges wonderful etched illustrations throughout by Enric C. Ricart. The 2 volumes housed within a Good only example of the publisher's printed slipcase with the top panel missing and light wear along the bottom-edges and at the foot of the spine. Still though presentable and very functional in its protection of the 2 volumes. <br/><br/> The Limited Editions Club hardcover books
书商的参考编号 : 19460
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Cervantes Saavedra Miguel de.
Le Jaloux Carrizales d’Estramadure.
Folio. Paris: Societe Litteraire de France 1916. Folio x 59 1 pp. original wrappers bound in repeating letterpress and device of title-page printed in black red and gold frontispiece simulating a Baroque pictorial title-page of an early Cervantes edition with author-portrait and architectural enframement printed in black and red seven wood engravings hors-texte headpieces and tailpieces red and black historiated initial letters. Half brown morocco marbled paper boards gilt paneled backstrip with square tan inlays and gold fillets and four raised bands top edge gilt marbled endpapers. Light foxing throughout; very good. § Copy no. 332 on vélin blanc des papeteries de Rives white wove paper one of 380 numbered copies from a total edition of 410. Societe Litteraire de France hardcover books
书商的参考编号 : 106496
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Cervantes Miguel de.
Don Quijote.
12mo. Paris: Imprenta de Julio Didot Mayor 1827. 12mo 616 pp. Illustrated with engravings. Full calf intricately tooled in blind and gilt with professional repair to backstrip. All edges gilt marbled endpapers. Previous owner’s inscription on verso of front endpaper. Some scattered foxing and light toning. Very good with the fold-out map in fine condition. § Miniature edition text in Spanish. With an illustrated title page 9 engravings including a portrait of Cervantes and a lovely fold-out map in the back called “Carta geografica de los viages de Dn. Quijote y sitios de sus aventuras.†Plates are engraved by E. Stalker from a selection of the designs prepared by Antonio Rodriguez for the 1797 Madrid edition Worldcat. Imprenta de Julio Didot Mayor unknown books
书商的参考编号 : 106001
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Cervantes Miguel de
Novelas Ejemplares
Madrid: Aguilar 1964. Small volume 12.5 x 9cm pp 760. Charming little volume oneof the Edicion Crisol bound in full red leather silver lettering on spine. Original dust jacket present. Fine. <br/><br/> Aguilar hardcover books
书商的参考编号 : 7486
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COYPEL PICART; CERVANTES; Coypel; Picart; BERNARD
Les Principals Aventures de Don Quichote.
1746. CERVANTES. Les Principals Aventures de Don Quichote. Complete suite of 31 plates 1 headpiece and 1 vignette by Coypel Picart et al. some mounted on strong paper. Folio 368 x 252 mm bound in nineteenth-century French red half morocco over embossed paper boards embossed white endpapers. The Hague: De Hondt 1746. A rare suite in first issue of the Coypel-Picart engravings produced to illustrate Cervantes text of 1746. The original paintings by Charles Coypel 1694-1752 illustrating Don Quixote now hanging at Compiègne-French Royal residence of Louis XV are considered his greatest works; the paintings were first reproduced in a large-folio suite of 25 prints issued in Paris in 1723. The above volume belongs to the reduced format edition issued in 1746 by De Hondt French and Dutch texts were available. This project was begun by Picart who died in 1733 necessitating the participation of Schley. Twenty five plates were executed after Coypel's designs; the others were after Boucher Cochin Le Bas and Tremolière. "It is not too much to say that the pictorial tradition associated with Cervantes' masterpiece owes as much to Coypel as to any other artist" Ray p. 13. PROVENANCE: Lenormand du Coudray 1712-1789 famed Orléans print-collector to whom Lugt nos. 1704-1706 devotes more than a column. Lugt's assertion that Lenormand du Coudray affixed his signature to the verso of nearly every print he owned holds true in the present volume: each plate is elaborately inscribed with his monogram and date of acquisition "2 Feb. 1756" i.e. only ten years after they were published. It makes sense that Lenormand du Coudray would purchase the suite without text as he was interested in graphic art and further they are consecutively numbered by him in contemporary MS. Ashbee Iconography of Don Quixote no. 43. Ray French no. 4 error in collation: the "frontispiece" is a ghost. hardcover books
书商的参考编号 : 166941
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Cervantes Saavedra Miguel de
The History and Adventures of the Renowned Don Quixote; To Which is Prefixed Some Account of the Author's Life by Dr. Smollett
London: Printed for C. Cooke "Cooke's Edition" n.d. Hardcover. Poor. Five volumes complete twenty-fourmo size size approx. 1214 pp. Originally published in two volumes in 1605 and 1615 Don Quixote is considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon; the story has become such a part of our culture that the terms "tilting at windmills" and "quixodic" have entered the vernacular. <br/><br/>This likely an early reprint of "Cooke's Edition" as the title page is undated which edition was apparently first published in the mid eighteenth-century. The bindings are quite shabby and some of the boards only on by the binding cords we offer it as-is.<br/><br/>___DESCRIPTION: Five volumes each volume in half leather over marbled boards red leather spine labels according to the title pages "Embellished with Superb Engravings"; twenty-fourmo size 5 5/8" by 3 1/2" pagination: Vol. I i-iv title page and dedication i ii-xxi 22-23 xxiv "Life of Cervantes" i-ii Translator's Statement i ii-viii Preface 1 2-196; Vol. II 1-3 4-239; Vol. III 1-3 4-247; Vol. IV 1-3 4-247 and Vol. V 1-3 4-247. <br/><br/>___CONDITION: We are grading as "Poor" as the bindings are extremely worn the leather dry and cracking the marbled boards quite rubbed and while the text blocks seem strong several of the boards are almost detached; the interiors are mostly clean although several leaves are tattered around the margins the only markings we see a pencilled name on the front free endpaper of each volume and light prior bookseller marks also in pencil on the front free endpaper of the first volume. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed for C. Cooke ("Cooke's Edition") hardcover books
书商的参考编号 : 210503003
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Cervantes Saavedra Miguel de
El Ingenioso Hidalgo Don Quijote de la Mancha. 2 volumes.
Barcelona: Imprenta de Antonion Bergenes 1840. . 2nd . Hardcover. Very good. Edicion Adornada Con 800 laminas repartidas por el contexto. Bound in full leather. Library stanp on front free endpaper with no other interior or exterior indications of ex library. <br/><br/> Imprenta de Antonion Bergenes hardcover books
书商的参考编号 : 9027810
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Saavedra Miguel de Cervantes
The Ingenious Gentleman Don Quixote de la Mancha Complete in Two Parts
New York: Viking Press 1949. 2nd. Hardcover. Near fine/very good. Bound in the publisher's original black cloth covered boards spines stamped in gilt. Lightly rubbed at the edges and extremities and sunned at the spines of dust jackets. Translated from the spanish with a critical text based upon the first editions of 1605 and 1615 by Samuel Putnam. Matching slipcase. <br/><br/> Viking Press hardcover books
书商的参考编号 : 9022741
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Cervantes Lorna Dee
Lapiz Azul broadside
n/p: Bookslinger Editions 1982. Fine. One of 70 numbered copies signed by the author. Printed at The Toothpaste Press on occasion of the author's reading at Walker Art Center in Minneapolis on November 4 1982. 13 x 10 inches. Fine. <br/><br/> n/p: Bookslinger Editions, 1982 unknown books
书商的参考编号 : 25146
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CERVANTES
Catalogo de la Primera Exposicion Bibliografica Cervantina I.
Madrid: Biblioteca Nacional 1947. First. paperback. very good. Illustrated. 276 pages tall 8vo original printed wrappers edgeworn. Madrid: Biblioteca Nacional 1947. First Edition. Very Good.<br/><br/> Biblioteca Nacional unknown books
书商的参考编号 : 216880
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Cervantes Lorna Dee.
Emplumada.
Pittsburgh: University of Pittsburg Press 1981. 8vo 21 cm 8". 5 ff. 68 pp. 1 f. <br><br>First edition of her first book. Publisher's cloth. Fine in dust jacket. University of Pittsburg Press hardcover books
书商的参考编号 : 17239
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Cervantes Saavedra Miguel de.
Discursos de Don Quijote.
San Salvador El Salvador: Departamento editorial del Ministerio de Educación 1961. Narrow small 8vo. 28 pp. <br><br>In series "Coleccion Azor." Includes some of Don Quixote most memorable orations. Publisher's wrappers. Small stamp "Obsequio del Ministerio de Educacion. Departamento editorial del Ministerio de Educación unknown books
书商的参考编号 : 38358
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Miguel Cervantes
The Life and Exploits of the Ingenious Gentleman Don Quixote De La Mancha in 4 Vols.
London: William Miller 1801. 1/2 leather. Very Good . Lavish 1801 translation bound by Root & Son of London in a handsome half-morocco over marbled boards and compete in 4 volumes. Each volume is tight and solid with very light wear along the spines and a bit of rubbing at the panels. Light intermittent foxing otherwise clean as could be internally. Uniform octavos top-edges gilt. Translated from its original Spanish by Chalres Jarvis Esq. Very skillful engravings by various artists including Anker Smith J. Neagle Fittler etc. Frontispiece engraving of Cervantes by Anker Smith fold-out "Map of That Part of Spain Which Contains the Travels of Don Quixote" in Vol. I present and compeltely intact. <br/><br/> William Miller hardcover books
书商的参考编号 : 14604
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Miguel de Cervantes Saavedra
Don Quijote von der Mancha
Leipzig: Verlag von Th. Knaur 1893. Hardcover. Very Good . Gustav Dore. A very handsome copy of this massive 1893 German edition of Don Quixote lavishly illustrated thruout by Gustav Dore. Tight and VG in its pictorial green cloth with bright gilt along the front panel and ;lightly-rubbed gilt-lettering and insignia along the spine. Folio all edges gilt decorative endpapers. The Dore engravings complement the text --written in its fraktur-- beautifully. <br/><br/> Verlag von Th. Knaur hardcover books
书商的参考编号 : 13607
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Cervantes de Salazar Francisco.
Life in the imperial and loyal city of Mexico in New Spain and the Royal and Pontifical University of Mexico. As described in the dialogues for the study of the Latin language.
Austin: University of Texas Press 1953. 8vo. vii 113 132 pp. <br><br>Facsimile in Latin is of leaves 228-294 of a Cervantes de Salazar volume in the University of Texas's Latin American Collection; it consists of seven dialogues of Cervantes de Salazar originally published as part of a larger work which also includes Cervantes's commentary on the dialogues of Luis Vives. The original title-page. for this part reads: "Francisci Ceruantis Salazar Toletãi Ad Ludouici Viuis Valentini exercitationem aliquot dialogi. 1554." Leaf 289 is wanting here as in the University of Texas copy. Errata inserted. Includes bibliographical references and index.<br>Â Â Â Â The work was prepared by Francisco Cervantes de Salazar for use in his classes and printed in 1554 by Juan Pablos ; now published in facsimile with a translation by Minnie Lee Barrett Shepard and an introduction and notes by Carlos Eduardo Castañeda. Former owner's bookplate. With the original slipcase. Bound in vellum-like paper binding. A handsome and important publication. Nearly new. University of Texas Press hardcover books
书商的参考编号 : 36722
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Cervantes Saavedra Miguel de.
Primera parte del ingenioso hidalgo don Qvixote de la Mancha.
En Brucelas: Por Huberto Antonio 1617. 8vo 16.8 cm; 6.625". 8 ff. 583 1 p. 3 ff. one leaf in facsimile. <br><br>That momentous international success Don Quixote part I appearing in Brussels within the first dozen years of its life this for the third time following Brussels printings of 1607 and 1611. Part II was not issued in Brussels until 1616 and and then as a stand-alone volume. Overall this is the only 11th separate printing of part I.<br>Â Â Â Â Scarce: We trace but seven copies in U.S. libraries Harvard University of CaliforniaBerkeley Dartmouth Huntington University of Kansas Texas A&M Hispanic Society.<br>Â Â Â Â Provenance: Late 17th-century ownership inscription at top of title-page of "T. Engle"; 18th-century ownership inscription below that of "E. Ward"; on endpaper "December 1787" with lines in French in an 18th-century hand.<br>Â Â Â Â Contemporary purchase information: On recto of rear free endpaper in an early 17th-century Spanish hand "# 1618 # new line En 24 de marco i.e. março Costo en Brusellas 20 placas. <br>Â Â Â Â <br>Â Â Â Â Rius 11; Peeters-Fontainas 227; Suñé Benages 15; Palau 51988; Printing and the Mind of Man 111; Printing and the Mind of Man: Catalogue of the Exhibitions at the British Museum and at Earls Court 242. Contemporary limp vellum soiled and beginning to separate ties perished; Don Quixote inked on spine faded. Lacking one leaf of text only supplied in very good facsimile pp. 57576. => First and last gatherings guarded with strips of Renaissance vellum manuscript. Por Huberto Antonio hardcover books
书商的参考编号 : 23423
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