‎Bibliography‎

‎Twain Mark / Bibliography‎

‎MARK TWAIN'S Date 1601. CONVERSATION As It WAS By The SOCIAL FIRESIDE In The TIME Of The TUDORS.; Embellished With an Illuminating Introduction Facetious Footnotes and a Bibliography by Franklin J. Meine‎

‎New York: Privately Printed from Lyle Stuart 1939. 1st edition thus. Red cloth lettered in gold. Slipcase with printed pink onlay to one side. A NF copy in a VG slipcase which shows some seam wear & has a sun-tanned spine. 80 pp frontis 8vo. <br/><br/>A useful bibliography of this oft reprinted work of Twain's listing 44 different editions. Privately Printed from Lyle Stuart hardcover‎

Bookseller reference : 8457.1

‎Twain Mark / Bibliography‎

‎MARK TWAIN'S Date 1601. CONVERSATION As It WAS By The SOCIAL FIRESIDE In The TIME Of The TUDORS.; Embellished With an Illuminating Introduction Facetious Footnotes and a Bibliography by Franklin J. Meine‎

‎New York: Privately Printed from Lyle Stuart 1939. 1st edition thus. Red cloth lettered in gold. Slipcase with printed pink onlay to one side. A NF copy in a VG slipcase which shows some seam wear & has a sun-tanned spine. 80 pp frontis 8vo. <br/><br/>A useful bibliography of this oft reprinted work of Twain's listing 44 different editions. Privately Printed from Lyle Stuart hardcover books‎

Bookseller reference : 8457.1

‎Twardzik Stefano‎

‎Archivio della Regia Scuola superiore di medicina veterinaria di Milano (1807-1934). Inventario, Roma, Edizioni di Storia e Letteratura, 2020‎

‎Roma, 2020; br., pp. 384, cm 17,5x25. (Sussidi Eruditi. 100).‎

‎TWYMAN (Michael)‎

‎Early Lithographed Books. A Study of the Design and Production of Improper Books in the Age of the Hand Press.‎

‎First Edition, 4to, 374pp., frontis., 282 illustrs., orig. cloth. Covers a little-known area of book design and production, including an annotated bibliographical catalogue of over 420 lithographed books.‎

‎TYMMS W.R. - WYATT M.D.‎

‎The art of illuminating as practised in Europe from the earliest times.‎

‎Cm. 24, pp. 96 di testo. Con frontespizio e 95 splendide tavole in cromolitografia. Legatura editoriale in piena tela decorata e con titoli in oro. Legatura sapientemente rastaurata, peraltro esemplare in ottimo stato di conservazione. Si tratta verosimilmente della seconda edizione (di poco ridotta rispetto alla prima) di questo splendido volume dedicato alla decorazione miniata delle lettere‎

‎TYPE SPECIMENS. FRY (Edmund, & Son)‎

‎Specimen of Modern Printing Types, by Edm. Fry & Son, Letter Founders to the King, Type Street, London.‎

‎Royal 8vo (245 x 155 mm), title printed within a heavy border of flowers, followed by 115 leaves of specimens printed on one side only, of which two a folding, some occasional offsetting, cont. cloth-backed boards with wine auction sale particulars pasted over boards, manuscript paper spine label, uncut and partial unopened, an attractive copy. Bigmore & Wyman I, p. 243 mentioning only 1816, 1824 & 1827 editions; B&J citing the Oxford copy; Mosley locating four copies with between 91 and 118 leaves (Oxford, Cambridge, V&A, and Columbia University Library); OCLC adds the Huntington and Detroit copies; none added by JISC; not in the British Library or St Brides Catalogue. Berry & Johnson p. 49; Mosley, 135.‎

‎TYPE SPECIMENS. FRY, STEELE, AND CO.‎

‎A Specimen of Printing Types, By Fry, Steele, and Co. Letter-Founders to the Prince of Wales, Type-Street.‎

‎Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.‎

‎TZARA (Tristan)].‎

‎Dokumentations-Bibliothek III. Teile der Bibliothek und Sammlung Tristan Tzara, Paris.‎

‎Bern Kornfeld und Klipstein 1968 1 vol. broché in-4, broché, 70 pp., nombreuses reproductions en noir. Catalogue de périodiques et documents littéraires et graphiques provenant de la bibliothèque Tzara, rédigé en allemand avec la participation de Jean Hugues. Très bon état.‎

Bookseller reference : 91113

‎TZARA]‎

‎Importante partie de la bibliothèque de Tristan Tzara (Editions originales, documentation, livres illustrés, manuscrits et lettres autographes, dessins). Dada - surréalisme et les précurseurs.‎

‎Paris Hôtel Drouot 1989 1 vol. relié in-4, cartonnage éditeur décoré d'un poème mobile (cercles de cartons tournants), rhodoïd illustré d'une portrait de Tzara en transparence, non paginé, très nombreuses reproductions en noir et en couleurs, 476 numéros décrits, bibliographie. Catalogue de référence, avec la liste des estimations jointe. Très bon état.‎

Bookseller reference : 25944

‎TÖPFFER, Rodolphe. - BLONDEL, Auguste:‎

‎Rodolphe Töpffer, l'écrivain l'artiste et l'homme. Ecrit avec la collaboration de Paul Mirabaud. Ouvrage illustré de vingt-cinq photogravures et suivi d'une bibliographie complète.‎

‎Paris, Hachette, 1886, in-4°, frontispice + titre + 416 p., exlibris gravé ‘Alta Peto MONT’, (von Steiger), reliure en toile, plat ornés, brochure orig. cons.,‎

‎Première édtion, imprimée sur beau papier et illustrée.‎

Bookseller reference : 39669aaf

‎TÖPFFER, Rodolphe.‎

‎Rosa et Gertrude. Edition du centenaire‎

‎grand in-8°, 200 pages, front., ill. h.t. collees, note, bibliogr., broche, couv..— 1 des 1125 ex. sur velin Biberist sous couverture rose numerotes. Bel exemplaire [GD8/3]‎

‎U. Weekes‎

‎Early Engravers and their Public The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500‎

‎, Brepols - Harvey Miller, 2004 Hardcover with dusjacket, 384 pages ., 178 b/w ill. + 67 colour ill. + + ills., 225 x 300 mm, Languages: English. ISBN 9781872501529.‎

‎This is a book about the production and reception of engravings and metalcuts in the Rhine-Maas region during the second half of the fifteenth century. The Master of the Berlin Passion played a pivotal role in the printmaking industry of the Lower Rhine during this period. He, together with the engravers working in his ambit, specifically targeted their prints at the growing market for illustrated devotional manuscripts, doing so to an extent unparalleled by engravers elsewhere in Europe. As a result, experimental hybrid books combining manuscript and engraving were a phenomenon that flourished particularly in the Rhine-Maas region during the fifteenth century. The first part of this book deals with the production of engravings and metalcuts for the manuscript market, concentrating specifically on the Master of the Berlin Passion and the engravers and metalcutters in his circle. The motives of these printmakers related to broader cultural and social changes during the latter half of the fifteenth century. These were critical years of transition in methods of book production as printmakers and manuscript-makers across Europe strove to exploit the potential of new print technology combined with traditional craft skills. The second part of the book concentrates on the public for whom these printmakers worked. Prints that were pasted, bound or sewn into contemporary manuscripts, and which still remain in position, provide an unparalled opportunity to study the audiences of engravings and metalcuts. The vast majority of fifteenth-century prints no longer survive, and most of those that do are divorced from the original contexts in which they were used. These manuscripts thus provide an invaluable insight into the production, reception, circulation, meanings and functions of prints in the Rhine-Maas region at this time. The predominantly female ownership of Rhine-Maas manuscripts with inserted engravings is a major theme of the book. Most of the manuscripts discussed are vernacular prayerbooks or Books of Hours that belonged either to nuns or to members of the lay female gentry in the Low Countries. In many cases the books can be linked to the pietistic reform movement of the Devotio Moderna suggesting that, as in other areas of Northern Europe, there was a link between the use of prints and movements of monastic reform. This book contributes to our understanding of an important circle of print artists and their public; early uses of printing during the period of transition from manuscript to print; the functions of, and aesthetic attitudes towards, engravings in the fifteenth century and the role of engravings in religious devotion prior to the Reformation, particularly among women. Review "Tant pour l'analyse exemplaire d'une production parfaitement localis e, que pour la clart de la m thode utilis e, la rigueur de la d monstration comme de la documentation, et l'importance des probl matiques soulev es, cet ouvrage sera d sormais une r f rence essentielle sur l'illustration et l'usage du livre la fin du Moyen ge, et les mutations artistiques, intellectuelles, religieuses et sociales qu'il r v le" (C. Heck dans le Bulletin Monumental, N 164-III, 2006, p.324-326) "This book is to be highly recommended to historians of visual art, late-medieval and early-modern culture, and gender studies. this excellent book is richly illustrated."A. Stewart in Speculum, April 2006, p. 627-628)‎

Bookseller reference : 54601

‎U. S. Library of Congress General Reference and Bibliography Division Staff‎

‎Current National Bibliographies‎

‎ABC-CLIO LLC 1969. Hardcover. As New. Disclaimer:An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. ABC-CLIO, LLC hardcover‎

Bookseller reference : G0837107164I2N10 ISBN : 0837107164 9780837107165

‎U. Weekes‎

‎Early Engravers and their Public The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500‎

‎Hardcover with dusjacket, 384 pages ., 178 b/w ill. + 67 colour ill. + + ills., 225 x 300 mm, Languages: English. ISBN 9781872501529. This is a book about the production and reception of engravings and metalcuts in the Rhine-Maas region during the second half of the fifteenth century. The Master of the Berlin Passion played a pivotal role in the printmaking industry of the Lower Rhine during this period. He, together with the engravers working in his ambit, specifically targeted their prints at the growing market for illustrated devotional manuscripts, doing so to an extent unparalleled by engravers elsewhere in Europe. As a result, experimental hybrid books combining manuscript and engraving were a phenomenon that flourished particularly in the Rhine-Maas region during the fifteenth century. The first part of this book deals with the production of engravings and metalcuts for the manuscript market, concentrating specifically on the Master of the Berlin Passion and the engravers and metalcutters in his circle. The motives of these printmakers related to broader cultural and social changes during the latter half of the fifteenth century. These were critical years of transition in methods of book production as printmakers and manuscript-makers across Europe strove to exploit the potential of new print technology combined with traditional craft skills. The second part of the book concentrates on the public for whom these printmakers worked. Prints that were pasted, bound or sewn into contemporary manuscripts, and which still remain in position, provide an unparalled opportunity to study the audiences of engravings and metalcuts. The vast majority of fifteenth-century prints no longer survive, and most of those that do are divorced from the original contexts in which they were used. These manuscripts thus provide an invaluable insight into the production, reception, circulation, meanings and functions of prints in the Rhine-Maas region at this time. The predominantly female ownership of Rhine-Maas manuscripts with inserted engravings is a major theme of the book. Most of the manuscripts discussed are vernacular prayerbooks or Books of Hours that belonged either to nuns or to members of the lay female gentry in the Low Countries. In many cases the books can be linked to the pietistic reform movement of the Devotio Moderna suggesting that, as in other areas of Northern Europe, there was a link between the use of prints and movements of monastic reform. This book contributes to our understanding of an important circle of print artists and their public; early uses of printing during the period of transition from manuscript to print; the functions of, and aesthetic attitudes towards, engravings in the fifteenth century and the role of engravings in religious devotion prior to the Reformation, particularly among women. Review "Tant pour l'analyse exemplaire d'une production parfaitement localisée, que pour la clarté de la méthode utilisée, la rigueur de la démonstration comme de la documentation, et l'importance des problématiques soulevées, cet ouvrage sera désormais une référence essentielle sur l'illustration et l'usage du livre à la fin du Moyen Âge, et les mutations artistiques, intellectuelles, religieuses et sociales qu'il révèle" (C. Heck dans le Bulletin Monumental, N° 164-III, 2006, p.324-326) "This book is to be highly recommended to historians of visual art, late-medieval and early-modern culture, and gender studies. this excellent book is richly illustrated."A. Stewart in Speculum, April 2006, p. 627-628)‎

‎Ubbelohde - Schmidt, Philip Peter‎

‎Es war einmal ... : Bibliographisches zum Leben u. zu den Illustrationen. von Otto Ubbelohde. von‎

‎Berlin : Stapp 1982. 56 S. : mit Abb.. ; 20 cm engl., Broschiert, Exemplar in gutem Erhaltungszustand‎

‎Grafik-Klein 9783877767054 +++++ 30 Jahre Antiquariat Christmann in Wiesbaden +++++ Wir liefern außer nach Deutschland, nur noch nach Schweiz / Holland / Belgien / Italien / GB / USA / +++ We now only deliver to Switzerland / Holland and Belgium / Italy / GB / USA +++ Keine Lieferung nach Österreich ++++‎

Bookseller reference : 25088

‎UCCELLI RAFFAELLO‎

‎Contributo alla Bibliografia della Toscana‎

‎8° tela edit. tit. oro al piatto e dorso, pp. XI-466. Rist. anastatica dell'ediz. Firenze, 1922.‎

‎UCCELLI RAFFAELLO.‎

‎Contributo alla bibliografia della Toscana.‎

‎Cm. 28, pp. xii, 466 (2). Bross. orig. Perfetta conservazione, a fogli chiusi. Edizione originale stampata in sole 300 copie numerate (ns. n. 115). Vasta compilazione bibliografica con oltre 11.000 opere descritte.‎

‎UCCELLI RAFFAELLO.‎

‎Contributo alla bibliografia della Toscana.‎

‎Cm. 27, pp. xii, 466 (2). Solida legatura coeva in mezza pergamena, dorso liscio con titoli in oro su tassello. Bross. orig. preservata all'interno. Ottima conservazione. Edizione originale stampata in sole 300 copie numerate (ns. n. 124). Vasta compilazione bibliografica con oltre 11.000 opere descritte.‎

‎Ueberschär, Gerd. R‎

‎Hitlers militärische Elite (2 Bände komplett) Band 1: Von den Anfängen des Regimes bis Kriegsbeginn / Band 2: Vom Kriegsbeginn bis zum Weltkriegsende‎

‎Darmstadt, Wissenschaftliche Buchgesellschaft / WBG 1998. XVI, 302; XIII, 326 S. Pappbände / gebundene Ausgaben‎

‎Band 1+2 (2 Bände vollständig) 1. Aufl.; Guter und sauberer Zustand! ((Beiliegend Zeitungsartikel zur Thematik)).‎

Bookseller reference : 62318

‎Uellner, Winfried:‎

‎Herbert Weichmann. Mit einem Vorwort von Willy Brandt.‎

‎8°. 133,(3) S. Mit einer Porträtzeichnung von Siegfried Oelke und einer Handschriftenprobe. Schwarze Orig.-Pappe. Erste Ausgabe. - Hamburger Bibliographien: Band 17. - Beiträge von Carlo Schmid (Mein Freund Herbert Weichmann), Paul Otto Vogel (Lebenslauf eines Politikers) und Herbert Weichmann (Grundgesetz in Not?). - Gutes Exemplar.‎

‎Ufficio Coloniale Politico del Reich (Compilata da)‎

‎Bibliografia coloniale tedesca‎

‎UGHI G‎

‎GIOVANNI CAV. CECCHINI TIPOGRAFO VENEZIANO - NOTIZIE BIOGRAFICHE - 1885‎

‎In 8o, pp. 35, br. in carta marmorizzata marron, ritratto in antip. Biografia sul famoso stampatore veneziano (1805-1884), amico di Bartolomeo Gamba, in uno spaccato della poco studiata storia della tipografia a Venezia nel XIX secolo. Rarissimo. Edizione in 200 esemplari fuori commercio (553/ VENEZIA - BIBLIOGRAFIA - TIPOGRAFIA)‎

‎UGO FOSCOLO‎

‎OPERE VOL. I E II‎

‎UGO FOSCOLO OPERE VOL. I E II. , RIZZOLI EDITORE 1956, Copertina di similpelle rossa con sovracoperta in acetato trasparente. Con cofanetto. Linguetta di stoffa segnalibro. Piano dell'opera: Volume I Poesie e Prose d'Arte, Volume II Prose polemiche e critiche. A cura di Guido Bezzola. Collana I Classici Rizzoli. Buono (Good) . <br> <br> <br> 677 E 1060<br>‎

‎Ugo Spini‎

‎Le edizioni bresciane del Seicento Catalogo cronologico delle opere stampate a Brescia e a Salò‎

‎ISBN 8870751856‎

‎UGONI Camillo‎

‎Della letteratura italiana nella seconda metà del secolo XVIII . Opera postuma.‎

‎4 volumi in 8° pp. 838, 499, 555, 669, ritratto dell'a (incisione F. Caporali), leg. in m/pelle con tit. e fregi in oro al dorso(bellissima legatura).‎