‎Director‎

‎Richard C. Bennett director; George Edwards and Barry Schneider screenwriters; Barbara Eden Ronny Cox starring‎

‎Harper Valley PTA Original screenplay for the 1978 film‎

‎Los Angeles: April Fools Productions 1977. First Draft script for the 1978 film. <br/><br/>Barbara Eden plays a quirky resourceful cosmetic saleswoman Stella Johnson who after her young daughter is singled out by the nosey PTA for her mother's liberal lifestyle decides to take on the organization using any means necessary with comedic results. Basis for the 1981 television series of the same name also starring Barbara Eden. <br/><br/>Set in Harper Valley shot on location in Lebanon Ohio. <br/><br/>Green untitled wrappers. Title page present dated 08/12/77 noted as first draft with credits for screenwriters George Edwards and Barry Schneider. 116 leaves with last page of text numbered 114. Xerographically duplicated. Pages Fine wrapper Fine bound with three gold brads. April Fools Productions unknown books‎

Bookseller reference : 139064

‎Richard C. Sarafian director; Jack DeWitt screenwriter; Richard Harris John Huston Henry Wilcoxon Percy Herbert starring‎

‎Man in the Wilderness Original screenplay for the 1971 film‎

‎Burbank CA: Warner Brothers 1971. Final Shooting script for the 1971 film. <br/><br/>Based loosely on the 1818-20 Missouri Expedition John Huston stars as Captain Henry a fictionalized Major Andrew Henry of the Rocky Mountain Fur Company. John Huston joined the production as an actor a few days after he had quit as director for the film "The Last Run" due to arguments on the set with George C. Scott. Set in American West shot on location in Arizona USA Mexico and Spain. <br/><br/>Tan titled wrappers noted as Final Shooting Script on the front wrapper. Title page present dated February 4 1971 noted as Final Shooting Script with credits for star Richard Harris screenwriter Jack Dewitt and director Richard Sarafian. 139 leaves with last page of text numbered 137. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internallywith two gold brads. Warner Brothers unknown books‎

Bookseller reference : 140230

‎Richard Cunha director screenwriter; H. E. Barrie screenwriter; Brian Donlevy Andrea Bayard and Elizabeth Howard starring‎

‎Girl in Room 13 Thirteen Original Film Pressbook‎

‎N.p.: Layton Film Productions 1960. Original pressbook for the 1960 film noir. <br/><br/>Brian Donlevy plays a US detective sent to Brazil to find an American woman accused of murder. He finds his target but not before getting sucked into his own brand of crime. Richard Cunha who directed a few minor but pertinent films in 1958 "Frankenstein's Daughter "Missile to the Moon" and "Giant from the Unknown" sets the pace with a television serial-like quality. A solid second feature from the post-noir period. <br/><br/>One sheet folded twice as issued 11 x 17 inches. Near Fine with a faint horizontal fold crease at the center of the wrapper and pages a small numerical notation at the bottom of the front wrapper and light rubbing overall. Hinged diecut of the door on the front wrapper and issued in color on thick stock characteristics unique amongst pressbooks. Layton Film Productions unknown books‎

Bookseller reference : 125415

‎Richard Dembo director screenwriter; Hilary Sandison translator; Michel Piccoli Alexandre Arbatt Liv Ullmann Leslie Caron st‎

‎Dangerous Moves The Fool's Gambit Original screenplay for the 1984 film‎

‎N.p.: N.p. 1983. Draft script for the 1984 film "Dangerous Moves" here under the working title "The Fool's Gambit." Script translated by Hilary Sandison credited on the last leaf of text. <br/><br/>Akiva Piccoli is a Soviet Jew chess master ensconced in Communism and in declining health. His rival Pavius Arbatt is a young defector tired of Communist ways and the two face each other at the World Chess Championship. <br/><br/>Shot on location in France. Winner of an Academy Award for Best Foreign Language Film. <br/><br/>White wrappers with clear plastic front wrapper. Title page present dated June 1983. 124 leaves with last page of text numbered 124. Mechanical duplication. Near Fine overall bound with a black plastic comb binding. N.p. unknown books‎

Bookseller reference : 137667

‎Richard Fleischer director Edward Anhalt screenplay‎

‎BOSTON STRANGLER THE 1967 Revised Second Draft Screenplay‎

‎<br /><b>Richard Fleischer director <i>THE BOSTON STRANGLER</i> Revised Second Draft Screenplay by Edward Anhalt dated November 7 1967 with revised blue pages dated 11/14/67. </b><br /><br />Hollywood: Twentieth Century Fox 1967. Printed wrappers mimeograph brad bound quarto minor creasing to yapped edges of wrappers JUST ABOUT FINE in VERY GOOD wrappers. Script has name of Fred Harpman of the art department who received a credit for production film treatment and who left a drawing on the page facing page 95.<br /><br />THE BOSTON STRANGLER is the third in a series of four films based on true crimes directed by genre chameleon Richard Fleischer 1916-2006. The other three in the series were THE GIRL IN THE VELVET SWING 1955 COMPULSION 1959 and 10 RILLINGTON PLACE 1971. THE BOSTON STRANGLER was clearly the most ambitious of the group both from a narrative perspective and in terms of its radically experimental multi-screen visual style. Controversial in its day Fleischer's film is now considered a classic of '60s neo-noir.<br /><br />New York City-born screenwriter Edward Anhalt 1914-2000 co-authored with his wife Edna Anhalt the screenplays for PANIC IN THE STREETS Elia Kazan 1950 for which they received an Academy Award MEMBER OF THE WEDDING Fred Zinneman 1952 and THE SNIPER Edward Dmytryk 1952. After his divorce from Edna Edward Anhalt continued writing screenplays – many of them adaptations – for films like THE YOUNG LIONS Dmytryk 1958 BECKET Peter Glenville 1964 for which he received another Academy Award and JEREMIAH JOHNSON Sydney Pollack 1972. He agreed to write the screenplay for THE BOSTON STRANGLER based on Gerold Frank's book after an unsuccessful effort by British playwright Terence Rattigan.<br /><br />Tony Curtis received a Best Actor Golden Globe nomination for his portrayal of the THE BOSTON STRANGLER's title role a subtle and committed performance unlike anything the actor had previously done while Anhalt was nominated for an Edgar Allen Poe Award by the Mystery Writers of America. for his screenplay.<br /><br />Anhalt's script paints a picture of the crimes and the way the way they were investigated through a brilliant accumulation of details. Consider the way his screenplay opens:<br /><br /><br /><i>INT. ANNA SLESERS' APARTMENT – BOSTON – DAY</i><br /><br /><i>We are watching a TV picture of ALAN SHEPARD'S welcome to Boston. We SEE the crowds on the Common; Shepard on the back of a limousine waves and a military band plays brassily. Applause ripples along the street flags flutter in the mild breeze. It is a cheerful scene. We MOVE BACK. The television set is in the corner of the living room. </i><br /><br /><i>Suddenly our view is disturbed by the contents of a woman's purse emptied before us. Then in quick succession the gloved hands that hold the purse dump out the contents of a bureau drawer a kitchen drawer a living room table drawer and finally a waste basket. </i><br /><i>. . .</i><br /><i>We MOVE from the torn paper on the floor to a crooked bare knee in the f.g. Then we SEE the thigh and then through the space between the two the other bare leg … .</i><br /><br /><br />What Anhalt's screenplay doesn't indicate is the way director Fleischer chose to shoot this material. As previously mentioned Fleischer developed an innovative multi-screen technique for shooting this movie dividing the widescreen motion picture frame into sub-frames that appear disappear and change shape – at some points in the narrative dividing the overall frame into as many as seven separate images. For example in the scene described above the image of the tv screen occupies the tiny upper left hand corner of the frame surrounded by black. Then the frame opens up to show the entire apartment the camera pulling back to finally show the killer's legs crossing left to right. The various details – the killer's gloved hands rifling through a bureau drawer then the kitchen drawer then a living room table drawer then the victim's record collection etc. – are each given a separate image that occupies a different portion of the overall frame. Fleischer and his cameraman Richard Kline shoot the entire film in this manner all of it carefully storyboarded ahead of time. <br /><br />The film's sound design is equally intricate. Although Anhalt's script balances multiple perspectives – killer victims investigators suspects media witnesses and concerned citizens – no one merely reading the screenplay could anticipate what Fleischer would do with it.<br /><br />Fleisher's multi-screen technique accomplishes several things. It creates a sense of complexity of multiple events happening separately and simultaneously of the many details and points of view that will become important during the course of the investigation and – most importantly – the sense of an entire city in crisis and the many individual lives caught up in the chaos.<br /><br />Apart from the application of Fleischer's technique there were other significant changes between this Revised Second Draft screenplay and what was ultimately shot. Some scenes lines and characters were tweaked or removed and others were added. The names of some characters were changed e.g. the name of the police detective played by George Kennedy was changed from Lt. Joseph Corsi in the screenplay to Lt. Phil DiNatale in the film. The order of scenes was rearranged.<br /><br />The film's protagonist Joseph Bottomly Henry Fonda a Harvard academic who coordinates the investigation is not introduced until approximately one third of the way through the narrative. We do not see the face of the killer Albert DeSalvo Tony Curtis until the movie's second half page 92 of the screenplay. Although most of the screenplay and film is intensely realistic the style turns expressionistic after the killer is finally identified and apprehended and as he undergoes hypnosis we see events replayed from his deranged point of view.<br /><br />This is a boundary-pushing screenplay and film. Sex crimes and the ways they are committed are openly discussed. The film has significant LGBTQ content. Bottomly interviews a lesbian couple in their upscale Boston apartment. They direct him to an elegant suspect played by THE PICTURE OF DORIAN GRAY's Hurd Hatfield whom he interviews in a gay bar.<br /><br />As audacious in its subject matter as it is technically avant-garde THE BOSTON STRANGLER could be called the CITIZEN KANE of true crime films and just as Herman Mankiewicz's screenplay was an essential element of what Orson Welles achieved with KANE Edward Anhalt's meticulous screenplay was essential to what director Richard Fleischer achieved in the 1960s with THE BOSTON STRANGLER. 20th Century Fox‎

Bookseller reference : WALTER-FILM200035

‎Richard Fleischer director; Alfred Hayes screenwriter; Don Murray Richard Egan Lee Remick starring‎

‎These Thousand Hills Original screenplay from the 1959 film signed by actor Don Murray‎

‎Los Angeles: Twentieth Century-Fox 1958. Final script for the 1959 Western film dated May 22 1958. Signed by lead actor Don Murray on the title page. <br/><br/>Based on the 1956 novel by Pulitzer Prize winning author A.B. Guthrie Jr. the third installment in his sextet about the Old West. An unusual Western with touches of the darkness characteristic of film noir a character study of a cowboy who aspires to ascend the ranks of the burgeoning Wyoming society. He borrows the life savings of a saloon girl to start his ranch and then marries into a higher rank. Though at first he distances himself from the saloon girl in order to run for US Senator Murray must then come to her aid when a rancher has beaten her. <br/><br/>An ambitious film from director Fleischer in which we are asked to question the value of financial success and the labels of "good" and "evil." Some beautiful cinematic moments with Lee Remick giving a standout performance as Callie the saloon girl. Set in Wyoming. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 181 and production No. 740 dated May 22 1958. Title page present noted as Final Script with credits for screenwriter Hayes. 114 leaves mimeograph duplication with blue revision pages throughout dated variously between May 26 1958 and June 2 1958 Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. <br/><br/>Pitts 4333. Twentieth Century-Fox unknown books‎

Bookseller reference : 123633

‎Richard Fleischer director; Elmore Leonard screenwriter; Charles Bronson Al Lettieri Linda Cristal starring‎

‎Mr. Majestyk Collection of five original photographs from the 1974 film‎

‎N.p.: Mirisch Corporation 1974. Collection of five vintage studio still photographs from the 1974 film. Snipe affixed to the verso of each image. <br/><br/>An American action film directed by Richard Fleischer and starring Charles Bronson Al Lettieri and Linda Cristal. Bronson stars as a melon farmer who battles crime and dodges a vindictive hit man. <br/><br/>Shot on location in Colorado. <br/><br/>8 x 10 inches. Near Fine. Occasional holograph pencil annotations to the versos and red holograph annotations to the margins. Mirisch Corporation unknown books‎

Bookseller reference : 141584

‎Richard Fleischer director; Kinji Fukasaku director Japanese unit; Akira Kurosawa screenwriter uncredited; Hideo Oguni Ryuzo‎

‎Tora Tora Tora Original poster for the 1970 film‎

‎Los Angeles: Twentieth Century-Fox 1970. Vintage US one sheet poster for the 1970 US-Japanese film. The film won an Academy Award for Best Visual Effects.Several screenwriters were employed to write the script including Larry Forrester and Mitchell Lindemann for the American scenes and Hideo Oguni Ryuzo Kikushima and Akira Kurosawa for the Japanese scenes. Kurosawa was excited to direct the Japanese scenes once he heard that David Lean "Great Expectations" 1946 "The Bridge on the River Kwai" 1957 and "Lawrence of Arabia" 1962 was going to direct the American scenes. Lean was never a involved to begin with and Kurosawa successfully left the project and received no screenwriting or directorial credit. <br/><br/>Based on a nonfiction piece by Gordon Prange first published under the same name in Reader's Digest and later expanded into a book titled "At Dawn We Slept: The Untold Story Of Pearl Harbor." <br/><br/>Notable primarily for the enormous price tag attached to its production the film recreated the events leading up to the Japanese attack on Pear Harbor. American and Japanese filmmakers collaborated on the World War two picture which was far more successful in Japan than in the US. Notorious director Akira Kurosawa was involved in the screenwriting process although he was uncredited in the final version. <br/><br/>Set in Pearl Harbor shot on location in Hawaii Japan California Washington DC <br/><br/>27 x 41 in folded. A small stain and light toning else Near Fine. Twentieth Century-Fox unknown books‎

Bookseller reference : 139880

‎Richard Fleischer director; Mark Twain novel; Berta Dominguez Pierre Spengler George MacDonald screenwriters; Oliver Reed Raq‎

‎Crossed Swords The Prince and the Pauper Original photograph from the 1977 film‎

‎N.p.: International Film Production 1977. Vintage borderless studio still photograph from the 1977 film. Snipe affixed to the verso with tape. Based on Mark Twain's 1882 novel "The Prince and the Pauper."<br/><br/>A peasant boy switches identities with the Prince of Wales in Richard Fleischer's 1977 film. Starring Oliver Reed Raquel Welch Mark Lester and Charlton Heston. <br/><br/>Shot on location in England and Hungary. <br/><br/>8 x 10 inches. Near Fine. International Film Production unknown books‎

Bookseller reference : 141354

‎Richard Foster director 1902700023 isbn‎

‎Catalogue of the Osteological Specimens in the Collections of the Zoology Department of Liverpool Museum‎

‎National Museums & Galleries on Merseyside 2007. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item 194 pp. spiral bound very good National Museums & Galleries on Merseyside unknown‎

Bookseller reference : ZB594140

‎Richard Jackson Director National Centre for Peace and Conflict Studies University of Otago New Zealand‎

‎Lessons from Abroad for the U.S. Entitlement Debate CSIS Reports‎

‎2014-04-25. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown‎

Bookseller reference : 1442228377n ISBN : 1442228377 9781442228375

‎Richard Jackson director; Sergio Garrone screenwriter; Vonetta McGee Monica Teuber Linda Fox Karen Carter starring‎

‎The Big Bust-Out Original poster for the 1972 film‎

‎N.p.: New World Pictures 1972. Original US one sheet poster a variant size in a variant yellow color scheme for the 1972 Italian film. <br/><br/>An early role for Vonetta McGee who would star in television shows like "L.A. Law" and "Bustin' Loose" and several other blaxploitation films in the 1970s. The film poster here is the yellow variant also known to have been printed in red.<br/><br/>23 x 34.25 inches folded. Studio label on the verso. Very Good plus with a couple of short closed tears and a couple of light stains. <br/><br/>Parish and Hill 14. New World Pictures unknown books‎

Bookseller reference : 128339

‎Richard Lang director; Brian Taggert Tony Lawrence screenwriter; Susan Saint James Michael Parks Jamie Smith Jackson Dolores‎

‎Night Cries Original screenplay for the 1978 film‎

‎Studio City CA: Charles Fries Productions / Stonehenge Productions 1977. Draft script circa 1977 for the 1978 television movie. <br/><br/>Jeannie Haskins James is a schoolteacher who is told during labor that her baby has died. Soon after she is haunted by nightmares that seem to indicate her child is alive so she seeks the help of a dream therapist. <br/><br/>Director Lang's notable credits as director include several episodes of television series shows like "Melrose Place" "Beverly Hills 90210" and "Kung Fu."<br/> <br/>Cream titled wrappers with a brief pencil notation on the front wrapper. Title page present undated with credits for screenwriters Taggert and Lawrence and story writer Taggert. 102 leaves with last page of text numbered 101. Mechanical duplication. Masking tape on the rear wrapper else pages and wrapper Near Fine bound with two gold brads. Charles Fries Productions / Stonehenge Productions unknown books‎

Bookseller reference : 135516

‎Richard Lester Director Warner Brothers Communication Company Christopher Reeve and Richard Pryor Actors‎

‎Superman III 1983 Original Four-Page Advance Press Screening Program Publicity Promotional Film Movie Starring Christopher Reeve and Richard Pryor‎

‎No Place: Warner Brothers Communications Company. A quality glossy left-folded advance screening program containing four pages with each page measuring 8-1/2" by 11". With vivid front cover in red background showing the title of the film the interior pages contain a list of The Cast and The Credits. . Fine. Program. First Edition. 1983. Warner Brothers Communications Company unknown‎

Bookseller reference : 007162

‎Richard Lester director; Ann Jellicoe play; Charles Wood screenwriter; Rita Tushingham Ray Brooks Michael Crawford Donal Donn‎

‎The Knack. and How to Get It Original photograph from the 1965 film‎

‎London: Woodfall Film Productions 1965. Vintage borderless candid photograph from the 1965 film showing actors Ray Brooks and Charlotte Rampling lounging at the beach. With a printed mimeo snipe on the verso along with holograph annotations regarding layout and the stamp of Keystone Agency.<br/><br/>An awkward young man seeks out the help of his womanizing friend in learning how to seduce women but trouble arises when both men fall for the same woman a shy young country girl.<br/><br/>Set and shot on location in London. <br/><br/>7.25 x 9.5 inches. Very Good plus with light wear and soil to the verso. Woodfall Film Productions unknown books‎

Bookseller reference : 149601

‎Richard Lester director; Ann Jellicoe playwright; Charles Woodscreenwriter; Rita Tushingham Ray Brooks Michael Crawford Donal‎

‎The Knack.and How to Get It Original photograph from the 1965 film‎

‎London: Woodfall Film Productions 1965. Vintage borderless photograph from the set of the 1965 film. With holograph annotations in pencil on the verso. <br/><br/>Set amidst the cultural shifts of the 1960s. Colin Michael Crawford an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen Ray Brooks. When Nancy Rita Tushingham arrives in London from the countryside Tolen's macho disposition and Colin's trepidation's are brought to the surface. <br/><br/>Shot on location in London. <br/><br/>9.5 x 7 inches. Fine. Woodfall Film Productions unknown books‎

Bookseller reference : 144366

‎Richard Lester director; John Haase novel; Nicolas Roeg cinematographer; Bob Willoughby still photographer; Lawrence B. Marcus s‎

‎Petulia 3 original photographs from the 1968 film‎

‎Burbank CA: Warner Brothers / Seven Arts 1968. Collection of 3 vintage studio still photographs from the 1968 film. From the library of Christopher C. Geest with his stamp on the verso of each photograph. <br/><br/>Based on John Haase's 1966 novel "Me and the Arch Kook Petulia" about newlywed San Francisco socialite Petulia Danner Christie who is determined to have an affair with physician Dr. Archie Bollen Scott. Petulia's pursuit of Archie is relentless even as he dates another woman and culminates in a curious twist. The film makes use of various time jumps but even with an uneven plot still remains an overlooked gem of 1960s New Hollywood. The Grateful Dead and Big Brother and the Holding Company lend tunes for the soundtrack. <br/><br/>8 x 10 inches. Fine. Warner Brothers / Seven Arts unknown books‎

Bookseller reference : 135691

‎Richard Lester director; Marc Behm Charles Wood screenwriters; John Lennon Paul McCartney George Harrison Ringo Starr starri‎

‎Help! Original photograph from the set of the 1965 film‎

‎Beverly Hills CA: United Artists 1965. Vintage borderless photograph from the set of the 1965 film. With holograph annotations mimeo snipe and agency stamps on the verso. <br/><br/>The Beatles second film a wild musical-comedy following the band on adventures around the globe as Ringo is pursued by a cult out to take him as a sacrifice. Here the boys are pictured in the Bahamas finding fish in the sea with very little effort.<br/><br/>9.5 x 7.5 inches. Near Fine. United Artists unknown books‎

Bookseller reference : 145741

‎Richard Lester director; Stephen Sondheim music lyrics; Burt Shevelove Larry Gelbart book; Martin Harris still photographer; M‎

‎A Funny Thing Happened on the Way to the Forum Original photograph from the 1966 film‎

‎N.p.: N.p. 1966. Vintage oversize borderless matte-finish reference photograph from the 1966 film showing actors Jack Gilford and Phil Silvers posing in costume with director Richard Lester. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Based on the 1962 Broadway play with lyrics and music by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart which was loosely based on several farces written by ancient playwright Plautus. A slave named Pseudolus attempts to earn his freedom by uniting his young master and the unattainable girl next door. <br/><br/>Set in ancient Rome shot on location in Spain.<br/><br/>11.25 x 8.75 inches. Near Fine. N.p. unknown books‎

Bookseller reference : 150190

‎Richard Lester director; The Beatles starring‎

‎A Hard Day's Night Original still photograph from the 1964 film‎

‎Beverly Hills CA: Proscenium Films / United Artists 1964. Vintage black-and-white studio still photograph from the US release of the 1964 British film. A candid shot in which all four Beatles are present along with three lovely ladies Paul practicing a dance step with one of them. <br/><br/>8 x 10 inches. Fine. Proscenium Films / United Artists unknown books‎

Bookseller reference : 134998

‎Richard Lester director; The Beatles starring‎

‎Help Collection of 4 still photographs from the 1965 film‎

‎Beverly Hills CA: Walter Shenson Films / United Artists 1965. Collection of four vintage black-and-white still photographs from the release of the 1965 British-American film. <br/><br/>All four of the boys wonderfully represented here gals in tow having a fine time on the ice John and George in the jungle Paul in a bubble car George and on top of a tank everyone. <br/><br/>Richard Lester's auteur take on the Fab Four propelled United Artists far into the black at a time when most of the aging Hollywood executives had never even heard of the Beatles. As with "A Hard Day's Night" the year before a wonderful intersection of pop youthful innocence culture shift and legend-making. <br/><br/>Shot on location in London Liverpool Buckinghamshire throughout Middlesex and in Salzburg Austria. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Walter Shenson Films / United Artists unknown books‎

Bookseller reference : 133010

‎Richard Linklater director screenwriter starring; Rudy Basquez Mark James Bob Boyd starring‎

‎Slacker Original photograph of Richard Linklater and cinematographer Lee Daniel from the set of the 1991 film‎

‎Beverly Hills CA: Orion Classics 1991. Vintage reference photograph of Richard Linklater and cinematographer Lee Daniel on the set of the 1991 film. Paper snipe on verso. <br/><br/>Shot on 16mm on a $3000 budget Linklater's film documents a day in the life of countless young social outcasts and misfits in Austin Texas and became a key film in the American independent film movement of the 1990s. <br/><br/>Set in and shot on location in Austin Texas. <br/><br/>8 x 10 inches. Light edgewear else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Criterion Collection 247. Orion Classics unknown books‎

Bookseller reference : 150483

‎Richard Murphy director screenwriter; Herbert Carlson story; Herbert Margolis and William Raynor screenwriters; Jack Lemmon Ri‎

‎The Wackiest Ship in the Army Original photograph from the 1960 film‎

‎Culver City CA: Columbia Pictures 1960. Vintage black-and-white still photograph from the 1960 US film. Distributor rubber-stamp on the verso. <br/><br/>Based on a story by Herbert Carlson about a lieutenant who gets tricked into commanding garbage scow with a crew of dimwitted misfits on a secret mission in Japanese controlled waters. <br/><br/>8 x 10 inches. Very Good plus with light toning with a few faint creases. Columbia Pictures unknown books‎

Bookseller reference : 132579

‎Richard Norman director; Jack Austin Louise Dunbar Steve Reynolds Robert Stewart starring‎

‎The Green-Eyed Monster Original one sheet poster for the 1919 silent film‎

‎Jacksonville FL: Norman Film Studios 1919. Original US one sheet poster for the 1919 silent film like all of the Norman Studio films featuring an all-African American cast and marketed to African-American movie theaters. <br/><br/>Norman Studios produced eight silent films between 1915 and 1928 one of over 30 film studios that operated in Jacksonville Florida during this era. All but one of the Norman Studio films including "The Green-Eyed Monster" are now lost with the sole exception being "The Flying Ace" 1926. The advent of sound as well as the increasing centralization of filmmaking in Hollywood led to the studio ceasing production after "Black Gold" in 1928. The studio's facilities in Jacksonville were restored and designated a National Historic Landmark in 2016. <br/><br/>The film's story centers on a passionate love triangle intercut with a vicious competition between two train companies to land a high-dollar mail contract. As with this poster Norman went to great lengths to advertise the expense of the film's action sequences including a rescue from burning car fist fights a pistol duel an abduction a locomotive chase and a violent train wreck that purportedly cost $80000. <br/><br/>27 x 41 inches. Rolled Very Good only. Norman Film Studios unknown books‎

Bookseller reference : 137299

‎Richard Pearce director Jim Carabatsos and Judith Rascoe screenwriters; Richard Gere Kim Basinger starring‎

‎No Mercy Original screenplay for the 1986 film‎

‎N.p.: N.p. 1985. Final Draft script for the 1985 film. With a few annotations in holograph pencil throughout. <br/><br/>A story of the interoffice politics and struggles that beleaguer the Chicago police department. <br/><br/>Set in Chicago. <br/><br/>Blue untitled wrappers. Title page present dated November 6 1985 noted as FINAL DRAFT with credits for screenwriters Jim Carabatsos and Judith Rascoe. 120 leaves with last page of text numbered 119. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books‎

Bookseller reference : 142226