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Luis Vilalta, director editorial
Historia y Vida extra N° 98 : locos años 20, de la Gran Guerra al Crack de Wall Street,
GLN-878, Edita Mundo Revistas, Madrid
Référence libraire : 1693390052360
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Luis Pericot Gracía, director científico
Historia de España, gran historia general de los pueblos hispánicos ; tomo III : la Baja Edad Media y la unidad nacional,
GLN-963, Instituto Gallach de Librería y ediciones, Barcelons 1935
Référence libraire : 1715070666092
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Luis Manuel Moral Lamela, director
MS (Misiones Salesianas) N° 304 ; noviembre 2021,
GLN-826, Misiones Salesianas, Madrid 2021
Référence libraire : 1682587570458
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Luis Garcia Gutierrez (Director)
Pastoral Liturgica, octubre-diciembre 2017,
GLN-784, Editorial Edice, Madrid, 2017
Référence libraire : 1667239139376
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LUIS FERNANDOS CHAVES (DIRECTOR)
REVISTA GEOGRAFICA N°24/25, VOL. XI, ENERO-DICIEMBRE 1970. R. ANDRESSEN: DENSIDAD DE POBLACION EN LAS AREAS DE RANCHOS DE LA CIUDAD DE CARACAS Y SU RELACION EL NUMERO DE VIVIENDAS, TOPOGRAFIA Y DISTANCIA AL CENTRO DE LA CIUDAD / ...
UNIVERSIDAD DE LOS ANDES, MERIDA-VENEZUELA. 1970. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 161 pages. Texte en espagnol. Nombreuses cartes (dont certaines dépliantes) et illustrations en noir et blanc hors texte.. . . . Classification Dewey : 987-Venezuela
Référence libraire : R260118758
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LUIS FERNANDOS CHAVES (DIRECTOR)
REVISTA GEOGRAFICA N°1/2, VOL. XIV, ENERO-DECIEMBRE 1973. LUIS F. CHAVES: ANALISIS DESCRIPTIVO DEL PATRON DE ASENTAMIENTO EN VENEZUELA Y SUS CAMBIO BAJO EL IMPACTO DE LA URBANIZACION / JOSE J. ROJAS L.: BASE METODOLOGICA PARA LA RACIONALIZACION DE...
UNIVERSIDAD DE LOS ANDES, MERIDA-VENEZUELA. 1973. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 212 pages. Texte en espagnol.. . . . Classification Dewey : 987-Venezuela
Référence libraire : R260118757
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Luis Gahona Fraga (Director)
Toletana, Cuestiones de Teología e Historia N° 39, Año 2018/2,
GLN-749, Instituto Teológico San Ildefonso, Toledo, 2018
Référence libraire : 1655831471548
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Luis Gahona Fraga (Director)
Toletana, Cuestiones de Teología e Historia N° 40, Año 2019/1,
GLN-749, Instituto Teológico San Ildefonso, Toledo, 2019
Référence libraire : 1655831656367
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Luis Gahona Fraga, director
Toletana, cuestiones de teologia e historia N° 41 ; ano 2019/2,
GLN-772, Instituto Teologico San Ildefonso, Toledo 2019
Référence libraire : 1663670564071
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Luis Gahona Fraga, director
Toletana, cuestiones de teologia e Historia N° 44 ; año 2021/1,
GLN-861, Instituto Teológico San Ildefonso, Toledo 2021
Référence libraire : 1691508712491
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Luis Carandell (Director)
Viajar : Revista de rutas, viajes y aventuras N° 9 a 18, Ano 1979,
GLN-781, Diez revistas encuadernadas en un volumen, EDICUSA, Madrid, 1979
Référence libraire : 1666715563229
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Luis Carandell (Director)
Viajar, Revista de rutas, viajes y aventuras N° 1 a 8, 1978,
8 revistas encuardernadas, GLN-783, EDICUSA, Madrid, 1978
Référence libraire : 1667321371948
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Luigi Bonino (Actor), Tamiyo Kusakari (Actor), Masayuki Shubo (Director)
dancing chaplin
Toho Co. Ltd. N.A. Soft Cover. Fine. Number of books: 1 Toho Co., Ltd. paperback
Référence libraire : 2090202120410511
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Luigi Comencini (director); Richard Schweizer (screenwriter); Johanna Spyri (novel); Elsbeth Sigmund, Heinrich Gretler, Thomas K
Heidi Original program for the 1952 German film
N.p.: N.p. 1952. Vintage program for the 1952 German film. Text and titles in German. <br /> <br /> Based on the 1881 novel by Johanna Spyri about a young girl living with her grandfather and her pet goat in the Swiss Alps whose cruel aunt forces her to move down the mountain to the village below. <br /> <br /> Shot on location in Switzerland. <br /> <br /> 7.25 x 10.5 inches. Bifold. Very Good plus lightly age toned and edgeworn. N.p. unknown
Référence libraire : 156133
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Luigi Comencini (director); Leonard Benvenuti, Piero De Bernardi, Lucia Drudi Demby, Giuseppe Mangione (screenwriters); Anthony
Misunderstood L'incompris Original French poster for the 1967 film
Paris: Athos Films / Istituto Luce 1967. Original French grande poster for the 1967 Italian film. <br /> <br /> Based on Florence Montgomery's 1869 novel. John Quayle is the UK Consul in Florence Italy where he becomes a widower with two sons. Andrew Colagrande is the oldest constantly assuming responsibility for his younger brother Miles' Giannozzi shenanigans until one act that proves too much. <br /> <br /> 47 x 63 inches folded as issued. Very Good plus with several short tears and creases. Scarce. Athos Films / Istituto Luce unknown
Référence libraire : 139036
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Luigi Comencini director; Leonard Benvenuti Piero De Bernardi Lucia Drudi Demby Giuseppe Mangione screenwriters; Anthony Quay
Misunderstood L'incompris Original French poster for the 1967 film
Paris: Athos Films / Istituto Luce 1967. Original French grande poster for the 1967 Italian film. <br/><br/>Based on Florence Montgomery's 1869 novel. John Quayle is the UK Consul in Florence Italy where he becomes a widower with two sons. Andrew Colagrande is the oldest constantly assuming responsibility for his younger brother Miles' Giannozzi shenanigans until one act that proves too much. <br/><br/>47 x 63 inches folded as issued. Very Good plus with several short tears and creases. Scarce. Athos Films / Istituto Luce unknown books
Référence libraire : 139036
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Luigi Scattini director; Franco Castellano Giuseppe Moccia Vittorio Vighi Fulvio Lucisano screenwriter; Franco Franchi Cicci
War Italian Style Due Marines e un Generale Collection of two original photographs from the 1965 film
Rome: Italian International Film 1965. Two vintage black-and-white studio still photographs from the 1965 Italian film. <br/><br/>One of Buster Keaton's last roles in which he plays an incompetent German general stationed in Italy. Two American POWs plan to steal the Nazi offensive strategy and in a comic mixup for the Germans who are wise to the plan from the beginning they actually succeed. <br/><br/>10 x 8 inches. Fine. <br/><br/>Complete collation details available on request. Italian International Film unknown books
Référence libraire : 139761
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Luis Araquistain (Director). Bagaria, Santiago Ramon y Cajal, Miguel de Unamuno, Julio Alvarez del Vayo, Enrique Diez-Canedo, Jo
España. Semanario de la Vida Nacional. 1918. Año II Núms. 152 157 158 160 161 162 163 178 180 181 183 185 188 189 190 191 192 193 194
Madrid 7 de marzo - 26 de diciembre de 1918. . 25x35. unknown
Référence libraire : 25.569
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Luis Bunuel (director, screenwriter); Joseph Kessel (novel); Raymond Voinquel (photographer); Jean-Claude Carriere (screenwriter
Belle de Jour Eight original photographs from the US release of the 1967 French film
Glendale CA: Allied Artists 1968. Eight vintage studio still photographs from the US release of the 1967 French film. <br /> <br /> Buñuel's first color film about a bored and directionless young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> Set in and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert I. Criterion Collection 593. Allied Artists unknown
Référence libraire : 148783
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Raymond Voinquel (photographer); Catherine Deneuve, Michel Piccoli,
Belle de jour Original photograph of Catherine Deneuve and Luis Buñuel from the set of the 1967 film
Paris: Robert et Raymond Hakim / Sud-Films Distribution 1967. Vintage black-and-white borderless still photograph of Catherine Deneuve and director Luis Buñuel on the set of the 1967 film. With the French producer's stamp on the verso "Robert et Raymond Hakim" and a printed list of credits in French. <br /> <br /> Buñuel's first color film about a young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Robert et Raymond Hakim / Sud-Films Distribution unknown
Référence libraire : 135078
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Luis Bunuel (director, screenplay); Octave Mirbeau (novel); Jean-Louis Castelli (photographer); Jean-Claude Carriere (screenwrit
Diary of a Chambermaid Le Journal D'une Femme de Chambre Collection of 17 original French lobbycards from the 1964 film
Paris: Cocinor 1964. Collection of 17 vintage glossy French photographic lobby cards from the 1964 film. All have "Cocinor Agence" stamps on the verso 15 have "E" stamps two have "D" stamps on verso.<br /> <br /> Based on the 1900 novel by Octave Mirbeau and adapted as only Luis Buñuel would. <br /> <br /> Celestine Jeanne Moreau is hired as a chambermaid for pervy M. Monteil Michel Piccoli his frigid wife Francoise Lugagne and his wife's foot-fetishist father Jean Ozenne. When the father dies Celestine decides to quit but when a young neighborhood girl Claire Dominique Sauvage is raped and murdered Celestine becomes determined to find the killer.<br /> <br /> Set in and shot on location in Essonne Seine-Maritime and Val-de-Marne France. <br /> <br /> 11.5 x 9.25 inches. Very Good plus with pinholes at corners and light curling. <br /> <br /> <br /> <br /> Criterion Collection 117. Cocinor unknown
Référence libraire : 148196
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Luis Bunuel (director, screenwriter); Octave Mirbeau (novel); Jean-Claude Carriere (screenwriter); Jeanne Moreau, Georges Geret,
Diary of a Chambermaid Two original photographs of Luis Buñuel and Jeanne Moreau on the set of the 1964 film
N.p.: N.p. 1964. Two vintage borderless reference photographs from the set of the 1964 film one showing actress Jeanne Moreau embracing director Luis Buñuel the other showing Buñuel and Moreau in conversation between takes with a camera crew in the background. With a provenance stamp on the verso along with manuscript pencil and ink annotations. <br /> <br /> Based on Octave Mirbeau's 1900 novel which follows a chambermaid in 1930s France whose Parisian beauty and sophistication at turns alienate and arouse the bourgeoisie members of the country house where she has recently found employment. <br /> <br /> Shot on location in Seine-Maritime Saint-Maurice and Essonne France.<br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> <br /> Criterion Collection 117. N.p. unknown
Référence libraire : 150596
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Luis Bunuel (director, screenplay); Octave Mirbeau (novel); Jean-Louis Castelli (photographer); Jean-Claude Carriere (screenwrit
Diary of a Chambermaid Le Journal D'une Femme de Chambre Four original photographs from the 1964 film
New York: Rialto 1964. Four vintage borderless reference photographs one with horizontal margins from the set of the 1964 film. One of Luis Buñuel two of Buñuel and Jeanne Moreau and one of Buñuel Moreau and Michel Piccoli. Mimeo snipes on versos.<br /> <br /> Based on the 1900 novel by Octave Mirbeau a political and class satire about a chambermaid to a family of eccentrics who stays on the unsuccessfully seek vengeance for the murder of a young girl. The first collaboration between Buñuel and screenwriter Jean-Claude Carriere. <br /> <br /> Set in and shot on location in Essonne Seine-Maritime and Val-de-Marne France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 117. Rialto unknown
Référence libraire : 151482
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Luis Bunuel (director, screenwriter); Octave Mirbeau (novel); Jean-Claude Carriere (screenwriter); Jeanne Moreau, Georges Geret,
Diary of a Chambermaid Original photograph of Luis Buñuel and Jeanne Moreau on the set of the 1964 film
N.p.: N.p. 1964. Vintage borderless reference photograph from the set of the 1964 film showing director Luis Buñuel in conversation with actors Jeanne Moreau and Jean Ozenne.<br /> <br /> Based on Octave Mirbeau's 1900 novel which follows a chambermaid in 1930s France whose Parisian beauty and sophistication at turns alienate and arouse the bourgeoisie members of the country house where she has recently found employment. <br /> <br /> Shot on location in Seine-Maritime Saint-Maurice and Essonne France.<br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> Criterion Collection 117. N.p. unknown
Référence libraire : 151653
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Luis Bunuel (director); Gabriel Figueroa (cinematographer); Henri Castillou (novel); Georges Yves Massart (photographer); Gerard
Fever Mounts at El Pao La fievre monte a El Pao Original photograph of Buñuel on the set of the 1959 film
Mexico: N.p. 1959. Vintage oversize borderless black-and-white press photograph of director Luis Buñuel and cinematographer Gabriel Figueroa behind the camera in Mexico during the making of the 1959 film a French-Mexican co-production released during Buñuel's Mexican period. Mexican stamp of photographer Georges Yves Massart on the verso. <br /> <br /> Handwritten text on the verso reads in Spanish: "One of the scenes should have been shot in a very modern stable but it was impossible to find such a facility within the Mexico area. Luis Buñuel decided to shoot at the race track this is why horses appear instead of cows as written in the script."<br /> <br /> Shot on location in the towns of Tetecala and Tepoztlan in Morelos Mexico. <br /> <br /> 8 x 10 inches 20 x 25.5cm. Near Fine. N.p. unknown
Référence libraire : 138216
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Luis Bunuel (director, screenwriter); Salvador Dali (screenwriter); Gaston Modot, Lya Lys, Max Ernst (starring)
L'Age d'or Original review-program revue-programme for the 1930 film
Paris: Studio 28 1930. Vintage review-program for Luis Buñuel's 1930 surrealist masterpiece created for the film's public premiere at Studio 28 cinema in Montmartre. Program in two parts bound dos-a-dos. Text in French.<br /> <br /> The first section of the review-program is dedicated to "L'Age d'or" presenting the film's scenario alongside subtitles and dialogue accompanied by a manifesto on surrealism and a catalog of 20 works by Max Ernst Salvador Dalí Man Ray and others which were exhibited alongside the film's screenings at Studio 28. <br /> <br /> The second part of the program is an overview of film programs at Studio 28 with stills from films by Epstein Ivens Melies and others. <br /> <br /> The violence of the uproar "L'Age d'Or" created remains almost as shocking as the film itself: days into the first screenings at Studio 28 on December 3 1930 the theatre was stormed by fascist youths enraged at the film's perceived anti-patriotic and anti-Christian message. Demonstrators threw ink at the screen shouted antisemitic death threats smashed the theatre windows and completely destroyed the exhibition of surrealist books and artwork in the foyer. In response the Board of Censors re-reviewed the film and on December 10 the film was banned from further public showings in France. The film's producers subsequently withdrew "L'Age d'or" from commercial distribution and public exhibition for more than 40 years although three years later in 1933 the film was privately exhibited at the Museum of Modern Art in New York.<br /> <br /> Page edges faintly foxed else about Near Fine in perfect-bound gold wrappers with a single annotation in manuscript ink censoring a line relating to one of the film's characters and Jesus Christ. Lacking the errata slip. Studio 28 unknown
Référence libraire : 166622
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Luis Bunuel (director, screenwriter); Salvador Dali (screenwriter); Marquis de Sade (novel); Gaston Modot, Lya Lys, Caridad de L
L'Age d'Or Small archive of five original French pamphlets flyers and broadsides for 1931-1932 screenings of the 1930 film
N.p.: N.p. 1932. A small archive of five vintage French pamphlets flyers and broadsides announcing 1931 and 1932 screenings of the banned 1930 surrealist film. All items are housed loose in a custom bound volume with a "L'Affaire de L'Age d'Or" label on the spine with each item laid in on separate leaves overlaid with heavy protective tissue housed in a custom slipcase. Rare.<br /> <br /> The archive includes:<br /> <br /> "L'Affaire de 'L'Age d'Or'" bi-fold pamphlet printed on rectos and versos with a satin-finish photo illustrated insert also printed on the recto and verso published by Nancy Cunard on the occasion of her January 1931 private screening of the film in London. The bi-fold includes the essay "Exposé des Faits" "Statement of Facts" describing the film's initial riotous reception "Extraits du Programme" "Excerpts from the Program" a "Questionnaire" regarding political and legal actions taken in response to the film and an extensive "Extraits de la Presse" "Excerpts from the Press" followed the names of signatories Maxime Alexandre Aragon André Breton René Char René Crevel Salvador Dali Paul Eluard Georges Malkine Benjamin Péret Man Ray Georges Sadoul Yves Tanguy André Thirion Tristan Tzara Pierre Unik and Albert Valentin.<br /> <br /> Two satin-finish variants of a flyer printed on rectos only for a screening of the film on April 27 1932 by Les Spectateurs de l'Avant-Garde at La Bellevilloise a workers' cooperative theatre with each flyer featuring a different image from the film. A second screening was later added on April 30 not noted on the flyers. The screenings were decidedly low-key private events with Buñuel insisting "No protests." French director Jean Vigo was reportedly among the participants of the screenings.<br /> <br /> And two items relating to a screening presented by Le Club de L'Ecran at Cine-Casino in Belgium on May 10 1932:<br /> <br /> A 4 x 5.5 inch announcement for the screening printed on the recto only noting the film as being presented by P.G. van Hecke Paul-Gustave Van Hecke followed by seating and ticket prices purchase locations and Club de L'Ecran membership prices.<br /> <br /> A large newsprint broadside printed on the recto and the verso for Le Club de L'Ecran announcing the May 10th screening with articles on the recto regarding the film club's activities and an excerpt from the Surrealist manifesto published upon the film's premiere with the verso dedicated entirely to numerous texts and articles on "L'Age d'Or" featuring two images from the film and a portrait of Buñuel.<br /> <br /> A key and archetypal work of Surrealist cinema alongside "Un Chien Andalou" 1929 also written by Buñuel and Dali and directed by Buñuel featuring a series of absurdist vignettes scathingly and sardonically rebuking the sexual hypocrisy of bourgeois society the Catholic Church and 20th century European society in general.<br /> <br /> The violence the uproar "L'Age d'Or" created remains as shocking as the film itself: days into the first screenings at Studio 28 on December 3 1930 the theatre was stormed by fascist youths enraged at the film's perceived anti-patriotic and anti-Christian message. Demonstrators threw ink at the screen shouted anti-Semitic death threats smashed the theatre windows and completely destroyed an exhibition of surrealist books and art in the foyer. In response the Board of Censors re-reviewed the film and on December 10 the film was banned from further public showings in France. The film's producers subsequently withdrew "L'Age d'or" from commercial distribution and public exhibition for more than 40 years although three years later in 1933 the film was privately exhibited at the Museum of Modern Art in New York.<br /> <br /> "L'Affaire de 'L'Age d'Or':" Bi-fold 7.5 x 10.5 inches. About Near Fine with a Very Good plus 7.5 x 10 inch insert with both items previously folded horizontally.<br /> <br /> Two Les Spectateurs April 27 Flyers: 8.25 x 10.5 inches. One Near Fine. One Very Good plus with light creasing faint toning and a .25 inch closed tear to the top edge.<br /> <br /> Le Club de L'Ecran Announcement: 4 x 5.5 inches. Near Fine.<br /> <br /> Le Club de L'Ecran Broadside: 14.25 x 21.75 inches folded as issued. About Near Fine with an additional lightly toned horizontal fold.<br /> <br /> Housed in a 9.25 x 12 inch custom bound Near Fine volume with a 9.5 x 12.25 inch Near Fine slipcase.<br /> <br /> BFI. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
Référence libraire : 169144
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Mary Ellen Mark (photographer)
Luis Buñuel and Jean-Claude Carriere on the set of "The Discreet Charm of the Bourgeoisie
Paris: Greenwich Film Productions 1971. Original double weight wide margin photograph of Luis Buñuel and screenwriter Jean-Claude Carriere by Mary Ellen Mark taken outdoors during the shooting of Buñuel's "The Discreet Charm of the Bourgeoisie." Notated on the verso as having been taken in 1971 with a separate rubber stamp showing a date of 1980 presumably when the photograph was struck. <br /> <br /> Carriere was Buñuel's most significant screenwriting collaborator authoring or co-authoring many of Buñuel's greatest films including "Diary of a Chambermaid" 1964 "Belle de Jour" 1967 "The Milky Way" 1969 "The Discreet Charm of the Bourgeoisie" 1972 "The Phantom of Liberty" 1974 and "That Obscure Object of Desire" 1977. <br /> <br /> Print 8 x 10 inches image 5 x 7 inches wide margin. Fine. In a custom museum-quality frame archivally mounted with UV glass. <br /> <br /> Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
Référence libraire : 133100
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Luis Bunuel (director); Gabriel Figueroa (cinematographer); Benito Perez Galdos (novel); Julio Alejandro (screenwriter); Francis
Nazarin Three original photographs from the set of the 1959 film
Mexico: Producciones Barbachano Ponce 1959. Three vintage photographs from the set of the 1959 film. All likely shot on the same day and on a set in a rural location. Buñuel appears in each photo wearing a pith helmet in the first with cinematographer Gabriel Figueroa the second with lead actor Francisco Rabal and the third eating lunch alone on a makeshift table. <br /> <br /> Each photo with the Paris address stamp for Telecine as well as annotations and penciled press markings on the verso. <br /> <br /> All photos 5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Producciones Barbachano Ponce unknown
Référence libraire : 138791
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Luis Bunuel (director, screenwriter); Hugo Butler writing as Philip Ansell Roll (screenwriter); Daniel Defoe (novel)
Robinson Crusoe Original screenplay for the 1954 film with seven still photographs from the film
Mexico City: Ultramar Films 1952. Draft script for the 1954 Mexican film. Also included are seven film still photographs from the film.<br /> <br /> A rare pre-production script from Luis Buñuel's first color film one of the key productions from his Mexican period written with Hugo Butler who was at the time living in self-imposed exile in Mexico with Dalton Trumbo both blacklisted by the HUAC and writing under various pseudonyms. Single substantive manuscript pencil correction toward the end of the text. <br /> <br /> One of Buñuel's more straightforward narratives quite faithful to the source material but with a whopping dream sequence as bizarre as anything one might find in the director's later work. <br /> <br /> Tall side-stapled self-wrappers dated "Mexico / 1952" with credits for director-screenwriter Buñuel screenwriter Butler under the Roll pseudonym and producers Oscar Dancigers and Henry F. Ehrlich. 95 leaves mimeograph duplication. Very Good condition toned at the edges some offsetting on the front wrapper and a 1-inch tear at the left margin. Ultramar Films unknown
Référence libraire : 121979
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean-Claude Carriere (screenwriter); Fernando Rey, Carole Bouquet, A
That Obscure Object of Desire Cet Obscur Objet du Desir Four original photographs from the 1977 film
N.p.: N.p. 1977. Four vintage borderless color reference photographs from the 1977 film including three glossy and one satin-finish. One with the stamp of Delemar Films on the verso. <br /> <br /> Based on Pierre Louys' 1898 novel "Le femme et le patin" "The Woman and the Puppet" about the tempestuous relationship between a wealthy middle-aged Frenchman and a young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Shot on location in Switzerland in Andalucia and Madrid Spain and in Hauts-de-Seine and Paris France. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
Référence libraire : 161138
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean-Claude Carriere (screenwriter); Fernando Rey, Carole Bouquet, A
That Obscure Object of Desire Cet Obscur Objet du Desir Two original oversize photographs from the 1977 film
N.p.: N.p. 1977. Two vintage borderless oversize color reference photographs from the 1977 film. Provenance stamps and annotations in manuscript ink on the verso.<br /> <br /> Based on Pierre Louys' 1898 novel "Le femme et le patin" "The Woman and the Puppet" about the tempestuous relationship between a wealthy middle-aged Frenchman and a young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision director Luis Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Shot on location in Switzerland in Andalucia and Madrid Spain and in Hauts-de-Seine and Paris France. <br /> <br /> 11.5 x 7.75 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
Référence libraire : 168083
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean Distinghin (photographer); Jean-Claude Carriere (screenwriter);
That Obscure Object of Desire Cet Obscur Objet du Desir Original photograph of Luis Buñuel Fernando Rey and Angela Molina from the set of the 1977 film
N.p.: N.p. 1977. Vintage borderless reference photograph of Luis Buñuel discussing a scene with Fernando Rey and Angela Molina on the set of the 1977 film. <br /> <br /> Based on the 1898 novel "Le femme et le patin" "The Woman and the Puppet" by Pierre Louys.<br /> <br /> The tempestuous relationship between a wealthy middle aged Frenchman and a poor young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Nominated for two Academy Awards for Best Foreign Film and Best Screenplay.<br /> <br /> Shot on location in Switzerland Andalucia and Madrid Spain and Hauts-de-Seine and Paris France. <br /> <br /> 9.25 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
Référence libraire : 150472
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean Distinghin (photographer); Jean-Claude Carriere (screenwriter);
That Obscure Object of Desire Cet Obscur Objet du Desir Original photograph of Luis Buñuel Fernando Rey and Angela Molina from the set of the 1977 film
N.p.: N.p. 1977. Vintage borderless reference photograph of Luis Buñuel discussing a scene with Fernando Rey and Carole Bouquet on the set of the 1977 film. With a printed label affixed to the verso along with manuscript ink and pencil annotations. <br /> <br /> Based on the 1898 novel "Le femme et le patin" "The Woman and the Puppet" by Pierre Louys which follows the tempestuous relationship between a wealthy middle-aged Frenchman and a young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Shot on location in Switzerland in Andalucia and Madrid Spain and in Hauts-de-Seine and Paris France. <br /> <br /> 9.25 x 6.25 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
Référence libraire : 151652
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean-Claude Carriere (screenwriter); Fernando Rey, Carole Bouquet, A
That Obscure Object of Desire Cet obscur objet du desir Original photograph from the set of the 1977 film
France: Greenwich Film Productions 1977. Vintage borderless photograph from the set of the 1977 film. <br /> <br /> Based on the 1898 novel "Le femme et le patin" "The Woman and the Puppet" by Pierre Louys about the tempestuous relationship between a wealthy middle aged Frenchman and a poor young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. Nominated for both a Best Foreign Language and Best Adapted Screenplay Oscar. <br /> <br /> 7 x 5 inches. Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader 33. Greenwich Film Productions unknown
Référence libraire : 144356
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Luis Bunuel (director, screenwriter); Octave Mirbeau (novel); Jean-Claude Carriere (screenwriter); Jeanne Moreau, Georges Geret,
The Diary of a Chambermaid Original photograph of Jeanne Moreau and Luis Buñuel on the set of the 1964 film
N.p.: N.p. 1964. Vintage borderless reference photograph from the set of the 1964 film showing director Luis Buñuel embracing actress Jeanne Moreau.<br /> <br /> Based on Octave Mirbeau's 1900 novel which follows a chambermaid in 1930s France whose Parisian beauty and sophistication at turns alienate and arouse the bourgeoisie members of the country house where she has recently found employment. <br /> <br /> Shot on location in Seine-Maritime Saint-Maurice and Essonne France.<br /> <br /> 7.5 x 9.25 inches. Near Fine. <br /> <br /> Criterion Collection 117. N.p. unknown
Référence libraire : 159909
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Fernando Rey, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Stephane
The Discreet Charm of the Bourgeoisie Five original French lobby cards from the 1972 film
N.p.: Greenwich Film Productions 1972. Five vintage French lobby cards from the 1972 film. <br /> <br /> Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. <br /> <br /> Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay.<br /> <br /> Set in and shot on location in Paris. <br /> <br /> 4 11.5 x 8.25 inches 1 11 x 8.75 inches. Very Good plus two with pinholes at top corners one with crease on far lower left. <br /> <br /> Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
Référence libraire : 148271
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Fernando Rey, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Stephane
The Discreet Charm of the Bourgeoisie Le Charme discret de la bourgeoisie Original photograph from the 1972 film
N.p.: N.p. 1972. Vintage borderless double weight matte-finish reference photograph taken on the set of the 1972 film showing director Luis Buñuel working with actress Stéphane Audran between takes. Rubber stamp of photographer R. Nusimovici on the verso.<br /> <br /> Six bourgeois friends sit down to a meal together but just prior to dining are repeatedly interrupted by surreal dreamlike happenings in Buñuel's late satiric masterpiece. Winner of the Academy Award for Best Foreign Film.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 9 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 102. Ebert II. Rosenbaum 1000. Schrader 33. Vogel Film as a Subversive Art. N.p. unknown
Référence libraire : 155313
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Fernando Rey, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Stephane
The Discreet Charm of the Bourgeoisie Original photograph from the 1972 film
N.p.: Greenwich Film Productions 1972. Vintage borderless studio still photograph from the 1972 film with provenance stamp of film historian "Maurice Bessy" on the verso. <br /> <br /> Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. <br /> <br /> Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay.<br /> <br /> Set in and shot on location in Paris. <br /> <br /> 9.5 x 7 inches. One uniformly faded else Near Fine.<br /> <br /> <br /> <br /> Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
Référence libraire : 148275
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Fernando Rey, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Stephane
The Discreet Charm of the Bourgeoisie Collection of 15 original photographs from the 1972 film
N.p.: Greenwich Film Productions 1972. Collection of 15 vintage borderless studio still photographs from the 1972 film. <br /> <br /> Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. <br /> <br /> Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay.<br /> <br /> Set in and shot on location in Paris. <br /> <br /> 9.5 x 7 inches. One uniformly faded else Near Fine.<br /> <br /> <br /> <br /> Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
Référence libraire : 148273
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Fernando Rey, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Stephane
The Discreet Charm of The Bourgeoisie Original photograph from the 1972 film
Paris: Greenwich Film Productions 1972. Vintage borderless photograph from the set of the 1977 film. With manuscript annotations on the verso. <br /> <br /> Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings. <br /> <br /> 7 x 9.5 inches. Near Fine. <br /> <br /> Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
Référence libraire : 144357
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Luis Bunuel (director, screenwriter)
The Exterminating Angel Five original photographs from the 1962 film
Los Angeles: Twentieth Century-Fox 1974. Five vintage black-and-white studio still photographs from the 1962 film. <br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
Référence libraire : 136477
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Luis Bunuel (director, screenwriter); Jean-Claude Carriere (screenwriter); Paul Frankeur, Laurent Terzieff, Daniel Pilon, Denis
The Milky Way La Voie lactée Three original photographs of Luis Buñuel on the set of the 1969 film
N.p.: N.p. 1969. Three vintage borderless reference photographs taken on the set of the 1969 film two showing director Luis Buñuel fencing the third showing Buñuel standing with actor Paul Frankeur. Stamp of photographer Michel Ciment on the versos along with layout annotations in manuscript ink and pencil. <br /> <br /> A surrealist adventure about two French vagrants traveling along the Way of St. James a pilgrimage route from northern Europe to Santiago de Compostela in Galicia Spain. Buñuel would later name the film as the first part of a trilogy about "the search for truth" followed by "The Discreet Charm of the Bourgeoisie" 1972 and "The Phantom of Liberty" 1974. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Référence libraire : 164260
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Luis Bunuel (director, screenwriter); Jean Distinghin (photographer); Jean-Claude Carriere (screenwriter); Adriana Asti, Julien
The Phantom of Liberty Le Fantome de la Liberte Three original photographs from the 1974 film
N.p. 1974. Three vintage borderless studio still photographs from the 1974 film. <br /> <br /> A non-linear surrealist satire of Buñuel's usual targets in this case bourgeois morality and class-based societal structures. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> <br /> <br /> Rosenbaum 1000. Criterion Collection 290. unknown
Référence libraire : 148295
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Luis Bunuel (director, screenwriter); Jean-Claude Carriere (screenwriter); Adriana Asti, Julien Bertheau, Jean-Claude Brialy, Ad
The Phantom Of Liberty Le fantome de la liberte Original photograph from the set of the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Vintage borderless photograph of Luis Buñuel Pierre Lary Jean Rochefort and Julien Bertheau on the set of the 1974 film. With manuscript annotations on the verso. <br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality. <br /> <br /> 9.5 x 17.75 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 144555
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Luis Bunuel (director, screenwriter); Jean-Claude Carriere (screenwriter); Adriana Asti, Julien Bertheau, Jean-Claude Brialy, Ad
The Phantom Of Liberty Le fantome de la liberte Original photograph from the set of the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Vintage borderless photograph of Luis Buñuel Julien Bertheau and Michel Piccoli on the set of the 1974 film. With manuscript annotations on the verso.<br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality. <br /> <br /> 9.5 x 6.25 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 144583
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Adriana Asti, Julien Bertheau, Jean-Claude Brialy (starring)
The Phantom of Liberty Original photograph from the 1974 film
Paris: Twentieth Century-Fox 1974. Vintage borderless photograph showing director Luis Buñuel wearing badass sunglasses and producer Serge Silberman conferring during the shooting of the 1974 film. <br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality.<br /> <br /> 9.5 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 144954
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Luis Bunuel (director, screenwriter); Jean-Claude Carriere (screenwriter); Adriana Asti, Julien Bertheau, Jean-Claude Brialy, Ad
The Phantom Of Liberty Le fantome de la liberte Original photograph from the set of the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Vintage borderless photograph of Luis Buñuel Jean-Claude Brialy and Monica Vitti on the set of the 1974 film. With manuscript annotations on the verso.<br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 144707
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter)
The Phantom of Liberty Le fantome de la liberte Collection of 6 original photographs from the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Collection of 6 vintage black-and-white studio still photographs from the 1974 film. <br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 136476
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Luis Bunuel (director, screenwriter); Lucia Bose, Georges Marchal, Julien Bertheau (starring); Emmanuel Robles (novel); Jean Fer
This is Called Dawn Cela s'appelle l'aurore Two original photographs of Lucia Bosé from the 1956 film
Paris: Films Marceau 1956. Two vintage borderless reference photographs from the 1956 French-Italian film showing actress Lucia Bosé. Films Marceau stamps and French release stamps on the versos.<br /> <br /> Based on the 1952 novel by Emmanuel Roblès. A small-town doctor helps hide one of his patients a farm worker after the worker commits murder in revenge for his wife's death. The first film in what critic Raymond Durgnat termed director Luis Buñuel's "revolutionary tryptich." followed by "La Mort en ce jardin" 1956 and "La fièvre monte à El Pao" 1959. <br /> <br /> 7.25 x 5.25 inches. About Near Fine. Films Marceau unknown
Référence libraire : 167649
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