Moore Park Australia: First City / Embassy Pictures 1981. Revised Draft script for the 1981 film. <br/><br/>An executive's life takes an unexpected turn when his illegitimate son shows up. Featuring Denzel Washington in his film debut. <br/><br/>Yellow titled wrappers. Title page present noted as Revised with credits for screenwriter Stanley Shapiro and director Michael Schultz. 111 leaves with last page of text numbered 109. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. First City / Embassy Pictures unknown books
Los Angeles: Twentieth Century-Fox 1979. Two vintage black-and-white studio still photographs from the 1979 film. <br/><br/>When a wealthy game inventor croaks 15 potential heirs scramble to complete a ridiculous scavenger hunt that the former millionaire orchestrated as a prerequisite to their inheritance. In this winner-take-all scenario the heirs are pitted against one another to take home the prize. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Very Good plus with a crease through image SH-34. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
New York New York: Playbill 1980. Magazine. Very Good. Production opened on Broadway August 25 1980. Octavo 9 " tall 74 pages wire saddle stitch pamphlet style magazine with stiff pictorial wraps. An original theatre program in near fine condition over all clean with light edge wear but paper lightly yellowed. Contains many advertisements for current shows automobiles hotels etc. Playbill unknown
New York New York: Playbill 1961. Magazine. Near Fine. Original Cast. Opened April 13th 1961. Octavo 9 " tall 34 pages stated editorial complete but minus pages 5-8 17-20 and 29-32. No apparent damage from removal and no information about this show missing though unrelated editorial material may not be present. It is suggested by some authorities that pages were often left out during this period if insufficient advertising were sold wire saddle stitch pamphlet style magazine with stiff pictorial wraps. An original theatre program in near fine condition clean with light edge wear paper moderately yellowed. Contains many advertisements for current shows automobiles hotels etc. Playbill unknown
Boston Massachusetts: Playbill 1970. First Edition. Magazine. Very Good. This was the Boston road show production following Broadway. Octavo 9 " tall 48 pages wire saddle stitch pamphlet style magazine with stiff pictorial wraps. An original theatre program in very good condition over all clean with light shelf wear slight exterior soiling and slight yellowing to the paper but the original owner's annotation positive review penned at the top margin. Contains many advertisements for current shows automobiles hotels etc. Playbill unknown
Boston Massachusetts: Playbill 1968. First Edition. Magazine. Very Good. This was the Boston road show production following Broadway. Octavo 9 " tall 48 pages wire saddle stitch pamphlet style magazine with stiff pictorial wraps. An original theatre program in very good condition over all clean with light shelf wear slight exterior soiling and slight yellowing to the paper but the original owner's annotation positive review penned at the top margin. Contains many advertisements for current shows automobiles hotels etc. Playbill unknown
National Institute of Education and Department of Health Education and Welfare. Used - Good. Good condition. Slightly dampstained. Owner's name on front cover. National Institute of Education and Department of Health, Education and Welfare unknown
London: Warner-Pathe Distributors 1962. Collection of 3 vintage full-color British front-of-house card from the 1962 UK film. <br/><br/>A gang of crooks decide to plan a robbery and find themselves using a fire engine as a getaway vehicle. <br/><br/>8 x 10 inches. Very Good plus with faint dampstains overall and light creases. Warner-Pathe Distributors unknown books
London: Anglo-EMI 1972. Collection of 13 vintage black-and-white still photographs from the 1972 UK film including 3 promotional stills. <br/><br/>Based on Alistair MacLean's 1961 novel about a man who poses as a criminal in an elaborate revenge scheme on those responsible for his family's death. <br/><br/>8 x 10 inches 3 stills measure 7.5 x 9.5 inches. A few faint creases and tiny closed tears else Near Fine. Anglo-EMI unknown books
Macdonald Educational 1970. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. No dust jacket. 250grams ISBN:0356034259 Macdonald Educational hardcover
Bookseller reference : 7951000 ISBN : 0356034259 9780356034256
Burbank CA: Warner Brothers 1970. Collection of three vintage borderless reference photographs and one vintage publicity photograph from the 1970 documentary film. Two photographs with Rank Film Distributors stamps on the verso and one with a Warner Brothers stamp specific to the French release. <br/><br/>The iconic documentary of the 1969 three day music festival near Bethel New York which attracted an audience of more than 300000 people. Winner of the Academy Award for Best Documentary and nominated for two more.<br/><br/>Shot on location in Bethel New York.<br/><br/>Three photographs 9.5 x 7 inches one photograph 10 x 8 inches. Very Good plus. Warner Brothers unknown books
N.p.: Warner Brothers 1969. Vintage studio photograph on the set of the 1970 film. director Michael Wadleigh with an unidentified crew member.<br/><br/>The iconic documentary of the 1969 three day music festival near Bethel New York which attracted an audience of more than 300000 people. Winner of the Academy Award for Best Documentary and nominated for two more.<br/><br/>Shot on location in Bethel New York.<br/><br/>9.25 x 7.25 inches. Very Good plus light edgewear and light creasing. <br/><br/>National Film Registry. Rosenbaum 1000. Ebert III. Warner Brothers unknown books
N.p.: Warner Brothers 1969. Vintage borderless photograph on the set of the 1970 film showing director Michael Wadleigh editor Thelma Schoonmaker cinematographer Richard Pearce and a young Martin Scorcese working in the editing room. With a French language Warner Brothers stamp on verso. <br/><br/>The iconic documentary of the 1969 three day music festival near Bethel New York which attracted an audience of more than 300000 people. Winner of the Academy Award for Best Documentary and nominated for two others.<br/><br/>Shot on location in Bethel New York. <br/><br/>9.25 x 7.25 inches. Near Fine with light edgewear. <br/><br/>National Film Registry. Rosenbaum 1000. Ebert III. Warner Brothers unknown books
Hollywood: National Screen Service Corporation / Paramount Pictures 1975. Vintage full-color still British front-of-house card from the 1976Â US film. <br/><br/>A family friendly comedy set in the 1920s about a young woman who goes to Hollywood to become an actress but a dog that follows her becomes the real star. <br/><br/>8 x 10 inches. Very Good with a diagonal corner crease. National Screen Service Corporation / Paramount Pictures unknown books
Beverly Hills CA: United Artists 1972. Fourth Draft script for the 1973 film. Copy belonging to still photographer Ron Munkasci. <br/><br/>Burt Lancaster is a retiring CIA agent whose trainee Alain Delon is ordered to kill him due to suspected treason with the Russians. The screenwriting debut of David W. Rintels. <br/><br/>Set in Europe and the United States shot on location in Austria England France and Washington DC <br/><br/>Blue titled wrappers. Title page present dated May 1st 1972 noted as Fourth Draft Screenplay with credits for screenwriter Gerald Wilson and story writer David Rintels. 117 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound in a blue folder.<br/><br/>Twilight Time 182. United Artists unknown books
United Kingdom: ITC Films / Scimitar Films 1977. Revised Draft script for the 1979 British film. Copy belonging to an unknown crew member with holograph underlining and annotations throughout in red and blue ink primarily to due with props and practical effects used in action sequences. <br/><br/>A former hit man is hired by the FBI to hunt down a reclusive billionaire criminal coming into conflict with a woman who is after the same man for revenge along the way. <br/><br/>Blue untitled wrappers with a die cut title window in the British style. Title page present dated 12/20/1977 noted as Revised with credits for screenwriter Gerald Wilson and story by Bill Kirby and Michael Winner. 105 leaves with last page of text numbered 104. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. ITC Films / Scimitar Films unknown books
Beverly Hills CA: United Artists 1971. Vintage black-and-white still photograph from the 1971 film. Mimeo tag affixed to the verso now detached but present. Features Burt Lancaster playing a wooden flute. <br/><br/>Jared Maddox Lancaster a lawman from Bannock arrives in Sabbath to arrest the cattlemen guilty of the accidental death of an old man after a wild celebration. Often overlooked but held together by a high-caliber cast including former pinup model and dancer and Twentieth Century-Fox's alternative to Marilyn Monroe Sheree North. <br/><br/>Shot on location in Mexico. <br/><br/>6.5 x 9.5 inches. And faint discoloration from cello tape else Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Pitts Michael R. Western Films 2013 2305. United Artists unknown books
London: AVCO Embassy Pictures 1971. Vintage borderless photograph from the 1971 film. With holograph annotations on the verso. <br/><br/>A prequel to Henry James' "The Turn of The Screw" showing the events that lead to the deaths of Peter Quint Marlon Brando and Ms. Jessell Staphanie Beacham and the subsequent corruption of the children Flora Verna Harvey and Miles Christopher Ellis.<br/><br/>Shot on location in Cambridgeshire England. <br/><br/>9.5 x 7 inches. Near Fine. AVCO Embassy Pictures unknown books
Los Angeles: Twentieth Century-Fox 1969. Collection of 8 vintage black-and-white and 3 full-color still photographs from the 1970 US release promoted in 1969 of the 1970 UK film. <br/><br/>Based on Hugh Atkinson's 1967 novel about four marathon runners from different countries preparing for the Rome Olympics. A very scenic film shot in England Australia Czechoslovakia Tokyo and Italy. <br/><br/>8 x 10 inches. A few brief corner creases else Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
London: British Lion 1964. Vintage black-and-white still photograph from the 1964 UK film.m mimeograph snipes affixed to the verso. <br/><br/>A group of young men mingle among the seasonal tourists in search of sexual conquests. The leader of the group aims to conquer a fashion model from a well-to-do family but he finds himself unexpectedly falling in love. <br/><br/>8 x 10 inches. Very Good plus with ink annotations on the verso and light creasing. British Lion unknown books
Stenciling Quarterly 1985-01-01. Paperback. Very Good. Nice looking book has minor edge wear.right lower edge has small creases. Stenciling Quarterly paperback
France: Cinetel 1962. Archive of 64 vintage borderless single weight still photographs from the 1962 French film. Seen in the images are starring actor Phillippe Noiret actor Rene Lefevre and actresses Berthe Granval and Zouzoue as well as several shots of the film crew and director Michel in action. Numerical annotations and some with cropping annotations on the verso of nearly all photos in holograph pencil. Housed in a vintage French Kodak brand photo paper box. Little known drama about a man who aspires to be a sailor. One of director Michel's final films after notable others "Confession Under Four Eyes" 1954 and "The Blonde Witch" 1956. Most photos approximately 7 x 9.25 inches several 5 x 7 inches and one slightly smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinetel unknown
N.p.: Films du Jeudi 1974. Vintage oversize color reference photograph from the 1974 French film showing actors Jane Birkin topless and Feodor Atkine in drag. <br/><br/>A weepy whiny alcohol salesman manipulates his way into power as the head of a luxury hotel. <br/><br/>Set and shot on location in Paris.<br/><br/>11.75 x 9.5 inches. Near Fine. Films du Jeudi unknown books
France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. <br/><br/>A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br/><br/>12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown books
France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. <br/><br/>A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br/><br/>12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown books
France: Les Films du Jeudi / Gaumont 1974. Vintage oversize borderless reference photograph of Jane Birkin from the 1974 film. With a holograph notation on the verso identifying the film. <br/><br/>A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. <br/><br/>9 x 11.25 inches Near Fine. Les Films du Jeudi / Gaumont unknown books
Paris: Cinedis 1957. Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces one being a set housed in the original paper box with "Crumiere / Paris" paper label and annotations on the box top in holograph ink noting French film title and "B. Bardot" the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in holograph pencil a few with rubber-stamps crediting film title and starring actors and photos in notebook numbered at the edges prior to being printed. <br/><br/>Bardot is amply represented in the collection and seen in nearly every image highlighting an array of hairstyles and costumes scenes in the pilot's cockpit snacking between takes dancing being curious at galas. Contact sheets glamour portraits of Madeleine Lebeau action sequences of bar fights and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. <br/><br/>Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br/><br/>Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches with 3 medium-format negatives 3.5 x 4.5 inches. Photographs Near Fine overall light curling a handful with short creases negatives Very Good notebook Very Good plus box Very Good. <br/><br/>Complete collation details available on request. Cinedis unknown books
Paris: Cinedis 1957. Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots set design shots and many candid moments from the set including dramatic high-contrast images of starring actors Bardot amply represented in the collection and seen in nearly every image off-camera with the cast and crew spinning records on a portable player and traveling by plane and train. <br/><br/>Most keybook photos with 12 images per sheet and a few have been trimmed to only a few images per sheet amounting to over 1700 images captured. Nearly all images with series number bordering the image but unlike similar examples from France all sheets lack credits for the photo laboratory film studio film title and often the photographer. A few with cropping annotations in holograph pencil on the image a few with brief annotations on the verso in holograph ink and two loose photographs with ditto-style mimeo snipes on the verso crediting original title Boyer Vidal Bardot and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. <br/><br/>Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br/><br/>Most keybook contact sheets and 3 loose photos 7 x 9.25 inches binder slightly larger and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller and all are 2-hole punched. Very Good Plus overall keybook photos rubbed.<br/><br/>Complete collation details available on request. Cinedis unknown books
Japan: Towa 1957. Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants 10 stamps per sheet also with an image of the Eiffel Tower. Produced by the Towa Corporation Japan with "BB" and film titles in Japanese represented. The film was released in Japan in December about one week after the French premiere. Scarce and cool Bardot ephemera and a unique Japan-France collaboration circa 1957-1958. <br/><br/>Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br/><br/>Sheets 4.5 x 8 inches stamps 1.25 x 1.75 inches. Very Good plus overall with a little light handling and toning. Towa unknown books
Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in holograph red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in holograph red pencil. <br/><br/>153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. <br/><br/>The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown books
Paris: France Cinema 1962. Collection of 14 original black-and-white film still photographs for the 1962 French-Italian film. Starring actoir Poiret is prominently featured metal crutches in tow with a few images of Saval and Maillan. All with numerical annotations in holograph pencil on the versos. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>5 x 7 inches borderless. Very Good plus overall with slight curling and foxing a few tiny creases. France Cinema unknown books
Paris: France Cinema 1962. Collection of 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in holograph pencil on the versos. Housed in an original French Gevaert photo paper box. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown books
Paris: France Cinema 1962. Collection of 8 vintage borderless single weight film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured both at the salon and in sickbed scenes with Eddy Mitchell. Notations in holograph pencil on three smaller photos larger photos rubber-stamped on the verso crediting photographer William Camus and press agency Dalmas. Included is an original small manila envelope with "Monsieur JEAN 'Garland'" on the front in holograph ink. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Three photos range from 5 x 7 inches five slightly larger the biggest being 8 x 10.75 inches. Slight curling else Near Fine overall. France Cinema unknown books
Paris: France Cinema 1962. Original French invitation for the premier of the 1962 French-Italian film here under the original French title. Presented as a wedding invitation for the fictional characters portrayed by Saval and Poiret cursive font on lightweight card stock with a laid-in list of starring actors appearing at the Cine Le Rex for the November 16 premiere. <br/><br/>Based on Annette Wademant's screnplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>5.75 x 7.5 inches folded horizontally. Near Fine. France Cinema unknown books
Paris: France Cinema Productions 1962. Original scenario with dialogue script for the 1962 film here under the French title. French language. Unbound carbon leaves housed in a turquoise folder with silver prong brad another French film title on the front "Venus Imperiale" presumably Jean Delannoy's "Imperial Venus" of the same year. Notations on several pages in holograph ink and pencil and a few typed corrections. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Title page present undated noted as "Scenario et dialogues" with credits for director Boisrond and screenwriter Wademant. 224 leaves with last page of text numbered 224. Carbon typescript on white stock. Pages and folder Very Good plus. France Cinema Productions unknown books
Paris: Cinedis 1962. Press material for the 1962 French-Italian film "Comment reussir en amour" from the French distributor and press and film agency Cinedis. French language throughout. Resembling the star biography and film credit packets often seen with US press kits this material details film credits cast and crew biographies and the synopsis. <br/><br/>Based on Annette Wademant's screnplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Cinedis was prominent during the heyday of French New Wave distributing and promoting some of the genre's greatest films including "Jules and Jim" "Le Trou" "The Gates of Paris" even the popular "Don Camillo" series starring Fernandel. <br/><br/>10 leaves corner-stapled printed rectos on Cinedis parchment mimeograph duplication. Near Fine. Cinedis unknown books
Beverly Hills CA: United Artists / Les Films 13 1969. Collection of 4 vintage black-and-white still photographs from the 1969 UK release of the 1969 French film. Mimeograph snipes affixed to the versos. <br/><br/>Produced late in the French New Wave cycle implementing flashbacks and imagined scenarios about a troubled young man who meets a pretty shop girl and the two fall in love and eventually marry. The couple does not get along however and things get worse when the husband reverts back to his criminal ways and gets caught. <br/><br/>8 x 10 inches. Some toning else Near Fine. United Artists / Les Films 13 unknown books
Paris: Les Films 13 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies several printed in Agfa photo paper most with 36 images per print amounting to over 1300 images of starring actors Girardot and Kalfon child actors and a few of the film crew. Several images with series numbers etched in the original film before development and as many with cropping annotations in holograph red pencil on the rectos numerical annotations in holograph pencil no the versos. Housed in an oblong quarto paper binder with French title in holograph ink on the front wrapper. <br/><br/>Produced late in the French New Wave era using flashbacks and imagined scenarios about a troubled young man who meets a pretty shop girl and the two fall in love and eventually marry. The couple does not get along however and things get worse when the husband reverts back to his criminal ways and gets caught. Cournot's arthouse film was listed to compete at the 1968 Cannes Film Festival but the festival was canceled due to the political and social unrest in France.<br/><br/>Photos range from 6.5 x 10.5 inches to 10.5 x 14.5 inches including binder 12.5 x 17 inches. Very Good overall curling and light oxidation several with bruises at the edges a result of moisture and prints adhering to each other and some contact sheets still stuck together. Moderate foxing and small tears to the binder binder front wrapper nearly detached. Les Films 13 unknown books
France: Maurice Bernard 1980. Vintage borderless photograph of Geraldine Chaplin from the 1980 film. With holograph annotations on the verso. <br/><br/>Childhood friends Lucia and Elena leave Paris for the countryside where they share an intimate understanding of each others inner lives and desires.<br/><br/>9.5 x 7 inches. Near Fine. Maurice Bernard unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage double weight photograph of director Michelangelo Antonioni and members of the cast and crew on location in the Mojave Desert shooting the 1970 film. Shot by noted photographer Bruce Davidson. With holograph annotations in pencil and blue pen on the verso.<br/><br/>Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso.<br/><br/>Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br/><br/>8 x 10 inches with wide horizontal margins. Near Fine. <br/><br/>Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
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