‎Eluard paul‎

‎Paul Eluard‎

‎Eluard: Oeuvres Completes tome 1: 1913-1945‎

‎Gallimard 2013-05-20. Hardcover. Very Good/No dustjacket as issued. 4x1x7. Bound publisher's brown leather with gilt pattern and gilt lettering blocked in forest green on the spine. Near fine with two sewn-in place markers. In publisher's acetate and housed in a very good slipcase showings some light handling. Text in French. 16mo. lxxxiv 1663pp. Gallimard hardcover‎

Bookseller reference : SELeluOC ISBN : 2070101894 9782070101894

‎Paul Eluard‎

‎Eluard: Oeuvres compltes tome 2: 1945-1952 French Edition‎

‎GALLIMARD 2013-05-20. hardcover. Used: Good. 4.49x1.57x7.05. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD hardcover‎

Bookseller reference : SONG2070101908 ISBN : 2070101908 9782070101900

‎Paul Eluard‎

‎Eluard: Oeuvres complètes tome 2: 1945-1952‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 2070101908.G ISBN : 2070101908 9782070101900

‎Paul ELUARD‎

‎Facile. Poèmes de Paul Éluard. Photographies de Man Ray
‎

‎<p><strong>ÉLUARD Paul 1895-1952</strong></p><p><em>Facile. Poèmes de Paul Éluard. </em><em>Photographies de Man Ray<strong><br /></strong></em>Paris G.L.M. Guy Lévis-Mano 1935<br />First edition one of 200 "hors commerce" copies<br />Print: One of the 200 "hors commerce" copies from the 1200 copies printed on Rives wove paper.<br />This copy is numbered 'CLXXV'<br />Small restored scuff in the upper margin of page 4.<br />Illustration: 13 photographs of Nusch by Man Ray printed in heliogravure including one on the cover</p><p><strong>One of the most desirable illustrated books of the 20th century</strong></p><p><strong><em>'Facile where Nusch's naked body photographed by Man Ray encircles the poems with a clear tenderness and ideal lines…'</em></strong><br /><strong>Album Éluard p. 173</strong></p><p><u>With a signed autograph inscription by Paul Éluard to René Bertelé in black ink:</u></p><p><em>" À René Bertelé<br />Très amicalement </em><br /><em>Paul Éluard "</em></p><p>René Bertelé was one of the foremost publishers of poets in the 20th century. In the aftermath of the war he founded and directed Éditions du Point du Jour—named after a work by André Breton. A close associate of Jacques Prévert he published <em>Paroles</em> in 1946 the collection that brought the poet to widespread public attention. His publishing house also featured works by Michaux Breton Ernst Soupault and Queneau.</p><p>Born from an artistic collaboration between Man Ray Paul Éluard and his wife Nusch the book exalts her body through the poet's words and the photographer's light. Following his collection <em>Au défaut du silence</em> where Gala was ever-present Éluard composed these four poems evoking Nusch which are echoed by a subtle interplay of layout and twelve photographs by Man Ray depicting Nusch entirely nude. Her body never appears in full a technique characteristic of the "Man of Light." The work contributed significantly to the revival of eroticism in 1930s art.</p><p>The elegance and originality of <em>Facile</em>'s layout combined with the aesthetic quality of Man Ray's photographs—characterized by raking light shadow play and superimpositions—contribute to the perfection of this legendary work:<br /><em>"Identical to herself in her inexhaustible creation of self woman is also like the sign—or better yet: the condition—of the identity of all things. One would almost have to quote entire poems from Facile to convey the true sense of the 'harmony' established between feminine eroticism and the fertile energies of the earth—between the gestures of woman and the movements of human destiny…"</em><br />Pierre Emmanuel <em>Le Je universel chez Paul Éluard</em></p><p><u>Bibliography:<br /></u><em>Œuvres complètes</em> t. I éd. Marcelle Dumas et Lucien Scheler Pléiade pp. 457-466</p> GLM‎

Bookseller reference : Eluard9

‎Paul Eluard‎

‎Grain d'aile‎

‎Sans date. Bon état unknown‎

Bookseller reference : 500346588 ISBN : 2261003587 9782261003587

‎Paul Eluard; Rene-Jean‎

‎Jacques Villon ou L'Art Glorieux‎

‎Louis Carre 1948. paperback. Very Good. 0x0x0. Yellow softcover under glassine dust jacket 62 pp. illustrated with 7 color lithographs 3 BW drawings. #273 of limitation of 1800. Text in French. Tight and unmarked. D52 Please email for photos. Louis Carre paperback‎

Bookseller reference : 121974

‎Paul Eluard Louis Parrot‎

‎L'eternelle revue numero 1‎

‎La jeune parque 2026. in8. 2026. Broché. 82 pages. Revue créée dans la clandestinité par Paul Eluard. La voix de Robespierre par J.P. Sartre. La Nuit de Juillet par Aragon. Un Prisonnier chantait par P. Seghers. On te menace par P. Eluard. Les Aventuriers du Jour par Tardieu etc Poésie paperback. Bon Etat annotation sur la premiere page micropliure de couverture. La jeune parque paperback‎

Bookseller reference : 222267 ISBN : 2702406904 9782702406908

‎Paul Eluard; Marilyn Kallet [Translator]‎

‎Last Love Poems of Paul Eluard English and French Edition‎

‎Commonwealth Books Black Widow 2006-07-19. Paperback. New. In shrink wrap. Looks like an interesting title! Commonwealth Books, Black Widow paperback‎

Bookseller reference : Q-0976844931 ISBN : 0976844931 9780976844938

‎Paul Eluard‎

‎Le Dur Desir De Durer‎

‎Paris France: Bordas. Very Good with no dust jacket. 1950. Limited Edition. Softcover. VG softcover edition has a tissue overlay on the cover which is chipped and has some pieces missing. Text is in French. Limited edition this is # 392. My knowledge of French is limited so please call if you have any questions. ; 4to 11" - 13" tall . Bordas paperback‎

Bookseller reference : 22951

‎Paul ELUARD‎

‎Le poète et son ombre‎

‎Paris: Seghers 1963. Fine. Seghers Paris 1963 14.50 x 20.50 cm en feuilles sous chemise et étui First edition one of 135 numbered copies Hollandethis one 60 reserved for a club of bibliophiles the only large paper copy. Illustrations. A good copy. Seghers unknown‎

Bookseller reference : 55971

‎Paul Eluard Man Ray‎

‎Les Mains Libres‎

‎Editions Jeanne Bucher 1937. Softcover. Good/No jacket. #68/650cc. Wraps pulling away from the text block. Binding is a little loose. Pages clean. <br /> <br /> Bookplate inside front cover of Anne Renier and Fernand Renier a formidable duo who collected books in the thirties but ramped up their interest in children's books in the fifties. In 1970 the Reniers donated their collection of 80000 children's books and toys to the Victoria and Albert Museum. Editions Jeanne Bucher unknown‎

Bookseller reference : 106371

‎Paul ELUARD‎

‎Les sentiers et les routes de la poésie • The Paths and the Roads of Poetry‎

‎Paris: Armand Henneuse 1952. Fine. Armand Henneuse Paris 1952 14 x 19.50 cm relié sous chemise et étui First edition one of 15 numbered copies on chiffon Auvergne paper tirage de tête. Spectacularly bound in black calf by Pierre-Lucien Martin the covers inlaid with white and grey calf with a geometric decoration of gilt fillets making perspective shapes endpapers and pastedowns of Auvergne paper the delicate Auvergne paper covers and back preserved top edge gilt. Slipcase with black paper flaps lined with grey felt and with a spine of rhodoid plastic small crack to head trimmed with black calf and with a brown paper interior. This copy is enriched with a manuscript sheet bearing six fragments of poems chosen and copied out by Paul Eluard which had appeared in Poésie et vérité Poetry and Truth ten years before. A magnificent copy remarkably bound in decorated black calf by Pierre-Lucien Martin. Armand Henneuse unknown‎

Bookseller reference : 52661

‎Paul Eluard‎

‎Letters to Gala‎

‎New York: Paragon House 1989. First Edition. hardcover. very good/very good. 8vo. pp.346. Paragon House hardcover‎

Bookseller reference : 364023 ISBN : 1557781192 9781557781192

‎Paul ELUARD‎

‎Lettres de Jeunesse avec des Poèmes inédits‎

‎Paris: Seghers 1962. Fine. Seghers Paris 1962 14.50 x 23 cm broché First edition one of 32 numbered copies on Hélio neige Libert paper ours being one of the 12 hors commerce copies deluxe issue. Very handsome copy. Seghers unknown‎

Bookseller reference : 79599

‎Paul ELUARD‎

‎Lingères légères‎

‎Paris: Pierre Seghers 1945. Fine. Pierre Seghers Paris 1945 16.50 x 22 cm broché First edition one of 650 numbered copies on vélin du Marais the only issue along with 35 on Montval. With frontispiece portrait of the author by Marcoussis previously unpublished. Small tears to head of spine crease mark to rear board. Handsome copy Pierre Seghers unknown‎

Bookseller reference : 2843

‎Paul Eluard; Max Ernst‎

‎Mourir De Ne Pas Mourir‎

‎E-176. Very Good. Leather. Leather. 12mo. Editions de la Novelle Revue Francaise Paris 1924. Limited up to 545 copies. 60 pgs. Unumbered copy. Frontispiece illustrated by Max Ernst. Text in French. First Edition/First Printing. Bound in 1/2 red leather and paper covered boards cloth with titles present to the spine. Original wraps and spine present and bound in. Boards have light wear present to the extremities of the boards. Top edge gilt. Previous owner's name present to the half-title page. Text is clean and free of marks. Binding tight and solid. Paul Eluard 1895-1952 is widely considered to be one of France's most important poets. A rare and unusual surrealist text. E-182; 8vo 8" - 9" tall . hardcover‎

Bookseller reference : 66690

‎Paul Eluard‎

‎Oeuvres complétes‎

‎<p>Two volumes in a slipcase. Clean with firm bindings all pages and endpapers unmarked. Not ex-library no stickers. Packed securely for shipment.</p> Gallimard hardcover‎

Bookseller reference : 1845

‎Paul Eluard‎

‎Oeuvres Completes 2‎

‎SOS Free Stock 1968. Leather Bound. New. 1536 pages. French language. 7.09x4.57x1.57 inches. SOS Free Stock hardcover‎

Bookseller reference : 2-2070101908 ISBN : 2070101908 9782070101900

‎Paul Eluard; Lloyd Alexander [Translator]; Cicely Buckley [Translator];‎

‎Ombres Et Soleil / Shadows and Sun: Selected Writings of 1913-1952 English and French Edition‎

‎Oyster River Press 1995. paperback. New. In shrink wrap. Looks like an interesting title! Oyster River Press paperback‎

Bookseller reference : Q-0961748176 ISBN : 0961748176 9780961748173

‎Paul ELUARD - Raymond QUENEAU - Georges HUGNET‎

‎Pierre à feu - Provence noire‎

‎Cannes: Adrien Maeght 1945. Fine. Adrien Maeght Cannes 1945 20.5 x 24.5 cm Relié sous étui First edition one of 950 copies on Vélin Vidalon signed by André Marchand the only printing following 49 copies on Vélin d'Arches.Bound in black morocco-backed boards with corners smooth spine gilt fillet borders on cat's eye paper-covered boards marbled endpapers and pastedowns original wrappers and spine preserved all edges gilt. Slipcase edged in black morocco marbled paper panels. Binding signed by D. Saporito.Illustrated with 50 splendid original lithographs by André Marchand printed by Mourlot.Featuring previously unpublished texts by Georges Spyridaki René Lacôte Georges Hugnet Gabriel Audisio Raymond Queneau David Herbert Lawrence Pierre Emmanuel Luc Decaunes Léon-Marie Brest Jean Grenier Antonio Machado Marie Mauron Paul Eluard.A handsome and finely bound copy. Adrien Maeght hardcover‎

Bookseller reference : 89388

‎Paul Eluard‎

‎Poezii‎

‎Used. For more details please contact me unknown‎

Bookseller reference : feb81285

‎Paul Eluard; Roland Penrose and E L T Mesens [Trans]‎

‎Poésie et Vérité 1942 Poetry and Truth 1942‎

‎London: London Gallery Editions 1944. First edition. Paperback. Good. 8" by 6". Man Ray. One of only 500 signed copies a pleasing first edition of the English translation of Paul Éluard's poetry originally published in separate publications. A superb limited first edition English translation of Paul Éluard's poetry. Number 235 of 500 copies signed by the translators Roland Penrose and E. L. T. Mesens. The majority of Éluard's poems were originally published in separate publications throughout 1942 whilst France was under German occupation. This the first bilingual collection of his work with the English and French on opposing pages. Bound in the publisher's original paper wraps with the original unclipped dust wrapper. Printed on hand made paper with deckled edges multiple uncut leaves. Illustrated with a line-drawn portrait of Paul Éluard by Man Ray dated 1936. A founding figure of the Surrealist movement who remained in France during the war Éluard's verse encapsualates the terror of the French occupation with themes of liberté patience and entrapment. This poetry book was published as part of a series of French poetry from all over the world edited by Mesens. This copy would make a pleasing addition to any global poetry collection. Bound in the publisher's original paper wraps with unclipped dust wrapper. Externally in smart condition. With a closed tear to the front paper wrap and additional minor chipping and tears to extremities. A crease to back paper wrap. Dust wrapper with sunning to spine and extremities. A single stain to the rear of wrap. Chipping and loss of paper to head and tail of spine and fly leaves at extremities. Text block disbound from paper wrap. Otherwise internally bound pages bright and clean. Multiple uncut leaves. Signature of translators to the final page. Good London Gallery Editions paperback‎

Bookseller reference : 1005J8

‎Paul ELUARD - Francis PICABIA - Tristan TZARA‎

‎Proverbe • Proverbe - Nos. 1-6‎

‎Paris: Proverbe 1920. Fine. Complete copy of this iconic Dada journal with its subscription leaflet Proverbe Paris 1er février 1920 - 1er juillet 1921 14 x 22.5 cm & 208 x 275 5 fascicules sur feuillets double et 1 feuillet recto-versos An exceptionally rare complete collection in six issues of this important Dada journal including the very rare sixth no. of July 1921 entitled ""Invention et proverbe"". Contributions by Paul Eluard André Breton Céline Arnauld Tristan Tzara Philippe Soupault Louis Aragon Jean Cocteau Francis Picabia Jean Paulhan Maurice Raynal Georges Ribemont-Dessaignes Jacques-Emile Blanche Théodore Fraenkel among others.   One of the most significant Dada journals published at the height of the movement with its very rare subscription leaflet. Undoubtedly the finest example of poetic parody conceived by the Dadaists as a radical response to the conventionalized atrophy of lan-guage and morality.          ""These journals DdO4H2 ; M'amenez-y ; Proverbe and Z represent the specific product of the 1920 Dadaist frenzy. … The most interesting of them standing clearly apart from the rest was unquestionably Proverbe which claimed to 'exist only to justify words'"" Michel Sanouillet Dada à Paris ""Thus through the alchemy of Eluard's editorial choices Proverbe became a genuinely Dada journal: consistently innovative exploring the diverse possibilities of language 'justifying' words that is calling them into question inventing its own idiom and more distinctively still indicting conventional syntax through aphorisms. These aphorisms according to Michel Leiris's phrase rhyme falsely: commonplaces caught in everyday speech i.e. 'it means what it means' no. 2; nonsense phrases; sayings taken from Dadaist writings such as Tzara's 'My name is now you' no. 3; sentences of zero denotation such as 'With DADA every day rendez-vous anywhere' no. 4. In Dépaysement de l'aphorisme Marie-Paule Berranger compiled an exhaustive inventory of all the verbal operations proposed by the contributors to Proverbe ranging from the inversion of stereotypes to the portmanteau proverb the commonplace taken at face value the deflating riddle and the redefinition of grammatical rules: all ultimately underscoring the paradox of language. But to focus solely on this aspect is to overlook much else that the publication contains beyond sententious wordplay. Eluard while testing the effect of his own poems clearly took great pleasure in composing these explosive pages and wrote in another journal: 'Proverbe resembles the piers of a demolished bridge' Henri Béhar Dada Circuit total p. 302.     A rare complete copy of this ephemeral and incandescent publication: ""of all the Dada journals the one that made the most coherent contribution to the problem of language"" Tristan Tzara. Dada exhibition Centre Pompidou 2005-2006 pp. 830-833. Proverbe unknown‎

Bookseller reference : 92144

‎Paul Eluard Andre Rouveyre, Pierre Emmanue‎

‎Revue Hommage1: Dessins de Bonnard Dufy Maillol Matisse Picasso & Hommage 2: Dessins de Matisse‎

‎<p><b>Revue Hommage1: </b>Dessins de Bonnard Dufy Maillol Matisse Picasso & <b>Hommage 2: </b>Dessins de Matisse </p><p>Art magazine published in Monaco and directed by Philippe Fontana. For this edition only the first and second number were published.</p><p>Hommage 1: Monaco December 1943. First number of Hommage magazine Folio in original grey folder wrapper. The collection containing: one poem by Pierre Emmanuel in fac-simile illustrated by Leon Zack in sepia and the following prints: Etude by Bonnard Symphonie by Dufy in double page two nudes by Maillol of which one in double page two portraits by Matisse and a satire by Picasso in double page.</p><p>Hommage 2: Dessins de Matisse Monaco Juin 1944. Poems de Paul Eluard foreword by Andre Rouveyre. Folio in original grey folder wrapper. The collection containing: 3 poems in fac-simile by Eluard preceded by an original lithograph by Leonor Fini on the frontispiece an original photograph by Brassai of Matisse at work introductory text by Rouveyre 10 prints reproducing the original drawings by Matisse for this edition complete of two blueprints with explanations for two portraits followed by a letter in fac -simile by Matisse with the list of the drawings. Limited and numbered edition of 1050 copies.</p><p>Very good condition. Extra pictures on request. </p> Philippe Fontana‎

Bookseller reference : B-04-040017

‎Paul ELUARD‎

‎Superb first draft manuscript on his vision of poetry: influence on men influence on the world influence on the construction of the relationship of men to their world‎

‎<p><strong>ELUARD Paul 1895-1952</strong></p><p>" La Certitude d'avoir raison " autograph manuscript signed " Paul Eluard " N.p.n.d 1 p. in-4 Fold marks paper slightly crumpled some notes on verso from another hand</p><p><strong>Superb first draft manuscript on his vision of poetry: influence on men influence on the world influence on the construction of the relationship of men to their world</strong></p><p><em>" <strong>Il y a une tradition poétique et c'est la tradition de la découverte de l'invention la recherche d'un beau et d'un bien toujours nouveau</strong>. Le développement de l'imagination est lié à la transformation sociale : ils se commandent réciproquement. L'imagination change de monde. <strong>Il n'y a pas d'explorateurs ou d'inventeurs sans imagination. Cette reine du monde est la mère du progrès</strong>. Et tout en donnant raison à</em> Vladimir <em>Maïakovsky qui supposait l'existence dans la société de problèmes dont la solution n'est imaginable que par l'œuvre poétique " l'on peut espérer que l'œuvre poétique trouvera la solution par la résolution des problèmes sociaux. <strong>La poésie est le reflet du monde. Ce que je dis c'est ce que je vois et je dois forcément trouver un écho dans le cœur de mes semblables</strong>. Il n'y a sur terre qu'une vérité celle de l'homme au service de tous les hommes celle de tous les hommes au service de l'homme. <strong>La poésie ne sera bientôt plus un refuge</strong>. Elle devient la solution logique car elle est la vie une vie qui nourrit l'imagination une imagination qui transforme la vie. Comme l'amour elle doit être réciproque. Mais elle saut que cette réciprocité est entièrement fonction de l'égalité du bonheur matériel entre les hommes. Et l'égalité dans le bonheur porterait celui-ci à une hauteur dont nous ne pouvons encore avoir que de faibles notions. Paul Eluard "</em></p><p>This reflection on what poetry is according to Eluard is worth a little overview of the different ways he had to consider this mode of expression: Already before the war Eluard sees poetry as well as the fruit of an aesthetic literary and political commitment. With Aragon and Breton he closely followed the rising ideological conflicts but refused to let art submit to these problems. It is also the collection <em>Capital de la douleur</em> 1926 that remained the best known of the poet at that time. However during the Second World War politics and poetics ended up becoming one under his pen and his poetry became a weapon in its own right; one naturally thinks of the famous hymn to "Liberté" under the Occupation.</p><p>On November 28 1946 shortly after the probable date of our manuscript Nusch Eluard the poet's wife died. The latter then renewed his vision of poetry passing it "from the horizon of one man to the horizon of all". This desire for universality is superbly expressed here: "What I say is what I see and I must necessarily find an echo in the hearts of my fellow men." Moreover the approach to poetry as the common of all stems from a philological reflection on the relationship of men to language whose conclusion is that "The poet … will give us back the delights of the purest language as well that of the man of the street as of the wise as that of the woman the child or the madman. Les Sentiers et les routes de la poésie 1952.</p><p>Part of this manuscript the second and third sentences can be found in the section <em>Poèmes retrouvés</em> volume II of the Pléiade p. 873 under the title <em>Aujourd'hui la Poésie</em>: it is a fragment of a lecture given by Eluard on April 9 1946 at the French Institute in Prague.</p><p>Another part the last sentence is found in <em>Avenir de la Poésie</em> Œuvres complètes tome I de la Pléiade p. 526. We know that Eluard made many conferences and declarations in Prague during the spring of 1946 then Italy and Greece. One can legitimately think that this manuscript dates from this time.</p><p>Lucien Scheler does not mention this text either in the alphabetical index of the periodicals that published Eluard or in the chronological index. Still chances are he knew the text at least by a typed copy. The signature and the pencil endorsement seem to indicate a publication.</p>‎

Bookseller reference : Eluard2