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‎N/A;‎

‎Mediaeval Studies General Index, volumes 1-25 (1939-1963),‎

‎Turnhout, Brepols, 1964 Paperback, 208 p., 170 x 255 mm. ISBN 9780888446251.‎

‎Languages : English.‎

Référence libraire : 39689

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‎N/A;‎

‎Mediaeval Studies First Supplement Index, volumes 26-30 (1964-1968),‎

‎Turnhout, Brepols, 1964 Paperback, 63 p., 170 x 255 mm. ISBN 9780888446312.‎

‎Languages : English.‎

Référence libraire : 39690

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‎N/A;‎

‎Mediaeval Studies Second Supplement Index, volumes 31-40 (1969-1978),‎

‎Turnhout, Brepols, 1985 Paperback, 168 p., 170 x 255 mm. ISBN 9780888446480.‎

‎Languages : English.‎

Référence libraire : 39691

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‎N/A;‎

‎Mediaeval Studies 73 (2011),‎

‎Turnhout, Brepols, 2012 Paperback, approx. IV+328 p., 170 x 255 mm. ISBN 9780888446756.‎

‎Languages : English.‎

Référence libraire : 39692

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‎P. Gwynne;‎

‎Poets and Princes The Panegyric Poetry of Johannes Michael Nagonius,‎

‎Turnhout, Brepols, 2012 Hardback, XXIV+552 p., 30 b/w ill. + 8 colour ill., 4 b/w line art, 156 x 234 mm. ISBN 9782503531601.‎

‎Poets and Princes offers a richly textured interdisciplinary survey of late medieval and early Renaissance court cultures across Europe as they are reflected in the neo-Latin verse of the itinerant poet, Johannes Michael Nagonius. Poets and Princes offers a richly textured interdisciplinary survey of late medieval and early Renaissance court cultures across Europe as they are reflected in the neo-Latin verse of the itinerant poet, Johannes Michael Nagonius. In 1496 the poet laureate Nagonius presented Henry VII with a manuscript of Latin panegyric poetry. This elaborate diplomatic gift from Pope Alexander VI solicited the King's support against Charles VIII of France. The verse emphasized the mutual benefit of an alliance: if Henry supported him the Pope would acknowledge disputed Tudor claims to England's throne. For Henry, the gift represented a literary and political coup. With all the rhetorical skill of a learned poet, Nagonius presented the King as a classical hero on an epic scale in the latest Italian style. The work thus acknowledged Henry's international significance. Other recipients of Nagonius's panegyric verse include Holy Roman Emperor Maximilian I, Vladislav II of Bohemia, Louis XII of France, Doge Leonardo Loredan, the condottieri Niccolo Orsini and Gian Giacomo Trivulzio, Giovanni Bentivoglio, lord of Bologna, and Duke Ercole d'Este of Ferrara. The presentation of a deluxe manuscript to Julius II, celebrating the pontiff 's campaign in the Romagna, marked the climax of the poet's career. This analysis of the life and works of Nagonius thus provides a fascinating insight into the world of late medieval and early Renaissance court cultures. It contributes to the growing field of neo-Latin scholarship, examining the manuscripts and para-texts, studying the relationship between volume and dedicatee, placing these manuscripts within the wider literary and artistic cultures of the courts where they were presented, and investigating the role of neo-Latin verse within court cultures. Languages : English.‎

Référence libraire : 39696

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‎N/A;‎

‎Revue de l'Orient latin,‎

‎Turnhout, Brepols, original edition: 1893, reprint:1964 Paperback, 2 vol., 2000 p., 160 x 250 mm. ISBN 17602200100.‎

‎Languages : French.‎

Référence libraire : 39845

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‎A. Buckley, D. Billy (eds.);‎

‎Etudes de langue et de litterature medievales offertes a Peter T. Ricketts a l'occasion de son 70eme anniversaire,‎

‎Turnhout, Brepols, 2005 Paperback, XIV+744 p., 156 x 234 mm. ISBN 9782503516400.‎

‎Peter T. Ricketts, Honorary Professor of French at the University of Birmingham, and Emeritus Professor at Queen Mary and Westfield, University of London, has led a long and distinguished career in the field of Romance Philology, and in Occitan studies in particular. In addition to his leading role in the Association Internationale d'Etudes Occitanes (AIEO), he has devoted many years in the service of Occitan Studies. Peter T. Ricketts is perhaps especially noted for an in-progress edition (with Cyril P. Hershon) of the Breviari d'Amor by Matfre Ermengaud, and for the Concordance of Medieval Occitan (CMO), a vast database the aim of which is to document the entire corpus of medieval Occitan texts and to make them available in electronic format as an active and exhaustive working tool for all scholars in the field. The first tranche of this project, on the poetry of the troubadours (Brepols 2001), has already been received with wide critical acclaim. The present publication includes articles by 63 specialists in fields as wide-ranging as history, literature, linguistics, philology, musicology, metrics and philosophy, addressing sources and topics from a variety of provenances in Old French and Old Occitan, as also in Medieval Latin, Castilian, Catalan, Middle High German, Hispano-Arabic, and Hebrew. It is divided into two major sections. The first is concerned with narrative texts: romance, epic, and religious literature; the second with the poetry of the troubadours: firstly their lyric legacy, its sources and influences, the vidas which accompany their transmission, the troubadours themselves, but also instances of their non-lyric output such as proverbs and ensenhamens. Also among the articles are editions of texts, some hitherto unpublished. Taken together, this collection represents a very broad panorama of current research, and offers a major contribution to the advancement of Medieval Studies. " Honorary Professor " de Francais a l'Universite de Birmingham, et Professeur Emerite a Queen Mary and Westfield, Universite de Londres, Peter T. Ricketts a mene une carriere longue et remarquable dans le domaine de la Philologie Romane, et dans les etudes occitanes en particulier. Outre son role majeur dans l'animation de l'Association Internationale d'Etudes Occitanes (AIEO), Peter T. Ricketts a consacre de nombreuses annees aux etudes occitanes. Son ?uvre est plus specialement marquee par l'edition encore inachevee (avec Cyril P. Hershon) du Breviari d'Amor de Matfre Ermengaud, et l'elaboration de la Concordance de l'Occitan Medieval (COM), vaste banque de donnees appelee a terme a couvrir l'ensemble des textes occitans du moyen age et mettant a la disposition des chercheurs un outil de travail exhaustif et performant. La publication de la premiere tranche consacree a la poesie des troubadours (Brepols 2001) a deja recueilli un accueil tres favorable de la critique. Le present recueil de Melanges reunit les travaux de 63 specialistes de la litterature medievale, dans des domaines aussi varies que l'histoire, la litterature, la linguistique, la philologie, la musicologie, la metrique ou la philosophie, explorant des materiaux et des sources de diverses provenances, en ancien francais et en ancien occitan, mais aussi en latin medieval, castillan, catalan, moyen-haut-allemand, hispano-arabe, hebreux. L'ouvrage est divise en deux sections principales, la premiere etant consacree aux textes non lyriques : roman, epopee et litterature religieuse, la seconde a la poesie des troubadours, soit naturellement a leur production lyrique, a ses sources et son influence, aux vidas qui accompagnent leur transmission, aux troubadours eux-memes, mais aussi a leur production non lyrique tels que textes proverbiaux et ensenhamens. Ces Melanges incluent egalement quelques editions de textes, quelquefois inedits. Leur ensemble constitue un panorama tres complet des recherches actuelles, avec des avancees capitale dans le domaine des etudes medievales. Languages : French, Occitan.‎

Référence libraire : 39865

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‎S. Knight (ed.);‎

‎Robin Hood in Greenwood Stood Alterity and Context in the English Outlaw Tradition,‎

‎Turnhout, Brepols, 2012 Hardback, XVIII+234 pages., 21 b/w ill., 156 x 234 mm. ISBN 9782503540542.‎

‎New studies of the changing meaning of the myth of Robin Hood, from the Middle Ages to the present. The Robin Hood tradition is a rich assembly of exciting stories, more than five hundred years old and still thriving. From medieval ballads of yeoman resistance and gentrified Renaissance stories of Lord Robin versus bad King John, the tradition survived lustily into modern film, through which Robin Hood, played by major stars like Fairbanks, Flynn, and Costner, has become a truly international hero of natural law. This richly varied tradition enables scholars to study how different periods have understood the concept of Robin?s noble resistance to wrongful authority. These new essays uncover innovative topics like Robin?s relation with the cult of archery in the late Middle Ages, the purpose of the recently discovered 1670s? Forresters manuscript of outlaw ballads, and what Thomas Love Peacock thought when in 1815 he met in Windsor Forest a man called Little John. Other essays explore the social meanings and contexts of the texts, from the stark early ballads and their contacts with both Catholicism and Protestantism, through to modern excitements like the Kevin Costner film of 1991 and the links between Robin and Batman. Just as the five-hundred-year tradition of the Robin Hood story is alive today, so this collection shows how vital and varied is modern analysis of the myth of the best known and most loved of all the outlaws. Languages : English.‎

Référence libraire : 39877

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‎T. de Hemptinne, V. Fraeters, M. E. Gongora Diaz (eds.);‎

‎Speaking to the Eye Sight and Insight through Text and Image (1150-1650),‎

‎Turnhout, Brepols, 2013 Hardback, approx. X+298 p., 37 b/w ill. + 8 colour ill., 156 x 234 mm. ISBN 9782503534206.‎

‎This volume takes as its focus the paradoxical double-bind of textuality and visuality in the culture of the high and late Middle Ages and early modernity. In a series of case studies contributors explore the historical and theoretical implications of the idea that texts and images alike ?speak to the eye?. Some scholars have proclaimed the coming of a ?visual turn? to explain the boom in conferences, books, and even specialized journals that take as their topic the theoretical or historical study of visual culture. The notion of visual culture may seem self-evident, not merely from our own twenty-first-century perspective but also when applied to earlier periods of western European history. However, the nature and status of the visual media, as well as the ways in which these were received, experienced, and appropriated, underwent several major changes between the twelfth and the seventeenth centuries. Contemporary sources describe and define the experience of reading texts and images as involving a mixture of visual and aural impulses that address both the inner eye and the outer senses. This volume sets out explicitly to investigate the specific, sensuous nature of this experience. It also addresses the question of whether, and if so to what extent and in which ways, this ?reading experience? was engendered. Languages : English.‎

Référence libraire : 39878

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‎L. B. Mortensen, T. M.S. Lehtonen (eds.);‎

‎Performance of Christian and Pagan Storyworlds Non-Canonical Chapters of the History of Nordic Medieval Literature,‎

‎Turnhout, Brepols, 2013 Hardback, approx. 400 p., 20 b/w ill., 6 b/w line art, 156 x 234 mm. ISBN 9782503542362.‎

‎The present collection explores a hitherto understudied body of Nordic medieval literature which, although overlooked in traditional, language-based narratives, was in fact crucial in shaping social and religious identities. By drawing on the ?performance turn? in cultural studies, the volume identifies a number of minor and peripheral literary forms and texts that had a vital connection to ritual and ritualized speech. These neglected traditions therefore offer an alternative insight into Nordic literary life and the sets of cultural expression, or storyworlds, underlying Nordic culture. The collected studies explore different aspects of verbal performances as a primary vehicle for the Nordic storyworlds, with a preference for the Christian over the pagan traditions. Emphasis is placed on Latin, Old Norse, and Finnish traditions that were retold and reproduced over time. These ?living? literary forms highlight the importance of non-canonical texts for the interpretation of contact between the peripheries and centres of Nordic culture. Through the focus on the interaction between Latin and the vernacular, between eastern Baltic and western Latin influences, and between ritual and speech in religious practice, this collection demonstrates the importance of ?minor? texts for the re-construction of medieval Nordic culture and history. Languages : English, Latin.‎

Référence libraire : 39879

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‎A. Berteloot, G. Claassens, W. Kuiper (eds.);‎

‎Petrus Naghel Gulden Legende De Middelnederlandse vertaling van de 'Legenda aurea' door Petrus Naghel, uitgegeven naar handschrift Brussel, Koninklijke Bibliotheek, 15140. Deel II,‎

‎Turnhout, Brepols, 2012 Hardback, 621 pages ., 156 x 234 mm. deel 2 only ISBN 9782503542720.‎

‎The importance of the Legenda aurea for the Late Middle Ages can hardly be overestimated, as witness the impressive manuscript tradition of the original Latin text as well the different vernacular versions. This huge hagiographic collection, organised per circulum anni, can be considered as a compendium of the medieval religious worldview: it offers insights into the (deuterocanonic) tradition of the New Testament, the lives and deaths of the most important saints, the history of the church of Rome, and it can be read as a catechism in narrative form. But the Legenda aurea is also a treasure-trove of stories, motifs and themes splendidly reflecting medieval mentality in its entirety. The influence of the Legenda aurea on literature and iconography is so far-reaching, that the book is an indispensable aid for the 'reading' of countless medieval texts, paintings and sculptures. The text was translated several times into Middle Dutch and of the first southern Dutch translation (ca. 1357), made by Petrus Naghel (? 1395) in the Charterhouse of Herne, a modern edition is now available. This edition of the Gulden legende - the second volume of a set of two - contains the legends of Pope Urban to the Feast of Church Dedication, and carries a concise introduction. The first volume of the set will appear in print in 2013; it contains the remaining legends and an expansive introduction comprising an introduction of text and translator, a description of the manuscript used for the edition, a statement of editorial policy and indices of names. Het belang van de Legenda aurea in de late Middeleeuwen kan moeilijk overschat worden, getuige de indrukwekkende handschriftelijke overlevering van zowel de oorspronkelijke Latijnse tekst als van de verschillende volkstalige versies. Deze omvangrijke hagiografische verzameling, georganiseerd per circulum anni, kan beschouwd worden als een compendium van het middeleeuwse religieuze wereldbeeld: het biedt inzicht in de (deuterocanonieke) traditie van het Nieuwe Testament, het leven en sterven van de belangrijkste heiligen, de geschiedenis van de Kerk van Rome en het kan gelezen worden als een catechismus in narratieve vorm. Maar de Legenda aurea is ook een schatkamer van verhalen, motieven en themata waarin de gehele middeleeuwse mentaliteit een schitterende weerspiegeling vindt. De invloed van de Legenda aurea op de literatuur en de beeldende kunsten is zo verregaand dat het boek een onmisbaar hulpmiddel is voor het ?lezen? van talloze middeleeuwse teksten, schilderijen en sculpturen. De tekst werd meermaals in het Middelnederlands vertaald en van de eerste, Zuidnederlandse vertaling, rond 1357 vervaardigd door de Hernse kartuizer Petrus Naghel (?1395) is nu een kritische uitgave beschikbaar. Deze editie van de Gulden legende - het tweede deel van wat een tweedelige uitgave wordt - bevat de legenden van paus Urbanus tot en met Kerkwijding, en wordt voorafgegaan door een beknopte inleiding. Het eerste deel zal volgens plan in 2013 verschijnen en de resterende legenden bevatten, maar ook een uitvoerige inleiding met, onder andere, een introductie van tekst en vertaler, een beschrijving van het gebruikte basishandschrift, editieprincipes en indices op namen. Languages : Dutch, Middle Dutch.‎

Référence libraire : 39880

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‎A. Berteloot, G. Claassens, W. Kuiper (eds.);‎

‎Petrus Naghel Gulden Legende, Deel I en II, 2 volumes.SET‎

‎Turnhout, Brepols, 2012 Hardback, 2 volumes., approx. CXCVI+1030 pages ., 3 b/w ill. + 2 colour ill., 156 x 234 mm, Languages : Dutch, Middle Dutch. ISBN 9782503545028.‎

‎The importance of the Legenda aurea for the Late Middle Ages can hardly be overestimated, as witness the impressive manuscript tradition of the original Latin text as well the different vernacular versions. This huge hagiographic collection, organised per circulum anni, can be considered as a compendium of the medieval religious worldview: it offers insights into the (deuterocanonic) tradition of the New Testament, the lives and deaths of the most important saints, the history of the church of Rome, and it can be read as a catechism in narrative form. But the Legenda aurea is also a treasure-trove of stories, motifs and themes splendidly reflecting medieval mentality in its entirety. The influence of the Legenda aurea on literature and iconography is so far-reaching, that the book is an indispensable aid for the ?reading? of countless medieval texts, paintings and sculptures. The text was translated several times into Middle Dutch and of the first southern Dutch translation (ca. 1357), made by Petrus Naghel (? 1395) in the Charterhouse of Herne, a modern edition is now available. This edition of the Gulden legende ? the second volume of a set of two ? contains the legends of Pope Urban to the Feast of Church Dedication, and carries a concise introduction. The first volume of the set will appear in print in 2017; it contains the remaining legends and an expansive introduction comprising an introduction of text and translator, a description of the manuscript used for the edition, a statement of editorial policy and indices of names. Het belang van de Legenda aurea in de late Middeleeuwen kan moeilijk overschat worden, getuige de indrukwekkende handschriftelijke overlevering van zowel de oorspronkelijke Latijnse tekst als van de verschillende volkstalige versies. Deze omvangrijke hagiografische verzameling, georganiseerd per circulum anni, kan beschouwd worden als een compendium van het middeleeuwse religieuze wereldbeeld: het biedt inzicht in de (deuterocanonieke) traditie van het Nieuwe Testament, het leven en sterven van de belangrijkste heiligen, de geschiedenis van de Kerk van Rome en het kan gelezen worden als een catechismus in narratieve vorm. Maar de Legenda aurea is ook een schatkamer van verhalen, motieven en themata waarin de gehele middeleeuwse mentaliteit een schitterende weerspiegeling vindt. De invloed van de Legenda aurea op de literatuur en de beeldende kunsten is zo verregaand dat het boek een onmisbaar hulpmiddel is voor het ?lezen? van talloze middeleeuwse teksten, schilderijen en sculpturen. De tekst werd meermaals in het Middelnederlands vertaald en van de eerste, Zuidnederlandse vertaling, rond 1357 vervaardigd door de Hernse kartuizer Petrus Naghel (?1395) is nu een kritische uitgave beschikbaar. Deze uitgave werd opgesplitst in een set van twee delen. De editie begint met de Advent en eindigt met de legende van de heilige Pancratius, en bevat daarmee de legenden rond de drie grote feesten: Kerstmis, Pasen en Pinksteren. Daarnaast biedt de set ook een uitvoerige inleiding, waarin eerst de Latijnse Legenda aurea, haar auteur en haar overlevering kort aan de orde worden gesteld. Het zwaartepunt ligt op de Middelnederlandse tekst, zijn vertaler en diens bron, en op de overlevering ervan in handschriftelijke en gedrukte bronnen. Een aantal concordanties en een namenregister ontsluiten de legendenteksten en maken het mogelijk de Gulden Legende en de actuele edities van de Latijnse tekst parallel te raadplegen.‎

Référence libraire : 39881

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‎C. Galderisi (ed.);‎

‎Translations medievales. Cinq siecles de traductions en francais au Moyen Age (XIe-XVe siecles ). Etude et Repertoire SET volumes I et II,‎

‎Turnhout, Brepols, 2011 Hardback, 3 volumes, 2191 p., 156 x 234 mm. ISBN 9782503528335.‎

‎Translations medievales : cinq siecles de traductions en francais (xie-xve siecle) a ete elabore par trois laboratoires francais : Centre d'Etudes Superieures de Civilisation Medievale (CNRS - Universite de Poitiers) ; Etudes et editions de textes du Moyen Age (CNRS - Universite de la Sorbonne) ; Institut de recherche et d'histoire des textes (CNRS Paris) - associes sous la direction du CESCM dans un projet qui a ete officiellement reconnu par l'Agence National de la Recherche (ANR). Les clercs medievaux ont sauvegarde tout un pan des savoirs du passe, en les copiant dans les premiers siecles, puis en les translatant en latin, et dans les langues vernaculaires a partir du XIe siecle. Mais on ne connaissait pas jusqu'ici la veritable penetration de ces textes, leur diffusion, leur influence sur la langue et la culture francaises. On connaissait moins encore l'impact des autres langues vernaculaires sur les langues gallo-romanes et sur la langue d'oil en particulier ; on savait tres peu de l'interpenetration entre langue d'oc et langue d'oil. On ne possedait pas une vue d'ensemble sur les traductions concernant les sciences. C'est de ce constat d'insuffisance, de cette conscience que par-dela ce qui a ete sans doute definitivement perdu, le premier obstacle a la comprehension de la genese de la culture et de la sciences francaises, et dans une certaine mesure de l'Europe occidentale, venait de la segmentation des informations dont dispose la communaute scientifique, qu'est ne le projet de mettre en reseau les connaissances individuelles et disciplinaires. Transmedie est un corpus bibliographique et analytique des traductions dans les langues gallo-romanes qui propose a travers son repertoire, se trois annexes et son volume d'eclairages critiques une histoire pratiques et des theories de la traduction. Le corpus bibliographique recense, ordonne et etudie les informations philologiques sur les oeuvres traduites en francais entre le XIe et le XVe siecle. Tous les domaines de la civilisation antique et medievale sont concernes par le corpus : droit, grammaire, hagiographie, histoire, litterature, philosophie, science, theologie. Plus de 1 200 oeuvres-sources, relevant d'une dizaine de langues de l'Atlantique et du Haut et du Bas Moyen Age, environ 2 800 traductions, une dizaine de milliers de references bibliographique concernant les manuscrits, plus de 600 incunables medievaux, ont ainsi ete etudies et classes par des specialistes francais et internationaux. L'histoire de ces translations ainsi que celle non moins interessante de la traduction empechee, que le repertoire dessine en creux, permet egalement de mieux eclairer par-dela les frontieres des langues les caracteristiques des autres idiomes et cultures medievales. Car, comme le rappelle Derrida, ? Traduire, au Moyen Age comme aujourd'hui, signifie avant tout ecrire, et ecrire au seuil de deux monolinguismes ? . Sans l'expliciter vraiment, les ecrivains medievaux reflechissent deja a la question que posera quelques siecles plus tard Walter Benjamin : ? une traduction peut-elle etre faite pour les lecteurs qui ne comprennent pas l'original ? Ceux qui s'etaient imagines en nains juches sur les epaules de ces geants de l'Atlantique qu'ils translataient n'ont certes pas pousse si loin la provocation, mails ils se sont interroges sur le sens et la portee de la translatio, sur sa necessite et sa gratuite, sur ses beneficiaires directes et indirectes, sur la difficulte d'un ars qui est deja un opus. La logique dont s'inspire Transmedie est la meme, mais l'ordre du processus est inverse : le trois volets du projet (volume d'etudes, corpus et base en ligne) constitueront le socle sur lequel pourra s'edifier d'une maniere plus ample la connaissance progressive de la translatio studii. Languages : French, Latin.‎

Référence libraire : 39882

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‎A. Hindley (ed.);‎

‎Drama and Community People and Plays in Medieval Europe,‎

‎Turnhout, Brepols, 1999 Hardback, XX+294 p., incl. 8 ills., 1 plan and 2 tables, 160 x 240 mm. ISBN 9782503507675.‎

‎This collection of essays examines various aspects of the inter-relation between a number of different medieval 'European communities' and the plays they performed. There has been a marked revival of interest in medieval drama in recent years, much of it informed by an increasing understanding that drama is not just literature, but a social and indeed commercial event, essentially a communal effort, inextricably bound up with social structures. This collection of essays examines various aspects of the inter-relation between a number of different 'European communities' and the plays they performed, covering a range of theatres and play-types, and providing an international perspective on performance cultures across Europe. Contributors include Alan Hindley, Introduction; Lynette Muir, 'European communities and medieval drama'; Graham A. Runnalls, 'Drama and community in late medieval Paris'; Robert L.A. Clark, 'Community versus subject in late medieval French confraternity drama and ritual'; Frederick W. Langley, 'Community drama and community politics in thirteenth-century Arras: Adam de la Halle's Jeu de la Feuillee'; Alan Hindley, 'Acting companies in late medieval France: Triboulet and his troupe'; Alan E. Knight, 'Processional theatre and the rituals of social unity in Lille'; Wim Husken, 'Cornelis Everaert and the community of late medieval Bruges'; Elsa Strietman, 'A tale of two cities: drama and community in the Low Countries'; John Tailby, 'Drama and community in South Tyrol'; Konrad Schoell, 'Individual and social affiliation in the Nuremberg Shrovetide Plays'; Alan J. Fletcher, 'Performing medieval Irish communities'; Pamela M. King, 'Contemporary cultural models for the trial plays in the York Cycle'; Chris Humphrey, 'Festive drama and community politics in late medieval Coventry'; Philip Butterworth, 'Prompting in full view of the audience: a medieval staging convention'; Alexandra F. Johnston, 'English community drama in crisis: 1535-80'; Jane Oakshott, 'York Guilds' Mystery Plays 1998: the rebuilding of dramatic community'. Languages : English.‎

Référence libraire : 39883

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‎W. Blockmans, A. Janse (eds.);‎

‎Showing Status, Representation of Social Positions in the Late Middle Ages,‎

‎Turnhout, Brepols, 1999 Hardback, X+492 pages ., 160 x 240 mm. *new ISBN 9782503507668.‎

‎This publication brings together multi-disciplinary perspectives on representations of social difference in the Low Countries during a time of dynamic social change. How did people in the late medieval period perceive and express social status? This volume brings together multi-disciplinary perspectives on representations of social difference in the Low Countries during a time of dynamic social change. The premise of the volume is that medieval social change may only be fully understood if hierarchies of wealth and power are examined alongside literary and artistic sources. Medieval texts and material culture expressed social standing and gave meaning to the experience of social change. The aim of the study is to recognise and translate the language of symbols used to encode and display status in the late Middle Ages. Languages : English.‎

Référence libraire : 39884

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‎S. Billington;‎

‎Midsummer A Cultural Sub-Text from Chretien de Troyes to Jean Michel,‎

‎Turnhout, Brepols, 2001 Hardback, XIV+249 p., incl. 13 b/w ills., 160 x 240 mm. ISBN 9782503510842.‎

‎This publication is based on new and original research from archives in France and the Low Countries, concerning customs and beliefs practised around the midsummer solstice in the twelfth and thirteenth centuries. This book is based on fresh and original research from archives in France and the Low Countries, concerning customs and beliefs practised around the midsummer solstice. The information has never previously been considered and it reveals a festive treatment of divisiveness, which might also be politically engaged. The book shows how in the twelfth and thirteenth centuries these traditions were not solely observed by the lower classes. A study of texts throughout the Middle Ages shows that the significance of St John's Day was a valued source for some major writers, and it can be argued that it was even the rationale for works such as Chretien's Yvain, and the anonymous Perlesvaus. The midsummer customs also appear in the civic records of Leuven and Metz, in periods where the city authorities were strong enough to break free of feudal controls. Their civic freedom was expressed at the Feast of the Baptist's Nativity, and this appropriation by the bourgeoisie informs the romance, Galeran. The rationale of Midsummer is to examine the disparate, but interlinked uses of the customs, and to bring to the awareness of scholars festive influences current in Europe before the better known influence of Carnival; also to discuss their seminal importance for early fiction and for the theatre. The book further reveals that pre-Christian belief in Chance / Fortune was supported by the phenomenon of the Solstice and that John the Baptist's Nativity, placed on 24 June, provided a way for Christian Fathers to allow for this, safely. Languages : English.‎

Référence libraire : 39885

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‎J. Adams, K. Holman (eds.);‎

‎Scandinavia and Europe 800-1350 Contact, conflict and co-existence,‎

‎Turnhout, Brepols, 2004 Hardback, XXII+369 p., 60 b/w ill., 160 x 240 mm. ISBN 9782503510859.‎

‎This volume examines the various forms of contact between Scandinavia and the rest of Europe from 800 to 1350. It consists of twenty-five papers from international scholars specialising in archaeology, onomastics, literature, art history, epigraphy, religious history and linguistics. The volume is innovative in three respects: (i) in transcending conventional historical boundaries, by bringing together work on both the viking and medieval periods; (ii) by examining the ways in which mainland Europe influenced Scandinavia (e.g. kingship, law and social organisation; and classical and continental literary traditions); and (iii) by synthesising all the material for an English-language readership for the first time. The broader timespan of investigation illustrates the changing nature of contact and the gradual integration of Scandinavia into European society: by 1350 Scandinavia was no longer a heathen outpost on the periphery of the known world, but an integral part of Western Christendom. The cultural impact of mainland Europe on Scandinavia, frequently mediated through religious channels, although less dramatic, is shown to have had a more significant long-term impact than the earlier viking raids. The volume is structured around the following sections: Historical and Archaeological Evidence for [Scandinavian] Contact with the British Isles; Evidence for the Linguistic Impact of Scandinavian Settlement; Evidence for the Impact of Christianity on Scandinavia; Textual Evidence for Contact, Conflict, and Coexistence. Languages : English.‎

Référence libraire : 39886

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‎A. Bolvig, P. Lindley (eds.);‎

‎History and Images Towards a New Iconology.,‎

‎Turnhout, Brepols, 2003 Hardback, XXX+430 p., 155 b/w ill. + 26 colour ill., 160 x 240 mm. ISBN 9782503511559.‎

‎This important collection of essays represents a wide variety of new approaches to the deployment of images by historians. Methodological debates and historiographical concerns are explored by distinguished international scholars. Ground-breaking technological innovations in the last two decades of the twentieth century have led to the development of huge image databases, offering outstanding new opportunities for comparison, analysis and interrogation. This was apparent from the database demonstrations at the congress on History and Images in Copenhagen in 1999, part of the University of Copenhagen's Visual Construction of Realities research programme. Several of the papers included here summarise recent research or disclose the potential of the new technologies for posing - and answering - novel types of question. A common concern of many contributors to this volume has been the reconfiguring of Art History to encompass areas which have often been viewed as marginal - geographically, physically or intellectually, for example. As each of the nineteen essays demonstrates, approaches to the employment and interpretation of the visual image by historians have been increasingly rendered obsolete or inappropriate by postmodern intellectual diversity and by the dramatic development of technology. The subtitle of the book ('Towards a New Iconology') reveals that a potent new dialogue between historian and image and between contemporary and historical constructions of reality, is in the process of construction. Languages : English.‎

Référence libraire : 39887

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‎B. Bandlien;‎

‎Strategies of Passion Love and Marriage in Medieval Iceland and Norway,‎

‎Turnhout, Brepols, 2005 Hardback, XIV+345 p., 160 x 240 mm. ISBN 9782503521633.‎

‎This book is concerned with the social and gendered meanings of love in medieval Norway and Iceland. In the Viking Age, to love would most often imply a submissive social position, while being loved by a woman could elevate a man above the status of her family. Women were supposed to love upwards in the social hierarchy, but could also use their desire to negotiate the social position of men. A close reading of the skaldic poetry shows the dilemma men faced when longing for women's love and approval. These ideas of love relations shaped Norse interpretations of courtly love and marriage formation by consent in the twelfth and thirteenth centuries. However, new ideas of sexuality, gender and aristocratic culture changed several aspects of love and marital affection in the later middle ages. Men became the loving subject, but in a way that did not challenge the social order. For women, ideal love was attached to humility and submission to parents and husband. But even though the new ideology of love and marriage to some extent neutralized the tensions between consent and parental control, the sources show that both men and women could use the new conceptions of love to serve their own marital and social strategies. Languages : English.‎

Référence libraire : 39888

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‎S. Kelly, J. J. Thompson (eds.);‎

‎Imagining the Book,‎

‎Turnhout, Brepols, 2005 Hardback, XVIII+254 p., 20 b/w ill., 1 b/w line art, 160 x 240 mm. ISBN 9782503516936.‎

‎Collectively, the contributors to Imagining the Book offer a snapshot of current research in English manuscript study in the pre-modern period on the inter-related topics of patrons and collectors, compilers, editors and readers, and identities beyond the book. This volume responds to the recent development and institutionalization of 'History of the Book' within the wider English Studies discipline. Scholars working in the pre-printing era with the material vestiges of a predominantly manuscript culture are currently establishing their own models of production and reception. Research in this area is now an accepted part of twenty-first century Medieval Studies. Within such a context, it is frequently observed that scribal culture found imaginative ways to deal with the technological watersheds represented by the transition from memory to written record, roll to codex, or script to print. In such an 'eventful' environment, texts and books not infrequently slip through the semi-permeable boundaries laboured over by previous generations of medievalists, boundaries that demarcate orality and literacy; 'literary' and 'historical'; 'religious' and 'secular'; pre- and post-Conquest compositions, or 'Medieval' and 'Renaissance' attitudes and writings. Once texts are regarded as offering indices of community- or self-definition, or models of piety and good behaviour (and the codices holding them statements of prestige and influence), the book historian is left to contemplate the real or imagined importance and status of books and writting within the larger socio-political, often local, milieux in which they were once produced and read. All fourteen essays in this volume question the status of the book in a predominantly manuscript culture. Some focus on the practical politics of book production and local circumstances; others focus on the visual experience of early readers. In this volume, the idea of the pre-modern vernacular book is pursued in terms of its miscellaneity and its association with localised writing projects undertaken by (and occasionally also for) a polyglot and sometimes also socially-aware English readership. Such investigation is valuable since it enables us to recognise the textual networks, the sources and the readership that mark the pre-modern codex as an important medium of social and literary exchange quite distinct from printed books. Languages : English.‎

Référence libraire : 39889

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‎A. Mand;‎

‎Urban Carnival Festive Culture in the Hanseatic Cities of the Eastern Baltic, 1350-1550,‎

‎Turnhout, Brepols, 2005 Hardback, XXVI+374 p., 17 b/w ill., 160 x 240 mm. ISBN 9782503515212.‎

‎This is a significant new study of the festival culture of northern Europe in the later Middle Ages: more specifically of the German-speaking communities of the great cities of the eastern Baltic littoral in what was then called Livonia, corresponding roughly to the territories of present-day Estonia and Latvia. While subject to a degree of Scandinavian influence, the festival culture of Livonian cities such as Riga, Reval (Tallinn), and Dorpat (Tartu), which were members of the Hanseatic League, substantially overlapped with that of other German-speaking areas, not least the Hanseatic cities of northern Germany. The major part of the book is devoted to the main annual festivals of the merchants' guilds: Christmas, Carnival, the popinjay shoot, and the May Count celebrations. There follows an analysis of specific aspects of the festivals: spatial contexts, finances, food and drink, entertainments (dances, jousts, games), customs and rituals. There is also a concluding glance at changes in festival culture after the Reformation. The study combines close scrutiny of local customs (made possible by the almost miraculous survival of uniquely detailed documentation), contextualization within the wider comparative context of festival culture in late-medieval Europe, and an alterness to significant recent scholarship in both English and German. Languages : English.‎

Référence libraire : 39897

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‎P. Freedman, M. Bourin (eds.);‎

‎Forms of Servitude in Northern and Central Europe,Decline, Resistance, and Expansion,‎

‎Turnhout, Brepols, 2005 Hardback, X+449 p., 16 b/w tables, 6 b/w line art, 160 x 240 mm. ISBN 9782503516943.‎

‎In the nineteenth and early-twentieth century it was assumed that nearly all agricultural labourers in medieval Europe were serfs. Serfdom was distinct from slavery in that serfs were recognized as something more than chattels. They could contract legitimate marriages, hold personal property and they could not be moved around at will. The fact that serfs were in many regions a minority of the peasant population, and the increasing importance given to social and economic circumstances over legal definitions led historians to move away from examining servile condition and its implications during much of the late twentieth century. Attention has instead focused on the seigneurial regime and village society with little regard for the influence of status. In the Middle Ages and indeed in all pre-industrial societies, the vast majority of the population tilled the land. We are still not in a good position to evaluate how noble and ecclesiastical landlords received revenues from lands they were only indirectly engaged in farming, thus there are important gaps in our knowledge of the basic factors that governed medieval society. What kind of agricultural system provided the impetus for economic growth that so dramatically increased the number of cities and volume of trade? There is no modern, synthetic book on medieval serfdom that compares regions or draws general conclusions about it. This work attempts such a synthesis and also shows avenues of future research, but most importantly it is intended to reorient attention to the importance of serfdom in the structure of medieval society. Languages : English, French, German.‎

Référence libraire : 39900

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‎W. Scase (ed.);‎

‎Essays in Manuscript Geography, Vernacular Manuscripts of the English West Midlands from the Conquest to the Sixteenth Century,‎

‎Turnhout, Brepols, 2007 Hardback, XII+296 p., 16 b/w ill., 1 b/w line art, 160 x 240 mm. ISBN 9782503516950.‎

‎The medieval English West Midlands has long been associated with the production of vernacular texts, in Old and Middle English, and with the making of several famous manuscripts. The aim of this volume is to re-think assumptions about medieval literature and the region in the light of new research in medieval book history. A series of specially commissioned essays in 'manuscript geography' examines the making and use of texts and books in relation to cultural networks in the region and beyond. Included are case studies of manuscripts of Worcester and the Worcester diocese from the eleventh to the thirteenth centuries; investigations of manuscript production in fourteenth-century Shropshire and its wider regional links; and essays on textual cultures in Warwickshire from the activities of the aristocrats and gentry of the fifteenth and sixteenth centuries to the projects of later antiquarians. Essays in the final section of the volume reflect on the possibilities of large-scale, corpus-based research on medieval manuscript books. Collectively the essays identify and explore some of the investments of traditional regionalist accounts of vernacular literary culture and model new theoretical and methodological approaches. Languages : English.‎

Référence libraire : 39902

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‎A. P Tudor, A. Hindley (eds.);‎

‎Grant risee, The Medieval Comic Presence / La Presence comique medievale: Essays in Memory of Brian J. Levy,‎

‎Turnhout, Brepols, 2006 Hardback, XVI+360 p., 35 b/w ill. + 10 colour ill., 160 x 240 mm. ISBN 9782503516981.‎

‎Celebrating the work of Brian J. Levy in the realm of comedy and humour in the Middle Ages, this collection of twenty essays explores unusual, unexpected or unacknowledged elements of humour in medieval literature and art. Scholars from the United Kingdom, France, Italy, the USA, Denmark, and the Netherlands consider comic elements taking an unusual form; a comic presence in unexpected places; comic elements intentionally / unintentionally hidden; comic elements surprisingly vaunted; a comic presence in standard contexts which stands out for a particular reason; comic elements which are for some reason controversial; comic elements as yet unidentified or unacknowledged; a commonly acknowledged comic presence which is in fact no such thing. Essays in English and French deal with a broad range of subjects. If the Roman de Renart is particularly well represented amongst these essays, other subjects make up the majority of the book. These include: Cicero's De Oratorei; the Mannekin pis; late medieval wall paintings; German and French Drama; fabliaux; vernacular pious tales and dits; the romance epic Richard Coeur de Lyon; Les Quinze joyes de mariage; bestiaries; and misericords. Sometimes shocking, often surprising, and always intriguing, the medieval comic presence rarely corresponds to our expectations and assumptions. This book shows that in numerous cases the medieval joke is actually on the modern scholar. Languages : English, French.‎

Référence libraire : 39903

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‎E. Strietman, P. Happe (eds.);‎

‎Urban Theatre in the Low Countries 1400-1625,‎

‎Turnhout, Brepols, 2007 Hardback, XII+320 p., 67 b/w ill., 2 b/w line art, 160 x 240 mm. ISBN 9782503517001.‎

‎This collection of essays by international scholars focuses on the vernacular urban culture of the Chambers of Rhetoric in the Low Countries of the fifteenth and sixteenth centuries. Reflecting social, religious, and economic realities at a time of fundamental change, the Rhetoricians' plays also reveal a range of poetic and theatrical conventions that make them an important source of information both on practical stagecraft and on the role of theatre in the urban community, as seen in their involvement in civic processions or the organization of drama competitions. The volume sets the Rhetoricians' drama in the cultural life of the provinces of the Low Countries during a period dominated by ruling foreign dynasties: the Burgundian dukes and then the Habsburg dynasty, most prominently the Emperor Charles V and his son King Philip II of Spain. It was a time of intense religious controversy which gave rise to debates both on and off stage. These debates, far from damaging Rhetorician culture, actually stimulated its activities and development to such an extent that Rhetoricians became representative voices for their time. The admixture of entertainment and education offered by the Chambers to their own members - and to a wider public - was one which, though originating in a medieval context, soon became linked with humanist and Renaissance thinking. This volume illustrates how, as a consequence, the Chambers of Rhetoric contributed to the development in the Low Countries of an increasingly articulate society. Languages : English.‎

Référence libraire : 39904

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‎K. M. Krause, A. Stones (eds.);‎

‎Gautier de Coinci, Miracles, Music, and Manuscripts,‎

‎Turnhout, Brepols, 2007 Hardback, XX+488 p., 42 b/w ill., 21 b/w line art, 160 x 240 mm.*new ISBN 9782503520605.‎

‎Gautier de Coinci (c. 1177-1236) was a Benedictine prior, a poet and composer, and the author of several very popular religious works, including a large collection of Miracles of the Virgin in French, which enjoyed a wide circulation during the Middle Ages. Gautier drew on multiple Latin sources for his work, embellishing and personalizing them as he adapted them to his poetic design. Conceiving of his collection of miracles as a complete work, Gautier carefully organized the tales into two books, framing each with authorial exordia and lyrics praising the Virgin. In addition to its obvious literary interest, the subsequent manuscript tradition offers a remarkable panorama of medieval manuscript production, in particular due to the fascinating combination of text, music and illustration. Bringing together a select group of scholars from multiple disciplines (including art history, musicology, and literary studies), this collection of essays explores complementary aspects of Gautier, his works, and his manuscripts. The volume offers both breadth and depth in its examination of Gautier de Coinci and his Miracles de Nostre Dame. It promises to redefine Gautier studies through its interdisciplinary consideration of the varied facets of his work as it makes available to scholars and students the first interdisciplinary examination of this key figure in medieval vernacular religious culture. Languages : English, French.‎

Référence libraire : 39905

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‎D. Crouch, K. Thompson (eds.);‎

‎Normandy and its Neighbours, 900-1250 Essays for David Bates,‎

‎Turnhout, Brepols, 2011 Hardback, XXIV+310 p., 3 b/w ill., 1 b/w tables, 2 b/w line art, 156 x 234 mm. ISBN 9782503520629.‎

‎One of the most important aspects of David Bates's distinguished career has been his readiness to engage ' as few of his predecessors did ' with the world of modern French scholarship. The outcome of this engagement and of his familiarity with French archives has been the reshaping of our understanding of the Anglo-Norman realm founded by William the Conqueror. The Norman Conquest has always been seen as a defining event in medieval English history, and David's work has enabled us to place it in its broader European context. He has also welcomed insights from other disciplines, including archaeology, architectural history, and numismatics. His impact as a scholar has been profound. His writings have made academic debate accessible to the general public and the scholar alike, and he has conveyed his enthusiasm and commitment to both. He has brought together a generation of academics of various nationalities and from a broad range of disciplines to forge a new understanding of the relationship of England and Normandy in the central Middle Ages. This collection ' offered in recognition of his contribution ' acknowledges the many strands of his scholarship. It brings together specialist studies of Anglo-French culture, law, gender, and historiography. Languages : English, French.‎

Référence libraire : 39906

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‎A. Putter, J. Jefferson (eds.);‎

‎Multilingualism in Medieval Britain (c. 1066-1520) Sources and Analysis,‎

‎Turnhout, Brepols, 2013 Hardback, approx. X+242 p., 2 b/w ill., 156 x 234 mm. ISBN 9782503542508.‎

‎The essays collected in this volume deal with the multilingual cultures of later medieval England and Wales and aim to recover the complexities of spoken and written communication in the later medieval period. This book is devoted to the study of multilingual Britain in the later medieval period, from the Norman Conquest to John Skelton. It brings together experts from different disciplines ? history, linguistics, and literature - in a joint effort to recover the complexities of spoken and written communication in the Middle Ages. Each author focuses on one specific text or text type, and demonstrates by example what careful analysis can reveal about the nature of medieval multilingualism and about medieval attitudes to the different living languages of later medieval Britain. There are chapters on charters, sermons, religious prose, glossaries, manorial records, biblical translations, chronicles, and the macaronic poetry of William Langland and John Skelton. By addressing the full range of languages spoken and written in later medieval Britain (Latin, French, Old Norse, Welsh, Cornish, English, Dutch, and Hebrew), this collection reveals the linguistic situation of the period in its true diversity and shows the resourcefulness of medieval people when faced with the need to communicate. For medieval writers and readers, the ability to move between languages opened up a wealth of possibilities: possibilities for subtle changes of register, for counterpoint, for linguistic playfulness, and, perhaps most importantly, for texts which extend a particular challenge to the reader to engage with them. Languages : English, French.‎

Référence libraire : 39908

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‎R. L. Radulescu, E. D. Kennedy (eds.);‎

‎Broken Lines Genealogical Literature in Medieval Britain and France,‎

‎Turnhout, Brepols, 2009 Hardback, XIV+298 p., 160 x 240 mm. ISBN 9782503524856.‎

‎The essays in this important and fascinating collection explore the genealogical literature of medieval Britain and France in relation to issues of identity, the transmission of power, and cultural, socio-political, and economic developments. By analyzing the mechanics of cultural and political inheritance and the processes of shaping a sense of identity and descent, the essays in this volume direct the reader towards a complex understanding of genealogical literature and its relationships with other genres, one which will further debate and research in these areas. The present collection presents an interdisciplinary approach to the genealogical literature of the late-medieval period, and brings together specialists in the fields of history, cultural history and literature to raise questions of gender, genre, and theoretical approaches. Broken Lines is also the first book-length study of genealogical literature to date, an exciting intervention into this emerging field of interest. Languages : English, French.‎

Référence libraire : 39909

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‎P. Butterworth (ed.);‎

‎Narrator, the Expositor, and the Prompter in European Medieval Theatre,‎

‎Turnhout, Brepols, 2007 Hardback, XIV+346 p., 13 b/w ill., 160 x 240 mm. ISBN 9782503525792.‎

‎Interest in the content of this book has developed out of an examination of the prompter who operated in full view of the audience and offered all the lines to the players. In 2001 at Groningen a production of the Towneley Second Shepherds? Play focused on an examination of this convention. Many of the audience responses then were concerned with the figure of the prompter as he was seen to operate simultaneously both 'inside' and 'outside' the action of the play. Such a role and its function is fascinating, not only in its own right, but also in relation to how it might inform us about the nature and purpose of presented theatre. The ability of such a figure to move in and out of the action, and thus different realities, characterizes a relationship to the action and the audience. The same fascination exists in relation to roles of the narrator and the expositor. Sometimes these roles are overt ones; sometimes they 'double up' with roles of actors, personages or characters. These figures are of pivotal significance in the communication of those plays in which they operate. The purpose of this book is to investigate the nature of these roles in order to identify their influence upon the performance of medieval plays. Languages : English.‎

Référence libraire : 39910

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‎J. Quinn, K. HESLOP, T. Wills (eds.);‎

‎Learning and Understanding in the Old Norse World Essays in Honour of Margaret Clunies Ross,‎

‎Turnhout, Brepols, 2007 Hardback, XIV+456 p., 7 b/w ill., 160 x 240 mm. ISBN 9782503525808.‎

‎This volume presents twenty essays by leading scholars of Old Norse which bring into focus the nature of learned traditions - both oral and written - in medieval Scandinavia and the interpretation and re-interpretation of them over time. Theoretical frameworks for understanding Old Norse literature is the initial topic of the collection, which then moves on to present recent work on Old Norse myth and society; current perspectives on oral traditions in performance and text; and reflections on medieval ideas about language, both vernacular and Latin. The collection is rounded off by a section on prolonged traditions - the transformation of local and imported traditions into new literary forms. Individual essays in the volume offer significant primary research as well as reconsiderations of key issues in scholarship, their subjects ranging widely, both conceptually and chronologically, around the twin themes of learning and understanding. Like the research of the volume's honorand, Margaret Clunies Ross, Learning and Understanding in the Old Norse World exemplifies the diversity and vigour of current research in the field of Old Norse and draws together philological, literary, historical and anthropological perspectives on the subject. Languages : English, Old Norse.‎

Référence libraire : 39911

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‎J. Tolmie, M. J. Toswell (eds.);‎

‎Laments for the Lost in Medieval Literature,‎

‎Turnhout, Brepols, 2010 Hardback, XII+306 p., 156 x 234 mm. ISBN 9782503528588.‎

‎This collection addresses the cultural construction of lament and mourning in the Middle Ages of northern Europe, with a particular focus on grief at the loss of children. This is a collection of essays on the subject of lament in the medieval period, with a particular emphasis on parental grief. The analysis of texts about pain and grief is an increasingly important area in medieval studies, offering as it does a means of exploring the ways in which cultural meanings arise from loss and processes of mourning. The international scholars who come together to produce this volume discuss subjects as diverse as lament psalms in Old and Middle English, medieval Latin laments, mourning in Anglo-Saxon literature, mourning through objects, medieval art and archaeology, Old French poetic elegy, skaldic poetry, medieval women?s writing, Old Polish drama, English massacre plays, and Middle English nativity lyrics. Languages : English.‎

Référence libraire : 39912

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‎C. Kleinhenz, K. Busby (eds.);‎

‎Medieval Multilingualism The Francophone World and its Neighbours,‎

‎Turnhout, Brepols, 2011 Hardback, VIII+323 p., 15 b/w ill., 2 b/w tables, 156 x 234 mm. ISBN 9782503528373.‎

‎An investigation of the general subject of multilingualism in medieval England, France, and Italy with attention to the interaction among vernacular languages and between these and Latin. This volume contains essays on various aspects of multilingualism in medieval France, Italy, England, and the Low Countries. The fifteen contributions discuss the use of the different vernaculars and Latin in both literary and non-literary contexts, showing how cultural and social factors determined the choice of language for a particular purpose or type of text. The role of French in non-French contexts is a major theme of these essays: in the British Isles after the Norman Conquest, in Italy as a response to the need for mainly secular types of literature which did not exist in Italian, and in the Low Countries by virtue of geographic contiguity and change of rulers. Special attention is paid in the French context to the use of French and Occitan in areas of the South. Some essays examine specific cases or text-corpora, while others examine questions of multilingualism from more theoretical, linguistic, and rhetorical points of view. Together, they form an invaluable introduction to the topic of medieval multilingualism, illustrated by meticulously executed case-studies, which future work in the area will have to take into account. Languages : English, French.‎

Référence libraire : 39913

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‎D. Maddox, S. Sturm-Maddox (eds.);‎

‎Parisian Confraternity Drama of the Fourteenth Century The 'Miracles de Nostre Dame par personnages',‎

‎Turnhout, Brepols, 2008 Hardback, X+258 p., 14 b/w ill., 3 b/w tables, 8 b/w line art, 160 x 240 mm. ISBN 9782503528526.‎

‎Parisian Confraternity Drama of the Fourteenth Century is the first volume of studies devoted solely to the Miracles de Nostre Dame par personnages. These anonymous plays, found in a single luxury manuscript, comprise the only major corpus of dramatic works in French that have survived from the fourteenth century. They derive from a rich diversity of sources: narrative miracle accounts, saints' lives, epic chansons de geste, vernacular romances, and history. Each play is preceded by a richly detailed miniature, some two dozen include a sermon in prose, and each includes at least one rondel to be sung by the cortege accompanying the Virgin. They constitute both a collective demonstration of the fervent late-medieval devotion to the Virgin, and a substantial archive of contemporary insights into the issues of power, authority, and influence that struggled for dominance in fourteenth-century Paris. As this extraordinary collection has, in its entirety, attracted little critical attention to date, this volume will be of significant interest to scholars wishing to explore the plays in their literary context, as well as those interested in medieval drama, the Marian tradition, and the role of confraternities in fourteenth-century French culture. Languages : English, Old English, Old French.‎

Référence libraire : 39915

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‎P. Hardwick (ed.);‎

‎Playful Middle Ages Meanings of Play and Plays of Meaning: Essays in Memory of Elaine C. Block,‎

‎Turnhout, Brepols, 2011 Hardback, XIV+247 p., 95 b/w ill., 2 b/w tables, 1 b/w line art, 156 x 234 mm. ISBN 9782503528809.‎

‎Love play or playing dead, wordplay or playing games - the notion of play inhabits all spheres of human activity. This collection of essays brings together international scholars from a range of disciplines to explore aspects of playfulness in the later European Middle Ages. From manuscript to performance and from the domestic to the doctrinal, the exuberance and ambiguity of verbal and visual play is interrogated in order to decode layers of meaning in texts and artefacts. These twelve papers celebrate the work of Elaine C. Block, whose dedicated study of misericords has, through countless articles and books, made the riches of this dizzying iconographic resource easily available to scholars for the first time. Her monumental Corpus on Medieval Misericords volumes will no doubt inform medieval scholars for generations to come, and those included in the present collection are both proud and grateful to be of the first generation to benefit from her work on this body of carvings which challengingly - and playfully - straddles the sometimes invisible line between the sacred and profane. Languages : English, French.‎

Référence libraire : 39916

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‎E. Jamroziak;‎

‎Survival and Success on Medieval Borders Cistercian Houses in Medieval Scotland and Pomerania from the Twelfth to the Late Fourteenth Century,‎

‎Turnhout, Brepols, 2011 Hardback, XVI+215 p., 2 b/w tables, 5 b/w line art, 156 x 234 mm. ISBN 9782503533070.‎

‎This comparative study analyses Cistercian strategies on the northern and north-eastern frontiers of medieval Europe. Through case studies of six houses in Pomerania and Neumark (Ko?bacz, Marienwalde, and Himmelstadt) and on the Scottish-English border (Melrose, Dundrennan, and Holm Cultram), the author traces the development of social networks around these monasteries within their own regions and across borders, and explores the importance of the international Cistercian networks for communities located in these politically sensitive areas. Very different socio-economic conditions in the regions under discussion resulted in quite different strategies of land accumulation by Cistercian monasteries in Scotland and Pomerania, which in turn had a lasting impact on their relationships with their neighbours. The author also examines the role of these abbeys in wider ecclesiastical politics and in relation to the key issues of the time: church reform and the expectations of the order?s lay patrons and benefactors. In the fourteenth century, all of the abbeys experienced war, violence, and long-term instability. Their responses to these threats and difficulties are significant for our understanding of monastic strategies in hostile environments. Above all, this study shows how a Cistercian model was adapted to fit the complex political, cultural, and ethnic contexts of the southern Baltic, Northern England, and Scotland. Languages : English.‎

Référence libraire : 39917

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‎R. Ellis, R. Tixier (eds.);‎

‎Medieval Translator. Traduire au Moyen Age,‎

‎Turnhout, Brepols, 1996 Paperback, 504 p., 150 x 230 mm. ISBN 9782503504483.‎

‎Le premier volume de cette collection chez Brepols est le cinquieme d'une serie du meme nom, editee par Roger Ellis, et publiee precedemment chez d'autres editeurs. Comme ses predecesseurs, il presente les communications faites lors de colloques internationaux et traitant de la theorie et de la pratique de la traduction au moyen age. Les articles figurant au sommaire de ce volume ont ete presentes lors du colloque de Conques, les 26-29 juillet 1993. Les articles sont rediges dans une des langues internationales et sont accompagnes de resumes en anglais. Le fil conducteur est le phenomene de la traduction au moyen age, et la serie contient tant les etudes specialisees que les approches plus generales. L'article phare du volume 5 (K. Ashley & P. Sheingorn, The translations of Sainte Foy: bodies, textes and places), par exemple, traite de l'interaction entre la transmission litteraire et la translation de reliques, en partant du cas de sainte Foy. D'autre part, la question des traductions post-medievales ou contemporaines de textes medievaux est egalement abordee. Languages : French.‎

Référence libraire : 39918

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‎N/A;‎

‎Medieval Translator. Traduire au Moyen Age Proceedings of the International Conference of Gottingen (22-25 July 1996). Actes du Colloque international de Gottingen (22-25 juillet 1996).,‎

‎Turnhout, Brepols, 1998 Paperback, 432 p., 1 fig. + 7 pl., 150 x 230 mm. ISBN 9782503506944.‎

‎Most of the papers in this volume consider translation in medieval England (in both Old and Middle English and Anglo-Norman), though translations into other medieval vernaculars are also represented (Icelandic, Dutch, German), as is translation of classical Greek into Latin. Most of the translations are anonymous, though major translators are also included: Cicero, King Alfred, Robert Grosseteste, Jean de Meun, Chaucer. Several papers consider the troubled times during the late fourteenth and early fifteenth centuries in England, when a number of major translation projects were undertaken; others explore the place of translation in daily life (pro forma letters, gynaecological treatises, forged documents in support of a local shrine, texts rewritten so as to update legal references in them); another considers the importance of paper for the rapid dissemination of translated texts. Also featured prominently is the translation of different sorts of religious texts, originally variously in monastic, eremitical and mendicant milieux, and including the 'translations' for their readers of divine messages received by female visionaries. The more generous understanding of the term indicated by the use of quotation marks for these latter is also reflected in a paper considering representations of heaven and hell in visual arts. All the contributions share an awareness of translation as culturally specific - as originating in and addressing specific contexts: of; for example; nationality, politics, class and gender. Above all, translation as a new thing; with a life of its own, may provide a fuller, as well as a different, realisation of what was only partly present in its original. Languages : French.‎

Référence libraire : 39922

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‎V. O'Mara, B. Morris (eds.);‎

‎Translation of the Works of St Birgitta of Sweden into the Medieval European Vernacular,‎

‎Turnhout, Brepols, 2000 Paperback, 264 p., 150 x 230 mm. ISBN 9782503507170.‎

‎This is a collection of essays delivered at the International Conference of Beverly-Hull in July 1997, discussing the lives of Saint Birgitta of Sweden in the vernacular. Languages : English.‎

Référence libraire : 39923

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‎M. Cre (ed.);‎

‎Vernacular Mysticism in the Charterhouse A Study of London, British Library, MS Additional 37790,‎

‎Turnhout, Brepols, 2006 Paperback, 373 p., 17 b/w ill., 150 x 230 mm. ISBN 9782503521329.‎

‎The first monograph to appear in The Medieval Translator series, Vernacular Mysticism in the Charterhouse presents a study of London, British Library, MS Additional 37790 (Amherst), a purpose-built anthology of major mystical texts by Richard Rolle, Julian of Norwich, Jan van Ruusbroec and Marguerite Porete, interspersed with shorter texts and compilations. Though the manuscript is famous mainly because it contains the only extant copy of Julian of Norwich's short text, it is an intriguing witness to the fifteenth-century spread of the vernacular into traditionally Latinate environments, in this case the Carthusian Order in England. In this process of transmission, translation plays a central part. Most of the texts in the anthology are translations from Latin or French into Middle English. In addition, the anthologist's selection and ordering of texts within the volume, intended to further the readers' spiritual lives, translates them anew for his intended audience. This study provides finely detailed analyses of the texts in the textual and material context of the Amherst anthology as well as in their religious and historical contexts. It also offers a first-time edition of Quedam introductiua extracta, a Latin compilation contained in the manuscript, and a discussion and listing of verbal marginal annotations reflecting early readers' reactions to the texts. By reading the texts in (one of) their medieval manuscript context(s), this book gives students and scholars of (translated) medieval religious texts a fresh view of the classics of mystical writing contained in the remarkable literary document that is the Amherst anthology. Languages : English.‎

Référence libraire : 39925

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‎J. Jenkins, O. Bertrand (eds.);‎

‎Medieval Translator. Traduire au Moyen Age,‎

‎Turnhout, Brepols, 2007 Paperback, XXV+466 p., 2 b/w ill., 150 x 230 mm. ISBN 9782503525358.‎

‎Fundamental to all translation work, the concept of 'displacement' allows one to take into account the multiple successive states inhering in a single text, and to interpret these variations. Translation is, in effect, a form of transfer; more specifically, it involves a movement from one context to another, be it national, social, political, historical, linguistic or religious. The texts examined here illustrate, each in their unique way, the relationship between contextual change and audience. They are also the product of subtle interactions between a variety of elements, the result of which is a 'reinvention' of their respective roles and uses over time. For example, a text intending to entertain may also have educational outcomes; a book of local miracles may attract pilgrims and contribute to the economic life of a monastery; a text and its translations may at some point be appropriated for polemical purposes, while a library of translated texts founded on humanist principals may also serve political ends. Furthermore, each successive adaptation and its accompanying annotations impacts upon the tonality of a text. While this diversity of meanings may inspire some (such as the medieval poet Marie de France), it moreover raises a number of important and difficult questions for the modern translator. How, for example, does one translate the 'harmonics' underlying a series of mystical puns? The 'solution' usually involves a compromise that both enhances and undermines the translated text. This volume presents a selection of twenty-eight papers delivered at the Seventh International Conference dedicated to The Theory and Practice of Translation in the Middle Ages, which took place at the University of Paris III - Nouvelle Sorbonne in July 2004. The period covered by the texts and their translations extends from antiquity to the present day. The literary and critical breadth of these papers, as well as the rigorous interrogation of the modern translation theory, illustrates the remarkable vitality and diversity of current scholarship in this field. Au coeur de toute activite de traduction, le concept de deplacement permet de rendre compte des multiples etats successifs d'un meme texte et d'en interpreter les variations. Toute traduction est en effet une translation, c'est-a-dire un changement d'environnement, que ce dernier soit national, social, politique, historique, linguistique ou ecclesial. Les textes examines ici temoignent chacun a sa maniere des transformations qu'ils ont subies lorsque, changeant de langue, de style ou d'epoque, ils ont change de destinataires. La dynamique qui les traverse se nourrit de subtils cotoiements : un desir legitime de divertir peut fort bien s'accommoder d'une intention didactique ; un recueil de miracles locaux peut attirer des pelerins, contribuant ainsi a la vie economique d'un monastere ; un texte et ses traductions peuvent devenir l'objet d'utilisations polemiques ; se constituer en humaniste une bibliotheque de traductions peut aussi servir un dessein politique. Par ailleurs les transpositions successives et leurs gloses, comme en musique, entrainent des changements de tonalite. Ce 'surplus' de sens qu'encourage Marie de France pourra cependant se heurter a des resistances : comment par exemple preserver d'une langue a l'autre toutes les harmoniques que libere un enchainement de jeux de mots mystiques ... Ainsi l'inevitable compromis qui s'imposera au traducteur sera souvent le choix d'un enrichissement double d'une deperdition. Ce volume presente une selection des communications entendues lors du septieme colloque international consacre a la theorie et la pratique de la traduction des textes au Moyen Age qui s'est tenu a l'Universite de Paris III- Sorbonne Nouvelle en juillet 2004. La periode couverte par ces textes et leurs traductions s'etend de l'Antiquite jusqu'a nos jours. Ce sont au total vingt-huit etudes qui sont ici proposees. La richesse des domaines abordes, la haute technicite des analyses, de meme que la place faite aux questionnements de la traductologie moderne illustrent la remarquable vitalite des etudes actuelles relatives aux multiples aspects de la traduction des textes medievaux. Languages : English, French.‎

Référence libraire : 39927

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‎C. Galderisi, C. Pignatelli (eds.);‎

‎traduction vers le moyen francais Actes du IIe colloque de l?AIEMF, Poitiers, 27-29 avril 2006,‎

‎Turnhout, Brepols, 2007 Paperback, IV+460 p., 7 b/w ill., 150 x 230 mm. ISBN 9782503526553.‎

‎Les medievistes connaissent bien les sens que les Arts poetiques latins du Moyen age attribuent au mot translatio : transfert de langues et de cultures, mais aussi transplantation de lettres d'un monde a un autre monde, greffe vitale du passe sur le present, donation de sens du present au passe. Environ deux tiers des traductions medievales sont faites entre le xive et le xve siecle. Bien avant que la Renaissance ne revendique son ouverture sur le monde de l'Antiquite, le Moyen Age, et en particulier les clercs de ses deux derniers siecles ont greffe sur la langue et la civilisation francaises tout un pan de la culture et de la litterature du passe, jusqu'en a en modifier pour toujours le code genetique. Reflechir sur la traduction vers le moyen francais, y compris celle de l'oc vers l'oil, comme nous avons voulu le faire lors du IIe colloque de l'AIEMF (Association Internationale d'Etudes sur le Moyen Francais), c'est etre au coeur de la genese de ce moyen francais, de sa double proximite : avec l'ancien francais et avec le francais moderne. Le role joue par la traduction en moyen francais apparaitra encore plus clairement lorsque les medievistes disposeront d'un repertoire global des traductions medievales. Ce volume s'inscrit ainsi dans un projet plus vaste : Translations medievales : cinq siecles de traductions en francais, xie-xve siecles (Brepols, 2010), qui recensera et interpretera les informations bibliographiques sur l'ensemble des textes traduits en francais entre le xie et le xve siecle, offrant ainsi un repertoire exhaustif des textes translates, de leurs traducteurs, de leurs commanditaires et de leurs horizons de reception. Languages : French.‎

Référence libraire : 39928

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‎D. Renevey, C. Whitehead (eds.);‎

‎Medieval Translator. Traduire au Moyen Age Lost in Translation?,‎

‎Turnhout, Brepols, 2010 Paperback, XX+382 p., 38 b/w ill., 150 x 230 mm. ISBN 9782503531397.‎

‎The contributions to this volume are organised in a way that bear out the vitality of translation activity in the medieval period and the resourcefulness of modern scholarship in addressing the phenomenon of translation at large. No other period relies so heavily on this literary process to construct its cultural identity. Translations from Latin into the vernacular, or from one vernacular into another, or even from a vernacular into the Latin language, are just a few of the many forms medieval translation can take. The codification of the translation process as appropriation, transformation, or accommodation does not sufficiently emphasize the overarching curiosity and interest that motivates any translation activity. Rather, preceding the stages of appropriation and re-interpretation, it is positive inquisitiveness and openness towards linguistic and cultural difference that generate the production of a new text and the transference of culture from one sphere to another. Translation practice creates a dialogic exchange between cultures, it recognises difference and diversity, both linguistic and cultural, yet it also shapes its new product for the use of an audience or readership that is concurrently aware of the reciprocal need to participate in that exchange, in order to improve its own culture. It is that positive inquisitiveness which this volume emphasizes. The volume initially addresses the way in which translators dealt with texts from the early medieval period. It then considers the phenomenon of bilingualism and the privileged relationship that England held with the continent, especially the Italian and French literary traditions. The third part of this volume tackles the problem of fifteenth-century religious translation in England and, to a lesser extent, France, and complicates it by showing its inevitable political implications. Understood more particularly as an act of cultural transfer, translation activity can also be considered beyond the linguistic process. The fourth part of the volume deals with several instances of translations from one genre into another, and from one media into another. The contributions to this volume provide some answers to conundrums in the theory and practice of translation encountered during the medieval period. They also point to new ways of considering this literary process, and by praising diversity and difference, they suggest a less traumatic way of reading Babel than is usually implied. Languages : French, English.‎

Référence libraire : 39929

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‎M. Issa;‎

‎version latine et l'adaptation francaise de l''Historia rerum in partibus transmarinis gestarum' de Guillaume de Tyr, Livres XI - XVIII Etude comparative fondee sur le Recueil des historiens des croisades - historiens occidentaux,‎

‎Turnhout, Brepols, 2011 Paperback, 358 p., 156 x 234 mm. ISBN 9782503535791.‎

‎La comparaison de la chronique latine de Guillaume de Tyr, Historia Rerum in partibus transmarinis gestarum (XIIe siecle), avec sa version francaise anonyme, L'Estoire de Eracles (XIIIe siecle), fait apparaitre des differences capitales. Les nombreuses initiatives syntaxiques, lexicales et thematiques, conditionnees par les gouts du traducteur et de son public, ainsi que par les exigences du travail de traduction et les possibilites offertes par la langue, temoignent principalement des difficultes rencontrees au contact du monument historiographique le plus complexe de la Croisade. Les observations decisives qu'elles permettent de conduire confirment que la notion medievale de translatio correspond souvent moins au concept moderne de traduction qu'a celui d'adaptation. Languages : French, Latin.‎

Référence libraire : 39930

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‎J. Dor, L. Johnson, J. Wogan-Browne (eds.);‎

‎New Trends in Feminine Spirituality The Holy Women of Liege and their Impact.,‎

‎Turnhout, Brepols, 1999 Hardback, XIV+350 p., 160 x 245 mm. ISBN 9782503507682.‎

‎The essays in this volume examine not only the beguinage religious life in the southern Low Countries, but also the impact of this movement on later medieval Sweden, England and France, the new modes of influence by women in their religious lives, and the revivals of feminine spirituality. Was there a women's movement in the thirteenth century and is such a question meaningful in its medieval context? Far from being resolved, the issue of whether women had a thirteenth-century renaissance has still decisively to unsettle the periodization of Western European history in twelfth and sixteenth-century humanist renaissances. Herbert Grundmann long ago demonstrated the participation of women in the eremitically-inspired reforming movements of the twelfth and thirteenth centuries, and in the production of vernacular literature. Yet it is upon his work that this volume builds, for the diocese of Liege is the key area in this development. It was from Liege that Jacques de Vitry approached the papacy to secure permission for the women of this bishopric of Liege, France and Germany to live together and to promote holiness in each other by mutual example. The seventeen contributors to this volume examine not only the beguine religious life in the southern Low Countries, but also the impact of this movement on later medieval Sweden, England and France, the new modes of influence exerted by women in their religious lives, and the revivals of feminine spirituality in the late medieval West through to contemporary North America. Research does not yet allow for a whole new synthesis, but this volume directs scholars to detailed work on specific localities and persons, with an awareness of the problems and possibilities of wider European comparisons. The contributors are: Jocelyn Wogan-Browne and Marie-Elisabeth Henneau, Anne Blonstein, Else Marie Wiberg Pedersen, Alexandra Barratt, Penny Galloway, Brenda Bolton, Bridget Morris, Marjorie Curry Woods, Carolyne Larrington, Anneke B. Mulder-Bakker, Renate Blumenfeld-Kosinski, Katie Normington, Jane Chance, Ulrike Wiethaus, Luce Irigaray and Antonia Lacey. Languages : English.‎

Référence libraire : 39931

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‎V. Blanton, V. O'Mara, P. Stoop (eds.);‎

‎Nuns' Literacies in Medieval Europe: The Hull Dialogue,‎

‎Turnhout, Brepols, 2013 Hardback xxxiv + 370 pages., 12 b/w ill. + 4 colour ill., 18 b/w line art, 156 x 234 mm.Languages : English, Middle English. ISBN 9782503539720.‎

‎This collection of essays, focused on the literacies of nuns in medieval Europe, brings together specialists working on diverse geographical areas to create a dialogue about the Latin and vernacular texts nuns read, wrote, and exchanged, primarily in northern Europe from the eighth to the mid-sixteenth centuries. To date, there has been some significant research in this field but little in the way of cross-cultural study. Drawing especially on the rich body of scholarship that currently exists about nuns and books in England, Germany, the Low Countries, and Sweden, these essays investigate the meaning of nuns? literacies in terms of reading and writing, Latin and the vernaculars. Contributors to this volume investigate the topic of literacy primarily from palaeographical and textual evidence and by discussing information about book ownership and book production in convents. In this first concentrated study that examines the literacy of nuns in a comparative fashion the essays pay close attention to the individual textual and cultural complexities of nuns? literacies in the European Middle Ages.‎

Référence libraire : 39932

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‎A. Silvas;‎

‎Jutta and Hildegard: the Biographical Sources,‎

‎Turnhout, Brepols, 1999 Hardback, XXVIII+300 p., incl. 2 maps, 2 site-plans and 3 genealogical tables, 160 x 245 mm. ISBN 9782503507798.‎

‎This book is a comprehensive collection of biographical sources, all translated from the latest critical editions, relating to Jutta of Disibodenberg (1092-1136) and Hildegard of Bingen (1098-1179). This book is a comprehensive collection of biographical sources, all translated from the latest critical editions, relating to Jutta of Disibodenberg (1092-1136) and Hildegard of Bingen (1098-1179). Except for the Life of Hildegard they have never been translated before. The Life of Jutta in particular is a major source recently discovered, throwing new light on the early life of Hildegard. The contents include translations with scholarly introductions of the following documents: The Chronicles of Disibodenberg (selections); Charters of Disibodenberg; Documents of Sponheim; The Life of Jutta; Guibert's Letter 38 to Bovo (including his incomplete Life of Hildegard); the Life of Hildegard; Eight Readings to be read on the Feast of St Hildegard; Guilbert's Revision of the Life of Hildegard; Charters of Rupertsberg; Canonisation Proceedings. Languages : English.‎

Référence libraire : 39933

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‎M. Dockray-Miller;‎

‎New Trends in Feminine Spirituality The Holy Women of Liege and their Impact.,‎

‎Turnhout, Brepols, 2009 Hardback, X+476 p., 1 b/w ill., 156 x 234 mm. ISBN 9782503528366.‎

‎Saints Edith and AEthelthryth: Princesses, Miracle Workers, and their Late Medieval Audience narrates the lives of two Anglo-Saxon princesses who were venerated as saints long after their deaths. St Edith, the daughter of King Edgar, was renowned as a patron of the arts and the church during her lifetime; her posthumous miracles included protection of Wilton Abbey and the English royal family. St AEthelthryth, who retained her virginity through not one but two royal marriages, also worked numerous miracles at her tomb at the Abbey of Ely. The poems, composed at Wilton Abbey in the early fifteenth century, allow us to see how late medieval religious women practised their devotion to early medieval women saints. The Middle English verse texts are presented here in the original and in translation with explanatory notes and glossary. A thorough introduction provides extensive contextualization and analysis of the two poems as well as description of the manuscript and its language and prosody. These primary source texts are important contributions to the study of English history, language, literature, religion, and women's studies. Languages : English, Middle English.‎

Référence libraire : 39934

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‎J. Wogan-Browne, R. Voaden, A. Diamond, A. Hutchison, C. Meale, L. Johnson (eds.);‎

‎Medieval Women - Texts and Contexts in Late Medieval Britain Essays in Honour of Felicity Riddy,‎

‎Turnhout, Brepols, 2000 Hardback, XVI+436 p., 160 x 245 mm. ISBN 9782503509792.‎

‎Profiting from the development of newly flexible models of gender, literacy, the political, the social, and the domestic, this volume on medieval women considers the broadest implications for the study of medieval culture without simply re-absorbing medieval women into invisibility. In this themed collection of 24 articles by literary, historical and archaeological scholars, the study of medieval women is confidently and freshly mainstream. Profiting from the development of newly flexible models of gender, literacy, the political, the social, and the domestic, the volume is non-separatist, exploratory both of new source materials and new readings of established sources, and able to consider the broadest implications for the study of medieval culture without simply re-absorbing medieval women into invisibility. Grouped under the headings of matters of reading, of conduct and place, the essays move from legal cases to actual buildings and conceptions of the household to conduct books and chronicles to romances and saints' lives to the medieval unconscious and back again, exemplifying the mature interdisciplinarity of current work on medieval women. Languages : English.‎

Référence libraire : 39935

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‎A. Barratt;‎

‎Knowing of Woman's Kind in Childing A Middle English Trotula-Text,‎

‎Turnhout, Brepols, 2002 Hardback, XII+169 p., 160 x 240 mm. ISBN 9782503510736.‎

‎This study comprises a critical edition, using all the five extant MSS, of the most popular of the Middle English gynaecological texts deriving from the Latin Trotula-text. This study comprises a critical edition, using all the five extant MSS, of the most popular of the Middle English gynaecological texts deriving from the Latin Trotula-text. The Knowing of Women's Kind in Childing is a short fifteenth-century prose treatise which claims to be translated from Latin texts (or Latin and French, according to some manuscripts) that derive ultimately from the Greek. It has a unique importance as it was written by a woman, for a female audience, and on the subject of women. The text considers women's physical constitution, what makes them different from men (primarily the possession of a womb) and, in particular, the three types of problem that the womb causes. That it was written for a female audience is made explicit in the Prologue where the writer explains that he has translated this text out of French and Latin into English because literate women are more likely to read English than any other language and can then pass on the information it contains to illiterate women. More controversial must be the claim that this text was written by a woman. The text is a translation, no doubt by a man, but one of his ultimate sources was a text attributed to 'Trotula', in the Middle Ages believed to be the name of a midwife or gynaecologist from Salerno, who wrote extensively on women's ailments, childbirth and beauty care. Recent work shows that such a woman, probably named Trota, did exist and that she did write a gynaecological treatise, the Trotula or 'little Trota', which became closely associated with two other texts not by her. All three however became very popular and were widely disseminated under her name. Large sections of The Knowing of Woman's Kind come, via an Old French translation, from a version of the Liber de Sinthomatibus Mulierum (the Cum auctor), the first element in this Trotula ensemble. Languages : English.‎

Référence libraire : 40026

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