|
BALZAC Charles-Louis & DUTERTRE (delineavit) & REDOUTE (delineavit) & JOMARD Edme-François & TEXIER
DESCRIPTION DE L'EGYPTE. Vases, meubles et instruments. Tentes de mamelouk, Boiserie de fenêtre, Berceau, Chassemouche, Planchers en mosaïque, Carreaux en faïence, Coffret en nacre, Écritoire et détails, Serrure en bois, Cuillers en écaille, ornées d'ambre, de corail et de nacre. (ETAT MODERNE, volume II, planche GG)
Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille.
Bookseller reference : 26384
|
|
BALZAC Charles-Louis & DUTERTRE (delineavit) & REDOUTE (delineavit) & JOMARD Edme-François & TEXIER
DESCRIPTION DE L'EGYPTE. Vases, meubles et instruments. Tentes de mamelouk, Boiserie de fenêtre, Berceau, Chassemouche, Planchers en mosaïque, Carreaux en faïence, Coffret en nacre, Écritoire et détails, Serrure en bois, Cuillers en écaille, ornées d'ambre, de corail et de nacre. (ETAT MODERNE, volume II, planche GG)
- Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
BALZAC Charles-Louis & JOMARD Edme-François & BALTARD Pierre-Louis
DESCRIPTION DE L'EGYPTE. Heptanomide. Vues de Gebel Abou Fedah et des environs, épures de chapiteaux tracées dans les hypogées de Gebel Abou Fedah, plans et détails de Gebel Cheykh el Harydy. (ANTIQUITES, volume IV, planche 62)
Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille.
Bookseller reference : 23446
|
|
BALZAC Charles-Louis & JOMARD Edme-François & BALTARD Pierre-Louis
DESCRIPTION DE L'EGYPTE. Heptanomide. Vues de Gebel Abou Fedah et des environs, épures de chapiteaux tracées dans les hypogées de Gebel Abou Fedah, plans et détails de Gebel Cheykh el Harydy. (ANTIQUITES, volume IV, planche 62)
- Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
BALZAC Charles-Louis & JOMARD Edme-François & PHELIPPEAUX (sculpsit)
DESCRIPTION DE L'EGYPTE. Esné (Latopolis). Bas-reliefs du portique. (ANTIQUITES, volume I, planche 82)
Imprimerie Impériale, Paris 1809-1829, 54x71cm, une feuille.
Bookseller reference : 25844
|
|
BALZAC Charles-Louis & JOMARD Edme-François & PHELIPPEAUX (sculpsit)
DESCRIPTION DE L'EGYPTE. Esné (Latopolis). Bas-reliefs du portique. (ANTIQUITES, volume I, planche 82)
- Imprimerie Impériale, Paris 1809-1829, 54x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
BALZAC Charles-Louis & JOMARD Edme-François & POMEL (sculpsit) & SMITH
DESCRIPTION DE L'EGYPTE. Environs de Babylone. Le Kaire [Le Caire]. Détails de quatre faces et d'un obélisque trouvé au Kaire. (ANTIQUITES, volume V, planche 21)
Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille.
Bookseller reference : 26196
|
|
BALZAC Charles-Louis & JOMARD Edme-François & POMEL (sculpsit) & SMITH
DESCRIPTION DE L'EGYPTE. Environs de Babylone. Le Kaire [Le Caire]. Détails des quatre faces d'un obélisque trouvé au Kaire. (ANTIQUITES, volume V, planche 22)
Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille.
Bookseller reference : 26197
|
|
BALZAC Charles-Louis & JOMARD Edme-François & POMEL (sculpsit) & SMITH
DESCRIPTION DE L'EGYPTE. Environs de Babylone. Le Kaire [Le Caire]. Détails de quatre faces et d'un obélisque trouvé au Kaire. (ANTIQUITES, volume V, planche 21)
- Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
BALZAC Charles-Louis & JOMARD Edme-François & POMEL (sculpsit) & SMITH
DESCRIPTION DE L'EGYPTE. Environs de Babylone. Le Kaire [Le Caire]. Détails des quatre faces d'un obélisque trouvé au Kaire. (ANTIQUITES, volume V, planche 22)
- Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
BALZAC Charles-Louis & LANDELLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Edfou (Apollinopolis magna). Frises et autres sculptures du petit temple.
Imprimerie Impériale, Paris 1809-1829, 54x71cm, une feuille.
Bookseller reference : 25852
|
|
BALZAC Charles-Louis & LANDELLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Edfou (Apollinopolis magna). Frises et autres sculptures du petit temple.
- Imprimerie Impériale, Paris 1809-1829, 54x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant les campa
|
|
BALZAC Charles-Louis & LE PERE Gratien & JOMARD Edme-François & PROTAIN (delineavit) & REVILLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Alexandrie. Vue, profils et détails de la grande colonne appelée communément Colonne de Pompée. (ANTIQUITES, volume V, planche 34)
Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille.
Bookseller reference : 26204
|
|
BALZAC Charles-Louis & LE PERE Gratien & JOMARD Edme-François & PROTAIN (delineavit) & REVILLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Alexandrie. Vue, profils et détails de la grande colonne appelée communément Colonne de Pompée. (ANTIQUITES, volume V, planche 34)
- Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
BALZAC Charles-Louis & LEGRAND Hyacinthe(sculpsit)
DESCRIPTION DE L'EGYPTE. Environs du Kaire [Le Caire]. Vue de l'aqueduc situé près le Vieux Kaire, prise de l'Ile de Roudah. (ETAT MODERNE, volume I, planche 20)
Imprimerie Impériale, Paris 1809-1829, 53,5x70,5cm, une feuille.
Bookseller reference : 25331
|
|
BALZAC Charles-Louis & LEGRAND Hyacinthe(sculpsit)
DESCRIPTION DE L'EGYPTE. Environs du Kaire [Le Caire]. Vue de l'aqueduc situé près le Vieux Kaire, prise de l'Ile de Roudah. (ETAT MODERNE, volume I, planche 20)
- Imprimerie Impériale, Paris 1809-1829, 53,5x70,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendan
|
|
BALZAC Charles-Louis & REDOUTE (delineavit) & CECILE (delineavit) & JOMARD Edme-François & POMEL (sculpsit)
DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos). Bas-reliefs du petit temple. Coeffures symboliques. Bas-reliefs des grottes de Selseleh. (ANTIQUITES, volume I, planche 45)
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
BALZAC Charles-Louis & TESTARD (sculpsit)
DESCRIPTION DE L'EGYPTE. Thèbes. Karnak. Vue des propylées prise du sud. (ANTIQUITES, volume III, planche 44)
Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille.
Bookseller reference : 23392
|
|
BALZAC Charles-Louis & TESTARD (sculpsit)
DESCRIPTION DE L'EGYPTE. Thèbes. Karnak. Vue des propylées prise du sud. (ANTIQUITES, volume III, planche 44)
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
BANCOURT, P.
Les Mille et Une Nuits et leur trésor de sagesse.
in-8°, 366 pages, broché, couverture illustree. Très bel exemplaire. [NV-22]
|
|
BANCOURT, P.
Les Mille et Une Nuits et leur trésor de sagesse.
Dangles (« Horizons ésotériques »), 2007. in-8°, 366 pages, broché, couverture illustree.
Bookseller reference : 74274
|
|
BARADEZ JEAN.
TIPASA. VILLE ANTIQUE DE MAURETANIE.
ALGER. SERVICE DES ANTIQUITES. 1952. BROCHURE IN-8 DE 80 PAGES, COUVERTURE BLANCHE, TITRE IMPRIME EN BISTRE. ILLUSTRE DE 52 REPRODUCTIONS IN ET HORS TEXTE ET D'UNE CARTE REPLIEE EN COULEURS. BEL EXEMPLAIRE.
Bookseller reference : 1137
|
|
BARAKAT Hoda
Le laboureur des eaux. Roman traduit de l'arabe (Liban) par Fr?d?ric Lagrange.
Broch?. 210 pages. Tr?s bon ?tat.
|
|
BARAKAT Hoda
Les illumin?s. Roman traduit de l'arabe (Liban) par Fran?ois Zabbal.
Broch?. 188 pages. Tr?s bon ?tat.
|
|
BARAKAT Leila
Liban : penser l'Etat.
Paris, L'Harmattan, 2004. 13 x 21, 241 pp., broché, très bon état.
Bookseller reference : 55369
|
|
BARAKAT Salim
Le criquet de fer. Les aventures inachev?es d'un enfant... R?cit traduit de l'arabe (Syrie) par fran?ois Zabbal.
Broch?. 105 pages. Tr?s bon ?tat.
|
|
BARBIE DE PREAUDEAU Philippe
Le Cheval arabe des origines à nos jours
EDITIONS DU JAGUAR, 1987. In-4 relié (32 x 24 cm), jaquette iillustrée, 218 pages augmentées de nombreuses photos en couleurs dans et hors texte, abondante iconographie (photos, reproductions, cartes).- 1630g.L. - Bon état.
Bookseller reference : 28320
|
|
BARESTE EUGENE (1814-1861).
ABD-EL-KADER, SES COMMENCEMENTS, SES EXPLOITS ET DES CONSEQUENCES DE SA SOUMISSION PAR M. EUGENE BARESTE. AVEC UN MAGNIFIQUE PORTRAIT D’ABD-EL-KADER DESSINE D’APRES NATURE PAR M. SEIGNEURGENS ET LE CACHET DE COMMANDEMENT DE L’EX-EMIR GRAVE EXPRES POUR CET OUVRAGE.
PARIS. MARTINON, EDITEUR. 1848. BROCHURE IN-12 (12 X 18,5 X 0,5 CENTIMETRES ENVIRON) DE (4) + 52 PAGES, COUVERTURE JAUNE, TITRE IMPRIME EN NOIR. ILLUSTRE D’UN PORTRAIT GRAVE SUR BOIS EN FRONTISPICE ET D’UNE VIGNETTE DE TITRE REPRESENTANT LE CACHET D’ABD-EL-KADER. OUVRAGE PEU COURANT. BON EXEMPLAIRE, TRUFFE DE QUELQUES DOCUMENTS AJOUTES PAR L’ANCIEN PROPRIETAIRE.
Bookseller reference : 3567
|
|
BARRES Maurice
"Une enquête aux Pays du Levant (2 volumes); 1 : Alexandrie, Beyrouth, Le Liban; Le tombeau d'Henriette Renan; Une soirée avec les Bacchantes; La religieuse Arabe, Baalbeck, Damas; Le vieux de la montagne; Le génie de nos congrégations; 2 : Roms, Alep, L'Euphrate; Antioche-le Taurus; Les danseurs mystiques de Ronia, chez le Grand Tchélébi, Constantinople; Le sarcophage d'Alexandre."
Paris, Librairie Plon, 1923. 13 x 20, 2 volumes, 314 + 242 pages, quelques photos, reliure carton marbré, tome 2 partiellement coupé, tête mouchetée, non rogné, couverture conservée (3 pièces pour les 2 volumes) très bon état.
Bookseller reference : 100.105
|
|
BARROWS D.-P. (Général)
Berbères et Noirs.
Paris, Société d'Editions Géographiques, Maritimes et Coloniales, 1931. 14 x 21, 267 pp., 1 carte dépliante, broché, non coupé, bon état.
Bookseller reference : 97877
|
|
BARTHELEMY M.
JOURNAL ASIATIQUE OU RECUEIL DE MEMOIRES D'EXTRAIT ET DE NOTICES relatifs à l'histoire, à la philosophie, aux langues et à la littérature des peuples orientaux - NOTICE SUR LE DIALECTE ARABE DE JERUSALEM -
1907 br. in-8, 1er pl. un peu défr., goutt. à témoin, qq. rouss., 66 p., imprimerie nationale,
Bookseller reference : 1787
|
|
Bass, Fathi
Inthyal al-dhakirah : hadha ma hasal
Light blue/white octavo (dark and light blue spine); 351 p ; 20 cm. In Arabic. || Journalists, Palestinian Arab -- Palestine -- Diaries; Biography.
|
|
BASSAM HAYDAR & LEÏLA BEAUGEAN
L'ARABE POUR TOUS en 40 leçons
PRESSES POCKET. 1984. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 290 pages. Nombreuses planches de photographies en couleur et en noir et blanc.. . . . Classification Dewey : 492.7-Arabe
Bookseller reference : R240019923
|
|
Bassam, Salih (Ba m, li )
Mudhakkirat wa-asrar hurub Nuri al-Sa'id (Mudhakkir t wa-asr r hur b N r al-Sa d)
Octavo in offwhite illus glossy paper wraps; 211 pages : illustrations ; 22 cm In Arabic. / Sa'id, Nuri, 1888-1958; Iraqi statesmen; biography; Iraq; political and social conditions; history; memoirs. Prime ministers -- Iraq -- Biography. Premiers ministres -- Irak -- Biographies. Prime ministers. Physiciens -- Irak -- Biographies. Iraq -- History -- Hashemite Kingdom, 1921-1958. Irak -- Histoire -- 1921-1958 (HachÈmites) Iraq. Irak -- 1921- ... Irak -- Politique et gouvernement.
|
|
BASSAÏNE Yasmina et KIJEK Dimitria
Communiquer en arabe maghrébin.
EYROLLES. Juin 2005. In-12. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 167 pages.. . . . Classification Dewey : 492.7-Arabe
Bookseller reference : RO80143770
|
|
BASSET, René.
NOUVEAUX CONTES BERBERES. Recueillis, traduits et annotés par René Basset.
Hardcover in-12, XXVI-373 pages, reliure plein cuir, couverture conservée. Bel exemplaire. [FRA-3]
|
|
Bateson Mary Catherine
Arabic Language Handbook Language Handbook Series
Washington DC: Center for Applied Linguistics 1967. Soft Cover. Very Good/No Jacket. 125 pp. Binding is tight with light rubbing on cover. Text is tight clean and unmarked Center for Applied Linguistics paperback
Bookseller reference : 449891
|
|
BAUD Marcelle et PARISOT Magdeleine
"L'Egypte; le Nil égyptien et soudanais, du Delta à Khartoum. Collection : Les guides bleus."
Paris, Librairie Hachette, 1965. 11 x 16, 559 pp., 5 cartes dépliantes en couleurs, quelques dessins, reliure d'édition + jaquette, bon état (jaquette légèrement défraîchie).
Bookseller reference : 87272
|
|
BAUDE (BARON JRAN-JACQUES. 1792-1862).
L’ALGERIE, PAR LE BARON BAUDE, CONSEILLER D’ETAT, EX-CONSEILLER DU ROI EN AFRIQUE.
PARIS. ARTHUS BERTRAND, LIBRAIRE. 1841. 2 VOLUMES IN-8 BROCHES (14,5 X 22,5 X 6,5 CENTIMETRES ENVIRON) DE (4) + XXVIII + 404 ET (4) + 492 PAGES, COUVERTURE BLEU VERT, TITRE IMPRIME EN NOIR. ILLUSTRE DE 3 CARTES REPLIEES. RARE. UN DES PLUS IMPORTANTS OUVRAGES PARUS SUR L’ALGERIE. (BRUNET. 28410). PETITES TRACES D’HUMIDITE ANCIENNE SANS GRAVITE SUR CERTAINES PAGES, QUELQUES DEFAUTS EXTERIEURS, DONT MANQUES DE PAPIER AU DOS, DEBOITES, SINON BON EXEMPLAIRE QUI MERITERAIT D’ETRE RELIE.
Bookseller reference : 264
|
|
BAUDICOUR (Louis de).
LA COLONISATION DE L'ALGÉRIE. Ses éléments - HISTOIRE DE LA COLONISATION DE L'ALGÉRIE. [2 volumes].
1856 Paris, Challamel aîné, 1856-1860. Deux volumes in-8 (143 X 220 mm) demi-chagrin vert bronze, dos à nerfs orné de caissons et fers dorés, titre doré, date en queue (Reliure de l'époque). Premier ouvrage : (2) ff. de faux-titre et titre, 588 pages, (1) f. - Second ouvrage : (2) ff. de faux-titre et titre, 584 pages. Rousseurs claires très éparses, plus présentes sur les tranches.
Bookseller reference : 005389
|
|
BAUDICOUR (Louis de).
LA GUERRE ET LE GOUVERNEMENT DE L'ALGÉRIE.
1853 Paris, Sagnier et Bray, 1853. In-8 (143 X 221 mm) demi-chagrin vert bronze, dos à nerfs orné de caissons et fers dorés, titre doré, date en queue (Reliure de l'époque) ; VIII-600 pages. Rousseurs claires très éparses.
Bookseller reference : 005391
|
|
BAUDIS Dominique
La mort en Keffieh.
Paris, France-Empire, 1980. 14 x 22, 198 pp., 14 planches en N/B, broché, bon état.
Bookseller reference : 48879
|
|
BAUMSTARK Anton
Die christlichen Literaturen des Orients [2 vols.]. Vol.1: Einleitung & I.Das christlich-aramäische und das koptische Schrifttum. Vol.2: II.Das christlich-arabische und das Äthiopische Schrifttum & III.Das christliche Schrifttum der Armenier und Georgier
2 vols.: 134 + 116pp., 16cm., in the collection "Sammlung Göschen", softcover (bit used), good condition, X76024
|
|
BAUMSTARK Anton
Die christlichen Literaturen des Orients [2 vols.]. Vol.1: Einleitung & I.Das christlich-aramäische und das koptische Schrifttum. Vol.2: II.Das christlich-arabische und das Äthiopische Schrifttum & III.Das christliche Schrifttum der Armenier und Georgier
Leipzig, Göschen 1911 2 vols.: 134 + 116pp., 16cm., in the collection "Sammlung Göschen", softcover (bit used), good condition, X76024
Bookseller reference : X76024
|
|
BAUMSTARK Anton
Die christlichen Literaturen des Orients [2 volumes] Vol.I: Einleitung & I.Das christlich-aramäische und das koptische Schrifttum. Vol.2: II.Das christlich-arabische und das Äthiopische Schrifttum & III.Das christliche Schrifttum der Armenier und Georgier
Leipzig, Göschen 1911 Complete in 2 volumes, bound together in 1 fysical volume: 134 + 116pp., 16cm., in the collection "Sammlung Göschen", modern hardcover, good condition, X114295
Bookseller reference : X114295
|
|
Baumstark, Dr. Anton
SYRISCH-ARABISCHE BIOGRAPHIEEN DES ARISTOTELES Habilitationsschrift
Paper wrappers (marbled) with typed spine label. Some pages creased. Minor shelfwear. ; Proefschrift (Diss. ) ; 130 pages
|
|
BAUWENS Jan
Maktub bilyad. Manuscrits arabes à la bibliothèque Albert 1er.
Bruxelles: Bibliothèque Royale, 1968 in-4,xv-68 pages, frontispice en coul., 10 ills. dans le texte et 24 planches h.-t., bibliographie. Broché.
Bookseller reference : 1104250
|
|
BAYOL M.
La France au Fouta Djallon. Extrait de la Revue des Deux Mondes
Extrait de La Revue des deux mondes, s.l. [Paris] 1882, 15,5x25cm, agrafé.
Bookseller reference : 19861
|
|
BAYOL M.
La France eu Fouta Djalon
- Extrait de la Revue des deux mondes, s.l. (Paris) 1882, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. sous couverture muette. Rare.
|
|
BEAUCORPS R. de
Les Bayansi du Bas-Kwilu
- Editions de l'Aucam, Louvain 1933, 12x19cm, broché. - Edition originale. Caractères ethniques, vie familiale, vie sociale, vie intellectuelle et artistique, vie religieuse... 33 photographies et une carte dépliante in-fine. Petites éraflures marginales avec infimes manques affectant le premier plat, sinon agréable exemplaire. Rare. [ENGLISH DESCRIPTION ON DEMAND]
|
|
|