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Edited by EKREM ISIN.
The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
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Edited by ELIZABETH ZACHARIADOU.
L'art Ottoman. Les peintres de Turquie.
Fine English Paperback. Pbo. Small 4to. (27 x 19 cm). In French. 76, [3] p., ills. Reprint of 1909 Edition. L'art Ottoman. Les peintres de Turquie.
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Edited by ESIN ATIL.
Images of Imperial Istanbul. Facsimile Edition of eight panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). Published by Ahmet Ertug. Photographic reproduction of originals by C. Hüttel. Translation of captions from German by Ali Özdamar.
New English Original cloth bdg. by Legatoria Rigoldi SNC. Oblong folio. (36 x 47 cm). In English. 16, [1] p. text,1 full paged b/w map in text (Byzantivm nunc Constantinopolis), 8 folding color plts. of panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). 1100 copies were printed in Italy. Numbered copy. 357/1100. Printed on handmade paper by Cartiere Enrico Magnani S.p.A. Preface.; Historical setting.; Images of Istanbul, I: A wedding procession. II: Entertainment in a Harem (women dancing and playing dance music). III: Ladies going to a bathhouse. IV: An imperial residence. V: Arrival of the Crimean Embassy. VI: Sultan embarking on a hunt. VII: Sultan going to Friday prayer. VIII: Procession of the Queen Mother. Images of imperial Istanbul. Facsimile Edition of eight panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). Published by Ahmet Ertug. Photographic reproduction of originals by C. Hüttel. Translation of captions from German by Ali Özdamar.
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Edited by JEAN-LUC MAESO.
Landscapes of water from the Arkas Collection.= Paysages d'eaux de la Collection Arkas.= Arkas Kolekksiyonu'ndan su manzalari. [Exhibition catalogue]. 20 September - 29 December 2017.
New English Paperback. 4to. (28 x 23 cm). In English, French, and Turkish. 201 p., color ills. Landscapes of water from the Arkas Collection.= Paysages d'eaux de la Collection Arkas.= Arkas Kolekksiyonu'ndan su manzalari. [Exhibition catalogue]. 20 September - 29 December 2017. The paintings chosen for this exhibition emphasize the importance of landscape painting in the art of the Western world. This selection, dating from the first half of the 19th century to the second half of the 20th century, features some of the most prominent artists of European landscape painting. The 90 works from the Arkas Collection, most of which are being shown for the first time, illustrate the flourishing artistic scene that prevailed when Paris was the capital of art. The 19th century was one of innovations and revolutions, both historically and artistically. Landscape painting had begun to be recognized as an independent artistic genre in the first half of the 19th century. Until that period, artists preferred to paint in studios. Then, breaking with the strictures of academicism, they began to experiment with plein air (outdoor) painting. During this period, when art itself was being redefined, artistic movements were evolving according to the pictorial tradition. Nature was represented through diverse modes of expression and new artistic movements came into being, such as the Barbizon School, Impressionism, Symbolism, Post-Impressionism, Fauvism and Expressionism. Landscapes of Water "reflects" the historical evolution of the pictorial medium over the course of the 19th and 20th centuries. Here you will find the remarkable works of Eugéne Boudin, Jean-Baptiste Camille Corot, Maurice de Vlaminck, Francis Picabia, Henry Lebasque, and Hippolyte Camille Delpy, among others. They invite the viewer on a fabulous odyssey through diverse geographic areas, from the banks of the Seine and the Scottish lakes to the summits of the Alps, by way of the warm light of the Mediterranean, the North Sea and the rivers of Europe. 1000 copies were printed.
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Edited by KARIN ADAHL.
Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes set. [BOXED].
New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
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Edited by KARIN ADAHL.
The Sultan's procession: The Swedish embassy to Sultan Mehmed IV in 1657-1658 and the Rålamb paintings.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English. 343 p., color and b/w ills. The Sultan's procession: The Swedish embassy to Sultan Mehmed IV in 1657-1658 and the Rålamb paintings. In 1657, King Charles X Gustaf of Sweden sent Claes Ralamb as an envoy to Sultan Mehmed IV's court. While he was there, Ralamb commissioned 20 large paintings in oil on canvas, depicting an imperial procession through Istanbul in September 1657, providing a revealing insight into the court of Sultan Mehmed IV in Ottoman Turkey. For the first time, Ralamb's paintings are published here in "The Sultan's Procession". This beautifully illustrated book - containing over 150 colour illustrations - comprehensively covers the full history of the paintings, including a technical analysis from the conservation of one of the paintings. The book also provides a full history of Claes Ralamb and his mission, including the political background of the Swedish embassy, Ralamb's biography and English translations of primary sources in Swedish and Turkish archives. Among the illustrations are over 100 watercolours of people in the Ottoman society from the costume album acquired by Ralamb in Istanbul. These unique Ralamb paintings provide a rare window into life at the Ottoman court in the 17th century.
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Edited by MUSTAFA SOYKUT.
Historical image of the Turk in Europe: 15th century to the present. Political and civilisational aspects.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 328 p. Historical image of the Turk in Europe: 15th century to the present. Political and civilisational aspects.
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Edited by NAZAN ÖLÇER - FILIZ ÇAGMAN et alli.
17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi.
New Turkish Paperback. 4to. (29 x 24 cm). Turkish Edition. 311 p., color and b/w ills. 17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi. 17. Yüzyil Avrupa'sinda Türk Imaji baslikli sergide, Sabanci Üniversitesi Sakip Sabanci Müzesi'nin daha önce gerçeklestirdigi Mediciler'den Savoylar'a Floransa Saraylarinda Osmanli Görkemi sergisinde oldugu gibi, Osmanli-Avrupa iliskileri, siyasi olaylarin sanata yansiyan izdüsümü irdelendi. Türk korkusunun büyük bir meraka dönüstügü, Türklere karsi savasan kesimlerin savas ertesi kendi yurtlarinda düsmanlarinin kiyafetine bürünerek yaptirdiklari portrelerin yayginligi, Osmanli topraklarina ait savas ganimeti, hediye veya ticaret yolu ile edinilmis malzemenin Avrupa sosyal yasaminda oynadigi önemli rol, tarihçi ve sosyal alandaki arastirmacilara öteden beri genis bir çalisma alani sunarken, müzecilere de belge degeri tasiyan büyük bir sanat eseri zenginligi getirmekteydi. Slovenya basta olmak üzere Orta Avrupa'daki çesitli Müze koleksiyonlari ile Ingiltere ve Türkiye'deki özel koleksiyonlardan derlenen 92 yagliboya portre, panorama ve gravürün yer aldigi sergi Credit Suisse'in katkilariyla düzenlendi.
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Edited by R. BARIS KIBRIS.
Sultans, merchants, painters. The early years of Turkish-Dutch relations.= Sultanlar, tüccarlar, ressamlar. Türk-Hollanda iliskilerinin baslangici. [Exhibition catalogue]. Translator: Kemal Atakay.; Consultants: Eveline Sint Nicolaas, Laura van Hasselt.
New English Paperback. Pbo. 4to. (28 x 24 cm). 196 p. In Turkish and English. B/w and color ills. "Pera Museum in collaboration with the Amsterdam Museum is organizing an exhibition exploring the commencement of four hundred years of fruitful cooperation between Turkey and the Netherlands. It was on 14 March 1612 during the ruling of the Ottoman Empire that the first Ambassador of Dutch Republic, Cornelis Haga, arrived in Constantinople. The year 2012 marks the four hundredth year of this diplomatic relations. In collaboration with several other leading partners, including the Rijksmuseum in Amsterdam, Nationaal Archief in The Hague and Museum Boijmans van Beuningen in Rotterdam, the exhibition aims to spread knowledge about historical and contemporary links between Amsterdam and Istanbul. The exhibition explores the historical and contemporary relations between two world cities and through these cities, implicitly also the two countries. 'Pioneers' and 'image (-forming)' are among the prominent themes. The exhibition is not intended as a complete survey of four centuries of diplomatic ties, but rather provides an attractive insight into the historical ties between Amsterdam and Istanbul, from 1612 to the present day. The exhibition is historical and social in approach, yet it also features important art works as well. A key section of the exhibition is a reconstruction of the Levantse Handel (Levant Trade) chamber that was based in the Town Hall (Palace on Dam Square) from the early 17th to early 19th century. A detailed inventory exists of the paintings and charts that were displayed on the walls of this powerful commercial office in Amsterdam. Many of these items, including an extensive series of portraits by Vanmour, from the collection of Amsterdam's Rijksmuseum will also be exhibited".
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Edited by SELMIN KANGAL.
Onbin yillik Iran medeniyeti, ikibin yillik ortak miras. [Exhibition catalogue]. Topkapi Sarayi Müzesi, Has Ahirlar, 2 Aralik 2009 - 5 Subat 2010.
New English Paperback. 4to. (29 x 24 cm). Edition in Turkish. 335 p., color ills. Turkish edition of this exhibition catalogue of "Ten thousand years of Iranian civilization, two thousand years of common heritage. [Exhibition catalogue]. Topkapi Palace Museum, Imperial Stables, December 2, 2009 - February 5, 2010." "The exhibition featured nearly 300 artifacts from Topkapi Palace Museum and National Museum of Iran as well as collections from Istanbul Archeology Museum, Sadberk Hanim Museum and the Military Museum of Istanbul. Within the scope of this exhibition, Turkey-Iran relations were assessed with references to political, economic and cultural contexts. This exhibition revealed collections pertaining to Iranian civilization which were not exhibited in Turkey ever before.".
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Edited by SONER YALÇIN.
Van kilims.= [Van kilimleri]. Edited by Soner Yalçin; Photography by Doganay Çevik; Translated by Hadiye Nugay.
As New English Original bdg. In publisher's special slip-case. Mint. [178] p. Many color plates. Color ills. In English and Turkish text. 2000 copies were printed. Van kilims.= [Van kilimleri]. Edited by Soner Yalçin; Photography by Doganay Çevik; Translated by Hadiye Nugay.
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Edited by T. CENGIZ GÖNCÜ.
Osmanli'da harem ve cariyelik. 19. yüzyil.
New New Turkish Original bdg. Dust wrapper. 4to. (29 x 24 cm). In Turkish. 263 p., color and b/w ills. Osmanli'da harem ve cariyelik. 19. yüzyil. Odalisques and Harem in the Ottoman Empire in the 19th century.
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Edited by ZEKI BIYIK, MEHMET MAZAK, FIRAT KARAHAN, HILMI TÜRKMEN.
Images of Üsküdar from the past. The five star book.= Geçmisten Üsküdar suretleri. Besibiryerde.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 254 p., b/w and color ills. Images of Üsküdar from the past. The five star book.= Geçmisten Üsküdar suretleri. Besibiryerde. Compiling the visual odyssey of our beloved borough of Üsküdar, spanning 500 years from the 1420s up until the 1950s, "The golden city" album aims at presenting the pertinent documents of the historical heritage that Üsküdar possesses. The paintings, etchings, photographs, postcards, and maps incorporated into the book all function to adequately and efficiently reflect and convety a semblance of the likeness of the past times pertaining to the "Eternal city" Üsküdar (Scutari) the our present day, and carry them forward to to posterity. Each page of this book-album ensures the remembrance of an exalted glory and an enduring magnificence of the bygone epochs, and, in a sense, successfully attempts to recreate the memory of a living metropolis. Each visual element and image featuring in the album attests to a diverse and rich accumulation, amassed over hundreds of years, as this impressive and exhilarating pictoral feast defines the magical and enchanted atmosphere of Üsküdar, standing out prominently as a "Dreamland" or the "City of fairy-tales and fantasies. (From introduction).
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Edited by ZEKI VELIDI TOGAN, (1890-1970).
Proceedings of the Twenty Second Congress of Orientalists, Held in Istanbul, September 15th to 22nd, 1951. Vol. 1: General information on activities of the congress.
Very Good English Paperback. Large roy. 8vo. (25 x 18 cm). In English. [4], 233, [3] p., 24 numerous b/w plates. Proceedings of the Twenty Second Congress of Orientalists, Held in Istanbul, September 15th to 22nd, 1951. Vol. 1: General information on activities of the congress.
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Edited by ÖMER TASDELEN, ILONA BAYTAR.
Orientalists at the Ottoman Palace.= Osmanli Sarayi'nda oryantalistler. [Exhibition catalogue]. Dolmabahçe Palace Art Gallery; July 7 - September 10, 2006.
New English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. 149 p., color ills. Contents: Orientalism in the 19th century and Turkey; Günsel Renda.; The Ottoman Court and sultanic portraiture; Erol Makzume.; Orientalist painters in the 19th century Ottoman Empire; Gulsen Sevinç Kaya. The painting purchased from Goupil's Art Gallery for the Dolmabahce Palace; Catalogue. Orientalists at the Ottoman Palace. = Osmanli Sarayi'nda oryantalistler. [Exhibition catalogue]. Dolmabahçe Palace Art Gallery; July 7 - September 10, 2006.
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Edited with an introduction and annotations by HAKAN KARATEKE.
An Ottoman Protocol Register. Containing ceremonies from 1736 to 1808: BEO Sadaret Defterleri 350 in the Prime Ministry Ottoman State Archives, Istanbul.
New English Original bdg. HC. Roy. 8vo. (24 x17 cm). In English. [xLiv], 223 p., ills., in English; [+] 144 p. facsimile of the BEO 350 Protocol Register in Ottoman script. The BEO 350 protocol register edited here is part of the Sublime Porte Archives series of the Prime Ministry Ottoman State Archives in Istanbul. The register covers a number of ceremonies held on various occasions from 1736 to 1808 and primarily concerned with accession ceremonies, funerals and, most of all, the reception of envoys. This edition of the BEO 350 is accompanied by an introduction, a synoptic list of ceremonies, appendices, and indexes. The introduction examines various aspects of Ottoman ceremonies, particularly those of a diplomatic nature, and includes a section on the gifts and offerings exchanged by the Ottoman administration and foreign envoys. As briefly discussed in the introduction, ceremonies contribute, albeit modestly, to the validation of a regime's political legitimacy and to its smooth functioning. When trying to determine the relationship between ceremonial rites and political power, the lofty symbolism of ceremonies needs to be interpreted with great care. Thus, detailed descriptions such as those found in protocol registers are extremely valuable, indeed indispensable, for a solid interpretation.
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Edouard Riou
Chalouf
Dimension extérieur 36,9 x 44,5 cm et image 21 x 28,6 cm. Lithographie en très bon état, nettoyée. Peint par Edouard Riou (1833-1900) et lithographie réalisée par Jules Didier (1831-1914). Cette lithographie de 1869 propose les travaux réalisés pour le canal de Suez.
Bookseller reference : est74t9
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Edward W.Said
Orientalismo
Edward W.Said Orientalismo. , La biblioteca di Repubblica -L'Espresso 1999, Libro usato in buone condizioni. Pagine ingiallite lievemente. Tagli regolari impolverati leggermente. Copertina rigida e sovraccoperta con alette informative, sporca lievemente. Buono (Good) . <br> <br> <br> 441<br>
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EGGLER, JÜRG & OTHMAR KEEL.
Corpus der Siegel-Amulette aus Jordanien. Vom Neolithikum bis zur Perserzeit. ‘Orbis Biblicus et Orientalis,’ Series Archaeologica 25.
Fribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 2006, in-4to, XVIII + 517 p,, illustrated on plates (1st plate in color), illustrated publ. binding / ill. hardcover. Copy as new.
Bookseller reference : 138020aaf
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EGYPTE - EVENEMENTS INSURRECTIONNELS DE 1919
1- Rapport présenté à la Conférence de la Paix sur la répression par les troupes britanniques du mouvement national égyptien du mois de mars 1919. Paris, Imprimerie H. Richard, 1919. ii, 102 p., 3 planches de photos hors texte.2- Note présentée le 9 juin 1919 à l'"Internationale Socialiste". Paris, Imprimerie Becquet, 1919. 18 p.3- Discours prononcés au déjeuner offert par la délégation égyptienne le 2 août 1919. Paris, Imprimerie Becquet, 1919. 24 p., mouillure marginale.
3 brochures in-8, couvertures imprimées.
Bookseller reference : 30996
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EGYPTE - EVENEMENTS INSURRECTIONNELS DE 1919
1- Rapport présenté à la Conférence de la Paix sur la répression par les troupes britanniques du mouvement national égyptien du mois de mars 1919. Paris, Imprimerie H. Richard, 1919. ii, 102 p., 3 planches de photos hors texte. 2- Note présentée le 9 juin 1919 à l'"Internationale Socialiste". Paris, Imprimerie Becquet, 1919. 18 p. 3- Discours prononcés au déjeuner offert par la délégation égyptienne le 2 août 1919. Paris, Imprimerie Becquet, 1919. 24 p., mouillure marginale.
3 brochures in-8, couvertures imprimées. Recueil de trois pièces officielles : les réactions du jeune mouvement national égyptien à la suite de la décision prise lors de la "Conférence de la paix" de confirmer le protectorat de la Grande-Bretagne sur l’Égypte et des premiers mouvements insurrectionnels qui s'en suivirent. Présenté à la Conférence de la paix, le premier rapport concerne les événements de mars 1919 : après l'arrestation et l'exil de trois dirigeants du Wafd (parti nationaliste égyptien), de graves troubles secouèrent l'Égypte causant un millier de morts égyptiens et trente du côté anglais. Les 3 planches de photos représentent des sévices infligés par les Anglais à des citoyens égyptiens.
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EICHLER, Seyyare / HAAS Volkert / STEUDLER, Daniel / WÄFLER, Markus / WARBURTON, David:
Tall Al-Hamidiya 1 Vorbericht 1984. ‘Orbis Biblicus et Orientalis’. Series Archaeologica, 04.
Fribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 1985, gr. in-4to, 361 p. + 106 Tafeln + 3 Pläne in der Tasche d. Bucheinbandes, publisher’s binding / Hardcover Copy as new.
Bookseller reference : 137994aaf
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EICHLER, Seyyare / WÄFLER, Markus / WARBURTON, David:
Tall Al-Hamidiya 2 Symposion Recent excavations in the Upper Khabur Region. Vorbericht 1985-1987 mit Beitr. v. C. Bellmann und K. Deller. ‘Orbis Biblicus et Orientalis’. Series Archaeologica, 06.
Fribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 1990, gr. in-4to, Frontispiz farbig + 471 S. + 46 Tafeln + nicht numm. S. arabischer schrft, Verlagseinband + OU. / Hardcover with Jackett Copy as new.
Bookseller reference : 137996aaf
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EL-BOKHARI
Les traditions islamiques, traduites de l’arabe avec notes et index par O. Houdas. et W. Marçais.
Paris , Maisonneuve , 1977, 4 volumes in-4 , brochage éditeur , xxv-682pp-649pp-700pp-viii,676pp. , bon état
Bookseller reference : PHO-979
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ELENA FRANGAKIS-SYRETT.
The Port-city in the Ottoman Middle East at the age of Imperialism.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 401 p., b/w ills. The Port-city in the Ottoman Middle East at the age of Imperialism. Acknowledgments Abbreviations Introduction SECTION I Economy: Trends & Developments 1. "ReImagining the World Economy: Market Connectivity and the Ottoman City in the Early Modern and Modern Era". Initially published as "Congruence of Economic Trends and Practices in the Creation of Izmir's Social Space: the City, the Market and the Individual during Mercantile Capitalism", in Alp Yücel Kaya, Ayse Sabuktay & Dilek Akyalçin Kaya, eds., Culture and Politics in the Mediterranean (Izmir Mediterranean Academy: Izmir, 2016), pp. 53-73. 2. "Market Networks and Ottoman-European Commerce, c. 1700-1825", in Ebru Boyar & Kate Fleet, eds., The Ottomans and Trade, special issue of Oriente Moderno, Vol. LXXXVI/1 (Rome, 2006), pp. 109-128. 3. "Commerce in the eastern Mediterranean from the Eighteenth to the Early Twentieth Centuries: the City-Port of Izmir and its Hinterland", International Journal of Maritime History, Vol. X, No. 2 (December 1998), pp. 125-154. 4. "Le développement d'un port méditerranéen d'importance interna-tionale: Smyrne (1700-1914)" Marie-Carmen Smyrnelis, ed., Smyrne, la ville oubliée? Mémoires d'un grand port ottoman (Éditions Autre-ment: Paris, 2006), pp. 21-49. 5. "The Port of Smyrna in the Nine-teenth Century," in Apostolos Vakalopoulos, Constantine Svolopoulos & Bela Kiraly, eds., War and Society in East Central Europe, Vol. XXIII (Institute for Balkan Studies: Thessaloniki, 1988), pp. 261 272. 6. "The Making of a Nineteenth-Century Ottoman Port: the Quay of Izmir", The Journal of Transport History, 3rd Series, Vol. 22/1 (March 2001), pp. 23-46. SECTION II Western Anatolia & The Aegean Islands 7. "The Western Anatolian Coast and the Aegean Islands in the Late Nineteenth and Early Twentieth Centuries: An Economic Survey," Proceedings of the First International Con-gress on the Hellenic Diaspora from Antiquity to Modern Times (Amsterdam, 1991), Vol. II, pp. 251-266. 8. "L'économie de l'Anatolie occidentale, 1908-1914", in Marcel Bazin, Salgur Kan-çal, Roland Perez & Jacques Thobie, eds., La Turquie entre trois mondes (Institut Français d'Études Anatoliennes: Istanbul & Paris, 1998), pp. 239-248. 9. "The Dynamics of Economic Development: Izmir and Western Anatolia, Late 19th/Early 20th Centuries", Kolokyum 19. Yüzyilda Mersin ve Akdeniz Dünaysi (T.C. Mersin Universitesi Yayinlari: Mersin, Turkey, 2002), pp. 65-72. SECTION III The Wider Region 10. "The Mediterranean Commercial World of the Eighteenth Century: Ottoman and Italian Ports", in Michela D'Angelo, Gelina Harlaftis & Carmel Vassalo, eds., Making Waves in the Mediterranean, (Instituto di Studi Storici: Messina, 2010), pp. 467-482. 11. "Greek Commercial practices and long-distance trade: Russia and the Ottoman Mediterranean in the 18th and early 19th cen-turies", in Olga Katsiardi-Hering, Athina Kolia-Demirtzaki & Kater-ina Gardica, eds., Russia and the Mediterranean (Herodotos Press: Athens, 2011), Vol. I, pp. 439-456. 12. "Patras", Review, Vol. XVI (Fall 1993), pp. 387-410. 13. "Monoculture in Nineteenth-Century Greece and the Port-City of Patras", Journal of the Hellenic Diaspora, Vol. 20/2 (1994), pp. 9-34. SECTION IV The Economic Actors 14. "The Greek Mercantile Community of Izmir in the First Half of the Nineteenth Century" in Daniel Panzac, ed., Les Villes dans l' Empire ottoman: Activités et Sociétés, Vol. I (CNRS: Paris, 1991), pp. 391-416. 15. "Ottoman-European Trade, Tax-Farming and the Implemen-tation of the 1838 Anglo-Turkish Convention". Initially published as "The Implementation of the 1838 Anglo-Turkish Convention on Iz-mir's Trade: European and Minority Merchants", New Perspectives on Turkey, Vol. 7 (Spring, 1992), pp. 91-112. 16. "Concurrence commer-ciale et financière entre les pays occidentaux à Izmir pendant le XIXe et début XXe siècles," in Jacques Thobie, Roland Perez & Salgur Kan-çal, eds., Enjeux et Ra
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Elissa Rhais
LES JUIFS ou LA FILLE D'ELEAZAR à la suite: Le café chantant - Kerkeb - Noblesse Arabe
LES JUIFS ou LA FILLE D'ELEAZAR à la suite: Le café chantant - Kerkeb - Noblesse Arabe Elissa Rhais vol relié in8, 195x130, demi toile, petites taches, bon état intérieur, 320pp. Paris, Plon, 1921 ref/149
Bookseller reference : CZC-6686
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Elissa Rhais
LES JUIFS ou LA FILLE D'ELEAZAR à la suite: Le café chantant - Kerkeb - Noblesse Arabe
LES JUIFS ou LA FILLE D'ELEAZAR à la suite: Le café chantant - Kerkeb - Noblesse Arabe Elissa Rhais vol relié in8, 195x130, demi toile, petites taches, bon état intérieur, 320pp. Paris, Plon, 1921 ref/149
Bookseller reference : CZC-6686
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Elisabeth Cazenave
Les artistes de l'algerie. Dictionnaire des peintres, sculpteurs, graveurs 1830- 1962
Bernard Giovanangeli Editeur 2001 In-4 cartonné 27,2 cm sur 19,5. 448 pages. Le cartonnage éditeur est très légèrement passé, avec le coin inférieur du premier plat légèrement émossé, l’intérieur est très propre. Bon état d’occasion.
Bookseller reference : 109759
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Elisabeth GROSS
Portrait au fusain
Elisabeth Gross (1907-1966).Portrait signé au fusain d'un touareg.TBE.Cadre doré d'époque. Dimensions: Haut: 62 cm hors cadre; et 47 de large. Avec le cadre: 77 cm de hauteur ;61 de large.
Bookseller reference : 47675
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ELIADE Mircéa.
Patanjali et le yoga.
In-16° pp. 189 con ill. n.t. Bross. edit. con tracce d'uso.
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ELIF SÜREYYA GENÇ.
XIX. yüzyil Istanbulu. Bir Ingiliz seyyahin izlenimleri.
New English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In Turkish. 191 p. Istanbul (Constantinople) at 19th century: Impressions of an English voyager. XIX. yüzyil Istanbulu. Bir Ingiliz seyyahin izlenimleri.
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ELPHINSTONE (Mounstuart)
Tableau du royaume de Caboul, et de ses dépendances, dans la Perse, la Tartarie et l'Inde, offrant les moeurs, usages et costumes de cet empire, par Mounstuart Elphinstone, ambassadeur d'Angleterre à la cour de Caboul, traduit et abrégé de l'anglais, par M. Breton.
Paris Nepveu 1817 Trois volumes in-18 (14 x 9,5 cm.) xliv-189 ; 222 ; 223 pp. demi-basane fauve, pièces de titre et de tomaison rouges et noires; dos à nerfs. 14 planches hors-texte gravées et coloriées. Ex-libris sur le contreplat.
Bookseller reference : 3185
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EMILE SENART.
Les castes dans l'Inde. Les faits et le systeme.
Very Good French In modern cloth bdg. Large roy. 8vo. (24 x 19 cm). In French. [vii], 244, [2] p. Les castes dans l'Inde. Les faits et le system. First Edition.
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EMMANUEL (Alex).-
La Bible et l'Inde. Clartés convergentes. Précédé du Message Oriental par M. Ernest Zyromski.
P., Librairie d'Amérique et d'Orient, Maisonneuve, 1933, in 8° broché, XXXV-299 pages.
Bookseller reference : 34598
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Englisch, Paul
Sittengeschichte des Orients.
Berlin, Kiepenheuer und Wien, Phaidon-Vlg. (1932). gr.-8°, 391 S., mit über 200 Abb., OLn., leicht fleckig u. abgegriff., an den Kanten leicht bestoß., Schnitt schwach stockfleck., Textblock leicht gebräunt.
Bookseller reference : ORIE0076
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ERACLE, Jean / CRETTAZ, Bernard / DUCOR, Jerôme:
De la croix au lotus ; ou l'itinéraire spirituel d'un prêtre devenu bonzeHrsg.: Musée d'ethnographie (Genève).
Conches, Genève - Photolitho Carte Pre-Press, 1996, gr. in-8vo, 229 p. avec qqs illustrations, brochure originale illustrée / softcover.
Bookseller reference : 135664aaf
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ERMONI V.
La bible et l'orientalisme - II.La bible et l'assyriologie
Paris, Bloud & cie. 1910 64pp., dans la série "Questions d'écriture sainte" nr.209, br.
Bookseller reference : R44600
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ERMONI V.
La bible et l'orientalisme - II.La bible et l'assyriologie
64pp., dans la série "Questions d'écriture sainte" nr.209, br.
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Ernst, Paul [Hrsg.]
1001 Nacht. [4 Bände (komplett).] Aus der von Felix Paul Greve besorgten vollständigen Ausgabe ausgewählt und in vier Bänden herausgegeben von Paul Ernst.
Leipzig, Insel-Verl, 1911. 8°. 19,5 cm. 495, 469, 446 und 502 Seiten. Original-Ganzlederbände mit goldgeprägten Rückentiteln und Kopfgoldschnitten.
Bookseller reference : 3284EB
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ESCHWEILER, Peter:
Bildzauber im Alten Ägypten : die Verwendung von Bildern und Gegenständen in magischen Handlungen nach den Texten des Mittleren und Neuen Reiches. ‘Orbis Biblicus et Orientalis’ 137
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1994, gr. in-8vo, X + 371 S. + XXVI Tafeln. : Illustriert, Rosa Original-Pappband, / orig. Hardcover. Neuwertig.
Bookseller reference : 138222aaf
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ESER AFACAN, MUSTAFA ATA, ERTUGRUL ATES, RESUL AYTEMÜR, BEDRI BAYKAM, DEVRIM ERBIL, EKREM KAHRAMAN, INBRAHIM ÖRS, SÜLEYMAN SAIM TEKCAN et alli.
[Painter's Istanbul].= Ressamlarin Istanbul'u. 18 Mart - 11 Nisan 2009. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 64 p., color ills. [Painter's Istanbul].= Ressamlarin Istanbul'u. 18 Mart - 11 Nisan 2009. [Exhibition catalogue]. 1000 copies were printed.
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EVELINE SINT NICOLAS, GÜL IREPOGLU, GÜNSEL RENDA DUNCAN, DUNCAN BULL.
An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin.
Very Good Very Good English Original cloth bdg. Dusst wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
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EVELINE SINT NICOLAS, GÜL IREPOGLU, GÜNSEL RENDA DUNCAN, DUNCAN BULL.
An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin.
New New English Original cloth bdg. Dust wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
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FALK MARYLA.
Il mito psicologico dell'India antica.
In 8°, cartonato con sovraccoperta editoriale illustrata, pp. 526, (2); ottimo esemplare. (XB4/B) (XB4/B)
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Fallmerayer, Jakob Philipp
Schriften und Tagebücher. 2 Bände (komplett). [Erstausgabe]. Fragmente aus dem Orient. Neue Fragmente. Politisch-historische Aufsätze - Tagebücher. In Auswahl herausgegeben und eingeleitet von Hans Feigl und Ernst Molden.
München und Leipzig, Verlag Georg Müller, 1913. Groß-8°. 22,5 x 15,5 cm. XXXII, 309 und 366 Seiten. Schwarze Halblederbände auf 5 Bünden mit reich goldgeprägten Rückentiteln und braunen Kopfschnitten.
Bookseller reference : 61465CB
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FARRÈRE (Claude) [BARGONNE (Charles) pseud.]
L'Homme qui assassina
Paris, Ernest Flammarion, s.d., demi-maroquin à coins rubis d'A. Mertensrel, filets à froid sur les plats, dos à nerfs, tête dorée sur témoin, couverture conservée (mors fendus, petites épidermures, dos de la couverture restauré, quelques minuscules déchirures marginales).
Bookseller reference : 17781
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FARRERE (Claude).
L'Homme qui assassina.Roman. Lithographies originales en couleurs de Charles Fouqueray.
Tours, Arrault &Cie, 1947 ; in-4 broché, couverture blanche imprimée en noir et rouge; 259pp., 1p.nch.,1f.; couverture très légèrement pousiéreuse en bordure sinon très bon état. Exemplaire non coupé.
Bookseller reference : cROU-1850
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FARID AL-DIN ATTAR (& PAVET DE COURTEILLE A., traduction)
Tezkereh-i-Evlia - Le Mémorial des Saints traduit sur le manuscrit Ouigour de la bibliothèque nationale
Paris, Impr.Nationale 1889 xxiv + 238pp.avec un frontispice en couleurs, dans la "Collection orientale tome XVI" 2e série tome II, 45cm., couv.cart. (dont le dos original manque - à restaurer, coins touchés), texte en français, intérieur en bel état, "imprimé pour l'exposition universelle de 1890", contient 2 ex-libris de Arthur Christian (Paris), [cet ouvrage est tome I contenant la traduction française, T.II.contenant le texte uigur en facsimile manque]
Bookseller reference : R44868
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FARID AL-DIN ATTAR (& PAVET DE COURTEILLE A., traduction)
Tezkereh-i-Evlia - Le Mémorial des Saints traduit sur le manuscrit Ouigour de la bibliothèque nationale
xxiv + 238pp.avec un frontispice en couleurs, dans la "Collection orientale tome XVI" 2e série tome II, 45cm., couv.cart. (dont le dos original manque - à restaurer, coins touchés), texte en français, intérieur en bel état, "imprimé pour l'exposition universelle de 1890", contient 2 ex-libris de Arthur Christian (Paris), [cet ouvrage est tome I contenant la traduction française, T.II.contenant le texte uigur en facsimile manque]
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FAUSTO ZONARO.
Twenty years under the reign of Abdulhamid. The memoirs and works of Fausto Zonaro. Edited by Erol Makzume, Cesare Mario Trevigne.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English. 320 p., color and b/w ills. Twenty years under the reign of Abdulhamid. The memoirs and works of Fausto Zonaro. Edited by Erol Makzume, Cesare Mario Trevigne. Memoirs of Fausto Zonaro (1854-1929) an Italian Orientalist painter, who stayed in Constantinople between 1891 and 1914 and became a court painter. The memoirs were written originally in Italian and never published before.
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