‎Hokusai‎

‎Hokusai‎

‎Japanische Holzschnitte und Zeichnungen. Zuerich: Verlag der Arche 1948. 14 Seiten Text Abbildungen auf 15 Tafeln. Kartoniert.‎

‎Die kleinen Buecher der Arche 41/42. - With a commentary in German English an French by Katherine Miller. - Einband mit schwachen Gebrauchsspuren. 122434 unknown‎

Bookseller reference : 122434

‎Hokusai‎

‎Manga : the Sketchbooks of Hokusai‎

‎Tokyo, Unsodo publishing company, sd. 1962 In-4. 15 volumes non paginés. Couverture originale en papier bleu avec étiquettes en papier blanc, lettrage doré sur la couverture avant, volumes reliés dans le style chinoiS, le tout sur le portefeuille en tissu bleu foncé d'origine avec attache en os et étiquettes en papier imprimé sur le devant. Superbe reproduction de l'œuvre monumentale classique d'Hokusai 1760-1849 publiée à l'origine en 15 volumes entre 1812 et 1878. Les 12 premiers volumes ont été publiés par l'artiste de son vivant, tandis que les volumes 13-14 ont été publiés à titre posthume à partir de documents inédits. Le dernier volume comprend une compilation de documents déjà publiés et d'autres travaux qui ne sont même pas de Hokusai, et n'est donc pas considéré comme authentique. Le contenu de ces "carnets de croquis" est constitué de milliers d'images, allant des scènes domestiques et sociales, aux animaux, paysages, plantes, architecture, scènes historiques, légendes et arts martiaux, aux masques ainsi qu'aux objets domestiques et rituels. Finement imprimé pour reproduire la qualité et l'aspect des éditions originales, avec des images imprimées en noir et blanc et des teintes de rose clair. L'ensemble comprend un livret de texte informatif de 22 pages en japonais et en anglais. De plus, la dernière section de chaque volume contient du texte en japonais et en anglais, relatif au contenu spécifique du volume et donnant un contexte technique et historique supplémentaire. Texte en japonais et en anglais. Bel exemplaire. Sans le livret de 22 pages en japonais et en anglais‎

‎Très bon état d’occasion‎

Bookseller reference : 135632

‎Hokusai‎

‎Masters Of The Colour Print 8: Hokusai‎

‎Hardcover. Good. Large tear to dust jacket with half of front cover missing. Foxing to prelims and page margins Same day dispatch Mon- Fri from the UK if ordered by 1pm. Actual book shown below. hardcover‎

Bookseller reference : 7S-DAZY-K9JA

‎Hokusai‎

‎One Hundred Views of Mt. Fuji‎

‎New York: George Braziller 0-8076-1195-6 1988 1st edition. Hardcover Very good plus no dust jacket. 224pp. Blue cloth with red lettering on the cover and spine. Illustrations bibliography. The back panel of the dust jacket is lightly soiled and rubbed the spine is faded and the front panel is price-clipped. "Here the Japanese veneration for Mt. Fuji is encapsulated in book form as the volumes enabled the viewer to make a Fuji-viewing pilgrimage in the comfort of one's home. Basing his designs on the leit-motif of the mountain with no more than engraved outline and flat washes of gray the artist displays his consummate virtuosity as a draftsman printmaker as well as compositional innovator". Book about Fuji Cult & Mount Fuji. Time Period 19th Century. Introduction and commentary by Henry D. Smith II. Locale: Japan. Art Art--Japan Printmaking. George Braziller Hardcover‎

Bookseller reference : 149479 ISBN : 0807611956 9780807611951

‎Hokusai‎

‎One Hundred Views of Fuji‎

‎Frederick 1958. Hardcover. Near Fine/very good. Near Fine Condition Double uncut pages b/w illustrations 8vo; gray boards with rust cord ties. No visible defects. Red slipcase with title label very good condition wear to edges and corners. Frederick hardcover‎

Bookseller reference : 207

‎HOKUSAI‎

‎The Dome: A Quarterly containing Examples of All the Arts Number Four 4‎

‎London: Unicorn Press 1898. First. hardcover. fine. Illustrated. Thin 8vo printed boards. London: Unicorn Press 1898 Contains an essay on Hokusai by Charles Holmes and two plates. Also contains A Note on Piranesi by L.A.Corbeille with 3 plates and contributions by Laurence Housman & Laurence Binyon. Very fine copy. Unicorn Press unknown‎

Bookseller reference : 220134

‎HOKUSAI‎

‎TIRAGE - CASCADE DE KIRIFURI‎

‎RELIEFS EDITIONS‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782380361728‎

Bookseller reference : SVBLIVCN-9782380361728

‎Hokusai Hiroshige and Others‎

‎120 Japanese Prints CD-ROM and Book Full-Color Electronic Design Series‎

‎Dover Publications 2006-06-24. Paperback. Good. Dover Publications paperback‎

Bookseller reference : SONG0486997405 ISBN : 0486997405 9780486997407

‎Hokusai Hiroshige and Others‎

‎Japanese Prints: 16 Art Stickers Dover Art Stickers‎

‎Dover Publications 2001-05-11. Paperback. Used:Good. Dover Publications paperback‎

Bookseller reference : DADAX0486415651 ISBN : 0486415651 9780486415659

‎Hokusai introduction by Jack Hillier and description of the plates by Fredk Frederick Victor Dickins‎

‎Fugaku Hiyaku-kei or A hundred Views of Fuji Fusiyama‎

‎London: B.T. Batsford 1880. First Edition. Octavo; xxviii 70pp; 2 double plates 'View of Fuji from Yoshida' and 'Birds-Eye View of the Crater'. A Good copy of a scarce publication in original 1/4 black leather and marbled boards spine lettered in gold front board detached ffep beginning to detach; internally clean. Laid in is the offering circular for Frederick Publications 1958 publication which used Hillier's introduction and Dickins' descriptions of the plates. B.T. Batsford unknown‎

Bookseller reference : 19781

‎Hokusai Katsushika‎

‎Cien vistas del monte Fuji‎

‎2016. Paperback. Very Good-New. Rare book paperback‎

Bookseller reference : 91842 ISBN : 8494611925 9788494611926

‎HOKUSAI Katsushika.‎

‎EHON KOKYO: THE CANON OF FILIAL PIETY ILLUSTRATED. KOH-KYOH = HSIAO-CHING in Ch‎

‎Edo 1850 Suharaya. Original grey stitched wrs. 2 vol.set grey covers title slips faint Takai Ranzan commentator and author vol.1: pp.2-28; vol.2: pp. 29-49title page supplied in facsimile vol. 1 as is 15.5 x 23 cm. Third Edition . . . . HOKUSAI ILLUSTRATES THE CONFUCIAN CLASSIC . . . ON FILIAL PIETY The famous and celebrated Chinese Confucian classic HSIAO-CHING XIAO QING was a well-know treatise in Japan and it was imported from China centuries ago. The original classic was done in Chinese in one volumes with 18 chapters. . The contents are the teachings of Confucius on filial piety given as a talk with his pupil Tseng Ts'an. It is thought that the work was written by some pupils of Confucius listening to his master's talk with Tseng Ts'an. See Toda below. . TITLE: The alternate title as per Kerlin is EHON KOBUN KOKYO. The wood blocks were carved by Egawa Sentaro. The work was compiled by Goshatei Kizan. . THE ARTIST: KATSUSHIKA HOKUSAI 1760-1849: The work is signed Zen Hokusai I-itsu ga. . Hokusai was Japan's most famous Edo period illustrator of Japanese genre landscape scenery and of the daily lives and occupations of the commoners. His works are full of cheerfulness humor optimism and he had a knack of capturing the true nature of his time people and life style. He was affectionately called the "MAD MAN ON DRAWING" by the Japanese. His works continue to fascinate the world over ! . THE ILLUSTRATIONS: The work has 25 illustrations in vol.1 and 2 in vol. 2. For exact collation see Kerlin & Toda below. . EDITION: The first edition was issued in 1834 and is very difficult to obtain. The contents of the first and third editions of 1850 remain the same. See Dr. Lane who refers to the 1864 second edition on p. 308 item #241 per citation below. In any case the first and third editions are identical in size illustration count. . CONDITION: This set is bound in the original orange stitched wrappers with the usual minor rubbing to the covers dusty and a bit minor soil. . Contents a bit dusty usual but minor thumbing some old worming mostly in margins illustrations are by and large not affected. Vol. 1 a few pages have a few small worm holes not major. Vol. 2 last two illustrations have 3.4 cm. worm in lower part of page. . With a facsimile of the title page stitched into volume one new end papers inside front covers. . BIBLIOGRAPHY: . K. Toda: THE RYERSON COLLECTION OF JAPANESE AND CHINESE ILLUSTRATED BOOKS p.265 bottom of page. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS.see item number 281 KSM kyokun kyoten 1-493-1 Jack Hillier.: ART OF HOKUSAI BOOK ILLUSTRATION: item #242 no. 142 p.108 plate 190 shows the title page of this book now provided from this resource in facsimile. Text begins on p. 208-208. Per Hillier: ".a few brilliant improvisations including the charming title-page with opposing panels of crows on a plain ground and plovers in reserve on a black ground." He continues on p.208-209: "One of them illustrations is Basho showing the great haiku poet standing on a dangerous cliff-ledge path leading to the infamous Hanging Bridge of Kiso. He is in the very pose bent over a supporting stick that Hokusai adopted in a famous self-portrait and the haiku by Basho." Basho is illustrated as plate 191 on p.209. Kraft: vol.2 no. 72 1864 edition; vol. 3 NO. 110 Richard Lane; HOKUSAI LIFE AND WORK plate 315 on p.247; pp. 248 308 #241. He also refers to the 1864 second edition on p. 308 item #241. It would appear the first and third editions are identical in size & illustration count. . . unknown‎

Bookseller reference : 29012301

‎HOKUSAI Katsushika‎

‎Ehon Sumidagawa: Ryogan Ichiran. Glimpses of Both Sides of the Sumida River‎

‎Tokyo: Yoshikawa Kobunkan 1917. Reprint. paperback. near fine. Hokusai. 3 volumes in decorative wrappers with paper labels string-bound in Japanese Style. 4to Illustrated with 46 fine color reproductions printed by x. Tokyo: Yoshikawa Kobunkan 1917 or 1918. A handsome reprint of the 1803 classic original. Near fine and complete but lacking the original folding box. Yoshikawa Kobunkan unknown‎

Bookseller reference : 277575

‎HOKUSAI Katsushika. Taito.‎

‎EHON TEIKIN OHRAI: BOOK OF FAMILY PRECEPTS. AKA. AS: TEISEI GASHOO KOOHON TEIKI‎

‎Edo c.1830's-1848 Yoshikawa. Stitched wrs.complete 3 vol set 303030p. 166 woodcut polates covers with some small chips corners bit rubbed contents clean no worming very good impression 16 x 23.8 cm.blue Chitsu folding case.RARE . . . ONE OF HOKUSAI'S MOST FASCINATING . . . EDO PERIOD GENRE STUDIES . . . THREE VOLUME SET COMPLTE MEIJI EDITION . THE ARTIST: KATSUSHIKA HOKUSAI 1760-1849: Hokusai was Japan's most famous Edo period illustrator of Japanese genre landscape scenery and of the daily lives and occupations of the commoners. His works are full of cheerfulness humor optimism and he had a knack of capturing the true nature of his time people and life style. He was affectionately called the "MAD MAN ON DRAWING" by the Japanese. His works continue to fascinate the world over ! . The work reflects all the charm and skill that Hokusai was s famous for. Hokusai captured the sprit flavor and charm of his genre drawing a lovely panoramic view of the Japanese genre life style occupations and daily activities of the commoners during the 1830-1840's. . Hokusai shows his light-hearted comic and ironic illustrations on all facets of life he enjoyed poking fun at the irony of daily life and its parade of characters. . THE AUTHOR: GENYE Hoohshi -1350: He ".was a Buddhist priest of the Tendai sect. The purpose of this book was to show the models for letter writing commonly used in the Ashikaga period but as these letters give useful words and acknowledge of ethics necessary for cultured people the book was used as a text book for Terakoya schools in the Tokugawa period. Consequently there were many popular illustrated editions of the book of which this is an example. The illustrations in this publication have no direct relation ship to the letters only suggesting some points mentioned in the writings." see Hillier p.200; and Toda below. . THE SUBJECT: A popular work during the late Tokugawa period it was also used in the Ashikaga period as a text for writing by the literati classes. An eclectic and superbly illustrated text shows the activities of all classes of Japanese. Tradesmen at their hard toil paper makers the daily activities of women artists and artisans cultured classes warriors Buddhist priests Lords and a host of other charming drawings. With a number of natural history illustrations: fish birds & animals. . Hokusai books are always RARE & highly desirable. They reflect a charm showing the artist's humor and compassion for life his talented gift to record for all posterity. A lovely and sympathetic view of what Japan was truly like during his times. His works are celebrated as the best Japanese painter and illustrator of his era. S U P E R B ! . "Hokusai's book is ingeniously designed with pages divided in two and text and illustration separated by a dividing line but the positions of each part and their proportions varied from page to page. .but seizes upon some incident or object mentioned by the author and builds a drawing around it situation his pictures in contemporary Edo and his figures in 'modern dress.'" See Hillier below pp.200-201. . "One illustration plate 181 gives us a picture of another famous publisher's bookshop.it is the premises of Nishumura Eijudoh the publisher of the TEKIN ORAI his sign and name being emblazoned on the Noren or curtain and on the lantern outside the premises. Another illustration is of Benkei with his armory of fearsome weapons standing on Gojo Bridge." See Hillier below pp.200-201 plate 181 182. . EDITION: This is the Meiji reprint of the first issue 1828. Pagination: Vol. 1: preface 1 sheet text 30 sheets 55 illustrations. Vol. 2: " " 56 " Vol. 3: " 55 " . CONDITION: The work is printed with good registry and excellent key block line and images are solid. The binding is tight with some minor splits to where the stitching is at either the top or lower edges some very minor chipping to edges of covers. The set is contained in a recent indigo-blue Chitsu case with bone clips. . NOTE: Please visit our website and see our book #220751 for the original volume 1 of this title issued 1827. . BIBLIOGRAPHY: . L. Roberts: DICTIONARY OF JAPANESE ARTISTS: p.168. E. Dawes: p.57. H. Kerlen: CATALOGUE OF PRE-PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.137 #335. J. Hillier: THE ART OF HOKUSAI IN BOOK ILLUSTRATION: p.277 item number 230 the 1828 edition and pp.198 200 201; illustrations 181 182. He stated of this title: "It was the first book of what might be termed a serious didactic type that Hokusai had been called upon to illustrate during his long career." See pp.198 200. TODA Kenji.: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.258 as: YEHON TEIKIN WORAI: ILLUSTRATED 'COMMUNICATION OF HOME PRECEPTS' Bunsei 11 1828 we believe he made an error the actual colophon date is Bunsei 10 =1827 however Lane stats 1828; a Nagoya Eiraku edition. The he continues with vol. 3 complete in 3 volumes vols. 12 missing obviously he is talking about Lane's entry of 3 serially issued volumes. Confusing 1827 as part of a series issued years later. At the time 1827 no one knew there would be 2 other later volumes. He also cites a later edition dated Kaei 1 1848 a preface date in volume 2 again thinking this is a 3 volume set but not in 1828 !. . The later edition was indeed a 3 volume set see pp.258 where there are 2 entries for this title. LANE Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E p.255 where he lists Taito as being used 1811-1820 this was one of Hokusai's many "Go" studio names. . He also lists this exact book he calls: "EHON TEKIN OHRAI" on p.274 number 218 issued in 3 series: 1: 1828 our example; 2: ca. 1830's; 3:1848. . Color scans are posted to our website. . . unknown‎

Bookseller reference : 87057401

‎HOKUSAI Katsushika.‎

‎FUGAKU HYAKKEI: THE HUNDRED VIEWS OF MT. FUJI. Complete 3 Volume Set Woodbloc‎

‎Tokyo 1948 Oshima. Yellow stitched stiff wrs. 3 vol. set woodblock printed on hand-made paper very goodcleanbright set contents very clean white clear impressions in tones of grey Sumi black stiff buff paper Chitsu case. R A R E . . . . FUGAKU HYAKKEI: 100 VIEWS OF MT. FUJI . . . HOKUSAI'S MOST FAMOUS BOOK ON JAPAN'S SACRED SYMBOL . . . COLOR WOODBLOCK-PRINTED ON HAND-MAID WASHI PAPER . . . HIS GREATEST CLASSIC ! . THE ARTIST: KATSUSHIKA Hokusai 1760-1849: Hokusai's most famous work in book form illustrating a profusion of views of Mt. Fuji from all perspectives. . Hokusai was Japan's most famous Edo period illustrator of Japanese genre landscape scenery and of the daily lives and occupations of the commoners. His works are full of cheerfulness humor optimism and he had a knack of capturing the true nature of his time people and life style. He was affectionately called the "MAD MAN ON DRAWING" by the Japanese. His works continue to fascinate the world over ! . This book was also the prototype for his great color woodblock print series of multiple views of Mt. Fuji. . A delightful and impressive work considered a classic for nearly 200 years. . This monograph is devoted to Japan's most sacred Mt. Fuji in all its glory portrayed in various seasons and as seen by common folk as they go about their daily lives and daily occupations and along the Tokaido highway. . THE INTRODUCTION: The introduction was written by Hokusai on the first two pages of each volume. . THE COMPLETE SET OF 3 VOLUMES: The collation is: 252525 double folded leaves or 150 pages in all with illustrations of Mt. Fuji on 144 pages 6 pages of Japanese text. . The history of the various editions and volume count are complex the work was originally issued complete in two volumes which included all pages found in the 3 volume set. The set of 3 volumes is no different than those bound in 2 volumes it is simply a matter of combining pages into two or three bindings. The binding format was a choice made by publishers & their binders. The usual format is 3 volumes numbered 1 2 & 3. There are 3 volumes bound into a single binding and other variants contents by and large is the same. . THE SUBJECT: MT. FUJI JAPAN'S MOST SACRED SYMBOL: . The work is marvelous it shows Mt. Fuji portrayed in the daily life of the common people. . In the spring time how ordinary Japanese sat outdoors and viewed the cherry blossoms with Mt. Fuji in the background. Mt. Fuji was always present in daily life as a background. . The composition artistry and skill of Hokusai is without parallel. The book illustrates his unique talent and drawing skills. His artistry pictured Mt. Fuji in myriad scenes early morning evening rain and cloudy days. The mystical quality of Mt. Fuji demonstrates the great respect Hokusai felt showing the great grandeur of the sacred mountain. . Hokusai used acute visual composition concepts insight and visionary-like "Avant-garde" talent to impress viewers to identify with the splendor of Mt. Fuji. . Hokusai is still hailed as Japan's greatest artist of the 19th century. His woodblock printed books and printed command solid prices. . THE EDITIONS: There were two main editions: the FIRST EDITION published in 1834-5 was bound in pink stiff stitched covers commonly called "FALCON FEATHERS." All later editions are reprints with various dates bound in yellow blue purple green black and several other variants. Contents remains the same it would be a matter of quality of impression. The later editions do not always have a colophon or date. Some editions do show publisher's information and date. Other copies may have been rebound omitting the colophon. . There is no 'standard' relationship between date and color of binding however we have had many editions and copies information below reflects this history: . In 1875 Meiji 8th year reprint bound in either yellow covers with green printed title slips or blue covers with red printed title slips. . In 1877 Meiji 10th year reprint in black covers with red printed title slips. . A late final reprint in 1940 with yellow covers. . All of the above were woodblock printed editions on Washi hand-made paper. The contents is identical regardless of edition. The volume size varied by a few centimeters mostly a difference of the top or bottom margins. . The quality of the reprints are determined by the freshness of the impression and registry. As the original woodblocks wore down and warped they were replaced with new blocks. Some later editions were printed from very worn poor quality original blocks others from a mixed variety of old and new blocks quality varies in each copy. . Please visit our website to see the editions currently in stock. Photos posted to our website may not reflect the exact copies in stock but are 'generic' examples of the contents. . NOTE: Not all copies are identical each have specific and unique condition and other differences. . SIZE: Depending on edition the First Edition was typically bound 15.5 x 22.5 cm. The Meiji editions were about 15.3 x 24.2 cm. with a very minor difference in size dependent on which publisher printed & bound their copies. There are minor size differences by edition the images remain the same size it was strictly a matter of larger margins in later editions. . For the most part this set was uniformly bound each with title slips. The Meiji title slips were red Kanji on a red bordered white Washi paper. . THE ENGLISH TRANSLATION OF FUGAKU HYAKKEI: There was a complete English translation of the 3 volume set and each of its pages. Please visit our website and search for F.V. Dickins 1960 edition which may be in stock. See below for more details. . CONDITION NOTE: General: Unless otherwise stated bound in the original publisher's stitched stiff yellow or other color covers with green or red printed title slip. . The registry and impressions are excellent most likely early pulls off the woodblocks. . We may have different dated editions each copy has been described not all are in the same condition dates also vary. Please inquire about any particular copy for more details. Photos posted to our site are 'generic' and represent general examples of the contents & illustrations. Please review photos posted to our website. . The 1877 edition has a small mend at the last page the colophon in vol. 3 else very clean nice. . Color photos of a generic example are posted to our website copies vary please read the individual copy notes for differences. . REFERENCES: . DICKINS TRANSLATION: TWO EDITIONS: WITH ENGLISH TRANSLATION & ILLUSTRATIONS: a. F.V. Dickins.: FUGAKU HIYAKU-KEI: sic OR A HUNDRED VIEWS OF FUJISAMA FUJI BY HOKUSAI. London in 1880. This book contained 3 original woodblock illustrated volumes of Hokusai's book FUGAKU HYAKKEI. . b. A 1960 reprint of the above. H. Kerlen: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS . for more bibliographic details item #396 pp.163-166. BROWN Louise N.: BLOCK PRINTING AND BOOK ILLUSTRATION IN JAPAN p.183 she cites two entries. Henry Smith II: HOKUSAI ONE HUNDRED VIEWS OF MT. FUJI pp.21-22 outline of the editions. K. Toda: THE RYERSON COLLECTION OF JAPANESE AND CHINESE . ILLUSTRATED BOOKS p.263. L. Dawes: CATALOGUE OF JAPANESE ILLUSTRATED BOOKS p.47. Jack Hillier: no. 241 p.278. --. : HOKUSAI: no. 110 --. : THE ART OF JAPANESE BOOK ILLUSTRATION p.213-225 . plates 195-208 Kraft: VOL.3 NO. 185-=195; VOL. 4 NO.36 R. Keyes: EHON: The Artist and the Book in Japan: pp.218-223 i.e. exhibit #54 color plates: figures 54.1-54.5. KSM: Kaiga 7-18-1 Forrer: 170-177 . NOT LISTED IN: C. Mitchell: THE ILLUSTRATED BOOKS OF THE NANGA MARUYAMA SHIJO AND OTHER RELATED SCHOOLS OF JAPAN. . . unknown‎

Bookseller reference : 84211707

‎HOKUSAI Katsushika.‎

‎FUGAKU HYAKKEI: THE HUNDRED VIEWS OF MT. FUJI. Complete 3 Volume Set Woodbloc‎

‎Tokyo 1877 Hayashi. Black stitched stiff wrs. vol. 3 only woodblock printed very goodcover edges bit worn & chipped scuffed contents clean excellent impressions and registry colors grey Sumi black firm solidly bound 16.1 x 24 cm. . . . . FUGAKU HYAKKEI: 100 VIEWS OF MT. FUJI . . . HOKUSAI'S MOST FAMOUS BOOK ON JAPAN'S SACRED SYMBOL . . . COLOR WOODBLOCK-PRINTED ON HAND-MAID WASHI PAPER . . . HIS GREATEST CLASSIC ! . THE ARTIST: KATSUSHIKA Hokusai 1760-1849: Hokusai's most famous work in book form illustrating a profusion of views of Mt. Fuji from all perspectives. . Hokusai was Japan's most famous Edo period illustrator of Japanese genre landscape scenery and of the daily lives and occupations of the commoners. His works are full of cheerfulness humor optimism and he had a knack of capturing the true nature of his time people and life style. He was affectionately called the "MAD MAN ON DRAWING" by the Japanese. His works continue to fascinate the world over ! . This book was also the prototype for his great color woodblock print series of multiple views of Mt. Fuji. . A delightful and impressive work considered a classic for nearly 200 years. . This monograph is devoted to Japan's most sacred Mt. Fuji in all its glory portrayed in various seasons and as seen by common folk as they go about their daily lives and daily occupations and along the Tokaido highway. . THE INTRODUCTION: The introduction was written by Hokusai on the first two pages of each volume. . THE COMPLETE SET OF 3 VOLUMES: The collation is: 252525 double folded leaves or 150 pages in all with illustrations of Mt. Fuji on 144 pages 6 pages of Japanese text. . The history of the various editions and volume count are complex the work was originally issued complete in two volumes which included all pages found in the 3 volume set. The set of 3 volumes is no different than those bound in 2 volumes it is simply a matter of combining pages into two or three bindings. The binding format was a choice made by publishers & their binders. The usual format is 3 volumes numbered 1 2 & 3. There are 3 volumes bound into a single binding and other variants contents by and large is the same. . THE SUBJECT: MT. FUJI JAPAN'S MOST SACRED SYMBOL: . The work is marvelous it shows Mt. Fuji portrayed in the daily life of the common people. . In the spring time how ordinary Japanese sat outdoors and viewed the cherry blossoms with Mt. Fuji in the background. Mt. Fuji was always present in daily life as a background. . The composition artistry and skill of Hokusai is without parallel. The book illustrates his unique talent and drawing skills. His artistry pictured Mt. Fuji in myriad scenes early morning evening rain and cloudy days. The mystical quality of Mt. Fuji demonstrates the great respect Hokusai felt showing the great grandeur of the sacred mountain. . Hokusai used acute visual composition concepts insight and visionary-like "Avant-garde" talent to impress viewers to identify with the splendor of Mt. Fuji. . Hokusai is still hailed as Japan's greatest artist of the 19th century. His woodblock printed books and printed command solid prices. . THE EDITIONS: There were two main editions: the FIRST EDITION published in 1834-5 was bound in pink stiff stitched covers commonly called "FALCON FEATHERS." All later editions are reprints with various dates bound in yellow blue purple green black and several other variants. Contents remains the same it would be a matter of quality of impression. The later editions do not always have a colophon or date. Some editions do show publisher's information and date. Other copies may have been rebound omitting the colophon. . There is no 'standard' relationship between date and color of binding however we have had many editions and copies information below reflects this history: . In 1875 Meiji 8th year reprint bound in either yellow covers with green printed title slips or blue covers with red printed title slips. . In 1877 Meiji 10th year reprint in black covers with red printed title slips. . A late final reprint in 1940 with yellow covers. . All of the above were woodblock printed editions on Washi hand-made paper. The contents is identical regardless of edition. The volume size varied by a few centimeters mostly a difference of the top or bottom margins. . The quality of the reprints are determined by the freshness of the impression and registry. As the original woodblocks wore down and warped they were replaced with new blocks. Some later editions were printed from very worn poor quality original blocks others from a mixed variety of old and new blocks quality varies in each copy. . Please visit our website to see the editions currently in stock. Photos posted to our website may not reflect the exact copies in stock but are 'generic' examples of the contents. . NOTE: Not all copies are identical each have specific and unique condition and other differences. . SIZE: Depending on edition the First Edition was typically bound 15.5 x 22.5 cm. The Meiji editions were about 15.3 x 24.2 cm. with a very minor difference in size dependent on which publisher printed & bound their copies. There are minor size differences by edition the images remain the same size it was strictly a matter of larger margins in later editions. . For the most part this set was uniformly bound each with title slips. The Meiji title slips were red Kanji on a red bordered white Washi paper. . THE ENGLISH TRANSLATION OF FUGAKU HYAKKEI: There was a complete English translation of the 3 volume set and each of its pages. Please visit our website and search for F.V. Dickins 1960 edition which may be in stock. See below for more details. . CONDITION NOTE: General: Unless otherwise stated bound in the original publisher's stitched stiff yellow or other color covers with green or red printed title slip. . The registry and impressions are excellent most likely early pulls off the woodblocks. . We may have different dated editions each copy has been described not all are in the same condition dates also vary. Please inquire about any particular copy for more details. Photos posted to our site are 'generic' and represent general examples of the contents & illustrations. Please review photos posted to our website. . The 1877 edition has a small mend at the last page the colophon in vol. 3 else very clean nice. . Color photos of a generic example are posted to our website copies vary please read the individual copy notes for differences. . REFERENCES: . DICKINS TRANSLATION: TWO EDITIONS: WITH ENGLISH TRANSLATION & ILLUSTRATIONS: a. F.V. Dickins.: FUGAKU HIYAKU-KEI: sic OR A HUNDRED VIEWS OF FUJISAMA FUJI BY HOKUSAI. London in 1880. This book contained 3 original woodblock illustrated volumes of Hokusai's book FUGAKU HYAKKEI. . b. A 1960 reprint of the above. H. Kerlen: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS . for more bibliographic details item #396 pp.163-166. BROWN Louise N.: BLOCK PRINTING AND BOOK ILLUSTRATION IN JAPAN p.183 she cites two entries. Henry Smith II: HOKUSAI ONE HUNDRED VIEWS OF MT. FUJI pp.21-22 outline of the editions. K. Toda: THE RYERSON COLLECTION OF JAPANESE AND CHINESE . ILLUSTRATED BOOKS p.263. L. Dawes: CATALOGUE OF JAPANESE ILLUSTRATED BOOKS p.47. Jack Hillier: no. 241 p.278. --. : HOKUSAI: no. 110 --. : THE ART OF JAPANESE BOOK ILLUSTRATION p.213-225 . plates 195-208 Kraft: VOL.3 NO. 185-=195; VOL. 4 NO.36 R. Keyes: EHON: The Artist and the Book in Japan: pp.218-223 i.e. exhibit #54 color plates: figures 54.1-54.5. KSM: Kaiga 7-18-1 Forrer: 170-177 . NOT LISTED IN: C. Mitchell: THE ILLUSTRATED BOOKS OF THE NANGA MARUYAMA SHIJO AND OTHER RELATED SCHOOLS OF JAPAN. . . unknown‎

Bookseller reference : 84211706

‎HOKUSAI Katsushika.‎

‎FUKUJU SOH: THE ADONIS PLANT. An Erotic Color Illustrated Woodblock Printed Boo‎

‎Japan circa 1868. Gold brocade green cloth covers clean accordion folded all edge silver gilt album: 17 x 25 cm. 12 double-page prints opens to 34 x 25 cm. Oban size with illustrated introductory page. EXCEPTIONALLY RARE EXAMPLE ! . . . . ONE OF HOKUSAI'S MOST FASCINATING EROTIC BOOKS . . . PROFUSELY COLOR ILLUSTRATED WOODBLOCK BOOKS . . . REVEALING ALL ASPECTS OF CARNAL LOVE-MAKING . . KATSUSHIKA HOKUSAI 1760-1849: . Hokusai was one of Japan's most celebrated loved and famous painters and woodblock print artist of the Edo period. He was fondly and commonly known as the "Mad Man on Painting." . The original was work printed around the late 1810's it was unsigned several variant editions are known most copies were lost or now unaccounted for. It is part of Hokusai's erotic trilogy. . This posthumous edition has been fashioned after the period original. It was meticulously woodblock carved and color-printed with utmost professional skill by the best artisans of the time. It has impeccable color impression and registry. . The book was printed in some twenty-odd different colors each color printed by a different woodblock. . An interesting proof of age is found on page six the rape scene. The girl's red under-Kimono was printed from a color made from finely ground iron oxide. The red has now turned to an iron-red patina with a dark purple hue. This common color was used at the beginning of the Meiji period 1868-1912 for most solid reds. Humidity content determines the amount of time it takes to give this patina on the average about 100-135 years for this reaction to change the properties of the iron forcing it to oxidize and change into a marvelous color and affect see scans posted to our website. . Although the book has a title slip it was intentionally left blank due to the subject being designated as "contraband" and banned by the Shogun as well as in the early Meiji era 1868. . ABOUT JAPANESE EROTIC ART: . A truly magnificent and unusual example of early Meiji polychrome printing. Most of the Shun Pon erotic books commonly call "Erotic Pictures of Spring" of this period show small images drawn from a distance with room decorations food bedding flowing robes furniture and outside scenery. . Shunga & Shunpon Erotic pictures & books reflect the "awakening" of human sexual desire after a long winter's sleep. Sex became an "art" used to stimulate enhance and evocative of love making. . THE CONTENTS: The work starts out with a double-page showing sliding Fusuma doors an invitation to voyeurism. The doors are subtly decorated giving no clue to the true nature of the contents useful for coercing young virgins to have a look.also the reason for no title slip. Each of the subsequent 12 double pages are devoted to the real subject of this book. The joy art & pleasure of love-making. . From the beginning of recorded time the Japanese were not a prudish people. In fact they held strong beliefs in and worship of inanimate sexual objects such as trees rocks and other things that showed a natural resemblance to the genitalia. These objects were collected & placed in shrines. Later some were carved from wood and stone and placed in special "fertility shrines" in Japan. Barren women often visited these shrines offering prayers to the Gods for fertility and evoked charms. Stories passed down over the centuries that some of the Monks or keepers of these fertility shrines or their priests were willing "assistants" of these "Gods" and gladly inseminated such vulnerable women. . The Japanese had an affinity with the natural expression of passion and lust. Rape of women alone along a pathway or in their own room was not uncommon. While some may truly object others feigned objection while in ecstasy see page #6. The book therefore beings when with point in mind. . Page one shows a very young woman. She has mounted an unseen suitor while she sits upon his gigantic penis her eyes are closed in the throes of ecstasy her lips are red with excitement and a very pale but obvious pink flush envelops her face. On the floor is the usual package of Chirishi or toilet paper used to wipe the aftermath. . The male's organ is huge and the veins are blue and popping her very excited vulva takes on the color of deep red and faint purple displaying the maximum color of excitement. While fully clothed her Kimono is open just enough to accomplish the act of love. To the Japanese partially clothed women with their genitals exposed was more erotic than a full nude.after all they did mixed public bathing for centuries. . Page two shows a couple. She is almost nude with just her red under Kimono draped over her stomach while he exposes his organ as he enters her from the "X" angle he cradles her from behind while holding her left breast. She pulls him from behind the neck to be close enough to share a tongue kiss rarely shown in Japanese prints. He inserts his tongue into her willing mouth as she holds his cheek fast. Her long and flowing hair is still tied with a black ribbon at the bottom suggesting that she is some kind of royal person. She also shows a pink flush to her mouth and vaginal lips. . Page three shows newlyweds. The woman still wears the traditional head gear of a bride. She holds a package of Chirishi in her lips ready for the flood of love juices that are already flowing out. The man enters her from the top while she willingly spreads her legs wide open. . Page four shows the woman on top in a contortion revealing the organs involved in love-making. . Page five shows the influence from an earlier Utamaro classic erotic work. The woman is on the bottom pulling the covers over her lover's bare back-side while they are making love in the winter. Her wooden platform pillow is ready as the are hidden from view by a small folding screen to keep cool the draft out. Her vermilion-red under Kimono is tangled with her outer Kimono. . Page six shows a ruffian raping a young girl. He is likely a common coolie all he wears is a "Fundoshi" or loin cloth which was easily moved to reveal his huge and erect penis. He has tumbled this innocent girl by pulling her foot from under her; then with his other hand inserts his organ into her. She is pushing his cheek away and attempting to pull his hand off her foot. What is ironical is that her face is flushed pink and her face shows no frown of rejection but her eyes are almost closed as she secretly anticipates the oncoming pleasure. For sure she must resist being innocent young coquettish and demure in an attempt to save face. It is important to note at this time that there exists a most similar print by Utamaro showing this very scene. Surely Hokusai was so impressed that as a tribute to Utamaro he utilized this stunning image in his own work the old adage "Copying is the greatest compliment." See more below regarding page six. . Page seven shows an unabashed nude couple enjoying a fully the pleasure of love-making sans restraints. In fact this must the a second or third time of love-making as noted the voluminous as the amount of expended Chirishi. It has been thrown about the room. It is known in Japan that after the first round of love-making if the man can wipe up love juices promptly enough a new erection can be achieved. The the drying of vulva will give the next round of love-making a new and more pleasurable sensation. . In this view the man enters from the rear while holding her fast his right foot is set and placed for maximum traction! . Page eight shows a couple engaged in love-making. The woman on top but with her back side facing him. Vis-a-vis each other to observe each other thus increasing the erotic passion. A tiny bit of silver color has accented her Kimono highly usual in any woodblock print. Of special note her toes are curled down in a fit of ecstasy! An exhibition of Hokusai humor ! . Page nine shows one of the most fascinating of all prints in this series. In the traditional "sixty-nine" position he has his tongue in her very excited and swollen purple-red vulva. She tries with difficulty to contain his very large penis with a dark pink-purple flush. Again this woman curls her toes in painful-erotic-ecstasy. Her expression shows her eyebrows in a frown as she enjoys the agony and ecstasy of wonderful carnal pleasures. . Page ten shows a mature couple nude she holds the tie-died head band in her mount to silence her cries of joy while she embraces her lover's neck. The spectacular view of the genitals fully engaged is stunning. The penis has its veins popping out while the lips of her vulva are flushed bright red the love juices flowing out. Her breasts are pointed downward revealing that she has given birth previously. Her her toes are curled in a passionate dream of pleasure. The pair both display a pink flush to their faces with very bright red lips. It is not common to see this in men. . Page eleven shows a couple preparing to make love. The man is on top displays a very large and erect penis while he sucks on her upturned breast. She is being manipulated to move her left leg up so he can then enter her open and eager waiting vulva. She clutches a handful of Chirishi in preparation for the flood of love juices. Her eyebrows are shaved with a faint pink flush just above her eyes has emerged from the excitement. . Page twelve shows a most unusual scene in the world of Shunpon. While lesbianism is not unusual in Japan openly depicting girls at such play are. This shows two ordinary nude women likely bored or abandoned by their male suitors have taken to the mutual pleasure of dildo play. One wears a huge and black penis tied about her waist. The other reveals her open and moist vagina clutches the penis while holding a few sheets of Chirishi. The other opens a tiny container with some sort of stimulating potion or lubricant. This will either be applied to the dildo or her partner's vagina. It seems clear the two girls have already shared this joy before. The girl grasping the dildo penis has already applied it to her partner and is now awaiting her turn to be "penetrated." . ATTRIBUTION: . The erotic book begins as usual without artist's name or title. By stylistic analysis and compared with many other signed Hokusai works its easy to understand who the artist was. . It is a long-standing tradition of most famous Japanese artists of the 17-19th centuries to create and discretely distribute banned erotic books and prints against Shogun laws. . Erotic books and prints were a quick cash resource for hard pressed artists regardless of how famous they were. Most all famous artists drew painted and provided artwork for woodblock-printed erotica. These earned immediate cash and the Shogun had a nearly impossible time proving guilt with unsigned materials. . ABOUT SHUNPON/BON & SHUNGA: Books of this erotic subject quality nature and rarity are seldom found on the open market. Shun=spring; Ga=picture; Pon/Bon=book. . Superbly colored in pastels prior to the very garish and bright advent and use of aniline dyes imported from Europe. Because Hokusai had lived during the life-time of Utamaro 1754-1806 he was influenced by this great master. . The most vivid example of this influence is found in number six above the rape scene. The original inspiration for this print was done by Utamaro in his most celebrated erotic album: UTA MAKURA: PILLOW OF SONG dated 1788. . Of this print Dr. Lane stated: "Utamaro's masterpieces.most impressive .series of twelve prints .this is one of the most dramatic scenes: a plebeian maiden being attacked by a middle-aged laborer and putting up stiff resistance" See Lane below. . The original Utamaro shows the exact same action with nearly identical composition; the man suppresses the girl by holding her left leg while she pushes his cheek away with her right hand.clearly Hokusai was so impressed with this superb composition and subject that he "borrowed" it in his own masterpiece. Note how even the man's "Fundoshi" loin cloth is in the exact format draped over his stiff penis. This is no coincidence ! This series and a few similar prints illustrated are found in Evans see below. . A RARE stunning and fantastic book of color erotica by Japan's master painter. . CONDITION: The over all condition is quite good with very minor amount of the usual period foxing. By and large this does not greatly detract from the over all images. Some images are in fine condition. On page #11 the print is about 5 mm. shorter at the bottom again this does not greatly affect the image. A small faint amount of transfer from the black is evident with a common result of books being folded and closed. . Overall the work is quite lovely and the viewer is exceptionally impressed by the fascinating and high quality of the subject images and drama. Please review photos posted to our website. . REFERENCE: . LANE Richard: IMAGES OF THE FLOATING WORLD p.140 plate 140 for a similar example. . --. EROTIC THEME IN JAPANESE PAINTING: THE EARLY SHUNGA SCROLL. . --. GREETINGS FROM EROS ! HOKUSAI AND THE EROTIC CALENDAR-PRINT. Japanese Title: HATSU HARU NO IRO GOYOMI. EVANS Tom.: SHUNGA: The Art of Love in Japan p.249 for text he text see illustrations: 6.83 6.85 and 6.86; 6.88 is an exact match for our number 9 above. BEURDELEY Michel. et al.: EROTIC ART OF JAPAN: The Pillow Poem. GICHNER Lawrence E.:EROTIC ASPECTS OF JAPANESE CULTURE. ILLING Richard.: JAPANESE EROTIC ART: And the Life of the Courtesan. UHLENBECK Chris. ed. et al.:JAPANESE EROTIC FANTASIES: Sexual Imagery of the Edo Period. WINZINGER Franz.: MEISTERWERKE DER EROTISCHEN KUNST JAPANS. MASTERWORKS OF JAPANESE EROTIC ART. RAWSON Philip.: ORIENTAL EROTIC ART. GROSBOIS Charles.: SHUNGA IMAGES OF SPRING: Essay on Erotic Elements in Japanese Art. DOUGLAS Nik. et al.: THE PILLOW BOOK: The Erotic Sentiment and the Paintings of India Nepal China & Japan. SHIBUI Kiyoshi.: UKIYO-E NAISI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. Modern Reading: UKIYO-E NAISHI . . hardcover‎

Bookseller reference : 23014201

‎Hokusai Katsushika Artist; Matthi Forrer‎

‎Hokusai‎

‎Barnes & Noble Books 2002. Book. Very Good. Trade Paperback. 4to - over 9� - 12" tall. Oblong softcover in very good plus condition. . Barnes & Noble Books Paperback‎

Bookseller reference : 099527 ISBN : 0760735352 9780760735350

‎Hokusai Katsushika Forman B. editor; Forman W. photographer; 48 Color Plates; Few b/w Illustrations Illustrator‎

‎Hokusai : The Man Mad-on-Drawing‎

‎Artia 1970-01-01. Hardcover. Good. No date noted Published by Artia for Spring Books London no marks noted in text red cloth cover slipcase with locking pins are fadedAND AS ALWAYS SHIPPED IN 24 HOURS; and emailed to you a USPS tracking number on all orders; all books are sanitized and cleaned for your protection before mailing Artia hardcover‎

Bookseller reference : 150829002

‎HOKUSAI Katsushika.‎

‎HOKUSAI MANGA. Vol. 11.‎

‎Nagoya 1878 Katano. Pink stitched wrs. 29 double leaves= 58p. color woodblock plates:Sumi white pink & blackcovers a bit dusty small rub & worm hole to label contents clean very good impression & registry 15.8 x 22.6 cm. solid. . . . . HOKUSAI'S FAMOUS MANGA: . . . CARICATURES OF EDO PERIOD GENRE DAILY LIFE . . . A DELIGHTFUL LOOK AT SAMURAI MILITARY & COMMONERS . . . WITH A SPECIAL GROUP OF WESTERN WEAPONS: GUNS CANNON . . . TANIGASHIMA RIFLE PISTOL CROSS BOW &c . . . & SUMO WRESTLERS . GENERAL SUBJECTS OF THE MANGA: People fauna flora landscape the past grotesque ghosts technology architecture clothing customs activities scenery wildlife all aspects of daily life of common people. . A charming work with characters portraits Sumo wrestlers people going about daily activities games play time landscape scenery hunting with a rifle cannon & other arms pistol archery equipment shrines Gods &c. . SUBJECTS IN THIS VOLUME: . PEOPLE: The Emperor courtiers men & women of class commoners: men and women at daily activities: playing the Shamisen 3 string guitar singing acting. Woman farting on a sleeping man human antics a man surprised by a snake. Samurai coolies men women and a pilgrim out for a walk with a dog and child. Three men pant a giant's leg and foot. A heavenly Apsara floats a man servant attends his master. A Tengu bird-man carry a parcel suspended on a long-nosed man. Buddhist priest. A kite flyer is shocked by the fierce face of his upside-down kite. An old Samurai and his son. Samurai slashing his Katana long sword at two lanterns. Mochi pounding machine two coolies try to lift heavy bails of rice one tumbles backwards. Sumo wrestlers at practice with three referees. Illustrated on 2 double and a single page 5 illustrations in all. . Gymnasts doing various postures foot wrestling could be preparing those who wish to become Sumo wrestlers. Musicians dancers men making strange and bizarre faces typical Hokusai parity. . Three Tanegashima Portuguese rifle bearing hunters wait in ambush one blows a whistle most likely to attract animals or birds. The next page shows various rifle pouches: gunpowder birdshot with the facing page showing another Tanegashima bearing soldier with a support aiming down-range above are various birds of prey. . Another page showing four soldiers using Tanigashima practice shows aiming loading and adding explosive powder. A double-barrel pistol. A large foreign-type cannon firing mounted crossbow. . A double-page showing a horse-mounted Samurai attacking two foot soldiers with his pistol and also carries a Tanigashima rifle both go flying after being hit arrows flying in all directions. The next double-page shows various perspective views of foreign double-barrel pistols each part carefully identified. . Double-page of a Sword Deity shows a multiple-faced icon with eight hands each holding a Wakizashi Katana long Samurai sword seated on a Fu dog. . Three double-pages illustrating about50 individual drawings of various people in caricature showing fishing Daikoku-san God of Wealth Shinto Priest making obeisance before a Taiko drum man carrying a woman on his back Taiko drummers various men women at activities painting screens Tanigashima practice a man pawing a semi nude woman booming a scroll painting drawing a horse and painting a scroll. . Double-vertical page showing five coolies resting under a Buddhist Shrine. Followed by another double-page with a similar Torii gate with several people taking rest three are sword-bearing Samurai. . ANIMALS: Chicken cat dogs Chinese Foo dogs duck giant fish bird caught in a man-made trap . LANDSCAPE/SCENERY: Views of rural village mountains bridge coolies in a rain storm boat riding fisherman out in the swamp fast running rapids with many beams of cut timber flowing down-stream after a flood; two coolies try to hook and pull out the lumber. Farmers & coolies with a woman resting in the forest. Fantastic rock and river scenery with deep crevasses and waterfalls. . NOTE: Not all copies come with the bordered title page. . CONDITION: In general bound in the publisher's original stiff stitched wrappers with red title slip. Not all editions have the printed title page with the red deer design border. . The book is entirely woodblock printed in gray Sumi pink and black colors. . Please carefully read the description of each separate copy not all are identical however contents remains the exact same. Please visit our website and review the posted photog aphs. . BIBLIOGRAPHY: . MICHENER James A.: THE HOKUSAI SKETCH-BOOKS: SELECTIONS FROM THE MANGA. Toda Kenji: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.254-5. J. Hillier: ART OF HOKUSAI IN BOOK ILLUSTRATION pp.96-112. D. Chibbett: A DESCRIPTIVE CATALOGUE OF THE PRE-1868 JAPANESE BOOKS.p.33 item #85. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.226-239 item #546 for most all editions & variants. J.S. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION OF JAPANESE BOOKS IN THE ROYAL LIBRARY : p.285 #874 HICKMAN B. ed.: JAPANESE CRAFTS: MATERIALS AND THEIR APPLICATIONS. Selected early papers from the Japan Society of London. Written 1892 and 1915: p.33 #83. . . hardcover‎

Bookseller reference : 92015304

‎HOKUSAI Katsushika.‎

‎HOKUSAI MANGA. Vol. 05.‎

‎Nagoya 1875 Katano. Black stitched wrappers very good. pastel-colored woodcuts 16 x 23 cm.covers & corner margins a bit nibbledcontents cleanexcellent impression & registry else good example blind stamped covers. . . . . HOKUSAI'S FAMOUS MANGA: . . . CARICATURES OF EDO PERIOD GENRE & DAILY LIFE . . . A DELIGHTFUL LOOK AT COMMONERS ! . . GENERAL SUBJECTS OF THE MANGA: People fauna flora landscape the past grotesque ghosts technology architecture clothing customs activities scenery wildlife all aspects of daily life of common people. . SUBJECTS OF THIS VOLUME: This excellent example shows a wide variety of Japanese Chinese and Buddhist heroes and famous individuals. The architecture of Shinto shrine Torii entrance gate temple architecture roof styles great brass bell tower & Buddhist bells & deities famous scholars & their books goblins ghosts ghouls monsters Oni devil Sumo wrestlers Mt. Fuji scenery Samurai with swords court figures great waves temple guardians legendary characters "Daiken" Buddhist priest & others. . A delightful work loaded with great drawings & art showing all aspects of life of the common people occupations pass times genre costume & customs. . JAPAN'S MOST FAMOUS ARTIST: KATSUSHIKA Hokusai 1760-1849 was lovingly called "Mad Man on Drawing." He was the best portrayer of Edo period 1604-1868 life culture art customs and impressions of Japan and Japanese life. He remains the most respected and skilled artist of his time. His sense of humor capturing the true nature of the commoners their life style furniture weapons farming activities architecture and pastimes. Few artist of period focused on these people and their plight in life. . The book is color woodblock printed in black white pastel pink gray colors with 29 double-pages = 58 pages of illustrations. . CONDITION: Please read the description for each copy copies differ. . General description: The book is bound in the original publisher's blind-stamped stitched stiff wrappers with red title slip. The impression & registry are excellent colors vivid. . Not all copies came with the border-printed title page. . BIBLIOGRAPHY: . MICHENER James A.: THE HOKUSAI SKETCH-BOOKS: SELECTIONS FROM THE MANGA. Toda Kenji: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.254-5. J. Hillier: ART OF HOKUSAI IN BOOK ILLUSTRATION pp.96-112. D. Chibbett: A DESCRIPTIVE CATALOGUE OF THE PRE-1868 JAPANESE BOOKS.p.33 item #85. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.226-239 item #546 for most all editions & variants. J.S. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION OF JAPANESE BOOKS IN THE ROYAL LIBRARY : p.285 #874 HICKMAN B. ed.: JAPANESE CRAFTS: MATERIALS AND THEIR APPLICATIONS. Selected early papers from the Japan Society of London. Written 1892 and 1915: p.33 #83. . . hardcover‎

Bookseller reference : 84356905

‎HOKUSAI Katsushika.‎

‎HOKUSAI MANGA. Vol. 04.‎

‎Nagoya 1875Katano. White stiff wrs. very good 29 double =56 page woodblock illustrationsbit dusty coverspinkgrey Sumi & blackcontents cleanvery good registry & impression firm & solidly bound 15.6 x 22.5 cm.a complete nice copy. . . . . HOKUSAI'S FAMOUS MANGA: . . . CARICATURES OF EDO PERIOD GENRE & DAILY LIFE . . . A DELIGHTFUL LOOK AT COMMONERS ! . GENERAL SUBJECTS OF THE MANGA: People fauna flora landscape the past grotesque technology architecture landscape animals birds costume folk customs daily life of the commoners occupations furniture and all other genres. Many of the drawings and designs found their way into Netsuke Ojime and other Japanese art work. . Many of these drawings were used as the basis for Netsuke Inro and Ojimi carvers. This is a miscellany of various subjects drawn in his own unique style evoking a chuckle from the reader. . SUBJECT OF THIS ISSUE: This issue contains a Great Demon chasing off a kind of "Oni" devil. various mythological Gods: Tengu Kaze-no-Kami thunder god Heavenly Dragon Samurai warriors equestrian soldier arms armor swords & other weapons. . Four pages two double-pages of various kinds of birds: hawk ducks crane chicken sparrows cormorants owl crow &c. . Sixteen pages 8 double-page drawings of myriad plants: flowers water chestnuts palm root vegetables bamboo rose taro fern fruit trees pines wintry snowy-covered trees Momiji Japanese maple cactus &c. Also various kinds of landscapes: mountains water architecture: bridges walls gates villages pagodas shrines residences fences &c. . Japanese vessels: common junk tubs sampans sailing boats cargo boats wooden-bucket for the impoverished fishermen. . Swimmers: a double-page showing many swimmers some chase & catch fish using cloth bags with air to stay afloat a horse riding man 'swim' swimmers using a pole to pull them selves down to the depths diving for coral & seaweed a man in a large glass diving bell & others. . Old scholars & deities: various views of named Gods a scroll artist some with long pipes fans fishing and a host of others. Followed by a double-page of Chinese Gods or famous deities. . Drawing of thunder & lightning over a small village two Buddhist Monks engulfed in fire . Double-page of various animals: goat mouse cat snake horse rabbit buffalo monkey tiger pig tiger chickens &c. . A delightful work loaded with great drawings & art showing all aspects of life of the common people occupations pass times genre costume customs and so many wonderful others. . JAPAN'S MOST FAMOUS ARTIST: KATSUSHIKA Hokusai 1760-1849 was lovingly called "Mad Man on Drawing." He was the best portrayer of Edo period 1604-1868 life culture art customs and impressions of Japan and Japanese life. He remains the most respected and skilled artist of his time. His sense of humor capturing the true nature of the commoners their life style furniture weapons farming activities architecture and pastimes. Few artist of period focused on these people and their plight in life. . CONDITION: Please read the description for each copy copies differ. General description: The book is bound in the original publisher's blind-stamped stitched stiff wrappers with red title slip. The impression & registry are excellent colors vivid. . Not all copies came with the border-printed title page. . Color photos are posted to our website. . The book is bound in the publisher's blind-stamped stitched wrappers. There is some of the usual but minor corner & edge wear. There are 3 tiny pin holes in the lower margin of the last 3 pages not effect on images otherwise the work is exceptionally clean outside and inside solidly & firmly bound. . Images and impression far above average by and large a better than average copy. Please review photos posted to our website. . BIBLIOGRAPHY: . MICHENER James A.: THE HOKUSAI SKETCH-BOOKS: SELECTIONS FROM THE MANGA. Toda Kenji: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.254-5. J. Hillier: ART OF HOKUSAI IN BOOK ILLUSTRATION pp.96-112. D. Chibbett: A DESCRIPTIVE CATALOGUE OF THE PRE-1868 JAPANESE BOOKS.p.33 item #85. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.226-239 item #546 for most all editions & variants. J.S. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION OF JAPANESE BOOKS IN THE ROYAL LIBRARY : p.285 #874 HICKMAN B. ed.: JAPANESE CRAFTS: MATERIALS AND THEIR APPLICATIONS. Selected early papers from the Japan Society of London. Written 1892 and 1915: p.33 #83. . . hardcover‎

Bookseller reference : 91077302

‎HOKUSAI Katsushika.‎

‎HOKUSAI MANGA. Vol. 08.‎

‎Nagoya 1875 Kitano.Orange stitched wrs.colored 29 double folded leaves=56 pages woodblock illustrations 15.8 x 22.6 cm.black Sumi pink colorscovers with darkened oxidation contents clean excellent registry & impression title page. . . . . HOKUSAI'S FAMOUS MANGA: . . . CARICATURES OF EDO PERIOD GENRE & DAILY LIFE . . . A DELIGHTFUL LOOK AT COMMONERS ! . . GENERAL SUBJECTS OF THE MANGA: People fauna flora landscape the past grotesque ghosts technology architecture clothing customs activities scenery wildlife all aspects of daily life of common people. . SUBJECTS OF THIS VOLUME: This excellent example shows a wide variety of Japanese Chinese and Buddhist heroes and famous individuals. The architecture of Shinto shrine Torii entrance gate temple architecture roof styles great brass bell tower & Buddhist bells & deities famous scholars & their books goblins ghosts ghouls monsters Oni devil Sumo wrestlers Mt. Fuji scenery Samurai with swords court figures great waves temple guardians legendary characters "Daiken" Buddhist priest & others. . A delightful work loaded with great drawings & art showing all aspects of life of the common people occupations pass times genre costume & customs. . JAPAN'S MOST FAMOUS ARTIST: KATSUSHIKA Hokusai 1760-1849 was lovingly called "Mad Man on Drawing." He was the best portrayer of Edo period 1604-1868 life culture art customs and impressions of Japan and Japanese life. He remains the most respected and skilled artist of his time. His sense of humor capturing the true nature of the commoners their life style furniture weapons farming activities architecture and pastimes. Few artist of period focused on these people and their plight in life. . The book is color woodblock printed in black white pastel pink gray colors with 29 double-pages = 58 pages of illustrations. . CONDITION: Please read the description for each copy copies differ. . General description: The book is bound in the original publisher's blind-stamped stitched stiff wrappers with red title slip. The impression & registry are excellent colors vivid. . Not all copies came with the border-printed title page. . THE 1875 EDITION: . MEIJI 8 YEAR 1875 EDITION: copy 4 This edition varies in cover color contents remain the same. . This example has exceptionally clean covers & contents. There are a bit of the usual buy very minor tiny bit of wear to the extremities edges & corners of the covers. . There are some very small and minor light brown spots on the leading page edges these do not encroach on the left margin or affect images whatsoever. . Far and above the average example with the most superb impression and registry clearly an early pull off the woodblocks. This edition does not have the green border title page. . Seldom found in such fresh condition. . ANOTHER MEIJI 8 YEAR EDITION: copy 5 Bound in orange covers with a dark oval area in the center on both front & back covers typical of book over 100 years old when the ochre iron-based color pigment oxdizes and the color changes after about 100 years. This is a normal change and not considered a flaw. This example has the title page. . BIBLIOGRAPHY: . MICHENER James A.: THE HOKUSAI SKETCH-BOOKS: SELECTIONS FROM THE MANGA. Toda Kenji: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.254-5. J. Hillier: ART OF HOKUSAI IN BOOK ILLUSTRATION pp.96-112. D. Chibbett: A DESCRIPTIVE CATALOGUE OF THE PRE-1868 JAPANESE BOOKS.p.33 item #85. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.226-239 item #546 for most all editions & variants. J.S. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION OF JAPANESE BOOKS IN THE ROYAL LIBRARY : p.285 #874 HICKMAN B. ed.: JAPANESE CRAFTS: MATERIALS AND THEIR APPLICATIONS. Selected early papers from the Japan Society of London. Written 1892 and 1915: p.33 #83. . . hardcover‎

Bookseller reference : 85002005

‎HOKUSAI Katsushika.‎

‎HOKUSAI MANGA. Vol. 08.‎

‎Nagoya 1875 Kitano.Orange stitched wrs.colored 29 double folded leaves=56 pages woodblock illustrations 15.8 x 22.6 cm. black Sumi pink colors covers brilliantly clean the contents clean edges a few tiny brown spots no title page. . . . . HOKUSAI'S FAMOUS MANGA: . . . CARICATURES OF EDO PERIOD GENRE & DAILY LIFE . . . A DELIGHTFUL LOOK AT COMMONERS ! . . GENERAL SUBJECTS OF THE MANGA: People fauna flora landscape the past grotesque ghosts technology architecture clothing customs activities scenery wildlife all aspects of daily life of common people. . SUBJECTS OF THIS VOLUME: This excellent example shows a wide variety of Japanese Chinese and Buddhist heroes and famous individuals. The architecture of Shinto shrine Torii entrance gate temple architecture roof styles great brass bell tower & Buddhist bells & deities famous scholars & their books goblins ghosts ghouls monsters Oni devil Sumo wrestlers Mt. Fuji scenery Samurai with swords court figures great waves temple guardians legendary characters "Daiken" Buddhist priest & others. . A delightful work loaded with great drawings & art showing all aspects of life of the common people occupations pass times genre costume & customs. . JAPAN'S MOST FAMOUS ARTIST: KATSUSHIKA Hokusai 1760-1849 was lovingly called "Mad Man on Drawing." He was the best portrayer of Edo period 1604-1868 life culture art customs and impressions of Japan and Japanese life. He remains the most respected and skilled artist of his time. His sense of humor capturing the true nature of the commoners their life style furniture weapons farming activities architecture and pastimes. Few artist of period focused on these people and their plight in life. . The book is color woodblock printed in black white pastel pink gray colors with 29 double-pages = 58 pages of illustrations. . CONDITION: Please read the description for each copy copies differ. . General description: The book is bound in the original publisher's blind-stamped stitched stiff wrappers with red title slip. The impression & registry are excellent colors vivid. . Not all copies came with the border-printed title page. . THE 1875 EDITION: . MEIJI 8 YEAR 1875 EDITION: copy 4 This edition varies in cover color contents remain the same. . This example has exceptionally clean covers & contents. There are a bit of the usual buy very minor tiny bit of wear to the extremities edges & corners of the covers. . There are some very small and minor light brown spots on the leading page edges these do not encroach on the left margin or affect images whatsoever. . Far and above the average example with the most superb impression and registry clearly an early pull off the woodblocks. This edition does not have the green border title page. . Seldom found in such fresh condition. . ANOTHER MEIJI 8 YEAR EDITION: copy 5 Bound in orange covers with a dark oval area in the center on both front & back covers typical of book over 100 years old when the ochre iron-based color pigment oxdizes and the color changes after about 100 years. This is a normal change and not considered a flaw. This example has the title page. . BIBLIOGRAPHY: . MICHENER James A.: THE HOKUSAI SKETCH-BOOKS: SELECTIONS FROM THE MANGA. Toda Kenji: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.254-5. J. Hillier: ART OF HOKUSAI IN BOOK ILLUSTRATION pp.96-112. D. Chibbett: A DESCRIPTIVE CATALOGUE OF THE PRE-1868 JAPANESE BOOKS.p.33 item #85. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.226-239 item #546 for most all editions & variants. J.S. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION OF JAPANESE BOOKS IN THE ROYAL LIBRARY : p.285 #874 HICKMAN B. ed.: JAPANESE CRAFTS: MATERIALS AND THEIR APPLICATIONS. Selected early papers from the Japan Society of London. Written 1892 and 1915: p.33 #83. . . hardcover‎

Bookseller reference : 85002004

‎HOKUSAI Katsushika.‎

‎HOKUSAI MANGA. Vol. 10.‎

‎Nagoya 1878 Kitano. Blue stitched wrs.very cleancolored 19 double-folded pages= 36 pages of woodblock illustrations in Sumi grey pink black 15.8 x 22.7 exceptionally clean bright covers & contents excellent impression and registry. . . . . HOKUSAI'S FAMOUS MANGA: . . . CARICATURES OF EDO 1604-1868 PERIOD GENRE . . . ILLUSTRATING ACTIVITIES OF DAILY LIFE HUMOR . . . THE ODD AND UNUSUAL THINGS OF NATURE . . . PEOPLE OF ALL WALKS OF LIFE INSIGHT TO COMMONERS . . . BUDDHIST MONKS COURTIERS SAMURAI WARRIORS GODS . . . DEITIES MYTHOLOGICAL ANIMALS GHOSTS GHOULS & DEVILS . . . WITH MANLY COMIC CARICATURES . GENERAL SUBJECTS OF THE MANGA SERIES: People fauna flora landscape the past grotesque ghosts technology architecture clothing customs activities scenery wildlife all aspects of daily life of common people Gods Demons & the supernatural. . CONTENTS OF THIS VOLUME: A wide variety of Hokusai's drawing skills illustrating his grand sense of humor poking fun his unique and charming style of showing people and things at their surprising realistic and often unbelievably strange situation. . People: Japanese Goddess Deities Buddhist monks women men sword-swallowing & other acrobats Samurai warriors swords & armor comic faces bizarre people doing strange antics with long arms & legs long head ghosts ghouls devils scholars & literati. . Scenery landscape natural surroundings bridges sampans &c. . Animals: frog horse mice goat monkey crane mythological animals objects of worship & fear and others. . CONDITION:CONDITION: Please read the description for each copy copies differ. General description: The book is bound in the original publisher's blind-stamped stitched stiff wrappers with red title slip. The impression & registry are excellent colors vivid. . Not all copies came with the border-printed title page. . Please visit our website to review our listings see color photographs . In general: . Binding Covers: The book is bound in the original publisher's stiff stitched wrappers with blind-stamped pattern red title slips. . Contents: The contents are clean free from any old worming or other blemishes. The impression and registry are excellent as is the color. . BIBLIOGRAPHY: . MICHENER James A.: THE HOKUSAI SKETCH-BOOKS: SELECTIONS FROM THE MANGA. Toda Kenji: DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO p.254-5. J. Hillier: ART OF HOKUSAI IN BOOK ILLUSTRATION pp.96-112. D. Chibbett: A DESCRIPTIVE CATALOGUE OF THE PRE-1868 JAPANESE BOOKS.p.33 item #85. H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS p.226-239 item #546 for most all editions & variants. J.S. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION OF JAPANESE BOOKS IN THE ROYAL LIBRARY : p.285 #874 HICKMAN B. ed.: JAPANESE CRAFTS: MATERIALS AND THEIR APPLICATIONS. Selected early papers from the Japan Society of London. Written 1892 and 1915: p.33 #83. . . hardcover‎

Bookseller reference : 91077602