‎Literary criticism‎

‎Walton Geoffrey‎

‎Metaphysical to Augustan: Studies in Tone and Sensibility in the Seventeenth Century‎

‎London: Boew & Bowes 1955 160 pages. Hardback. Very Good/Worn. Boew & Bowes hardcover‎

Bookseller reference : 328441

‎Walton Priscilla L.; Jones Manina‎

‎Detective Agency : Women Re-Writing the Hard-Boiled Tradition‎

‎Berkeley CA U.S.A.: University of California Press 1999. Textbook. As New. Soft cover. First Edition/1st Printing. 8vo - over 7�" - 9�" tall. First softcover edition first print full line. Clean and tight spine straight and strong. University of California Press Paperback‎

Bookseller reference : 002978 ISBN : 0520215087 9780520215085

‎Walzel Oskar:‎

‎Handbuch der Literaturwissenschaft. Drei B�nde: Altgermansiche Dichtung. Die deutsche Dichtung des Mittelalters. Deutsche Dichtung von der Renaissance bis zum Ausgang des Barock.‎

‎Wissenschaftliche Buchgesellschaft Darmstadt 1957. Wissenschaftliche Buchgesellschaft, Darmstadt, 1957. unknown‎

Bookseller reference : 209398

‎Walzer Pierre-Olivier‎

‎Paul-Jean Toulet‎

‎La Manufacture, coll. « Qui êtes-vous ? » 1987 In-12 broché 18 cm sur 11. 209 pages. Illustrations en noir et blanc hors-texte. Bon état d’occasion.‎

‎Bon état d’occasion‎

Bookseller reference : 120664

‎Wang Nora, Ye Xin, Wang Lou‎

‎Victor Hugo et le sac du Palais d'Eté‎

‎Les Indes savantes 2003 Couverture un peu écornée, néanmoins intérieur frais, bon état d’occasion.‎

‎Bon état d’occasion‎

Bookseller reference : 75729

‎Ward A. C.‎

‎Bernard Shaw‎

‎London: Longmans Green & Co 1966. WYSIWYG pricing--no added shipping charge for standard shipping within USA. Stapled through fold in pale green covers with maroon & black titles frontis. 59 pp footnotes. Covers slightly faded near spine & top edge else fine; original price sticker on front cover. Brief critical biography & bibliography gravure portrait of Shaw for frontispiece. Beautifully set & printed by F. Mildner & Sons of London. Shipping weight 6 oz. in envelope. 6th Ed. Pamphlet. Near Fine/No dj. 21� X 14 cm. Longmans, Green, & Co Paperback‎

Bookseller reference : LIBI00056

‎Ward AC. with Elizabeth Williams comp. ills. A. C.‎

‎Illustrated History of English Literature 3 vols. complete‎

‎London: Longmans Green and Co. 1953-55. Hard bound three volumes complete illustrated with plates all volumes separately indexed 244pp 261pp & 325pp. Ex-library set in very good condition. 1.8 kilograms unpacked -- extra postage will be requested! All books in stock and available for immediate shipment from Winnipeg Manitoba. London: Longmans Green and Co., 1953-55 unknown‎

Bookseller reference : 24401

‎Ward Bill ed. Susan Sontag Allen Ginsberg LeRoi Jones Amiri Baraka David Amram Diane di Prima Franz Kline Elaine de Koon‎

‎Provincetown Review 4 Summer 1961 - contains early extracts from The Benefactor by Susan Sontag‎

‎New York: Provincetown Review 1961. 1st edition. Soft cover. Very Good/No Jacket as issued. VG. 4to 84pp printed wrappers. Includes "Dreams of Hippolyte" by Susan Sontag Poague & Parsons G23 comprising material from a draft of "The Benefactor." Issue also includes Beat writers and Abstract Expressionist artists. Unmarked copy rubbing to covers and light toning of stock shadowing to last interior page an ad. New York: Provincetown Review paperback‎

Bookseller reference : M2224

‎Ward David‎

‎Between Two Worlds: Reading of T. S. Eliot's Poetry and Plays‎

‎Routledge & Kegan Paul. Good in Good dust jacket. 1973. Hardcover. 071007638X . Exlibrary usual markings. Front free endpaper removed. Repaired hinges. Dust jacket wear. ; 304 pages . Routledge & Kegan Paul hardcover‎

Bookseller reference : 57560 ISBN : 071007638X 9780710076380

‎Ward Jouve‎

‎Female Genesis : Creativity Self and Gender‎

‎New York NY U.S.A.: St. Martin's Press 1998. Trade Paperback. Very Good. St. Martin's Press paperback‎

Bookseller reference : 302273 ISBN : 0312211872 9780312211875

‎Ward Michael. CS. Lewis. C. S.‎

‎PLANET NARNIA: THE SEVEN HEAVENS IN THE IMAGINATION OF C.S. LEWIS.‎

‎New York: Oxford University Press 2008. 347 pp 9 3/8" H. B&w illustrations. "In 'Planet Narnia' Michael Ward demonstrates that medieval cosmology a subject that fascinated Lewis throughout his life provides the imaginative key to the seven Narnia novels. Drawing on the whole range of Lewis's writings including previously unpublished drafts of the Chronicles Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - Jupiter Mars Sol Luna Mercury Venus and Saturn - planets which Lewis described as 'spiritual symbols of permanent value' and 'especially worthwhile in our own generation'. Using these seven symbols Lewis secretly constructed the Chronicles so that in each book the plot-line the ornamental details and most important the portrayal of the Christ-figure of Aslan all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance' the atmospheric essence of a story everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains 'connaitre' knowlege of the spiritual character which the tale was created to embody. This is a ground-breaking study that will provoke a major revaluation not only of the Chronicles but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized one whose central interests were hiddenness immanence and knowledge by acquaintance." One tiny edge scuff wrinkle at bottom of spine. Dust jacket has very light edge wrinkling - mainly at top/bottom of spine and flap-folds minor rubbing tiny dent on rear hinge. 3rd Printing. Hard Cover. Very Good/Very Good. Oxford University Press Hardcover‎

Bookseller reference : 30166 ISBN : 0195313879 9780195313871

‎Ward Sir. AW. & Waller AR. A. W. A. R.‎

‎The Cambridge History of English Literature Volume VIII The Age of Dryden‎

‎Cambridge Cambridgeshire: Cambridge at the University Press 1934. Contents include:- Dryden Samuel Butler Political and Ecclesiastical Satire The Early Quakers The Restoration Drama I II & III The Court Poets The prosody of the Seventeenth Century Memoir and Letter Writers Il Evelyn and Pepys etc. A good clean hardback which has faded spine. Slight creasing to endpapers along fore edge. Text block is clean binding square and tight. 390 pages. Prompt dispatch. . Cheap Edition. Hard Cover. Good/No Jacket. 8vo - over 7�" - 9�" tall. Cambridge at the University Press Hardcover‎

Bookseller reference : 044771

‎WARD William S.‎

‎A Literary History of Kentucky‎

‎Knoxville: The University of Tennessee Press 1988. Paperback. Foreword by Thomas D. Clark. Small 4to. Stiff glazed wrappers. xviii 484pp. Fine. Absolutely pristine first softbound edition of this hefty study. The University of Tennessee Press paperback‎

Bookseller reference : 34526 ISBN : 087049578X 9780870495786

‎WARD Patricia A.‎

‎Joseph Joubert and the Critical Tradition. Platonism and Romanticism‎

‎in-8 broché - 1980 - 151 pages - Ed. Librairie Droz S. A. Genève - coll. Histoire des Idées et Critique Littéraire - vol. 189 - texte en anglais‎

‎Bon état, très légères salissures sur la couverture‎

Bookseller reference : 47007

‎WARDEN Rob‎

‎Wilkie Collins's The Dead Alive: The Novel the Case and Wrongful Convictions‎

‎Evanston:: Northwestern University Press. Fine in Fine dust jacket. 2005. Hardcover. 0810122944 . Foreword by Scott Turow. First printing. Fine in a fine dust jacket. . Northwestern University Press, hardcover‎

Bookseller reference : 38657 ISBN : 0810122944 9780810122949

‎Wardleworth Una‎

‎Canadian Haiku‎

‎Montreal: Bunchberry Books 1979. 21cm 20p wraps. Signed by Illustrator. paperback. Fine/Fine. Illus. by Mary-Sue Haliburton. Bunchberry Books Paperback‎

Bookseller reference : 7498

‎Warhaft Sidney; Woodbury John‎

‎English Poems 1250 - 1660‎

‎Toronto: Macmillan Company of Canada 1964. 23cm 227p. hardcover. Fine/No Jacket. Macmillan Company of Canada Hardcover‎

Bookseller reference : 8239

‎WARNER Anthony.‎

‎Complementation in Middle English and the Methodology of Historical Syntax: A Study of the Wyclifite Sermons.‎

‎University Park:: Pennsylvania State University Press. Near Fine in Near Fine dust jacket. 1982. Hardcover. 027100326X . First edition. Near fine in a near fine dust jacket. . Pennsylvania State University Press, hardcover‎

Bookseller reference : 85187 ISBN : 027100326X 9780271003269

‎Warner Charles Dudley signed presentation copy‎

‎As We Go. Illustrated‎

‎New York: Harper and Brothers 1894. A presentation copy from the author inscribed/signed: "To J. Stafford Dronne Jr. Compliments of Chas Dudley Warner Nov 27 1893." Notice that the year of the inscription 1893 precedes the year printed on the title page 1894. A beautiful copy in Fine condition. Publisher's green cloth elaborately gilt-decorated on the spine and front cover. Gilt still bright and shiny as new. Slight offset on the endpapers apparently from the inner flaps of a dust jacket regretfully no longer present. Clean square tight and unmarked. Illustrated with a tissue-guarded frontispiece portrait of the author. There is also a facsimile of Warner's signature in red ink on the tissue-guard that is sometimes mistaken for an authentic signature. State A of BAL 21190. . INSCRIBED / SIGNED by the AUTHOR. First Edition. Hardcover. Original binding/No dust jacket. 12mo. 195pp. Harper and Brothers Hardcover‎

Bookseller reference : 001590

‎WARNER MARINA‎

‎Stranger Magic: Charmed States And The Arabian Nights‎

‎Harvard University Press Cambridge Massachusetts and London England: 2012. Hardcover with dustjacket. Brand new book. Our foremost theorist of myth fairytales and folktales explores the magical realm of the imagination where carpets fly objects speak dreams reveal hidden truths and genies grant prophetic wishes. Stranger Magic examines the wondrous tales of the Arabian Nights their profound impact on the West and the progressive exoticization of magic since the eighteenth century when the first European translations appeared. The Nights seized European readers' imaginations during the si�cle des Lumi�res inspiring imitations spoofs turqueries extravaganzas pantomimes and mauresque tastes in dress and furniture. Writers from Voltaire to Goethe to Borges filmmakers from Raoul Walsh on and countless authors of children's books have adapted its stories. What gives these tales their enduring power to bring pleasure to readers and audiences Their appeal Marina Warner suggests lies in how the stories' magic stimulates the creative activity of the imagination. Their popularity during the Enlightenment was no accident: dreams projections and fantasies are essential to making the leap beyond the frontiers of accepted knowledge into new scientific and literary spheres. The magical tradition so long disavowed by Western rationality underlies modernity's most characteristic developments including the charmed states of brand-name luxury goods paper money and psychoanalytic dream interpretation. In Warner's hands the Nights reveal the underappreciated cultural exchanges between East and West Islam and Christianity and cast light on the magical underpinnings of contemporary experience where mythical principles as distinct from religious belief enjoy growing acceptance. These tales meet the need for enchantment in the safe guise of oriental costume. Marina Warner is Professor of Literature Film and Theatre Studies at the University of Essex and a distinguished writer of fiction criticism and history. "My favorite work of non-fiction this year was Marina Warner's Stranger Magic: Charmed States and the Arabian Nights. In her exploration of this immense protean and much-translated Arabic collection of folk and fairy tales fifteen of them banded in here at intervals she has found a subject which seems an ideal fit for her own particular cast of mind. This book is like one of the densely patterned carpets it describes rich in overlapping narrative strands and in associative weave of thought. A gorgeous last chapter 'The Couch: A Case History' glides from the coded site of passion the flying sofa to the magic carpet via prayer mat festive balcony hanging nomadic house Smyrna rug on Freud's analytical couch�recalling the structural importance of eavesdropping in the Arabian Nights�then a description of Gabbeh an Iranian film about tribal carpet-weaving and back to Freud and his thoughts on levitation and sexual delight with a side swoop over Goethe's Faust calling for a magic cloak."�Helen Simpson The Times Literary Supplement "In Stranger Magic Warner surveys just how pervasively The Arabian Nights has influenced art and literature since the eighteenth century. On the surface her book covers what more dogmatic critics would call the West's cultural appropriation of the East� Stranger Magic is packed with information and insight� Warner writes with clarity and sometimes with exquisite beauty� Warner possesses an exceptionally synoptic mind almost Sherlockian in its sensitivity to connections and repeated motifs� Stranger Magic is in fact simply the latest in an exhilarating series of studies that reexamine the West's fantastic imagination. From the Beast to the Blonde No Go the Bogeyman and Phantasmagoria explore the cultural meanings of folktales and Mother Goose stories children's literature and fairy tales the fearful monsters beasts and ogres of nightmare and all the ways humankind has attempted to represent the spiritual. Ranged together these substantial works now joined by Stranger Magic look solid and magisterial on the bookshelf calling to mind the encyclopedic scholarship we associate with an earlier age. Nonetheless while Marina Warner is as learned as any Victorian polymath she also employs contemporary feminist theory and the insights of cultural studies to make us look once more or look more deeply at the history of cinema art theater and literature. Each of her books is an Aladdin's cave of wonders."�Michael Dirda The Barnes & Noble Review "Insightful� It's fascinating and highly informed."�Doug Johnstone Big Issue "Wonderful� Warner is herself something of a Shahrazad though she weaves her account under less threatening auspices� Many of the stories in the Nights take place in a legendary Baghdad or draw on older Persian sources but a few�such as the story of Hayqar the Wise�date back to ancient Egyptian tales from the seventh century BC. Warner is alert to these earlier echoes but she is more interested in the far-reaching cultural and literary impact of the Nights on artists composers and writers� From Voltaire and Goethe to Hans Christian Andersen and William Beckford down to Jorge Luis Borges and Italo Calvino�on all of whom Warner offers illuminating discussions�the influence of the Nights has been pervasive; but composers such as Mozart artists and designers illustrators and film-makers have also fallen under their spell."�Eric Ormsby Literary Review "I was entranced by Marina Warner's encyclopedic and pathbreaking study Stranger Magic: Charmed States and the Arabian Nights."�Pankaj Mishra The Guardian "Marina Warner's Stranger Magic has a double mission: On the one hand the author traces with a swelling orchestral richness why the Arabian Nights held such potent sway over figures like Coleridge becoming a runaway best seller in Europe and retaining a lock grip over the Western imagination for generations. But she also shows why its themes and preoccupations remain relevant today� Stranger Magic explores with immense learning and panache how it might be possible to develop an intellectual reasoned relationship to magic conjuring an alternative to the binary choice between Enlightenment thought and esoterica� Warner sprinkles the historical detective work of Stranger Magic with her own versions of key scenes from the Nights and her verve as a storyteller is among the book's delights� Stranger Magic is a large volume and it can sometimes be difficult not to get disoriented or suffer what Warner nicely dubs 'eyeskip' in the twists and involutions of the arabesque patterns being traced. However one of the merits of the book is that it teaches us why getting lost now and again can be salutary. In our absurdly busy bottom-line-fetishizing lives digression has become a bad word. But it's precisely the wide-roaming whirling vicissitudes of Shahrazad's tales that dazzle the sultan and keep her alive. Stranger Magic reveals that the fate of the human spirit hangs not by a single thread but by an extravagant skein of fancy."�George Prochnik Bookforum "Marina Warner's Stranger Magic is as absorbing wise and playful as the Arabian Nights tales themselves. A book about the triumph of imagination over experience."�Jeanette Winterson The Guardian "Noted mythographer and novelist Marina Warner here turns her piercing gaze to one of the most influential set of fables ever assembled The Thousand and One Nights. Analyzing the inner meanings of Scheherazade's tall tales she finds in these familiar narratives fresh import and life-changing potential."�The Barnes & Noble Review "This learned lively and well-written book concerns the wide-ranging influence of The Arabian Nights�a polyvocal anthology of world myths fables and fairy tales�on Western culture� Warner's densely detailed loose baggy monster of a book covers an impressive array of subjects from Voltaire and Goethe to Borges and Nabokov."�Jeffrey Meyers Booklist "Warner's analysis of Arabian Nights aims at redefining the relationship between East and West reason and imagination science and magic."�S. Gomaa Choice "Warner astonishes with the granularity of her accounts of the impact of these stories on their original European readers� What kind of stories is Shahrazad telling us now Immediately obvious is the relevance of Arabian Nights to crucial questions of perception of the East by the West during this season of Arab thaw and Iranian freeze� Warner does a good job especially in her 'Conclusion: "All the story of the night told over�"' to tease out these new interpretative figures in the textual carpet."�Brad Gooch The Daily Beast "Warner's massive work remains a powerful testimony to the enduring appeal of the 1001 Nights. Complex frequently subtle�her book will reward readers with sophisticated insights into the cultural exchange between West and East�a bit like The Arabian Nights itself."�Paul McMichael Nurse The Globe and Mail "If we might forget how central The Arabian Nights tales are to our culture Marina Warner's wondrous Stranger Magic is a scholarly excursion around some of the stories her mind as rich and fascinating as the stories themselves taking us on a magic carpet from Borges and Goethe to Edward Said and the movies."�Hanif Kureishi The Guardian "Stranger Magic is an enormous work 436 densely erudite and eclectic pages plus another hundred of glossaries and notes. In its relentless connecting up of diverse stories from the Inferno to Philip Pullman's His Dark Materials it's reminiscent of Christopher Booker's brick-sized Seven Basic Plots. Warner's chapters allocated into five parts are beautifully illustrated and interspersed with 15 tales concisely retold� Stranger Magic is a scholarly work that often reads like a fireside conversation. It's encyclopedic a book to be savored in slices."�Robin Yassin-Kassab The Guardian "Warner's gentle authority proves to be the perfect guide not only through many of the tales themselves but also through their attendant history and theories about them. What she's really exploring is the West's fascination with the Orient and how it has accommodated that alternative culture into its own: why was The Arabian Nights a text that wasn't sacred and wasn't even valued the one that the West alighted on so eagerly The fabulism the shape-shifting the play between the figurative and the literal that is found in the tales speaks to something in the West's psyche a need for fantasy. Warner cleverly relates this to 20th-century psychiatry Freud and his dreams and new technologies such as cinema and aeroplanes the allure of that magic carpet. Her immersion in her subject makes for an enthusiasm that proves to be infectious."�Lesley McDowell The Independent "Wondrous and lucid� When it comes to the tales themselves and their fantastical content Warner is an excellent guide and a stylish storyteller in her own right: her renderings of 15 of the stories punctuate the book� The remarkable feat she has pulled off in Stranger Magic is nothing less than a history of magic storytelling and centuries of cultural exchange between east and west. All in the guise of a book about one book albeit an inexhaustible one. There are more dutiful histories of those subjects just as there are scholarly studies of Arabian Nights that adequately describe its form politics or translations but never truly fly. The product of Warner's meticulous research is a weighty volume that feels airborne on every page."�Brian Dillon The Irish Times "Warner has long been recognized as one of the foremost scholars of the fairy tale and myth. Here she brings her characteristic erudition and insight to one of the great works of world literature The Arabian Nights using the best-known as well as some of the lesser-known stories to demonstrate how the Nights contributed to the rise of magical thinking across European and world culture� She ably demonstrates how the tales loom large in European culture and have provided the basis for much creativity and imagination since their discovery by the West in the 18th century� General readers and scholars in folklore history and Arabic literature alike will appreciate Warner's ability to make connections between the Nights and the way the stories have resonated over time and space."�David S. Azzolina Library Journal "More even than an inquisitive authoritative study of one of the greatest imaginative enterprises of human history this is a further chapter in Warner's unfolding of the power�the magical power as it may be�of the magical imagination� Some of the most original and compelling arguments in Stranger Magic concern the uses of Arabian flights of fantasy as vehicles for scientific and technological speculation� Jung said that the job of the mythographer might be not so much to spell out the meaning of myth as to 'dream the myth onward.' This is in a sense what Warner has undertaken to do for her account of The Arabian Nights and their transmigrations is itself knitted into the fabric of the history she presents. Each section of her account is prefaced by a retelling of one of the stories usually a neglected or less well known one and in the writing and the reading the separate threads of her argument�her accounts of the history of magic or the responses of particular writers to the stories or the nature of magical things or the politics of enchantment�pass under and over each other. Warner's scholarly imagination has never been less than compendious but it has never before been so intricately wrought or drawn together with such ingenuity the hitherto distinct currents of her writing as mythographer fabulist critic speculator and polemicist."�Steven Connor The London Review of Books "Marina Warner is a veteran magus and an adept mythographer of the vast global traditions of magic metaphor and myth� Pursuing the enigmas of imaginative desire throughout her career Warner persuasively redefines The Arabian Nights as an overgrown garden of the delights and hazards of desire� Warner quests for contemporary meaning in the major traditions of literary magic and carries with her back to The Arabian Nights our sore need for another way of knowledge� Warner's Stranger Magic harbors many richnesses of which I find the most beguiling what she names in her subtitle 'charmed states.'� Warner takes an honored place in the sequence of those who have studied what Isaiah Berlin and others have called the Counter-Enlightenment the speculations that renewed Neoplatonic and Gnostic heterodox versions of ancient wisdom. Her choice of The Arabian Nights as a vital strand in the Counter-Enlightenment is refreshing since she shows some of the ways in which storytelling is essential to this kind of knowledge. As a contemporary scholar of myth and magic she aids immensely in the struggle for literary values that has to be ongoing whatever the distractions of our moment."�Harold Bloom The New York Times Book Review "This remarkable study is an arabesque and an intricate Persian rug of themes eras tales and authors�of the Middle East and West playing on 'states of consciousness' as well as state-cultures. With a basic knowledge of Arabic from childhood as well as a Catholic upbringing Warner is almost divinely positioned to unravel the infinite strands of the wily Scheherazade as she weaves her way through the Arabian Nights exploring their boundless capacity to 'keep generating more tales in various media themselves different but alike: the stories themselves are shape-shifters.' From Disney's Aladdin to the works of Freud Goethe Hans Christian Andersen and others Warner explores the impact of the Arabian Nights on the West and the power of enchantment and fantasy. Like all myth these of flying carpets sofas and beds of genies and heroic connivers grant lasting insights into human aspirations transcendence and love. Carefully documented Warner's ever shifting work takes its place alongside that of Edward Said though she is refreshingly less polemical and less theoretical. No one need cover this enchanting ground again."�Publishers Weekly starred review "An elegant study of The Arabian Nights and the far-reaching influence of Scheherazade's endlessly unfolding takes on Western culture and on our visions of enchantment and fantasy."�Publishers Weekly "A wide-ranging erudite wondrously polymathic exploration of the tales of magic bound to the 'huge narrative wheel' with which Scheherazade enchanted the Sultan Shahryar through one thousand and one nights of storytelling. Warner too is a beguiling storyteller: her fascination with true knowledge embedded in realms of wonder. She releases the jinn of cultural modernism and scientific progress from the bottle in which it has been long confined by Western tradition."�Iain Finlayson The Times Harvard University Press, Cambridge, Massachusetts and London England: 2012 hardcover‎

Bookseller reference : 78018X1

‎Warner Oliver‎

‎English Maritime Writing Hakluyt to Cook‎

‎London: The British Council 1958. Book. Very Good. Paperback. First Edition. 8vo - over 7�" - 9�" tall. The British Council Paperback‎

Bookseller reference : 043404

‎WARNERS JDP. & LP. RANK. J. D. L. P.‎

‎Bacchus. I: Zijn leven verteld en verklaard door dichters mythografen en geleerden. II: Lyrisch leesboek over de god Bacchus met aantekeningen en vertalingen tevens een illustratie van het translatio-imitatio-aemulatio-principe‎

‎Amsterdam Athenaeum-Polak & v.Gennep 1968 - 1971. 2 volumes: XI159;XI364 p. Paperback 20 cm OiN 272 paperback‎

Bookseller reference : 151476

‎Warren Austin‎

‎CONNECTIONS. Essays on Donne Cotton Mather Sir Thomas Brown E. Dickinson Montague James Hawthorne A.C. Benson PE Moore‎

‎Ann Arbor:: Univ. of Mich. Pr. VG clean HB; DJ-VG. 1970. ISBN: 202 pp. Catalogs: LITERARY CRITICISM. Univ. of Mich. Pr. unknown‎

Bookseller reference : BOOKS004109I

‎Warren Austin‎

‎THE ELDER HENRY JAMES. Father of Wm. James & Henry James novelist‎

‎NY:: Macmillan. VG clean HB; DJ-fair. c. 1934. ISBN: B37761/. Catalogs: LITERARY CRITICISM. Keywords: philosophy. Macmillan unknown‎

Bookseller reference : BOOKS005279I

‎WARREN Austin‎

‎Connections‎

‎Ann Arbor: University of Michigan Press. Near Fine in Near Fine dust jacket. 1970. Hardcover. 0472949004 . First edition. Near fine in a near fine age toning dust jacket. . University of Michigan Press hardcover books‎

Bookseller reference : 26517 ISBN : 0472949004 9780472949007