‎Painting‎

‎Ems, Rudolf von‎

‎Weltchronik. Der Stricker: Karl der Grosse.‎

‎Luzern, Faksimile-Verlag, 1982. 4°. 214 faksimil. Bl.; 76 faksimil Bl. Mit farb. Illustr. auf Goldgrund nach Miniaturen u. farb. Initialen. Dem Orig.-Einband entsprechender Lederbd. über Holzdeckeln mit 10 Metallbuckel-Beschlägen u. 2 Metall-Lederschliessen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 3810BB|3810BB_2‎

‎Nr. 302 v. 980 (GA 1'060) Ex. (Vergriffen. Neupreis 10'800.--). Faksimileband nach der Handschrift 302 (um 1300) der Kantonsbibliothek (Vadiana) in St. Gallen. "In seinen letzten Lebensjahren schrieb Rudolf von Ems auf Veranlassung des Stauferkönigs Konrad IV. eine Weltchronik in über 33000 paarweise gereimten Versen. Sie behandelt in mittelhochdeutscher Sprache die Geschichte von der Erschaffung der Welt bis zum Tode Salomos. (...) Das im Spätmittelalter vielgelesene Epos des "Strickers" geht in seinem Ursprung auf das altfranzösische Rolandslied zurück, das vom Regensburger "Pfaffen Konrad" um 1170 erstmals ins Deutsche übertragen worden war. Der "Stricker" erweiterte das alte Heldenlied aus dem Umkreis Karls zur in Versen erzählten Kunde ritterlicher Lebensformen. Im Mittelpunkt steht die Legenede um Karl und seinen treuesten Kampfgefährten Roland (...)" (Faksimile Verlag Luzern). Ohne den Kommentarband. - Tadellos erhalten.‎

Bookseller reference : 3810BB

‎EMSLANDER, Fritz;‎

‎UNTER KLASSISCHEM BODEN. BILDER VON ITALIENS GROTTEN IM SPATEN 18. JAHRHUNDERT,‎

‎Berlin, Reimer Verlag , 2006 Gebunden, 160 x 240mm., 350 S. m. 26 Farb- u. 90 s-w-Abb., 17 x 24 cm. ISBN 9783496013488.‎

‎Der Abstieg in das Terrain unter klassischem Boden fuhrte die Reisenden des 18. Jahrhunderts zu den Ursprungen ihrer Kultur, ihrer Kunst und ihres Glaubens. Sie fanden ein zweites Rom unter der Erde, bei Neapel das Tor zum Hades, auf Sizilien Hohlenmenschen. Fur die Zeit zwischen Aufklarung und Romantik kann Emslander einen Wandel des Italienbildes ausmachen: Empirische Beobachtung, neue wissenschaftliche und asthetische Perspektiven sprengen den klassischen Besichtigungskanon. Grosse voyages pittoresques zeigen, wie die Malerei die Literatur als Wahrnehmungsparadigma auf Reisen teilweise abloste. Wahrend die aufwandigen Publikationen Italien als pittoreskes Spektakel vorfuhren, entwickeln die Maler ein Spektrum von Inszenierungen, um Grotten mit Bedeutung und Stimmungen aufzuladen. So konnte ein- und dieselbe Hohle als idyllische Hirtengrotte Naturgeborgenheit oder als finsteres Raubernest die Gefahren des Reisens suggerieren, als Lustort des italienischen Volkes oder als heroische Kulisse der Mythologie vorgestellt werden. In der Ambivalenz des Hohlenmotivs spiegelt sich die Vervielfachung des Blicks auf ein zwischen Paradies und Holle changierendes Land, bevor dieses von der fruhen Tourismusindustrie neu definiert wird. Neue.‎

Bookseller reference : 21899

‎ENCKELL JULLIARD Julie‎

‎Au seuil du salut : les décors peints de l'avant-nef de Farfa en Sabine [2 volumes]‎

‎Complete en 2 volumes, I: texte: 315pp., II: CD-ROM, 30cm., Thèse de doctorat en histoire de l'art à l'Université de Lausanne et de Poitiers, br., cachet au verso de la p.d.t., texte frais, bon état, S112285‎

‎ENGELEN Leon‎

‎Leon Engelen - Verloren schoon‎

‎Hoeselt, Engelen Fine Arts 2012 996pp., met 800 in kleur afgebeelde schilderijen, gesigneerd met opdracht door de auteur, 30cm., geïll. uitgeversband, goede staat, gewicht: 5.3 kg., L114087‎

Bookseller reference : L114087

‎Engelhard, Günter / [Hausner, Rudolf] [Artist]‎

‎Rudolf Hausner‎

‎Contains many color plates. 17.5x12.5cm. 30+96 pages. Hardcover. Cover corners/edges and spine edges slightly bumped and worn. Else in good condition.‎

‎Engelhardt, Josef - Oehring, Erika [Hrsg.]‎

‎Josef Engelhart. Vorstadt und Salon. Mit Beiträgen von Marian Bisanz-Prakken, Traute Fabich-Görg u.v.a. und einem Vorwort von Wolfgang Kos.‎

‎Wien, Christian Brandstätter Verlag, 2009. 4°. 27,5 cm. 183 Seiten. Original-Pappband. Original-Schutzumschlag.‎

‎1. Auflage. Katalog anlässlich der Ausstellung des Wien Museums, Hermesvilla, 2. April - 26. Oktober 2009. Mit zahlreichen Abbildungen in Farbe. Sehr gutes Exemplar.‎

Bookseller reference : 1526EB

‎ENGHIEN‎

‎REALISATION D'UN INVESTISSEMENT EN OEUVRES D'ART DE LA SOCIETE X. TABLEAUX MODERNES. [ BRUSSET. CASANOVA. HIRAKAWA. FUCHS. AR-YAROK. AKAGI. BAGLIONE. VAN DEN BOSSCHE. BURMAN... ]. 29/10/SANS. (46 grams)‎

‎ESTIMATIONS‎

‎English, Michael‎

‎The Anatomy of Illusion : A Painter's Guide to Hyper-Realist Technique‎

‎No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn with very minor creasing/rubbing to upper edge. 125pp. From the foremost artist of the hippy Underground and exponent in excellence of airbrushed hyper-realism in painting which reveals the detailed trickery of this approach. With a large number of in many cases, full-page or larger colour images which show the style.‎

‎Engraved by Robert Sears from a painting by Easton‎

‎Revd A Jones Bangor - portrait print‎

‎London: Westley & Davis Stationers Court Portrait print of a clergyman. Undated but 19th century. Heavily stained and browned. Crease to the upper left corner. Small old binding holes to the right of the image where it was once held in a volume. Some paper remains and thins to the rear where it was once mounted. Sheet measures approximately 21.4 x 13cm. This is a light item and pp will be reduced when the order is processed. Fair. Fine Art Print. Westley & Davis Stationers Court unknown‎

Bookseller reference : 008341

‎Engraved By Giorgio Ghisi Almost Certainly After A Painting By Teodoro Ghisi‎

‎The Coronation Of The Virgin Original Engraving By Giorgio Ghisi 1579‎

‎Rome: Ant. Lafreri 1579. Original Art Work . No Binding. Good. The Coronation Of The Virgin" Is One Of Ghisi's Most Admired Works. His Genius Is Said To Have Resembled That Of Raphael Whose Friendship He Enjoyed. A Rare Print With Printed Area 31.3 Cm X 22.2 Cm This Example With .6 Cm Margins All Around. See Lewis The Engravings Of Giorgio Ghisi #53. An Unusual Depiction Of The Seven Joys Of The Virgin Seldom Depicted In Medieval Iconography And Never Regularized. The Lewises Were Unable To Find Any Correspondence Of Lists Of The Joys In Modern Iconographical Dictionaries. This Example Is State 2 With The Inscription And Publisher's Address Added Below; The Lewises Only Identified Two Known Example Of The State 1 Which Lacks The Text And Address. Some Wear Small Tears And Chips In Margins Outside The Printed Area. Light Staining To Upper Right Corner. Pencil Note On Reverse Indicares It Was From The R. A. P. Davison Collection. <br/> <br/> Ant. Lafreri unknown‎

Bookseller reference : 038382

‎Engraving By Alfred Krausse After A Painting By H. Fenn‎

‎Hebron Original Engraving Of A View Of The City‎

‎New York Circa 1890: D. Appleton & Co 1890. First Edition . No Binding. Very Good. Engraving 9 3/4" X 6 3/4" On Sheet 12 15/16" X 8 1/4 <br/> <br/> D. Appleton & Co unknown‎

Bookseller reference : 038467

‎Engraving By C. Cousen After A Painting By B. F. Leader‎

‎On The Llugy North Wales Original Antique Engraving‎

‎New York Circa 1885: D. Appleton & Co 1885. 1st Edition . No Binding. Fine. 14 7/8" X 10 7/8". <br/> <br/> D. Appleton & Co unknown‎

Bookseller reference : 038603

‎Engraving By Finden After A Painting By A. E. Chalon‎

‎The Lady Wilhelmina Stanhope Original Engraving‎

‎London 1839. First Edition . No Binding. Good. 14 1/2" X 10 3/4". Small Chips At Corners; Some Foxing Spots. <br/> <br/> unknown‎

Bookseller reference : 038506

‎Engraving By C. Cousen After A Painting By H. Fenn‎

‎The Plains Of Jericho From The West Original Engraving Of A View‎

‎New York Circa 1890: D. Appleton & Co 1890. First Edition . No Binding. Very Good. Engraving 9 3/4" X 6 3/4" On Sheet 12 15/16" X 8 1/4 <br/> <br/> D. Appleton & Co unknown‎

Bookseller reference : 038468

‎Engraving By John Burnet Aftyer A Painting By James Ramsay‎

‎Thomas Bewick Engraver On Wood Original Engraving Of A Portrait‎

‎London 1817. First Edition . No Binding. Fine. Engraving 5 1/2" X 4 1/2" On Sheet 14" X 10 5/16". John Burnet 1781 Or 1784 -1868 Was A Scottish Engraver And Painter. Son Of The Surveyor-General Of Excise Of Scotland Burnet Was Born Either In Edinburgh In 1781 Or In Fisherrow In 1784. He Was Apprenticed To The Engraver Robert Scott And Later Trained At The Trustees Academy. In 1806 He Moved From Edinburgh To London Where He Became An Established Painter Of Portraits Landscapes And Rural Genre Scenes. Between 1808 And 1862 He Exhibited Regularly At The Royal Academy The British Institution And With The Society Of British Artists And Was Finally Awarded A Fellowship To The Royal Society. As An Engraver He Provided Illustrations For Editions Of Robert Burns'S Poems And Walter Scott'S Waverley Novels. He Engraved Copies Of Paintings Of Several Notable Portraits And Artists. He Also Wrote Manuals And Books On Drawing Painting And Artists Retiring From Public Life In 1860.Source: Wikipedia. <br/> <br/> unknown‎

Bookseller reference : 038466

‎Enneper, Mic‎

‎Vier Fotoübermalungen.‎

‎o.J. 4 Blatt., 52977AB Verso marginale Fixirrückstände, sonst sehr gut erhalten.‎

‎Acryl auf Fotopapier. 4 Fotoübermalungen, 30,2 x 24,0 cm, signiert, datiert 1983. Mic Enneper, geboren 1950 in Unna, lebt und arbeitet in Köln. Ausstellungen u.a. Staatliche Kunsthalle Baden-Baden, Galerie Bugdahn und Kaimer Düsseldorf; Städtlische Kunsthalle Mannheim; Städtisches Museum Leverkusen, Schloß Morsbroich Leverkusen; Haus am Waldsee Berlin; Institut für Moderne Kunst Nürnberg etc.‎

Bookseller reference : 52977AB

‎ENSOR James‎

‎James Ensor retrosepctieve 16 juni-15 augustus 1951 (Antwerpen, Koninklijk Museum voor Schone Kunsten)‎

‎56pp.tekst + 94pp.ills. (zw/w), geïll.omslag, enkele roestplekjes, goede staat‎

‎Eprile Tony Dust Wrapper painting by Anton Brink author photo by Miriam Berkley‎

‎THE PERSISTENCE OF MEMORY A NOVEL‎

‎New York: W. W. Norton & Company 2004. Very Good in Very Good dust jacket. 2004. First Edition. Hardcover. 0393058883 . First edition of the author's first novel. This copy has been signed by the author on the half-title page. "Fuses a searing political and cultural satire with a haunting coming-of-age story to render South Africa's turbulent past with striking clarity". 297 pages. VG copy spine cocked and end bumped with a crease to the upper portion else would be a Near Fine or better copy in otherwise Near Fine Dust Wrapper with creasing to the front flap and with an "Autographed Copy" sticker affixed to the front panel.; Signed by Author . W. W. Norton & Company [2004] hardcover‎

Bookseller reference : 55414 ISBN : 0393058883 9780393058888

‎ERAY ÖZCAN.‎

‎Eray Özcan. Resimle 20 yil.= 20 years of painting.‎

‎Very Good English Paperback. Pbo. Very good. 4to. (28 x 24 cm). 143 p. In Turkish and English. Color ills. =[20 years in painting]. Eray Özcan. Resimle 20 yil.= 20 years of painting.‎

‎ERCÜMEND KALMIK, (Turkish arrtist and art historian), (1909-1971).‎

‎[THE COLOR OF HARMONY SYSTEMS] Renklerin armoni sistemleri.‎

‎Fine Turkish Paperback. Folio. (31 x 23 cm). In Turkish. 61, [1] p., xv numerous color plates. Renklerin armoni sistemleri. Kalmik was an artist and art historian, known for his work in studying the lyrical-abstract Turkish painters. In 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli 's was a student. In 1937, after graduation time in various newspapers and magazines and worked. In 1939 Paris 'e went and André Lhote 's studied painting at the workshop. Sorbonne University 's also took courses in art history. After returning to Turkey in 1940 in Ankara and Istanbul, was an art teacher at various high schools (1942-47). In 1947 Istanbul Technical University Faculty of Architecture 'in the colors and shapes began to teach composition. In 1967-68 Berlin Technical University's department of architecture as a guest lecturer in the basic design taught. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats and sailboats in front of an abstract landscape imagery began funding. With solid color stain, which highlights the contours of a lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened. Picture, as well as many of the Republican era artists such as Turkish official's theoretical and philosophical concepts of articles on who wrote, conferences and radio talk conducts the Kalmik, "The Color of Harmony Systems" and "Nature and Art Texture entitled" two books in the 1950s, Istanbul Technical was published by the University. First Edition.‎

‎ERDEM ALKAN, JÜLIDE ARSLAN, ASLI AYDEMIR, AYSE BILSEL, ASLI BOR et elli.‎

‎ABC Design Exhibition.= ABC Tasarim Sergisi. 5-20 July 2005. [Exhibition catalogue].‎

‎Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. [20] p., color ills. ABC Design Exhibition.= ABC Tasarim Sergisi. 5-20 July 2005. [Exhibition catalogue].‎

‎Erdmann, K‎

‎Die Kunst Irans zur Zeit d. Sasaniden.‎

‎Berlin, Kupferberg, (1943). 4°. M. 1 Kte. u. 100 Abb. 137 S. OHlwd.‎

Bookseller reference : 407747

‎Ergas, Yemima‎

‎Works: 1979 - 1999 [IN ENGLISH AND HEBREW].‎

‎IN ENGLISH AND HEBREW. 23.5x16.5cm. 93 pages. Softcover. In good condition.‎

‎ERGUN ÇAGATAY, (1937-2018).‎

‎Ergun Çagatay: Photographers Series 9 = Fotograf Sanatçilari Dizisi 9. [Retrospective]. Edited by Merih Akogul.‎

‎New English Paperback. 4to. (28 x 20 cm). In English and Turkish. 291, [1] p., color ad b/w photos. Ergun Çagatay: Photographers Series 9 = Fotograf Sanatçilari Dizisi 9. Edited by Merih Akogul. Ergun Çagatay's photography is an advanced continuation of the ancient photo-interview tradition. All the changes in this fast-paced world, disasters, instabilities and cultural mosaics attract photographers into the field because they are, by nature, single-mindedly passionate about recording all of it in he annals of history. hat extremely brief moment those photographers condense into a frame not only reflects their world vision and philosophy but also transmits profound messages to those reading it in times to come.‎

‎Erhard, Johann Christoph‎

‎Am Canal in Wien. 1819. [Original-Radierung / original etching].‎

‎o.J. (Johann Christoph Erhard, geboren am 21. Februar 1795 in Nürnberg, gestorben am 20. Januar 1822 in Rom. Deutscher Maler und Radierer der Romantik. Besuchte die Zwinger?sche Zeichnenschule, ab 1809 Lehre bei dem Nürnberger Kupferstecher Ambrosius Gabler. Erhard eng an die Künstler Johann Adam Klein und Georg Christoph Wilder an). [4 Warenabbildungen]‎

‎Original-Radierung auf Büttenpapier, unterhalb der Abbildung im Druck beschriftet "Am Canal in Wien", signiert und datiert "JC Erhard f. 1819". Werkverzeichnis Apell 8 II (von II). Blatt hinter einfachem Passepartout an zwei Ecken fixiert. Maße Blatt: 24,2 x 30,8 cm. Maße Abbildung: 16,0 x 20,0 cm. Blatt wenig gedunkelt, wenig fleckig. Noch guter bis sehr guter Zustand. Original etching on handmade paper, inscribed "Am Canal in Vienna" below the illustration in the print, signed and dated "JC Erhard f. 1819". Catalog raisonné Apell 8 II (of II). Sheet fixed at two corners behind simple passe-partout. Sheet dimensions: 24.2 x 30.8 cm. Dimensions image: 16.0 x 20.0 cm. Leaf slightly darkened, slightly stained. Still in good to very good condition.‎

Bookseller reference : 15544DB