‎Painting‎

‎Erotic Fore edge Painting DRURY Henry 1812a1863 editor.‎

‎Arundines Cami sive Musarum Cantabrigiensium Lusus Canori atque edidit Henricus Drury.‎

‎Cantabrigiae:: J. et J.J. Deighton; Londini: Joh. Gul. Parker 1846. 1846. Two parts in one vol. 8vo. xii 13-335 1 pp. Title & leaves with red borders throughout. Text mostly in Latin and English with some Greek. Original full dark green gilt-stamped morocco raised bands all edges gilt "Bound by Dodd" Cambridge; rubbed. Foxed. Armorial bookplate of Thomas Sebastian Bayley M.A. "Finem Respice". With an erotic fore-edge painting showing a bedroom scene the young man wearing only his shirt lying in bed the nude lady-lover stroking his erect penis and taking some pleasure as his feet play between her legs. Painted for Harrington's London by their house artist ca. 1995. / The text is compiled by Drury with numerous poetic contributions from various sources. Includes "A Song of Sixpence." p. 113. Among the English selections are contributions by Samuel Rogers Gray Burns Shakespeare Tennyson Gammer Gurton unknown Sheridan Byron Andrew Marvel Ben Jonson Cowper Milton Congreve Prior Colton etc. "In 1838 Drury became classical lecturer at Caius but having been ordained he left Cambridge in 1839 to take sole charge of Alderley Gloucestershire a curacy which he exchanged the following year for that of Bromham Wiltshire. Drury together with some friends projected and published the Arundines Cami a collection of translations into Latin and Greek verse by several Cambridge men. The first edition was published in a beautiful form in 1841 and four subsequent editions appeared during Drury's lifetime; a sixth after his death was edited by his son-in-law Mr. H. J. Hodgson in 1865. These successive editions contained several new pieces." Wikipedia. See: "Sudden Death of the Archdeacon of Wilts and Chaplain to the House of Commons" The Times London Tuesday 27 Jan 1863 p. 8. PROVENANCE: Thomas Sebastian Bayley M.A. fl.ca.1855 Lancashire. J. et J.J. Deighton; Londini: Joh. Gul. Parker, 1846. hardcover books‎

Bookseller reference : FF2480

‎Erotic Fore edge Painting FORBERG Friedrich Karl Charles 1770 1848.‎

‎Manual of Classical Erotology De figuris Veneris. Literal English version.‎

‎Manchester:: Privately Printed for Viscount Julian Smithson and friends 1884. 1884. 8vo. ii xiii 248pp. Rebound by Martin Frost in three-quarter dark crimson morocco raised bands gilt-stamped spine marbled boards with edge tooling in blind all edges gilt. Fine. EROTIC MANUAL WITH DOUBLE FORE-EDGE PAINTING SIGNED BY THE ARTIST. With a wonderfully erotic and playful double fore-edge painting by the master of the discipline Martin Frost painted ca. 1996. Signed by the artist "MF" in the scene. In classical motifs borders and set within an oval frame: Three nude nymphs running to an erect Satyr. On ethe reverse: Three Satyrs one erect approaching a nude nymph. Signed on the lower right of the scene oval. / The text is arranged in two books containing eight chapters: The Metamorphoses of Venus; I: Of Copulation; II: On Pedication; III: Of Irrumation; IV: Of Masturbation; V: Cunnilingues; VI: Of Tribads; VII: On Intercourse with Animals; VIII: Of Spintrian Postures; concluding with an "Enumeration of the Erotic Postures" 90 of them. / Bound by the artist himself Martin Frost newly gilded edges on this privately printed edition of 100 copies: "None of these copies are for sale." / "De figuris Veneris On the figures of Venus is an anthology of ancient Greek and ancient Roman writings on erotic topics discussed objectively and classified and grouped by subject matter. It was first published by the German classicist Friedrich Karl Forberg in 1824 in Latin and Greek as a commentary to Antonio Beccadelli's 1394-1471 Hermaphroditus commonly referred to as Antonii Panormitae Hermaphroditus an erotic poem sequence of 1425 in renaissance Latin though it was later also published as a separate work." / "Forberg's work was later also translated into English in 1899 and published by Charles Carrington as De figuris Veneris Manual of classical erotology and again in 1907 by Charles Hirsch and into French German and Spanish. The French edition by Alcide Bonneau was titled Manuel d’érotologie classique. One French edition of 1906 was illustrated by Édouard-Henri Avril which concludes with a list of 95 sexual positions. Most of the editions were restricted to high society or censored; one of the copies edited in France was immediately deposited on the secret shelves of the Bibliothèque nationale de France. The Spanish translation was titled Manual de erótica clásica." Wikipedia. Privately Printed for Viscount Julian Smithson, and friends, 1884. hardcover books‎

Bookseller reference : FF2482

‎Erotic Fore edge Painting LONGFELLOW Henry Wadsworth 1807 1882.‎

‎The Poetical Works Lyrical and Dramatic. With an introductory essay by the Rev. G. Gilfillan. and numerous original illustrations. Seventh edition.‎

‎London:: Bickers and Bush 1858. 1858. Small 8vo. xxvi 476 30 pp. Illustrated with steel engravings. Original full tan gilt-ruled calf raised bands spine compartments gilt tooled red leather spine label all edges gilt; rubbed corners worn. Very good. With an erotic fore-edge painting of a man and woman nude in bed etc. Painted for Harrington's London by their house artist ca. 1997. Well painted scene very erotic. The scene is not signed but the origin of being painted is known Bickers and Bush, 1858. hardcover books‎

Bookseller reference : FF2485

‎Erotic Fore edge Painting MILTON John 1608 1674.‎

‎The Poetical Works of John Milton. Edited after the original texts by the Rev. H. C. Beeching.‎

‎Oxford:: Clarendon Press 1900. 1900. 8vo. xiii 3 554 2 pp. Frontispiece facsimile of Milton's handwriting. Original red calf all edges gilt; professionally rebacked to match in red calf raised bands gilt title "FOREDGE PAINTING" stamped at foot of spine; rubbed some scuffing spine is fresh. Prize bookplate of St. Paul's Girls' School gained by Burella Taylor July 1909 Frances R. Gray Head Mistress. Very good. With an erotic fore-edge painting set within a wide ochre border corner florets in black the scene depicting a mostly nude woman reclined in her bed fingering her vagina holding on the other hand a dildo. Another woman is entering the chamber. On the left side of the frame is a bureau with a mirror and a goblet. The lady in bed is watching herself masturbating in the mirror. Painted for Harrington's London by their house artist ca. 1994. Harrington's commissioned the binding repair adding the new spine and the words "FOREDGE PAINTING" at the foot of the spine. Clarendon Press, 1900. hardcover books‎

Bookseller reference : FF2487

‎Erotic Fore edge Painting TENNYSON Alfred Lord 1809 1892.‎

‎Collected Works. Becket 1884.‎

‎London: 1864-85. 1864. Eight volumes. Small 8vo. Original full dark red gilt-stamped morocco all edges gilt; rubbed. Bookplates of Samuel Bronfman; ownership signature of Edwin Robinson 1864 1872. All volumes with crudely painted erotic scenes on the fore-edges fanned in both directions. EIGHT-VOLUMES WITH EROTIC DOUBLE FORE-EDGE PAINTINGS. INVENTORY: 1 Enoch Arden etc. London: Edward Moxon 1864. Small 8vo. 4 178 pp. Fore-edge painting: 1 Nude couple on a bed she with upstretched arms he with his penis erect approaching his lover. 2 Nude man masturbating. 2 Idylls of the King. A new edition. 1864. Small 8vo. vi 2 261 1 pp. Fore-edge painting: 1 Vertical scene showing the woman kneeling and performing fellatio on the man. 2 Nude man and woman with another copulation position. 3 Poems 1864. Sixteenth edition. Small 8vo. xii 379 1 pp. Fore-edge painting: 1 Copulation position. 2 Back-view of the man and woman enjoying a seated position nude as if watching a sunset probably on the edge of a bed. 4 The Princess a medley. Twelfth edition. with: Maud and other poems. A new edition. London: Edward Moxon 1864. Two volumes in one. Small 8vo. vi 183; viii 168 pp. Fore-edge painting: 1 Nude couple penis erect the lady lying down and relaxing next to him. 2 The nude couple with a copulation scene. 5 The Holy Grail and other poems. London: Strahan 1870. Small 8vo. 6 222 pp. Fore-edge painting: 1 Nude man lying down performing fellatio on the nude women straddling above him. 2 Man nude masturbating. 6 Gareth and Lynette. London: Strahan 1872. Small 8vo. 6 136 pp. Fore-edge painting: 1 Full penetration scene of the man and woman viewing from the man's rear. 2 Man and woman nude where he is performing fellatio on the woman. 7 Becket. London: Macmillan 1884. Small 8vo. 4 213 3 pp. Fore-edge painting: 1 Man & woman in bed nude she manipulates his genitalia. 2 Nude embrace. 8 Tiresias and other poems 1885. Small 8vo. viii 203 1 pp. Fore-edge painting: 1 Nude couple the lady performing fellatio on the man. 2 Another position of the same she with her back to the man manipulating his genitalia. PROVENANCE: Edwin Robinson 1864 – Samuel Bronfman 1889-1971 Canadian businessman. 1864-85. unknown books‎

Bookseller reference : FF2489

‎Erpel, F‎

‎Die Selbstbildnisse Rembrandts.‎

‎Berlin, Henschel, 1967. 4°. M. 155 Abb. 234 S. OLwd.‎

Bookseller reference : 300332

‎ERSAL YAVI.‎

‎A pictoral history of 5000 years of civilization in Tokat.= Yagliboya resimlerle Tokat ilinin 5000 yillik medeniyet tarihi.‎

‎Fine English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. [56] p., color and b/w ills. A pictoral history of 5000 years of civilization in Tokat.= Yagliboya resimlerle Tokat ilinin 5000 yillik medeniyet tarihi.‎

‎ERTZ‎

‎Pieter Breughel le jeune (1564-1637/8)- Jan Breughel l'ancien (1568-1625).Une famille de peintre flamand vers 1600‎

‎, Lingen, Luca, 1998., Bound, couverture originale de la couleur de l'editeur relie cartonne, 28.5x24.7 cm., 439 pp, illustre en couleur et n / b. ISBN 392364146x.‎

‎Une famille de peintre flamand vers 1600. Exposition: Villa Hugel, Essen, le 16 Aout to 16 Novembre 1997; Kunsthistorisches Museum, Vienne, 9. Decembre 1997 a 1914 Avril 1998; Musee royal des Beaux-Arts, Anvers, le 3 mai to 26 Juillet 1998. bon etat !!!‎

Bookseller reference : 46479

‎ERTZ Klaus & NITZE-ERTZ Christa (red.)‎

‎Pieter Breughel de Jonge (1564-1637/8), Jan Brueghel de Oude (1568-1625). Een Vlaamse schildersfamilie rond 1600‎

‎Lingen, Luca Verlag 1998 439pp.rijkelijk geïllustreerd in kleur en zw/w, 28cm., gebroch., Catalogus van tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 3 mei - 26 juli 1998), mooie staat, S85138‎

Bookseller reference : S85138

‎ERTZ Klaus & NITZE-ERTZ Christa (red.)‎

‎Pieter Breughel de Jonge (1564-1637/8), Jan Brueghel de Oude (1568-1625). Een Vlaamse schildersfamilie rond 1600‎

‎439pp.rijkelijk geïllustreerd in kleur en zw/w, 28cm., gebroch., Catalogus van tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 3 mei - 26 juli 1998), mooie staat, S85138‎

‎Erwin Joos‎

‎Eugeen Van Mieghem‎

‎Antwerp, BAI, 2009 Hardback, 280x220mm, 272p, 460 col.ill, English edition , new condition !! . ISBN 9789085864745.‎

‎In recent years, the work of the Antwerp harbour artist Eugeen Van Mieghem is being rediscovered through expositions in e.g. Barcelona, London, New York, Paris, Amsterdam and Berlin. This is particularly due to the author and curator of the Eugeen Van Mieghem Museum in Antwerp, Erwin Joos, who is studying the oeuvre since 1982. This is his first book describing the largest Van Mieghem collection in the world which is located in the Municipal Print Room of the City of Antwerp counting no less than 610 works of the artist. Van Mieghem grows up in the centre of the old Antwerp harbour. In 1892, when attending the Antwerp Academy, he sees works of e.g. Van Gogh, Seurat and de Toulouse-Lautrec. In 1896, he is dismissed from the Academy and works here and there in the harbour. In 1901, he is very successful at "La Libre Esthetique". Soon after that, he marries Augustine Pautre. Around 1900, he paints an impressive series about the Jewish emigrants who leave for the New World with the Red Star Line. At the end of that year, Augustine falls ill and Van Mieghem represents her when she is dying in an impressive series of drawings and pastels. In 1912 his first individual exposition is being organised, but the burgeoning international interest is suddenly broken off by the World War I. In 1920, Van Mieghem is appointed professor at the Antwerp Academy, and until his death, he continues his artistic activities in the context of the Antwerp harbour and its population. As no other he draws and paints the life of the man in the street, living and working in a world harbour.‎

Bookseller reference : 21111

‎Erwin Joos‎

‎Eugeen Van Mieghem ANTWERP‎

‎Anvers, BAI, 2009 Hardback, 280x220mm, 272 pages , 460 col.ill, ENGLISH edition , new condition !! . ISBN 9789085864745.‎

‎De laatste jaren wordt het werk van de Antwerpse havenkunstenaar Eugeen Van Mieghem internationaal herontdekt door tentoonstellingen o.a. in Barcelona, Londen, New York, Parijs, Amsterdam en Berlijn.Dit is mede te danken aan auteur en conservator Erwin Joos van het Eugeen Van Mieghem Museum in Antwerpen die sinds 1982 het oeuvre bestudeert. Dit is zijn eerste boek gewijd aan de grootste Van Mieghem collectie ter wereld: het Stedelijk Prentenkabinet der Stad Antwerpen dat niet minder dan 610 werken van deze kunstenaar bezit. Van Mieghem groeit op in het hartje van de oude Antwerpse haven. In 1892 komt hij de Antwerpse Academie in contact met het werk van o.a. Van Gogh, Seurat en de Toulouse-Lautrec. In 1896 werd hij echter van de academie verwijderd en gaat werken in de haven. In 1901 kende Van Mieghem heel wat succes op "La Libre Esth tique". Kort daarna huwt hij met Augustine Pautre. Rond 1900 maakt hij een indrukwekkende reeks over de Joodse landverhuizers die met de Red Star Line naar de Nieuwe Wereld vertrekken. Eind dat jaar wordt Augustine ziek. Van Mieghem zal haar stervend weergeven in een indrukwekkende reeks tekeningen en pastels. In 1912 heeft hij een eerste individuele expositie maar de ontluikende internationale belangstelling wordt door de Eerste Wereldoorlog abrupt afgebroken. In 1920 Van Mieghem benoemd tot leraar aan de Antwerpse Academie en tot aan zijn dood blijft hij kunst maken over de Antwerpse haven en haar bevolking. Als geen ander heeft hij het leven van de gewone mens, levend en werkend in een wereldhaven, getekend en geschilderd. In recent years, the work of the Antwerp harbour artist Eugeen Van Mieghem is being rediscovered through expositions in e.g. Barcelona, London, New York, Paris, Amsterdam and Berlin. This is particularly due to the author and curator of the Eugeen Van Mieghem Museum in Antwerp, Erwin Joos, who is studying the oeuvre since 1982. This is his first book describing the largest Van Mieghem collection in the world which is located in the Municipal Print Room of the City of Antwerp counting no less than 610 works of the artist. Van Mieghem grows up in the centre of the old Antwerp harbour. In 1892, when attending the Antwerp Academy, he sees works of e.g. Van Gogh, Seurat and de Toulouse-Lautrec. In 1896, he is dismissed from the‎

Bookseller reference : 57204

‎Eschbach, Norbert‎

‎STATUEN AUF PANATHENÄISCHEN PREISAMPHOREN DES 4. JHS. V. CHR‎

‎Very minor shelfwear. ; 11.6 X 8.3 X 0.9 inches; 182 pages‎

‎Escholier, R‎

‎Paris. Éd. nouv.‎

‎Paris, Ed. Alpina, (1941). M. 4 farb. Taf. nach Gemälden v. Clément-Serveau u. zahlr. fotogr. Abb. 159 S. Farb. ill. OU.‎

‎Serveau (* 1886), franz. Maler, Grafiker u. Illustrator. Vollmer IV, 264.‎

Bookseller reference : 621966

‎ESER AFACAN, MUSTAFA ATA, ERTUGRUL ATES, RESUL AYTEMÜR, BEDRI BAYKAM, DEVRIM ERBIL, EKREM KAHRAMAN, INBRAHIM ÖRS, SÜLEYMAN SAIM TEKCAN et alli.‎

‎[Painter's Istanbul].= Ressamlarin Istanbul'u. 18 Mart - 11 Nisan 2009. [Exhibition catalogue].‎

‎New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 64 p., color ills. [Painter's Istanbul].= Ressamlarin Istanbul'u. 18 Mart - 11 Nisan 2009. [Exhibition catalogue]. 1000 copies were printed.‎

‎Eshbach Lloyd Arthur Introduction by Algis Budrys Dust Wrapper painting by Stephen E. Fabian‎

‎OVER MY SHOULDER: REFLECTIONS ON A SCIENCE FICTION ERA‎

‎Philadelphia: Oswald Train: Publisher. Fine in Fine dust jacket. 1983. First Edition; First Printing. Hardcover. First edition. Well written history of science fiction/fantasy/horror small press publishing Arkham House Fantasy Press Fantasy Publsihing Co Inc / FPCI Gnome Press Donald M. Grant Prime Press Shasta Publishers etc. 417 pages photo-illustrated index. Fine copy in Fine not price clipped Dust Wrapper.; 8vo 8" - 9" tall; 417 pages . Oswald Train: Publisher hardcover‎

Bookseller reference : 70320

‎Eshbach Lloyd Arthur Introduction by Algis Budrys Dust Wrapper painting by Stephen E. Fabian‎

‎OVER MY SHOULDER: REFLECTIONS ON A SCIENCE FICTION ERA‎

‎Philadelphia: Oswald Train: Publisher. Fine in Near Fine dust jacket. 1983. First Edition. Hardcover. First edition. Well written history of science fiction/fantasy/horror small press publishing Arkham House Fantasy Press Fantasy Publsihing Co Inc / FPCI Gnome Press Donald M. Grant Prime Press Shasta Publishers etc. 417 pages photo-illustrated index. Fine copy in price clipped as issued with new price stamped onto the front flap also as issued Near Fine or better Dust Wrapper. . Oswald Train: Publisher hardcover‎

Bookseller reference : 60120

‎ESIN ATIL.‎

‎Levni and the Surname: The story of an eighteenth century Ottoman festival.‎

‎New New English Original bdg. HC. In publisher's special slip-case. 4to. (31 x 31 cm). In English. 247, [3] p., color ills. Levni and the Surname: The story of an eighteenth century Ottoman festival. Levni's pictorial narrative of the Surname-i Vehbi, poet Vehbi's account of the festival organized in 1720 to commemorate the circumcision of four sons of Sultan Ahmed III, is undoubtedly one of the masterpieces of Ottoman art and possibly the last great example of illustrated Islamic manuscript. Preserved in the Topkapi Palace Museum in Istanbul, the work is illustrated with 137 paintings that re-create the personages, settings, and events of an extraordinarily lively and enchanting age known as the Tulip Period.‎

‎ESPACE CARDIN‎

‎CONTEMPORARY ART DEPARTMENT. FIRST AUCTION IN PARIS. A FLASH OF US AVANT GARDE. REALISM. NEW REALISM. PHOTO REALISM. [BAEDER. RICHARD BERNSTEIN. ARNE BESSER. BEN BIANCHI. BRAINARD. BRUDER. EDWARD CHAPLIN. D'ARCANGELO. CLARKE. CONLIN. CYRSKY..]. 12/04/1973‎

‎QUELQUES RESULTATS DE LA VENTE‎

‎ESPACE CARDIN‎

‎IMPORTANTS TABLEAUX DES XIXE ET XXE SIECLES. AQUARELLES. DESSINS. GOUACHES. PASTELS. SCULPTURES. [BONNARD. BOTTINI. CROSS. DEGAS. DUFY. GUYS. HARPIGNIES. MAX-JACOB. LAURENCIN. MARQUET. VUILLARD. ZANDOMENEGHI. DALOU. MALFRAY. BISSIERE..]. 18/06/1973. (244‎

‎AVEC LES RESULTATS DE LA VENTE‎

‎ESPACE CARDIN‎

‎IMPORTANTS TABLEAUX MODERNES. 04/06/1987. (324 grams)‎

‎ESPACE CARDIN‎

‎JEUNES - 2E VENTE. [GRAVIS. STEINER. KAWIAK. MC EWEN. MUZO. LOULOU PICASSO. TRISTAM. BISMUTH. LANGLADE. LARRIVAE. LOUSTAL. RAPID. SERRUYA. NOLL. MARGARINE. KANDISSA. MATTOTI. MARAVAL. KRISTOFF. ROUFFET. MOUILLE. FRANCOIS PASCAL. DE GUELTZI…]. 09/03/1987.‎

‎ESPACE CARDIN‎

‎NOVY RUCH POLONAIS. TABLEAUX MODERNES ET D'AUJOURD'HUI. [BENEDYKTOWICZ. BOGUSLAWSKI. CIAPALLO. FALAT. EYSYMONT. DUDA-GRACZ. GRZYWACZ. ANNA GUNTNER. LJUBA. ADAMI. REQUICHOT. HEROLD. CHAISSAC. MATTA. 25/03/1974- 26/03/1974. (206 grams)‎

‎ESPACE CARDIN‎

‎PICASSO. PORTRAIT DE MADAME H.P. 27/11/1994. (674 grams)‎

‎ESPACE CARDIN‎

‎TABLEAUX CONTEMPORAINS. 29/03/1979. (36 grams)‎

‎AVEC LES RESULTATS‎