Kyoto 1964. Original Art Work . No Binding. Very Good. Painting On Board 10 1/8" X 9" With Full Information On Verso In English Signed By Artist On Recto. <br/> <br/> unknown
1950: Goes 1950. Original Artwork . No Binding. Near Fine. Offset Lithograph By Sanford De Jonge After His Painting. 11" X 9". Copyright By Goes But Not Signed By De Jonge. <br/> <br/> Goes unknown
London 1859-1861: Virtue 1859. Original Art Work . No Binding. Near Fine. 32.8 X 24.5 Cm. Boat's Crew Recovering An Anchor; Seascape With British And Danish Ships In The Background Entering Portsmouth Harbour Smaller Sailing Boat In The Right Middle Distance Rowing Boats On The Left Buoy In The Left Foreground On Choppy Waves; After Jmw Turner Butlin & Joll 80; Original Edition. 1859-61 Electrotype Printed On Chine Coll�. <br/> <br/> Virtue unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London : Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1787. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1790. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1787. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London : Charles Taylor 1787. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1787. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London : Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1790. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1787. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London Circa 1795 1795. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> unknown
London: Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1788. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1786. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London : Charles Taylor 1787. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
London: Charles Taylor 1789. 1st Edition 1st Printing. No Binding. Very Good. Original Mezzotint Publisher And Date At Bottom 20.7 X 16 Including Wide Margins. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. . <br/> <br/> Charles Taylor unknown
Paris 1719. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Antoine Houdar Or Houdart Of La Motte Born On January 17 1672 In Paris Where He Died On December 26 1731 Is A French Writer And Playwright . He Held An Important Place In The Literary Life Of His Time By His Writings And His Conceptions. In The Salon Of The Marquise De Lambert Whose La Motte Was One Of The Pillars With His Friend Fontenelle With Whom He Shared An Absence Of Prejudice And A Spirit Of Investigation The Question Was Considered Of Whether Versification Was Indispensable To Poetry. It Was Ultimately Thought That The Verse Rendered The Poet Slave With Superfluous Complicated And Harmful Rules Which Favored The Ankles And Periphrases And Hindered The True Expression Of Poetry. It Was Advocated To Return To The Sharpness And Firmness Of Prose Especially In The Theater For Reasons Of Naturalness. Houdar De La Motte Wanted To Demonstrate That Prose Could Very Well Serve Poetry. He Gave Fenelon's The Adventures Of Telemachus As An Example In This Sense And Put In Prose A Scene Of Mithridates Of Racine.His Reputation Today Rests On The Excellent Prose In Which He Expressed His Views Much Better Than His Verses Hard And Colorless. We Also Remember That He Refrained From Answering A Letter From Jean-Philippe Rameau Who Would Have Liked To Put One Of His Librettos To Music: Probably A Great Opportunity Missed By Houdar De La Motte. But More Than By His Productions It Is By His Role In The Movement Of Ideas And By The Important Place He Occupied In The Literary Life Of His Time That The Name Of Houdar De La Motte Has Reached Us. "He Proved According To Voltaire That In The Art Of Writing One Can Still Be Something In The Second Rank. "French Wikipedia. G�rard Edelinck 20 October 1640 Baptized - 2 April 1707 Was A Copper-Plate Engraver And Print Publisher Of Flemish Origin Who Worked In Paris From 1666 And Became A Naturalized French Citizen In 1675; His Son Nicolas-Etienne Edelinck Did This Engraving. <br/> <br/> unknown
London: The European Magazine 1821. 1st Edition 1st Printing. No Binding. Near Fine. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. James Thomson 1788-1850 Was An English Engraver Known For His Portraits. He Completed His Apprenticeship In Engraving And Then Established Himself Independently Following The Dot And Stipple Style. His Engravings And Paintings Featured Both Leading Figures Of His Day And Those Of Previous Periods. <br/> <br/> The European Magazine unknown
London : G. Robinson 1809. 1st Edition 1st Printing. No Binding. Near Fine. Original Engraving A Supplement To The May 7 1809 "The Phoenix" Newspaper . One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Francis Edward Rawdon-Hastings 1St Marquess Of Hastings Kg Pc 9 December 1754 - 28 November 1826 Styled The Honourable Francis Rawdon From Birth Until 1762 As The Lord Rawdon Between 1762 And 1783 And Known As The Earl Of Moira Between 1793 And 1816 Was An Anglo-Irish British Politician And Military Officer Who Served As Governor-General Of India From 1813 To 1823. He Had Also Served With British Forces For Years During The American Revolutionary War And In 1794 During The French Revolutionary Wars. He Took The Additional Surname 'Hastings' In 1790 In Compliance With The Will Of His Maternal Uncle Francis Hastings 10Th Earl Of Huntingdon. James Heath 19 April 1757 - 15 November 1834 Was A Prolific English Engraver. He Enjoyed The Patronage Of George Iii And Successive Monarchs And Was An Associate Engraver Of The Royal Academy. His Earliest Engravings Were Of Portraits In The Collected Edition Of Horace Walpole's Works. He Was Subsequently Employed To Engrave Thomas Stothard's Designs For Harrison's "The Novelist's Magazine" And Bell's "Poets Of Great Britain" And The Taste And Dexterity With Which He Rendered These Small Illustrations Brought This Style Of Illustration Into Great Popularity. He Made Many Engravings After Artists Such As Stothard Smirke And Others And These Were To Be Found In Publications Such As: Sharpe's "British Classics" The "Lady's Poetical Magazine"2 Forster's "Arabian Nights" Glover's "Leonidas" And Many Similar Editions Of Popular Works. He Engraved Some Of The Plates For John Boydell's "Shakespeare" And Also In 1802 Published His Own Six-Volume Illustrated Edition Of Shakespeare. In 1780 He Exhibited Three Engravings At The Exhibition Of The Society Of Artists. In 1791 He Was Elected An Associate Engraver Of The Royal Academy And In 1794 Was Appointed Historical Engraver To George Iii Continuing In That Post Under Successive Sovereigns Until His Death. He Engraved Some Large Plates Notably "The Dead Soldier" After Joseph Wright Of Derby "The Death Of Nelson" After Benjamin West "The Riots In Broad Street. 1780" After Francis Wheatley "The Death Of Major Pierson" After J S Copley "Titian's Daughter" After Titian"The Holy Family" And "The Good Shepherd" After Murillo "The Holy Family" After Raphael Etc. He Worked First In Stipple And Afterwards In Line Sometimes In Conjunction With Others Keeping A Large Number Of Pupils Working Under His Direction. He Re-Engraved The Existing Set Of Hogarth's Plates And Completed The Engravings Of Stothard's "Canterbury Pilgrims" Left Unfinished By Schiavonetti At His Death. He Also Engraved Numerous Portraits. Wikipedia <br/> <br/> G. Robinson unknown
London: Henry Colburn 1838. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving. Foxing. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. James Thomson 1788-1850 Was An English Engraver Known For His Portraits. He Completed His Apprenticeship In Engraving And Then Established Himself Independently Following The Dot And Stipple Style. His Engravings And Paintings Featured Both Leading Figures Of His Day And Those Of Previous Periods. <br/> <br/> Henry Colburn unknown
London Circa 1810: Charles Dyer 1810. 1st Edition 1st Printing. No Binding. Near Fine. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Joseph Goupy 1689-1769 Was A Painter Watercolorist Scenographer And Engraver Of French Origin Who Spent His Entire Career In England And Was For A Time Close Collaborator Of Georg Friedrich Handel. His Reputation Peaked In 1724 When George I Asked Him To Restore Andrea Mantegna's Triumph Of Caesar At Hampton Court Castle For Which He Was Paid � 200 . That Year George Vertue Reports In His Notes That Goupy Participated Alongside The Painter Peter Tillemans In The Development Of Paintings For Scenographies For The Haymarket Opera House A Work For Giulio Cesare In Egitto From Handel. In 1727 His First Official Work For The Royal Academy Of Music Was The Painted Decorations Of Handel's Riccardo Primol. In Addition Goupy Engraved A Scene Drawn From The Life Of Caius Mucius Scaevola Partly Carried To Music By Handel. He Also Produced During This Period Two Suites Of Engravings For The Duke Of Devonshire The Duke Of Rutland And Jonathan Richardson . He Also Gave Drawing Lessons To Young Aristocrat Robert Spencer 1701-1729 To Countess Dorothy Savile Boyle The Wife Of Lord Burlington Who Was A Remarkable Portraitist And To Mark Catesby. 1720-1730 Date Most Of His Engravings After Landscapes Of Italian Masters. In 1735 He Worked With William Hogarth To Finally Pass The Engraver Copyright Act Protecting The Engravers From Piracy Of Their Work. Over Time He Fell From Favor And Died As A Pensioner Of The King On One Pound Per Week. <br/> <br/> Charles Dyer unknown
London Circa 1797 1797. 1st Edition 1st Printing. No Binding. Near Fine. Original Engraving Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. James Brudenell 5Th Earl Of Cardigan 20 April 1725 - 24 February 1811 Styled The Honourable James Brudenell Until 1780 And Known As The Lord Brudenell Between 1780 And 1790 Was A British Courtier And Politician Who Sat In The House Of Commons From 1754 To 1780 When He Was Raised To The Peerage As Baron Brudenell. Ten Years Later He Inherited The Earldom Of Cardigan From His Brother George Montagu 1St Duke Of Montagu The 4Th Earl Of Cardigan. In 1791 He Was Appointed Constable And Governor Of Windsor Castle Succeeding His Brother The Duke Of Montagu A Post He Held Until His Death. Joseph Collyer 14 September 1748 - 24 December 1827 Also Called Joseph Collyer The Younger Was An English Engraver. He Was An Associate Of The Royal Academy And Portrait Engraver To The British Queen Consort Queen Charlotte. <br/> <br/> unknown
London : Robert Wilkinson 1810. 1st Edition 1st Printing. No Binding. Near Fine. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> Robert Wilkinson unknown
Kawachiya Mohei. 1851. 77 single color and black and white woodblock prints 39pp 10 x 7 inches traditional Japanese binding: folded sheets with thread binding fukurotoji. Wear and soiling to cover; light dampstaining visible in top 1/3 corner of several sheets. A primer of how to paint bamboo illustrated with some beautifully evocative images eg. of snow on bamboo bamboo in the wind. . Kawachiya Mohei. unknown
Theo Audel Publishers 1947. Hardcover. Very Good. Second Edition 1947 hardcover in excellent condition: unmarked pages a little age-yellowed light wear at spine ends. 294 pages. Color strips in the front. 1.3 lbs <br/> <br/> Theo Audel Publishers hardcover
Taiwan: Needle Painting Association 2008. 71pp col ills. Or pictorial boards. Near new. Bilingual text in English and Chinese. First Edition. Hard Cover. Fine. Square 4to. Needle Painting Association Hardcover
Bookseller reference : 035072 ISBN : 9868416000 9789868416000
Boston: Journey Editions 1994. HEAVY. xvi 205pp num col ills including several folding. Or maroon cloth in pictorial jacket. Very slight edge wear to jacket. At times erotic funny brutal and sad this collection of stories and paintings from Woronov's last fifteen years depict what women settle for in Los Angeles. Her punks bimbos housewives and runaways confront us with our own concerns about the future death and how to make peace. First Edition. Hard Cover. Fine/Very Good. Illus. by Woronov Mary. 4to. Journey Editions Hardcover
Bookseller reference : 012254 ISBN : 1885203004 9781885203007
Receive by email
Download as PDF document
RSS feed
Permanent link
