‎Guerre 14/18‎

‎LYADOV Anatoly 1855 1914‎

‎Op. 32. Tabatière à musique . Score and parts‎

‎Leipzig: M. P. Belaïeff PN 1556 1897. Octavo. Original publisher's gray wrappers with titling within decorative border. 1f. recto decorative title printed in dark green verso blank 3-10 pp. 1f. 8 parts: flutes clarinets bells 1 leaf each harp 3 pp. Title in Russian and French to upper. Publisher's catalogue of orchestral music to verso of upper wrapper and recto and verso of lower. Decorative title printed in green with printed dedication at head: "à mon fils Michel."<br/><br/>Wrappers slightly worn. Minor browning. Parts uncut. First Edition of this arrangement. M. P. Belaïeff [PN 1556] unknown books‎

书商的参考编号 : 34779

‎DEBUSSY Claude 1862 1918‎

‎Trois Chansons de Charles d'Orleans Score‎

‎Paris: A. Durand & Fils PN D. & F. 7179 1910. Quarto. Original publisher's light brown wrappers with titling in red and black within decorative border. Unbound as issued. 1f. recto title printed in red and black verso blank 19 pp. Text in French and English. With "Ch. Douin gr. ." and "Imp. A. Mounot. Paris" printed at foot of final page of music.<br/><br/>Wrappers very slightly worn; publisher's handstamps to lower outer corner of upper. Light uniform browning. First Edition later issue Lesure 92.<br/><br/>The present work premiered in Paris on 9 April 1909 at a Concert Colonne under the composer's direction.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 7179] unknown books‎

书商的参考编号 : 33660

‎ROCHBERG George 1918 2005‎

‎Contra mortem et tempus Performance scores‎

‎Bryn Mawr: Theodore Presser Company 114-40116 1967. Very Good. 4 scores. Small oblong folio. Wrappers. 39 pp. each.<br/><br/>Occasional light markings in pencil. Very small dampstain to upper right corners of two copies. First Edition. Theodore Presser Company [114-40116] unknown books‎

书商的参考编号 : 35629

‎THOMAS SAN GALLI Wolfgang A. Thomas Wolfgang Alexander 1874 1918‎

‎Beethoven‎

‎München: Wunderhorn-Verlag 1910. Large octavo. Original publisher's dark ivory wrappers printed in dark green. 1f. recto half-title verso blank 1f. recto blank verso tipped-in half-length portrait of the composer 1f. recto title verso blank 1f. recto dedication verso blank 1f. recto excerpt from the Skizzenbuch of 1812 verso blank 9-70 pp. 1f. colophon. <br/><br/>Wrappers slightly worn. Minor offsetting of frontispiece to title; final signatures slightly loose. Occasional pencilling. Thomas-San-Galli was a German musicologist music critic and violist. Wunderhorn-Verlag unknown books‎

书商的参考编号 : 33354

‎CUI Cesar 1835 1918‎

‎Izbrannye stat'i Selected essays. Sostavitel' avtor vstupitel'noi stat'i i primechanii I. L. Gusin Editor author of the introductory essay and commentary: I. L. Gusin‎

‎Leningrad: Gosudarstvennoe muzykal'noe izdatel'stvo State Music Publishers 1952. Octavo. Full dark brown cloth with titling in olive green within blindstamped rules spine with decorative blindstamping titling in olive green. 690 i pp.<br/><br/>Binding slightly worn and bumped. Occasional minor foxing and browning; tear to inner portion of pp. 689-690 with no loss. The only collection of articles by this noted Russian composer and critic of French-Lithuanian descent dating from after 1865 with a complete bibliography of writings one volume only covering Cui's writings from 1864-1865 was published in 1918. Edited by the Gosudarstvennyi nauchno-issledovatel'skii institut teatra i muzyki State scholarly research institute for theater and music. Gosudarstvennoe muzykal'noe izdatel'stvo (State Music Publishers) unknown books‎

书商的参考编号 : 30775

‎1914 Official Baseball Book Guide‎

‎1914 Spalding's Official Baseball Record Book Guide Original Reach's‎

‎1914 Spalding's Official Baseball Record Book Guide Original Reach's. 1914 Spalding Baseball Record Guide Book that reviews the 1913 Season and Previews 1914. It is in decent collectible shape with nice covers. In it are photos of star players in Major League Baseball. There are team photographs and full page shots of the 1913 World 's Series. This season saw the The Philadelphia Athletics A's with Connie Mack eddie Plank eddie Colins Chief Bender Etc beat out the NY New York Giants with John McGraw Christy Mathewson and Jim Thorpe. There is coverage over several pages of the 1913 Series with photos of all the action All Star Cameo photos of the likes of Mathewson Ty Cobb and Shoeless Joe Jackson records of teams and Championships back to 1871 in a section of the book full page Walter Johnson photograph and plenty more. We will be listing a major find of baseball Publications from this source. The book is complete and in NICE SHAPE overall. Inside are the RARE photos mentioned and plenty more such as pages full of photos statistics lists records anecdotes This is an over 100 years old Baseball book. The covers and spine are intact. It is complete with clean inside pages. Hard to find in such a nice condition. unknown books‎

书商的参考编号 : 16982

‎PHILLIPPS WOLLEY Clive born Edward Long Oldnall Clive Phillips 1853 1918.‎

‎A Sportsman’s Eden.‎

‎London:: Richard Bentley and Son 1888. 1888. 8vo. xv 261 pp. Table p. 238; stained and a bit wrinkled along margins marginal ink notes on pp. 14 28 endpapers foxed. Original half blind-ruled brown calf and teal cloth five raised bands and gilt-stamped black spine label; extremities rubbed hinges reinforced with brown leatherette. Ownership ink signature of William Macgillivray. Very good. FIRST EDITION. Written in letter form by an Englishman about explorations and hunting in the Adirondacks and British Columbia Canada. In the introduction the author states his wife came along and some of her letters to her friends are incorporated into the work in order to appeal to both sexes. See ABC BookWorld for further biographical data. Richard Bentley and Son, 1888. hardcover books‎

书商的参考编号 : LLV2495

‎HERSEY John 1914 1993.‎

‎The Walnut Door.‎

‎Philadelphia:: Franklin Library 1977. First edition. 1977. Series: The First Edition Society. 24 cm. xii 227 pp. Brown lettered title illus. Decorative orange and gilt-stamped full textured leather a.e.g. satin endpapers ribbon bookmark. Fine. " On the verge of a new life in New Haven Elaine Quinlan becomes the unsuspecting and increasingly fearful object of the vague advances and designs of self-styled security salesman Eddie Macaboy." Franklin Library, 1977. First edition. hardcover books‎

书商的参考编号 : LLV2412

‎CHICAGO John W. TAYLOR photographer 1846 1918‎

‎Album containing 154 albumen photographs of Chicago by a noted photographer including important architectural images as well as images relating to the preparations for the 1893 World's fair the stockyards as described by Upton Sinclair and more‎

‎Chicago 1890. Oblong folio. 10 3/4 x 13 inches. 152 albumen photographs most 7 x 9 inches mounted recto and verso of each leaf within the album. Images captioned in manuscript on the mount below the image many signed in white ink or in the negative by Taylor. Expertly bound to style in half dark purple morocco over period cloth covered boards spine lettered in gilt marbled endpapers<br/> <br/>A remarkable album of early Chicago photography by John W. Taylor: a significant photographic record of Chicago in the late 19th century.<br/> <br/>A major photographic record of the city of Chicago and its architecture in the late 19th century almost entirely the work of the significant photographer John W. Taylor with his imprint in the negative. Taylor was a bookseller and stationer before advertising himself as a commercial photographer in the late 1880s. He concentrated his work on Chicago-area architecture and city infrastructure. Today he is recognized as a pioneering photographer of architecture working in Chicago at the very beginning of the skyscraper era. This superb photograph album presents a fairly comprehensive view of Chicago's architecture and life during one of the city's most interesting and vibrant periods from the highest of the skyscrapers to the interiors of pig pens in the stockyards with numerous residences parks lush interiors the 1893 World's Fair and more in-between. Taylor's importance as one of the earliest significant architectural photographers is addressed in Peter Bacon Hales' Silver Cities: Photographing American Urbanization 1839-1939: "Photographers of the older generation managed to retain their identities even as they adjusted to their more prosaic role as visual adjuncts to the architects who designed the buildings they photographed. J.W. Taylor of Chicago for example made an extensive survey of the "modern" buildings of Chicago and its environs many of which traveled throughout the globe as architects and engineers converged on the city in the later 1800s and beyond to see the miracle of the Chicago style of building. Taylor's pictures went as far as Melbourne Australia in the collection of Australian architect E.G. Kilburn who made his pilgrimage to the architects' mecca in 1889. Kilburn stared sketched and took notes; then he brought back photographs by Taylor of everything from the Pullman company town to the Palmer House." Chicago has been an especially important architectural center since the period represented in this collection. After the Great Chicago Fire of 1871 destroyed most of the buildings in the downtown area a special class of architects and engineers flocked to the city resulting in an architectural boom unequaled in the history of 19th century urban development. Hallowed names such as Louis Sullivan Dankmar Adler John M. Van Osdel Daniel Burnham William W. Boyington William LeBaron Jenney John Wellborn Root William Holabird Martin Roche Edward Baumann Harris W. Huel Solon Spencer Beman and Clinton J. Warren stamped their unique architectural character on the Chicago landscape. Each of these architects is amply represented in the photographs contained herein. There is even one photograph of the magnificent lobby of the Rookery Building considered the grandest lobby in Chicago at the time. This view is especially interesting to architectural historians because this interior was remodeled a short time later in 1905 by Adler & Sullivan's former head draftsman Frank Lloyd Wright. The late 19th century was also a transitional time in building construction when architects were beginning to leave behind cast iron frames and experiment with steel-frame construction and large areas of plate glass especially in the "Commercial Style" made famous by Sullivan and others in the Chicago School. As a result some of the earliest modern skyscrapers are found in Chicago. A general summary of the photographs in the album is as follows: forty-two buildings including the Masonic Temple the tallest skyscraper in the world at the time the Woman's Temple the Rookery Building the Chamber of Commerce the Monadnock Building the Northern Hotel the Home Insurance Building the Tacoma Building the Caxton Building the Pullman Building the Oakland Hotel the Grand Pacific Hotel Palmer House the Auditorium Building Marshall Field's the Lester Building the Hotel Metropole Libby Prison the New Regiment Armory depots and churches; seven downtown street scenes; seventeen residential streets including Lake Shore Dr. and Michigan Ave. and residences of prominent citizens including Potter Palmer and Lambert Tree; twenty parks pavilions and recreation scenes; three of Grant Monument and its unveiling; ten Lincoln Park scenes some with animals; three of Garfield Park; ten featuring World's Fair building construction; nine views of the October 1892 World's Fair dedication showing ceremonies and a large parade; two scenes of boating; twelve views of stockyards and meat processing six exterior and interior views of an auditorium; eight interiors including Palmer House and a bank; and three scenes of horse racing at Washington Park. Taylor's photographs reside in the collections of the Art Institute of Chicago fifty-six images and the Chicago History Museum 150 images. The subject matter of those collections and the present work overlap significantly testament to the prodigious nature of Taylor's output. For example this collection has a significant number of images related to the World's Columbian Exposition a.k.a. the Chicago World's Fair of 1893; the Chicago History Museum collection contains no images from this monumental event in Chicago's history. A truly remarkable record of Chicago architecture by a significant photographer. unknown books‎

书商的参考编号 : 29191

‎De Leon TC. Thomas Cooper 1839 1914 T. C.‎

‎Four Years in Rebel Capitals with a Biographical Sketch of the Author By Louis De V. Chaudron Author's autographed edition‎

‎Mobile AL: The Gossip Printing Company 1892. Octavo. Author's autograph edition with portrait frontispiece signed. In addition he has written a long note: "It is not the deeds men do as much as their manner of doing that makes impression on an era." J.C. DeLeon Mobile January 1896. 1-23--12 1 pp. dedication 5-6 i-vii 11-376 pages. The author was from a prominent Jewish family his brother became the first Surgeon-General of the Confederacy. De Leon saw the sad failures of the Confederate government from the financial mismanagement to his description of the horrendous prices that led the women of Richmond to start the "bread riots" meat butter pork $35 a pound; common shoes $200-800 a pair; a barrel of flower $1400. He writes that the Richmond papers were often seen more editorials of emotion while the Northern papers were often considered more reliable. Ralph Jeffrey Newman lists this as one of the essential books for a serious Civil War Library. Bound in brown decorative cloth lettered and decorated in black and gilt spine lettering gilt floral endpapers p. 375 shows a bit of separation at the gutter a spot of rubbing to upper board mild bumping to corners. previous owner's name stamped on endpapers. A very good copy. Howes D-241: Nevins II 218. The Gossip Printing Company unknown books‎

书商的参考编号 : 028183

‎TENNIEL John 1820 1914‎

‎Autographed letter signed about his appointment to sit for a portrait‎

‎1888. unbound. very good. 1 page 9.5 x 7.5 inches London June 18 1888 confirming his appointment at Wm. Wards studio in part: "Yes! - I shall be not only very happy but very proud to sit to Mr. Ward for my portrait for you & take it as an immense compliment into the bargain. Mr. Ward & myself will be able to arrange about the sittings - when the time arrives - without much difficulty. Forgive me for not writing sooner." This letter was addressed to Sir Henry Lucy a patron of the arts who mounted the letter in a scrap book and added a postscript in the left margin: "The portrait was painted and hung for years in our dining room." Gently faded at the edges with light spotting in the margins; still in very good condition overall.<br/><br/> English illustrator and political cartoonist who was prominent in the second half of the 19th century. He was the illustrator for "Alice in Wonderland" and is best remembered as the principle political cartoonist for "Punch" magazine for over 50 years.<br/><br/> unknown books‎

书商的参考编号 : 281899

‎SPIEGEL Herbert 1914 2009; David SPIEGEL 1945 .‎

‎Trance and Treatment; clinical uses of hypnosis.‎

‎New York:: Basic Books 1978. 1978. 8vo. xiv 382 pp. Figs. index. Cloth dust-jacket; jacket torn. Ownership signature of J. Wayne Cooper. Good. ISBN: 046508687X Herbert Spiegel was Clinical Professor of Psychiatry at the College of Physicians Columbia University and his son David was Asst. professor of Psychiatry and Behavioral Sciences at Stanford University. Herbert Spiegel "was an American psychiatrist who popularized therapeutic hypnosis as a mainstream medical treatment for patients suffering from pain anxiety and addictions. He also gained notoriety for his treatment of the woman known as Sybil whose case became the subject of a book 1976 television miniseries and 2007 television movie. "Spiegel told a reporter in 1977 that he had used hypnosis to help 4000 patients control obesity phobias or addiction to cigarettes over the past ten years. – Wikip. Basic Books, 1978. hardcover books‎

书商的参考编号 : M14046 ???????? : 046508687X 9780465086870

‎SCHIPPERGES Heinrich 1918 2003.‎

‎Der Garten der Gesundheit; Medizin im Mittelalter.‎

‎Munich:: Artemis 1985. 1985. First edition. Small 8vo. 295 1 pp. Figures. Cloth gilt-stamped dust-jacket. Ownership signature. Very good copy. The Garden of Health; Medicine in the Middle Ages. / The author prolific in his writings specialized in neurology and psychiatry but taught the history of medicine at the Eberhard Karls University of Tubingen and at the Rheinische Friedrich-Wilhelms-Universitat Bonn. Artemis, 1985. hardcover books‎

书商的参考编号 : M13701

‎SCHIPPERGES Heinrich 1918 2003.‎

‎5000 Jahre Chirurgie - Magie Handwerk Wissenschaft.‎

‎Stuttgart:: Kosmos 1967. 1967. Small 8vo. 96 pp. Figs. Color printed wrappers. Ownership signature of Ulrich Hacker. Very good. Schipperges was a German university teacher of medical history and medical theory. He was a prolific writer. Kosmos, 1967. unknown books‎

书商的参考编号 : M13750

‎HOLDEN Edward Singleton 1846 1914.‎

‎Publications of the Washburn Observatory of the University of Wisconsin. Volume II.‎

‎Madison:: Democrat Printing 1884. 1884. 8vo. v 347 appendix 53 pp. Woodcut frontis. of Washburn Observatory plates tables; some pages marginally water-stained very faint. Brown cloth gilt-stamped spine title; lightly faded corners a little bumped. Very good. The appendix is a catalog of the holdings within the Observatory's library. Democrat Printing, 1884. hardcover books‎

书商的参考编号 : Z1356

‎Meziricsky E. H. pseud. of Emil Hejl 1914 ?‎

‎Plakalo dítě.: poesie A child was crying.: poetry‎

‎Letovice: self-published 1931. Octavo 18.6 × 12.8 cm. Original typographically designed wrappers anonymous; 18 2 pp. Wrappers detached from text and lightly soiled; text lightly toned; still good or better. Scarce provincial book of poetry with understated but appealingly avant-gardistic wrapper design by Oldřich Elbl. We are unable to find much information about the author here using a pseudonym who authored numerous books of poetry as well as art criticism. Equally little is known about the designer Oldřich Elbl. A scarce example of Czech regional avant-garde publishing. One of 180 copies. Not in Vloemans. KVK and OCLC only show the copy at the Czech National Library. unknown books‎

书商的参考编号 : P6434

‎DEBUSSY Claude 1862 1918‎

‎Khamma Arranged for solo piano‎

‎Paris: A. Durand & Fils PN D. & F. 8443 1912. Folio. Original publisher's light gray printed wrappers. 1f. blank 1f. recto title printed in red and black verso "Personnages" "Note concernant l'exécution" etc. 32 pp. With "Imp. Mounot Nicolas Paris" printed at foot of title and "Ch. Douin gr ." and "Paris Imp. Chaimbaud & Cie." printed at foot of final page of music.<br/><br/>Upper wrapper detached; lower partially detached; bookseller's handstamps to upper and title "Occasion Neuf Livres & Musique" etc. Slightly browned; occasional light foxing. First edition. Lesure 125.<br/><br/>Premiered in Paris on 22 May 1911 at the Théâtre du Châtelet.<br/><br/>"Debussy was rather reserved in his attitude to the aesthetic of the Ballets Russes and seems to have preferred the idea of rejuvenating the old form of opera-ballet Fêtes galantes after Verlaine renamed Crimen amoris. He wrote the scenario - but not the music - of Masques et bergamasques but he detested the choreography which Diaghilev commissioned from Nijinsky for Jeux a work which finally found a new life for itself in the concert hall. He fell out with Maud Allan who commissioned the ballet Khamma; the score which has its Stravinskian moments was not played in his lifetime." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 8443] unknown books‎

书商的参考编号 : 33655

‎DEBUSSY Claude 1862 1918‎

‎Estampes Pour le Piano‎

‎Paris: A. Durand & Fils PN D. & F. 6326 1 - 3 1916. Folio. Original publisher's ivory wrappers with titling printed in blue and orange to upper and publisher's advertisment to verso of lower. Unbound as issued. 1f. recto title printed in dark orange verso blank 24 pp. With "Ch. Douin gr ." and "Paris Imp. A. Mounot." printed at foot of final page of music.<br/><br/>With performance markings in pencil throughout.<br/><br/>Wrappers worn and soiled; minor edge tears and creases; handstamp to lower corner of upper. Minor browning and soiling; publisher's handstamp to title. First Edition later issue. Lesure 100.<br/><br/>Estampes premiered in Paris with Ricardo Viñes at the piano at a concert of the Société nationale in the Salle Erard on 9 January 1904<br/><br/>Debussy's creative connection to the visual arts was significant and many times throughout his career he attributed the inspiration for many of his compositions to specific artists or works of art. "Louis Laloy his first French biographer revealed in 1909 that 'He received his most profitable lessons from poets and painters not from musicians' while he himself told Varèse in 1911 'I love pictures almost as much as music'. .One of his rare piano pupils Mademoiselle Worms de Romilly went so far as to write that he 'always regretted not having worked at painting instead of music'. Ever since his years at the Conservatoire Debussy had felt that he had more to learn from artists than from career-obsessed musicians: 'You are getting nowhere M. Croche will tell them because you know nothing but music and obey barbaric laws'. Three of his works were dedicated to artists: one of the Images for piano to Alexandre Charpentier one of the Proses lyriques to Henri Lerolle and Estampes to Jacques-Emile Blanche." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 6326 (1) [-] (3)] unknown books‎

书商的参考编号 : 33656

‎DEBUSSY. BERNSTEIN Leonard 1918 1990‎

‎Le Martyre The Martyrdom of Saint Sebastian LB Version." Typescript annotated by Bernstein's assistant conductor Yuri Krasnapolsky‎

‎Folio. 24 pp. On onionskin. With typed note at conclusion "Translation by Leonard Bernstein August 29th 1962." <br/><br/>Contents: <br/>Prologue: 2 pp. <br/>Act I: First Window: the Court of Lilies 5 pp.<br/>Act II: Second Window: The Magic Chamber 3 pp.<br/>Act III: Third Window: The Council of False Gods 9 pp.<br/>Act IV: Fourth Window: The Wounded Laurel 4 pp. <br/>Act IV: 1 p. <br/><br/>With numerous annotations corrections etc. in ink and lead red and blue pencil throughout by Yuri Krasnapolsky 1934-2018. Somewhat worn and creased; several leaves stapled together at upper inner corners.<br/><br/>Together with: <br/>- An extensively corrected draft of an interesting autograph letter from Krasnapolsky to Leonard Bernstein. 5 pp. Folio. In pencil on 4ff. of yellow lined paper. No date. Addressed "Dear Lenny." Krasnapolsky writes regarding his travels in Europe after seeing Bernstein in Vienna possible conducting engagements having been blacklisted during the McCarthy era etc. The letter is particularly poignant regarding his relationship with and feelings of indebtedness to Bernstein: "The European experience. showed me that my association with you over the past eighteen years has been crucial & pervasive. Your working style in every respect became for me as for many others an object of tremendous admiration and imitation. My own style took longer. to evolve but now that it has I can see & feel more clearly what it owes to yours." Krasnapolsky very much regrets the fact that he has apparently offended Bernstein in some way and is struggling to understand "how & when." He goes on to say that "it is a simple fact of my life that I am deeply indebted to and in a sense derived from you and can no more separate myself from that fact than I can deny my love for music. I literally cannot survive professionally without your help." Krasnapolsky goes on to request various letters of endorsement. <br/><br/>- A corrected draft of an autograph letter from Krasnapolsky to Sir John Barbirolli. 3 pp. Folio. In pencil on 3ff. of yellow lined paper. No date. Addressed "Dear Sir John." Krasnapolsky apologizes for the delay in writing but says that he has been "unexpectedly but unavoidably busy with a series of youth concerts." He thanks Barbirolli for his kindness and hospitality. "It was a great pleasure and a privilege to see you at work again and to have assisted you however briefly." Krasnapolsky has regarded Barbirolli as a "heroic musical figure. for many years." He mentions going to a concert of Barbirolli's at Carnegie Hall "at age 8 and/or 9 quite alone" with Gieseking as soloist. "Furthermore now that I am at the age you were when you took on the N.Y. Phil. I realize more than ever what an enormous task and brilliant achievement that was. Who else could have done that I don't know. But you have remained undeniably a heroic figure of 20th century music. I can only wish that someone. will say the same of me someday. My wife and I are planning to be in London again just after the first of the year. I'll be looking for ways to become a part of the musical life of London and the Continent." <br/><br/>- A corrected draft of a letter to John S. Edwards General Manager of the Chicago Symphony. 1 page. Folio. In pencil on 1f. of yellow lined paper. Thanking him for his time whle in New York mentioning "the Florida affair" etc.<br/><br/>- A corrected draft of a letter to Walter Hendl at the Eastman School of Music. 2 pp. Folio. In pencil on 1f. of yellow lined paper. Recommending a colleague Francois Jarosely for a possible conducting appointment at the school. <br/><br/>- Biographical notes. 5 pp. Folio. In pencil on 5 ff. Le Martyre de Saint Sébastian a "mystère" in five acts to a libretto by Gabriele D'Annunzio composed for the dancer Ida Rubinstein was first performed in Paris at the Châtelet on May 22 1911. Debussy's last stage work it is "a synthesis of orchestra and vocal music dance mime and speech." <br/><br/>Bernstein translated D'Annunzio's text and conducted a recording of the work in 1962 with the Choral Art Society and the New York Philharmonic featuring his wife Felicia Montealegre as Sebastian one of the narrators: ".among its best moments the serenely celestial 'Magic Chamber' in which the NYPO strings bloom and 'The Wounded Laurel' which could have come from La mer. Mr and Mrs. Bernstein were having a good day judging by the passion which comes across." Christopher Fifield BBC Music Magazine. <br/><br/>"The following year 1963 he conducted The Martyrdom of Saint Sebastian to commemorate Debussy's centenary. The sung parts were in German the dialogue in English. Fritz Weaver the actor was the narrator and Felicia appeared as the male saint. Bernstein probably thought of her as at least a saint. If he tested orchestra managements and presidents to see how far he could push them he repeatedly tested Felicia too. She seemed to pass all his tests right up to the end of her life. As for the Debussy critics remarked on the clean articulation of the text." Peyser: Bernstein p. 359. <br/><br/>Krasnapolsky was an assistant conductor of the New York Philharmonic under Leonard Bernstein. unknown books‎

书商的参考编号 : 30632

‎LECOCQ Charles 1832 1918‎

‎Janot Opéra Comique en 3 Actes Paroles de M.M. H. Meilhac et Ludovic Halévy. Théâtre de la Renaissance. Partition Chant et Piano Arrangée par Léon Roques. Piano-vocal score‎

‎Paris: Brandus & Cie PN B et Cie 12705 1881. Large octavo. Original publisher's dark pink illustrated wrappers. 1f. recto illustrated title printed in colour verso blank 1f. recto notes on first performance and named cast list verso contents xii 286 pp. Some leaves unopened.<br/><br/>With an autograph inscription signed by the composer "Ch. Lecocq" to Vauthier who played Latignasse in the premiere of the work.<br/><br/>Named cast includes J. Granier Jolly Vauthier Lary Jeannin Libert Deberg Perrenot Williams Crambade Schamyl Desclauzas Mily Meyer Belliard Rouvroy Lydie Borel Ducouret Panseron Doriani Davenay Roger and Boulard.<br/><br/>Wrappers worn and chipped at edges; upper detached; spine faded. Occasional minor foxing; first signature partially detached; publisher's facsimile handstamp to blank lower outer corner of title. First Edition.<br/><br/>Janot to a libretto by Meilhac and Halévy was first performed at the Renaissance on January 21 1881.<br/><br/>"After a lapse of more than a year caused by illness and domestic problems his career resumed with Janot 1881 Le jour et la nuit 1881 and Le coeur et la main 1882 but these were his last real successes."<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie [PN B et Cie 12705] unknown books‎

书商的参考编号 : 28614

‎LECOCQ Charles 1832 1918‎

‎La Jolie Persane Opéra Comique en 3 Actes Paroles de MMrs. E. Leterrier & A. Vanloo. Théâtre de la Renaissance. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score‎

‎Paris: Brandus & Cie PN B et Cie 12563 1879. Large octavo. Original publisher's blue illustrated wrappers. 1f. recto title illustrated by P. Borie in gray sepia and blue verso blank 1f. recto notes on first performance and named cast list verso contents viii 290 pp. Most leaves unopened.<br/><br/>With presentation stamp and signed inscription from the publisher to upper inner corner of first page of music.<br/><br/>Named cast includes Ismael Vauthier Paul Ginet Lary William Tauffenberger Desclos Perrenot Morand Legrain Veret Jane Hading Desclauzas Gélabert Lilia Herman Norette Lydie Borel Panseron Doriani Davenay Kolb and Ducouret.<br/><br/>Wrappers slightly worn and chipped; spine worn and split reinforced with tape. Light to moderate foxing; some signatures partially split; small decorative oval bookseller's handstamp to first three leaves. First Edition.<br/><br/>La jolie Persane to a libretto by Leterrier and Vanloo was first performed in Paris at theRenaissance on October 28 1879.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie [PN B et Cie 12563] unknown books‎

书商的参考编号 : 28613

‎LECOCQ Charles 1832 1918‎

‎La Petite Mariée Paroles de MM. E. Leterrier & A. Vanloo. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score‎

‎Paris: Brandus & Cie. PN B. & Cie. 12078 1876. Large octavo. Quarter black cloth with black boards titling gilt to spine. 1f. recto illustrated title printed in brown verso blank 1f. recto notes on first performance named cast list and contents verso blank 172 189-196 173-188 197-269 i blank pp.<br/><br/>Named cast includes Vauthier F. Puget Dailly Caliste Paul Albert Derval Baudin Jeanne Granier Alphonsine Panseron Blanche Miroir and Duchesne.<br/><br/>Binding slightly worn rubbed and bumped; lower hinge split. Light to moderate foxing; occasional staining; some signatures split; former owner's signature and handstamps to title. First Edition.<br/><br/>La petite mariée to a libretto by Leterrier and Vanloo was first performed in Paris at the Renaissance on December 21 1875. <br/><br/>"Settling once again in Paris Lecocq confirmed his international reputation with La petite mariée 1875 and Le petit duc 1878 both of which have remained in the French operetta repertory."<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 12078] unknown books‎

书商的参考编号 : 28606

‎LECOCQ Charles 1832 1918‎

‎Le Grand Casimir Opérette en 3 Actes de M.M. J. Préval et A. de Saint-Albin. Théâtre des Variétés. Partition Chant et Piano Arrangée par Marius Boullard. Piano-vocal score‎

‎Paris: Brandus et Cie. PN B. et Cie. 12465 1879. Large octavo. Quarter dark brown calf with green marbled marbled upper with Maquaire subscription information gilt pebbled dark brown papder lower titling gilt to spine. 1f. recto title illustrated by G. Fraipont printed in sepia verso blank 1f. recto blank verso notes on first performance named cast list and contents 139 i blank pp. Lithographed.<br/><br/>Named cast includes Dupuis Léonce Baron Alex. Guyon Deltombe Germain Angely Gaussins Ambroise Drouin Coste Videix Millaux Le petit Charles Céline Chaumont Baumaine Odette Farna Marguerite Léonie Frank Maria and Renouard. <br/><br/>Binding slightly worn rubbed and bumped. Slightly foxed; some signatures partially split; handstamps to title. First Edition.<br/><br/>Le grand Casimir to a libretto by Prével and Saint-Albin was first performed in Paris at the Variétés on January 11 1879.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus et Cie. [PN B. et Cie. 12465] unknown books‎

书商的参考编号 : 28612

‎LECOCQ Charles 1832 1918‎

‎La Fille de Madame Angot Opéra Comique En 3 Actes Paroles de Mrs. Clairville Siraudin & Koning. Partition Chant & Piano Arrangée par Henri Nuyens Prix net 12 F. Piano-vocal score‎

‎Paris: Brandus & Cie. PN B. & Cie. 11801 1873. Large octavo. Half dark blue pebbled cloth with marbled boards titling gilt to spine. 1f. recto title illustrated by Barbizet. verso blank 1f. recto notes on first performance named cast list and contents verso blank 1f. dedication 269 i blank pp.<br/><br/>Named cast for the first performance in Brussels at the Théâtre des Fantaisie-Pareisiennes on December 4 1872 includes Mario Widmer Jolly Charlier et Chambéry Touzé Ernotte Noé Ometz Durieu Desclauzas Pauline Luigini Delorme Bourgeois Sporas Pauline Carben Malleville Savigny and Camille and for the Paris performance at the Théâtre des Folies-Dramatiques on February 24 1873 Mendasti Ph. Dupin Luco Haymé Legrain Vavasseur Jeault Heuzey Desclauzas Paola Marié Vauthier-Toudouze Julien Minne Alieri Marie Dordan d'Aubigny Fleury and Duvernay.<br/><br/>Title incorporates a small oval portrait of Paola Marié the singer who performed the role of Clairette Angot in Paris.<br/><br/>Binding slightly worn rubbed and bumped. Mostly minor foxing; dampstaining to upper margins; title slightly trimmed and with small chip to blank lower outer corner; handstamps to title and third leaf; 2" tear to first page of music. First Edition. <br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 11801] unknown books‎

书商的参考编号 : 28618

‎LECOCQ Charles 1832 1918‎

‎Le Jour et la Nuit Opéra-Bouffe en 3 Actes Paroles de M.M. A. Vanloo et E. Leterrier. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score‎

‎Paris: Brandus et Cie. PN B. et Cie. 12765 1882. Large octavo. Full dark green pebbled flexible cloth boards titling gilt to spine. 1f. recto illustrated title printed in colour verso blank 1f. recto notes on first performance and named cast list verso contents viii 280 pp.<br/><br/>Named cast includes Brasseur Berthelier E. Montaubry Scipion Matrat Dacheux Prosper Marguerite Ugalde Juliette Darcourt Piccolo Maurianne Frédéa Lucy-Jane Panot d'Albe Varennes G. d'Oria Jeanne and Charbonnel.<br/><br/>Slightly worn; title browned and with handstamps and former owner's signature; second and third leaves detached. First Edition later issue.<br/><br/>Le jour et la nuit to a libretto by Vanloo and Leterrier was first performed in Paris at thew Nouveautés on November 5 1881.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus et Cie. [PN B. et Cie. 12765] unknown books‎

书商的参考编号 : 28619