‎Guerre 14/18‎

‎LECOCQ Charles 1832 1918‎

‎Le Pompon‎

‎Paris: Brandus & Cie B. & Cie. 12050 1875. 3 volumes. Large octavo. Dark brown textured cloth-backed green boards with decorative cut paper labels titled in manuscript to uppers; small manuscript title labels to head of spines. <br/><br/>Act I: 128 pp.<br/>Act II: 129-258 pp.<br/>Act III: 259-326 pp. With notes on cast in pencil to verso of front free endpaper.<br/><br/>Heavily annotated in black ink and lead red and blue pencil. With Swedish translation of French text overlaid in pencil and with corrections/alterations to notation and performance annotations in both pencil and ink in the same hand throughout. Manuscript music laid in to end of Act III being an alternative ending. Oval handstamp of the Swedish theatre publisher Arvid Enlind to several pages. <br/><br/>Binding slightly worn rubbed and bumped. Occasional small edge chips and tears; annotations tipped into p. 319 partially obscuring music; lacking title and preliminary leaf. Le pompon to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on November 10 1875.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online.<br/><br/>An interesting performance copy. [Brandus & Cie [B. & Cie. 12050] unknown books‎

书商的参考编号 : 28431

‎LECOCQ Charles 1832 1918‎

‎Le Beau Dunois Opera-Bouffe en un Acte Paroles de MM H. Chivot et A. Duru. Theatre des Variétés. Prix: 7f. net. Partition Piano et Chant Réduite par Léon Roques. Piano-vocal score‎

‎Paris: E. Heu PN E.H. 1845 1870. Large octavo. Quarter dark brown calf with patterned maroon paper boards. 1f. recto title illustrated by A. Jannin and printed in brown verso blank 1f. recto notes on first performance named cast list and contents verso blank 99 i blank pp.<br/><br/>Named cast includes Dupuis Kopp Léonce Aimée and Lucy-Abel.<br/><br/>Boards slightly worn rubbed and bumped; publisher's advertisement laid down to front endpapers with rectangular handstamp to front free endpaper and first two leaves. Occasional minor foxing; facsimile signature handstamp to cast leaf and two additional leaves. First Edition. <br/><br/>Le beau Dunois to a libretto by Chivot and Duru was first performed in Paris at the Variétés on April 13 1870.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 1845] unknown books‎

书商的参考编号 : 28371

‎LECOCQ Charles 1832 1918‎

‎La Vie Mondaine Opéra Bouffe en 4 Actes Paroles de M.M. Paul Ferrier et Emile de Najac. Partition Chant & Piano. Piano-vocal score‎

‎Paris: Brandus & Cie. PN B. & Cie. 13016 1888. Large octavo. Quarter green calf with green textured paper boards titling gilt to spine. 1f. recto decoratibve title printed in gray-green verso blank 1f. recto named cast list and contents verso blank x 232 pp.<br/><br/>Named cast includes Berthelier Alb. Brasseur Jourdan Allart Schmiddt Charvet Dubois Lauret Simon Girard Mily-Meyer Darcourt Ducouret and Norette. <br/><br/>Binding somewhat worn and rubbed; edges bumped with minor damage to paper. Browned; some signatures split or partially split; two handstamps to lower margin of title slightly cropped; small tear to blank outer margin of p. 117. First Edition later issue.<br/><br/>La vie mondaine to a libretto by Ferrier and de Najac was first performed in Paris at the Nouveautés on February 13 1885.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 13016] unknown books‎

书商的参考编号 : 28335

‎LECOCQ Charles 1832 1918‎

‎Yetta Opéra Comique en 3 Actes de Fernand Beisser. Partition Piano et Chant. Piano-vocal score‎

‎Paris: Choudens PN A.C. 12861 1903. Large octavo. Original publisher's decorative wrappers printed in light brown and green with titling in blue to upper and spine. 1f. recto title printed within architectural border verso notes 1f. recto notes verso blank 1f. recto notes on first performance and named cast list verso blank 186 pp. Unopened.<br/><br/>With a 4-line autograph inscription signed by the composer "Ch. Lecocq" and dated "11 mars 1903" to Bourgeois who performed the role of Van der Boot in the premiere praising his performance.<br/><br/>Small tears to edges of upper wrapper; spine worn with some loss. Some signatures split and partially detached; leaf with inscription glued to facing leaf at gutter slightly obscuring several words of the inscription. First Edition.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online.<br/><br/>An important association copy. Choudens [PN A.C. 12861] unknown books‎

书商的参考编号 : 28418

‎LECOCQ Charles 1832 1918‎

‎Les Cent Vierges Opéra-Bouffe en 3 Actes Paroles de Clairville Chivot & Duru. Partition Chant & Piano Arrangèe par l'Auteur. Piano-vocal score‎

‎Paris: G. Brandus & S. Dufour PN B. et D. 11744 1872. Large octavo. Full red cloth with "Library of Sigmund Romberg" gilt to upper titling gilt to spine. 1f. recto title illustrated title by Jannin & Denis verso blank 1f. recto notes on first performance named cast list and contents verso blank 245 i blank pp.<br/><br/>Named cast for the first performance in Brussels on March 16 1872 at the Théâtre des Fantaisies-Parisiennes includes Mario Widmer Jolly Charlier Nardin Durieu Haly Ernotte Rineval Achille Goitte Gentien Delorme Dubouchet Guénin Debeer O. Vallot and Camille; and for the first performance in Paris at the Théâtre des Variétés on May 13 1872 Berthelier Kopp Hittemans Léonce Blondelet Alex. Michel D. Bac Bordier Duval Millaux Van-Ghell G. Gauthier A. Regnault Bessy A. Schneider Argème and Schweska.<br/><br/>Ex-library with The Library of The Universioty of California Los Angeles bookplate and "withdrawn" stamp etc. to front pastedown. Binding very slightly rubbed and bumped; spine slightly faded with remnant of label to foot. Minor to moderate foxing; several pages trimmed just touching pagination; small tears to inner margin of title with tape repairs publisher's facsimile signature handstamp to lower margin. First Edition later issue.<br/><br/>Les cent vierges to a libretto by Clairville Chivot and Duru was first performed in Brussels at the Fantaisies-Parisiennes on March 16 or 17 1872.<br/><br/>"In Brussels where Lecocq lived for several years from 1870 the popular acclaim accorded his operettas Les cent vierges 1872 La fille de Madame Angot 1872 and Giroflé-Girofla 1874 all of which were later produced with great success in Paris and abroad established him as a natural successor to Offenbach."<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online.<br/><br/>Romberg 1887-1951 a Hungarian-born American composer and conductor known particularly for the original operettas he created during the 1920s "worked with such legendary librettists as Oscar Hammerstein II and Dorothy Fields is an important link between Viennese operetta and the mature American musical theatre. Romberg was also an avid collector of musical scores and his personal music library purchased by the University of California after his death contained over 4500 items. Archives of his manuscripts performance materials and orchestral materials are held at the Library of Congress the New York Public Library the Shubert Archive and the University of California." William A. Everett in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11744] unknown books‎

书商的参考编号 : 28381

‎LECOCQ Charles 1832 1918‎

‎Ali-Baba Opéra-Comique en 3 actes et 8 tableaux de A. Vanloo et W. Busnach. Théâtre de l'Alhambra. Partition Chant & Piano transcrite par Léon Roques. Piano-vocal score‎

‎Paris: Choudens Père & Fils PN A.C. 7764 1890. Large octavo. Plain blue wrappers with manuscript titling in blue ink to upper and spine. 1f. recto title within architectural border verso notes 1f. recto notes on first performance named cast list and contents verso blank 307 i blank pp. Many leaves unopened.<br/><br/>Named cast includes Simon-Girard Duparc Cannès Maria Thom Hurbain Dechesne Simon-Max Mesmacker Larbaudière and Chalmin.<br/><br/>Quite browned throughout scattered foxing; edges worn with occasional small chips and tears; small oval handstamp to lower margin of title. A re-issue of the first edition. <br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 7764] unknown books‎

书商的参考编号 : 28400

‎LECOCQ Charles 1832 1918‎

‎La Petite Mademoiselle Opéra-Comique en Trois Actes de M. M. H. Meilhac et L. Halévy. Partition Chant et Piano arrangée par Léon Roques. Piano-vocal score‎

‎Paris: Brandus et Cie. PN B. et Cie. 12515 1879. Large octavo. Half dark red leather with dark red pebbled paper boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title illustrated by G. Fraipont printed in brown verso blank 1f. recto notes on first performance and named cast list verso contents viii 278 pp.<br/><br/>Named cast includes Berthelier Vauthier Urbain Lary Pacra Libret Caliste Tony Deberg Duchosal Tauffenberger Auger Perrenot Desclos William J. Granier Desclauzas Mily Meyer Piccolo Ribe Dianie and Kolb. <br/><br/>First Edition.<br/><br/>La petite mademoiselle to a libretto by Meilhac and Halévy was first performed in Paris at the Renaissance on April 12 1879.<br/><br/>". Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online.<br/><br/>Bound with:<br/>POISE Ferdinand 1828-1892<br/>La Surprise de l'Amour Opéra Comique en 2 Actes de Ch. Monselet d'après la Comédie de Marivaux. Prix net: 8f. Partition Chant et Piano réduite par Ate. Bazille. Piano-vocal score. Paris: Durand SchÅ“newerk & Cie. D. S. et Cie. 2364 1877. 1f. recto title illustrated by L. Denis in sepia verso blank 1f. recto named cast list and contents verso blank 122 pp.<br/><br/>Named cast includes Galli Marié Irma Marié Nicot and Moblet.<br/><br/>First Edition. <br/><br/>A French composer specializing in opéra comique Poise's La surprise de l'amour to a libretto by Monselet after Marivaux was first performed in Paris at the Opéra-Comique Favart on October 31 1877.<br/><br/>Binding somewhat worn; hinges split. Slightly worn browned and foxed throughout; handstamps to title of the Lecocq; minor damage to pp. 101-102 of the Poise. Brandus et Cie. [PN B. et Cie. 12515] unknown books‎

书商的参考编号 : 28607

‎LECOCQ Charles 1832 1918‎

‎La Camargo Opéra-Comique en trois Actes Paroles de M.M. At. Vanloo & Ene. Leterrier. Partition Chant & Piano Arrangèe par Léon Roques - Prix net: 15 f. Piano-vocal score‎

‎Paris: Brandus & Cie. PN B. & Cie. 12421 1878. Large octavo. Contemporary dark brown quarter leather with green marbled boards with H. Maquaire subscription information gilt to upper pebbled dark brown paper to lower. 1f. recto title illustrated by G. Fraipont printed in blue verso blank 1f. recto dedication to Zulma Bouffar Camargo in the first performance verso blank 1f. notes on first performance and named cast list verso contents xii 295 i blank pp. Lithographed.<br/><br/>Named cast includes Vauthier Berthelier Lary Pacra Libert Deberg Duchosal Tony Urebain Caliste William Desclos Auger Mercier Perrenot Beziat Caillous Z. Bouffar Desclauzas Jily-Meyer Lea d'Asco Piccolo Panseron Ribe Kolb Dianie Vialla Davenay Dortet Z. Bied and G. Piter. <br/><br/>Binding worn rubbed scuffed and bumped; front hinge split; small handstamp "152" to lower margin of front free endpaper. Occasional foxing; small publisher's facsimile handstamp to lower margin of title; small tear to upper margin of p. 287 with tape repair. First Edition. <br/><br/>La Camargo to a libretto by Vanloo and Leterrier was first performed in Paris at the Renaissance on November 20 1878.<br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 12421] unknown books‎

书商的参考编号 : 28372

‎LECOCQ Charles 1832 1918‎

‎La Trahison de Pan Opéra-Comique en 1 Acte Poème de Stéphan Bordèse. Partition complète Piano et Chant net: 8 francs. Piano-vocal score‎

‎Paris: Max Eschig PN M.E. 725 1912. Folio. Original publisher's peach wrappers illustrated by Clérice Frères and printed in white green and lavender. 1f. recto dedication verso blank 1f. recto title printed in red and black verso blank 1f. recto notes on first performance with named cast list 88 1f. blank pp.<br/><br/>Named cast includes Lowelly Tesorone and Ovido.<br/><br/>Wrappers slightly worn. First Edition.<br/><br/>Le trahison de Pan to a libretto by Bordèse was first performed in Aix-les-Bains at the Casino on September 13 1911. <br/><br/>"Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Max Eschig [PN M.E. 725] unknown books‎

书商的参考编号 : 28419

‎SALMON Daniel Elmer 1850 1914 and Theobald SMITH 1859 1934‎

‎"The bacterium of swine-plague".; In: The American Monthly Microscopical Journal. Vol. VII no II no. 83‎

‎Washington: Gibson Brothers 1886. First edition. Light wear to edges of wrappers generally very good/From the Collection of Allan B. Kirsner M.D. 8vo. Salmon and Smith's paper is on pp. 204-05. Entire volume: pp. 201-20 4 pp. advertisements at end. Original printed wrappers. "Discovery of Salmonella cholerae-suis. The Salmonelleae tribe was named after Salmon even though the discovery was made by his assistant Smith" Garrison-Morton-Norman 2505. <br/><br/> Gibson Brothers unknown books‎

书商的参考编号 : 401987

‎DEBUSSY Claude 1862 1918‎

‎Iberia "Images" pour Orchestre No. 2. Full score‎

‎Paris: Durand & Cie PN D. & F. 7576 1949. Tall folio. Dark ivory publisher's wrappers printed in red and black. 1f. recto title verso publisher's "General Conditions of Sale and Hire of Orchestral Material" and list of instruments 110 pp. <br/><br/>Wrappers worn; torn at spine. Slightly worn and browned; signatures partially detached; publisher's handstamp to first page of music. A re-issue from plates of the first edition. Lesure p. 127. Durand & Cie [PN D. & F. 7576] unknown books‎

书商的参考编号 : 28760

‎LECOCQ Charles 1832 1918‎

‎La Petite Mariée Paroles de MM. E. Leterrier & A. Vanloo. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score‎

‎Paris: Ph. Maquet & Cie. PN B. & Cie. 12078 1888. Octavo. Dark red leather-backed textured paper boards spine in compartments gilt with titling gilt. 1f. decorative title with copyright notice to verso 1f. named cast list for the first performance and table of contents 269 i blank pp. Lithographed. <br/><br/>Binding slightly worn rubbed and bumped with som abrasion to upper; tail of spine slightly defective. Uniformly browned; minor offsetting; occasional light soiling and staining to margins not affecting music. Handstamped "3718" to final page of music. A reissue of the first edition originally published by Brandus in 1876. Scarce. Worldcat 5 copies only. OCLC nos. 864205582 19008410 81845610.<br/><br/>La Petite Mariée was first performed at the Théâtre de la Renaissance in Paris on December 21 1875. "Lecocq confirmed his international reputation with La petite mariée 1875 and Le petit duc 1878 both of which have remained in the French operetta repertory. Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques." His greatest operettas "demonstrate his abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Ph. Maquet & Cie. [PN B. & Cie. 12078] unknown books‎

书商的参考编号 : 26629

‎NORDICA Lillian 1857 1914. Morton Levi P. 1824 1920‎

‎Secretarial letter to Eugene Semple Governor of Washington Territory concerning soprano Lillian Norton Gower Lillian Nordica‎

‎2 pp. of a bifolium. Octavo. Dated New York September 28 1888. In black ink. On stationery with "Office of Morton Bliss & Co. New York 188." printed at head. <br/><br/>"Will you allow me to present Mrs. Lillian Norton Gower who visits your Territory upon some matters of business connected with her late husband's estate I beg leave to bespeak for Mrs. Gower any good offices which you can consistently render and remain very respectfully yours."<br/><br/>Creased at folds; some staining; remnants of former mount to verso of second leaf. <br/><br/>Together with an original lithographic campaign item ca. 153 x 69 mm. with portraits of Benjamin Harrison and Levi P. Morton surrounded by a bald eagle an American flag and banners which read "For President Benjamin Harrison of Indiana For Vice President Levi P. Morton of New York." With the name of the lithographer Bufford Co. printed to lower edge. Some wear; minor annotations and remnants of adhesive to verso. Nordica née Norton was an American soprano who frequently sang at Drury Lane Covent Garden and the Metropolitan Opera. "After extensive coaching by Cosima Wagner she sang Elsa in the first production of Lohengrin at Bayreuth in 1894. At the height of her Metropolitan Opera career 1893-1907 she was known primarily as a Wagnerian. Nordica had a rich voice and a remarkable coloratura range. She knew 40 operatic roles in English Italian German French and Russian. A resolute and shrewd - but also generally good-natured - individual she owed her stature as a great Wagnerian soprano to hard work constant study and determination. Late in her career she became a strong proponent of opera in English; she was also an ardent suffragist and had an unfulfilled dream of establishing a Bayreuth-like American Institute for Music." Katherine K. Preston in Grove Music Online.<br/><br/>Nordica married Frederick Gower in 1882. Three years later in the midst of their divorce proceedings Gower disappeared on an experimental balloon flight across the English channel and was never seen again. Kate Kennedy in More Than Petticoats: Remarkable Maine Women pp. 68-69.<br/><br/>Levi P. Morton 1824-1920 was the twenty-second Vice President of the United States 1889-1893 under President Benjamin Harrison 1833-1901. He later served as the thirty-first Governor of New York 1895-1896.<br/><br/>Eugene Semple 1840-1908 was the Governor of Washington Territory from 1887 until 1889. unknown books‎

书商的参考编号 : 23675

‎GANZ Wilhelm 1833 1914‎

‎Autograph musical quotation signed "Wilhelm Ganz" dated August 13 1875 and inscribed‎

‎In black ink on ivory paper ca. 64 x 103 mm. Laid down to ivory mounting paper. <br/><br/>Quotation comprising the first five measures of the vocal part from Ganz's song "Sing Birdie Sing" notated on one staff in 6/8 time in A major. Marked "Allegro vivo." With text underlay in English "Sing birdie sing and let thy song be of this earth". <br/><br/>Some light creasing and foxing; minor staining from remnants of adhesive to upper edge not affecting music or signature. Ganz was a noted organist violinist conductor and composer. Born in Mainz he settled permanently in London in 1851. "In 1856 Ganz was an accompanist on Jenny Lind's tour of England and Scotland and for some years thereafter he accompanied many of the leading singers in London. He was also the organist at the German Lutheran church in the Strand. Ganz joined Henry Wylde's New Philharmonic Society as second violinist in 1852. In 1874 he became joint conductor of the society with Wylde and in 1879 on Wylde's resignation continued the concerts alone first under the former name and after 1880 as 'Mr Ganz's Orchestral Concerts'. During his three seasons as conductor Berlioz's Symphonie fantastique and Liszt's Dante Symphony were performed in their entirety for the first time in London and a number of eminent artists including Annette Essipov Sophie Menter Saint-Saëns and Pachmann appeared as soloists." M.C. Carr and Robert Pascall in Grove Music Online. unknown books‎

书商的参考编号 : 25380

‎LECOCQ Charles 1832 1918‎

‎Portrait caricature by Aroun-al-Rascid pseud. Umberto Brunelleschi 1879-1949‎

‎Colour photo-mechanical portrait printed in tones of sepia red black and tan with short textual addition below portrait. Published in the satiric journal L'Assiette au Beurre in 1902. Sheet size 313 x 241 mm. With portrait of the French composer Jules Massenet 1842-1912 to verso.<br/><br/>Fine impression on tan wove paper. <br/><br/>Slightly worn browned and brittle. unknown books‎

书商的参考编号 : 23408

‎Fine Reuben 1914 1993‎

‎Basic Chess Endings‎

‎xiv573 pages with diagrams. Small Octavo. bound in original publisher's brown cloth with gilt lettering and stamping to spine and cover issued without jacket. Signed and limited to 500 copies of which this is number 26. Limited edition not in Betts First edition.<br /><br />Fine had an exceptionally brief but fruitful international career before changing from grandmaster to psychiatrist. Within three years 1935-8 he developed from an unknown American master into co-winner of AVRO 1938 one of the highest-rated events ever held. Yet when chess revived after the second World War Fine was too busy with his studies to accept an invitation to the World Championship tournament of 1948. After AVRO 1938. Fine concentrated on writing chess books. Altogether he wrote more than a dozen works. Golombek: 116p<br /><br />Condition:<br /><br />Previous owner's name in pencil limitation page else a very good to fine copy. David McKay Co hardcover books‎

书商的参考编号 : C1316

‎WEISMANN Friedrich Leopold August 1834 1914.‎

‎Votrage uber Descendenztheorie gehalten an der Universitat zu Freiburg im Breisgau.‎

‎Jena:: Gustav Fischer 1902. 1902. Two volumes. 238 x 165 mm. 8vo. xii 456; vi 462 pp. 131 figs. 1 color index 3 color plates. Modern green buckram gilt spine titles. Ownership signature of M. J. Fell. Fine set. First Edition of Weismann's lectures on germ-plasm delivered at the University of Freiburg. Weismann begins with an historical introduction citing the works of Goethe Erasmus Darwin Treviranus Lamarck Oken and Charles Darwin. Barchas Collection 2126; BM Nat. Hist. VIII p. 14010; Gascoigne 13901.12a; Hughes A History of Cytology pp. 80-83. Gustav Fischer, 1902. hardcover books‎

书商的参考编号 : S4618

‎GEORGI Howard b. 1947 & Abraham PAIS 1918 2001.‎

‎"Generalization of the Glashow-Iliopoulos-Maiani mechanism: horizontal and vertical flavor mixing."‎

‎Offprint from:: Physical Review D Vol. 19 No. 9 1 May 1979. 1979. 280 x 216 mm. 4to. 2746-2754 pp. 2 tables references. Self-wraps. Fine. Physical Review D, Vol. 19, No. 9, 1 May 1979. paperback books‎

书商的参考编号 : S4417

‎PAIS Abraham 1918 2001.‎

‎"The particle jungle."‎

‎Offprint from:: Rockefeller University Review January - February 1966. 1966. 280 x 217 mm. 4t. 3 pp. 5 figs. Printed wrappers. Fine. Rockefeller University Review, January - February 1966. unknown books‎

书商的参考编号 : S4379

‎PAIS Abraham 1918 2001.‎

‎"Comment of nonleptonic decays of charmed hadrons."‎

‎Offprint from:: Physical Review Letters Vol. 34 No. 11 17 March 1975. 1975. 268 x 202 mm. 4to. 707-709 pp. Self-wraps. Fine. Physical Review Letters, Vol. 34, No. 11, 17 March 1975. paperback books‎

书商的参考编号 : S4404

‎PAIS Abraham 1918 2001 & Sam B. TREIMAN b. 1925.‎

‎"Influence of polarization effects on charge-conjugation tests in pp and ee- annihilations."‎

‎Offprint from:: The Physical Review Vol. 187 No. 5 25 November 1969. 1969. 267 x 201 mm. 4to. 2076-2077 pp. Self-wraps. Very good. The Physical Review, Vol. 187, No. 5, 25 November 1969. paperback books‎

书商的参考编号 : S4452

‎PAIS Abraham 1918 2001.‎

‎"The structure of matter."‎

‎no place:: Offprint from an unidentified publication. N.p. n.d. 228 x 142 mm. 8vo. 291-318 pp. 3 figs. Self-wraps. Fine. Offprint from an unidentified publication. N.p., n.d. paperback books‎

书商的参考编号 : S4430

‎PAIS Abraham 1918 2001.‎

‎"Parity and other symmetries in strong interactions."‎

‎Offprint from:: Physical Review Letters Vol. 1 No. 11 December 1 1958. 1958. 267 x 200 mm. 4to. 2 pp. 1 leaf. Fine. One of four articles written in 1958 by Abraham Pais "On an old love of mine: symmetry properties of strong interactions." Pais A tale of two continents p. 364 Physical Review Letters, Vol. 1, No. 11, December 1, 1958. unknown books‎

书商的参考编号 : S4369

‎PAIS Abraham 1918 2001.‎

‎"Gauge theories and 'elastic' weak neutral currents."‎

‎Offprint from:: Physics Letters Vol. 48B No. 4 18 February 1974. 1974. 262 x 194 mm. 4to. 326-328 pp. Self-wraps. Fine. Physics Letters, Vol. 48B, No. 4, 18 February 1974. paperback books‎

书商的参考编号 : S4398

‎PAIS Abraham 1918 2000.‎

‎On symmeteries shared by strong and weak interactions.‎

‎In:: Reviews of Modern Physics Vol. 33 No. 3 July 1961. 1961. 272 x 202 mm. 4to. Pages 493-497. Entire volume: iv 625 pp. Full orange buckram gilt spine. Ex library rubber stamps those on edges obscured spine label partially removed. Ownership name in gilt on top cover. Very good. FIRST EDITION. Abraham Pais and Murray Gell-Mann teamed together to work on the problem of strong and weak interactions. See: Pais Inward bound p. 520. Abraham Pais received the Ph.D. from the University of Utrecht in 1941 and was professor of physics at the Institute for Advanced Study in Princeton New Jersey from 1950-1963. Pais' research and publications were on the physics of fundamental particles high enery physics and field theory. Reviews of Modern Physics, Vol. 33, No. 3, July, 1961. hardcover books‎

书商的参考编号 : S4267